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Books > Arts & Architecture > Music > Techniques of music > General
This comprehensive analysis aims to explain the basic theory on
scales and to encourage the reader to explore also with more
unusual scale choices. There are numerous scales more or less close
to the basic scales that are usually used with a particular chord
type. This book guides you to these territories.
Music Engineering is a hands-on guide to the practical aspects of
electric and electronic music. It is both a compelling read and an
essential reference guide for anyone using, choosing, designing or
studying the technology of modern music. The technology and
underpinning science are introduced through the real life demands
of playing and recording, and illustrated with references to well
known classic recordings to show how a particular effect is
obtained thanks to the ingenuity of the engineer as well as the
musician. In addition, an accompanying companion website containing
over 50 specially chosen tracks for download, provides practical
demonstrations of the effects and techniques described in the book.
Written by a music enthusiast and electronic engineer, this book
covers the electronics and physics of the subject as well as the
more subjective aspects. The second edition includes an updated
Digital section including MPEG3 and fact sheets at the end of each
chapter to summarise the key electronics and science. In addition
to instruments and recording technology, this book covers essential
kit such as microphones, sequencers, amplifiers and loudspeakers.
Discover the potential of electronics and computers to transform
your performances and recordings
Develop an understanding of the engineering behind state of the art
instruments, amplifiers and recording equipment
An accompanying companion website completes the package with over
50 tracks providing practical demonstrations of the effects and
techniques described in the book
Gerard Behague presents five culture-, process-, and
community-specific case studies of performance that challenge the
assumption that contextual differences in performance and
performance practice matter little in overall effect. Within the
diverse performance contexts evaluated--Hindustani, Karantak, Mali,
Berber, American, and Latin American music--the concept of
performance practice as the integrated study of sound and context
is self-evident although the nature of the empirical data gathered
and the perspective and theorectical framework of each study varies
significantly.
(Faber Piano Adventures ). The 2nd Edition Primer Lesson Book
introduces the keyboard, note values, and the grand staff. Students
play in C 5-finger scale patterns, develop recognition of steps and
skips, and learn letter names independent of finger number.
Musicianship is built through the use of dynamics and coloristic
experimentation with the pedal. The book is organized into units
which represent the major concepts and skills. As new units are
introduced, earlier concepts and skills are constantly reviewed.
This easy step-by-step method emphasizes correct playing habits and
note reading through interval recognition. Lesson Book 5 concepts
include the ornaments: long appoggiatura, short appoggiatura, trill
and mordent; plus arpeggios; the A Major scale; and the keys of B
minor and C minor. Also introduces the playing of minuets,
sonatinas, preludes and arias.
For reinforcement of each principle as it is introduced,
supplementary material is carefully coordinated, page for page, at
each level of instruction. Coordinating supplemental books for
Level 5 include: Classic Themes * Ear Training * Merry Christmas *
Recital * Repertoire * Theory and Top Hits! Solo.
In recent years, music theory educators around the country have
developed new and innovative teaching approaches, reintroducing a
sense of purpose into their classrooms. In this book, author and
veteran music theory educator Jennifer Snodgrass visits several of
these teachers, observing them in their music theory classrooms and
providing lesson plans that build upon their approaches. Based on
three years of field study spanning seventeen states, coupled with
reflections on her own teaching strategies,Teaching Music Theory:
New Voices and Approaches highlights real-life teaching approaches
from effective (and sometimes award-winning) instructors from a
wide range of institutions: high schools, community colleges,
liberal arts colleges, and conservatories. Throughout the book,
Snodgrass focuses on topics like classroom environment,
collaborative learning, undergraduate research and professional
development, and curriculum reform. She also emphasizes the
importance of a diverse, progressive, and inclusive teaching
environment throughout, from encouraging student involvement in
curriculum planning to designing lesson plans and assessments so
that pedagogical concepts can easily be transferred to the applied
studio, performance ensemble, and other courses outside of music.
An accessible and valuable text designed with the needs of both
students and faculty in mind,Teaching MusicTheoryprovides teachers
with a vital set of tools to rejuvenate the classroom and produce
confident, empowered students.
At a time of unprecedented interest in improvisation across the
arts, The Art of Becoming boldly asserts that everyone can and
should improvise. Drawing on emerging psychological literature as
well as their own research with musicians, authors Raymond
MacDonald and Graeme Wilson - both music psychologists and renowned
performers in their own right - propose new ideas on what defines
improvisation in music. MacDonald and Wilson explore the cognitive
processes involved, the role of specialist skills or knowledge in
improvised interaction, and the nature of understanding between
improvisers. Their investigation lays out how we develop as
improvisers, alongside health benefits derived from music
participation. The Art of Becoming is a vital resource for courses
on improvisation in contemporary practice, and for those applying
musical improvisation in community and therapeutic contexts,
setting out a framework based on psychological findings for
understanding improvisation as a universal capability and an
essentially social behavior. With suggestions for approaching this
practice in new ways at any level, it demonstrates how
improvisation transcends musical genres and facilitates
collaboration between practitioners from disciplines across the
artistic spectrum. Putting forward important implications for
contemporary artistic practices, pedagogy, music therapy and the
psychology of social behavior, The Art of Becoming provides fresh
and provocative insights for anyone interested in playing,
studying, teaching, or listening to improvised music.
(Essential Elements for Band). (Essential Elements for Band and
Essential Elements Interactive are fully compatible with Essential
Elements 2000 ) Essential Elements for Band offers beginning
students sound pedagogy and engaging music, all carefully paced to
successfully start young players on their musical journey. EE
features both familiar songs and specially designed exercises,
created and arranged for the classroom in a unison-learning
environment, as well as instrument-specific exercises to focus each
student on the unique characteristics of their own instrument. EE
provides both teachers and students with a wealth of materials to
develop total musicianship, even at the beginning stages. Books 1
and 2 also include access to Essential Elements Interactive (EEi),
the ultimate online music education resource - anywhere, anytime,
and on any device. Go to www.essentialelementsinteractive.com to
learn more Method features: * Enhanced Learning System * Optimum
Reinforced Learning * Theory, History, Cross-Curriculum &
Creativity * Daily Warm-ups & Rubank Studies * 12 Full Band
Arrangements * Rhythm Studies Book also includes My EE Library*
(www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up
video Learn the basics * Play-along mp3 tracks for all exercises
Features a professional player on each individual instrument *
Duets and trios Print and play parts with friends * Music listening
library Hear great pieces for band * Internet access required for
My EE Library (book includes instructions to order free opt.
CD-ROM)
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