Over the past fifty years, a unique hybrid genre of nonfiction
cinema called the "avant-doc" has emerged in the world of
independent film. Combining the unconventional techniques of
avant-garde auteurs like Stan Brakhage with the verisimilitude of
traditional documentaries, the avant-doc expands the way cinema
captures and chronicles events. Drawing on firsthand interviews
with nineteen of the form's chief practitioners and participants,
Avant-Doc constructs an oral history that provides the first
insider's perspective on the phenomenon.
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