In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies.

"European Cinema and Intertextuality" offers an original and up-to-date approach to the representation of history through film. It provides an interpretation of a number of feature films representing crucial events and personalities from European history in the twentieth century. This includes the Second World War, Armenian Genocide, anti-Semitic attacks in Poland after the Second World War, European terrorism of the 1970s, and the end of communism. Films discussed include "Eloge de l'amour" and "Passion" by Jean-Luc Godard, "Ararat" by Atom Egoyan, "The Baader Meinhof Complex" by Uli Edel, "Moonlighting" by Jerzy Skolimowski, "12:08 East of Bucharest" by Corneliu Porumboiu and "Kawasaki Rose" by Jan Hrebejk.

International film has received some of its most original impulses from German filmmakers. However, the works by women directors in German-speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema through the category of gender and to present feminist interventions in the current lively discussion of German film and film criticism. From Lubitsch's The Doll (1919) to von Trotta's Rosa Luxemburg (1985), films are drawn from a number of historical periods and both female and male directors. From a variety of feminist approaches, contributors analyze cinematic techniques, narrative discourse, production, reception and the politics of representation.

Spanish cinema is emerging as one of the most exciting, fascinating, and special cinemas in the world. Not only are others viewing Spanish films, but they are adopting Spanish producers and Spanish actors as their own. While Spanish cinema has been maturing for a long time and has been producing excellent directors, actors, and films for decades-including during the dark times of the Franco regime-only now is it winning numerous fans not only at home but also abroad. And with directors like Pedro Almodovar, actors and actresses like Javier Bardem and Penelope Cruz, and films such as Abre los ojos and Alatriste to build upon, the outlook for Spanish Cinema appears brighter than ever. The Historical Dictionary of Spanish Cinema provides a better understanding of the role Spanish cinema has played in film history through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on producers, directors, film companies, actors, and films.

Immerse yourself in the thrilling world of Star Wars: The High Republic with this incredibly illustrated guide to the golden age of the Jedi! Set centuries before the Skywalker Saga, this book is the ultimate in-universe guide to the Jedi Knights of Star Wars: The High Republic, providing fascinating insight into a time of valiant heroes, terrifying monsters, and daring exploration. You will also uncover the mysteries of the Force and learn about the technology of the Jedi Order, including its starfighters and the unique lightsaber designs of this incredible era. Featuring stunning original illustrations and exclusive new revelations, this striking book is an essential collectible that will transport you to the galaxy's gilded age.

Alison Oddey takes us on a spectator's journey engaging with art forms that cross boundaries of categorization. She questions the role of the spectator and director, including interviews with Deborah Warner; the nature of art works and performance with artists Heather Ackroyd, Dan Harvey and Graeme Miller. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic Twenty-First century landscape.

Henry of Bolingbroke was one of the most important noblemen of the later fourteenth century. Brave, chivalrous and cultured, a talented musician, he excelled at the jousts held at his cousin Richard II's Court, acquiring military experience at Radcot Bridge in Oxfordshire and later fighting with the Teutonic Knights in Prussia. A great medieval traveller, he visited Konigsberg as Earl of Derby, travelling to Danzig, Prague and later Venice and Jerusalem. Bitterly opposed to Richard II's favourites, Bolingbroke as one of the Lords Appellant played a vital part. Henry's most controversial actions were the deposition of Richard II (1399) and the execution of Richard Scrope, Archbishop of York, after he had usurped Richard's throne. As Henry IV, an usurper, the King knew little peace, incessantly engrossed as he was in preserving his throne; and the French and Scots never allowed him to forget his usurpation. For many years he fought a savage and frustrating war against the great Welsh rebel Owain Glyn Dwr, but defeated the immortal Harry Percy (Hotspur) at the Battle of Shrewsbury (1403). In his relations with his Parliaments, Henry showed acumen and praiseworthy restraint, unlike his predecessor who was determined to be an absolute King. His short reign was remarkable for the development of Parliament.

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieslowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polanski's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.

Like founder Rowena Ravenclaw, the members of Hogwarts' Ravenclaw house, including Luna Lovegood and Cho Chang, are known for their wit and cleverness. Now you can capture the magic of Ravenclaw house like never before and collect a stunning array of artifacts inspired by the Harry Potter films. Inside, fans will learn about all things Ravenclaw, relive moments from the films, and delve into the behind-the-scenes magic that brought Harry Potter to life on the big screen.

Film can be an invaluable teaching resource. "Tudors and Stuarts on Film" provides analyses of films about the Tudor and Stuart period from leading historians. The accuracy of each film is assessed, and they are also placed within the context of the period in which they were made, and the influence they have had on popular conceptions of early modern England.

This wide-ranging guide introduces (or reintroduces) readers to movie musicals past and present, enabling them to experience the development of this uniquely American art form-and discover films they'll love. This comprehensive guide covers movie musicals from their introduction with the 1927 film The Jazz Singer through 2015 releases. In all, it describes 125 movies, opening up the world of this popular form of entertainment to preteens, teens, and adults alike. An introduction explains the advent of movie musicals; then, in keeping with the book's historical approach, films are presented by decade and year with overviews of advances during particular periods. In this way, the reader not only learns about individual films but can see the big picture of how movie musicals developed and changed over time. For each film covered, the guide offers basic facts-studio, director, songwriters, actors, etc.-as well as a brief plot synopsis. Each entry also offers an explanation of why the movie is noteworthy, how popular it was or wasn't, and the influence the film might have had on later musicals. Sidebars offering brief biographies of important artists appear throughout the book. Shows how the genre developed over time, from the 1920s to the present Shares fascinating insights about musicals with which the reader is already familiar Offers information on many lesser-known musicals Helps readers find film musicals that are similar to those they know and like Introduces important performers, directors, and songwriters Includes photographic stills from famous movie musicals

This first full-length scholarly study about animal horror cinema defines the popular subgenre and describes its origin and history in the West. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.

British-born David Niven began his acting career in 1935, appearing in movie classics that have stood the test of time. Immensely popular with moviemakers and fans alike, Niven's urbane wittiness and charm enamored him to them throughout his long career. After grieving the death of his young first wife and left to raise two small children, he developed his career and won the Academy Award for Best Actor in 1958. He later attained success as a writer. This reference is a definitive guide to David Niven's fascinating career. The book begins with a short biography that summarizes his life and provides a context for his work. The following chapters are each devoted to Niven's work in a particular medium, such as film, stage, radio, and television. Each chapter includes entries for Niven's performances, which provide full production information, plot synopses, review excerpts, and commentary. Other portions of the book offer information on material written by Niven, his various awards, and an annotated bibliography of works about him.

When Gianni Bozzacchi accepted an assignment as a photographer on the set of The Comedians (1967), he didn't know that his life was about to change forever. His ability to capture the beauty of candid moments drew the attention of the film's star, Elizabeth Taylor, and prompted her to hire him as her personal photographer. Not only did he go on to enjoy a jet-set life as her friend and confidant -- preserving unguarded moments between the violet-eyed beauty and Richard Burton as they traveled the world -- but Bozzacchi also became an internationally renowned photographer and shot some of the biggest celebrities of the 1960s and 1970s. In My Life in Focus, Bozzacchi traces his journey from humble beginnings to the sphere of the rich and famous. As a child, he cultivated his skills by working with his father -- a photographer for the Italian government. Following in his parent's footsteps was not something Bozzacchi had foreseen for his future; but his passion for taking pictures and his ability to put his subjects at ease enabled him to capture stunning images of some of the greatest stars of the twentieth century, including Audrey Hepburn, Steve McQueen, Raquel Welch, Mia Farrow, Clint Eastwood, and the royal family of Monaco. Beautifully illustrated with many of the photographer's most iconic images, this lively memoir reveals private moments in the Taylor-Burton love story and provides an invaluable behind-the-scenes look at the business of filmmaking and the perils of celebrity.

Get carried away as you piece together the weird and wonderful world of Oz. Between the yellow bricks and emerald towers hides a host of memorable characters from L. Frank Baum's novel and the many adaptations and adventures that followed. As well as Dorothy, the Wicked Witch and Toto you'll also find Freddy Krueger, Sean Connery and Woody and discover their Oz connections in the fold-out poster. Indulge in some therapeutic puzzling and you'll soon discover there truly is no place like home! UNOFFICIAL & UNAUTHORISED

Practice-based film education is a crucial element in the institutional landscape of film. Despite its institutional significance, its decisive impact on the dynamics of entire film industries, the aspirations of film practitioners, and the content and form of the films that are produced, practice-based film education is still a neglected topic in film scholarship. The Education of the Filmmaker in Europe, Asia, and Australia is an attempt to begin to fill the lacuna in question by looking at film training programs in countries such as Lithuania, Scotland, Sweden, Australia, Japan, and others. Examining aspects of filmmaking such as environmental impact, influence on local culture, and sway over city policy, this book looks at how the training of filmmakers reaches beyond the films themselves to all aspects of culture and society.

Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.

This encyclopedic reference to the American movie musical identifies and describes the musicals and the artists who made them. Film entries range from the legendary "The" "Jazz" "Singer" in 1927 to "Fantasia" "2000." Artists ranging from Gene Kelly to Elvis Presley, Busby Berkeley, and John Travolta are included, as are musicians as varied as Irving Berlin, Paul Williams, and the Beatles. Entries also detail animated musicals, studios, perettas, rock documentaries, sequels and remakes, and dance movies.

As a reference work or as a book for browsing, this encyclopedia serves as a valuable companion to "Stage It with Music: An Encyclopedic Guide to the American Musical Theatre" (Greenwood, 1993) and will appeal to film scholars and fans alike. Information is cross referenced throughout. A chronological list of musicals and an appendix of Academy Award-winning musicals are included.