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Books > Arts & Architecture > Music > Techniques of music > General
As the movie and music industries have changed, film scoring has
become an overwhelmingly independent process. Film composers have
more responsibilities than ever before, and they must fulfill them
with smaller budgets and shorter schedules. As a result, composers
are increasingly becoming armies of one. In Guerrilla Film Scoring:
Practical Advice from Hollywood Composers, Jeremy Borum provides
valuable guidance on how to make a good film score both quickly and
inexpensively. This handbook encompasses the entire film scoring
process including education, preparation, writing and recording a
score, editing, mixing and mastering, finding work, career
development, and sample contracts. Offering strategic tools and
techniques, this insider's guide draws on the expertise from a
number of prominent composers in movies, television, and video
gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall.
A straightforward do-it-yourself manual, this book will help
composers at all levels create the best-sounding scores quickly and
cost effectively-without jeopardizing their art. With access to
rare and extremely useful input from the best in the business,
Guerrilla Film Scoring will benefit not only students but also
professionals looking to update their game.
Gerard Behague presents five culture-, process-, and
community-specific case studies of performance that challenge the
assumption that contextual differences in performance and
performance practice matter little in overall effect. Within the
diverse performance contexts evaluated--Hindustani, Karantak, Mali,
Berber, American, and Latin American music--the concept of
performance practice as the integrated study of sound and context
is self-evident although the nature of the empirical data gathered
and the perspective and theorectical framework of each study varies
significantly.
Music Engineering is a hands-on guide to the practical aspects of
electric and electronic music. It is both a compelling read and an
essential reference guide for anyone using, choosing, designing or
studying the technology of modern music. The technology and
underpinning science are introduced through the real life demands
of playing and recording, and illustrated with references to well
known classic recordings to show how a particular effect is
obtained thanks to the ingenuity of the engineer as well as the
musician. In addition, an accompanying companion website containing
over 50 specially chosen tracks for download, provides practical
demonstrations of the effects and techniques described in the book.
Written by a music enthusiast and electronic engineer, this book
covers the electronics and physics of the subject as well as the
more subjective aspects. The second edition includes an updated
Digital section including MPEG3 and fact sheets at the end of each
chapter to summarise the key electronics and science. In addition
to instruments and recording technology, this book covers essential
kit such as microphones, sequencers, amplifiers and loudspeakers.
Discover the potential of electronics and computers to transform
your performances and recordings
Develop an understanding of the engineering behind state of the art
instruments, amplifiers and recording equipment
An accompanying companion website completes the package with over
50 tracks providing practical demonstrations of the effects and
techniques described in the book
(Guitar Method). The Hal Leonard Guitar Method is designed for
anyone just learning to play acoustic or electric guitar. It is
based on years of teaching guitar students of all ages, and it also
reflects some of the best guitar teaching ideas from around the
world. Book 1 includes tuning; playing position; musical symbols;
notes in first position; C, G, G7, D, D7, A7, and Em chords;
rhythms through eighth notes; strumming and picking; over 80 great
songs, riffs, and examples.
Modern Recording Techniques is the bestselling, authoritative guide to sound and music recording. Whether you’re just starting out or are looking to improve your skills, this book provides an in-depth guide to the art and technologies of music production and is a must-have reference for all audio bookshelves.
Using its familiar and accessible writing style, this new edition has been fully updated, presenting the latest production technologies and including detailed coverage of digital audio workstations (DAWs), networked audio, musical instrument digital interface (MIDI), signal processing and much more. Modern Recording Techniques is supported by a host of video tutorials, which provide additional listening and visual examples, making this text essential reading for students, instructors and professionals.
This updated tenth edition includes:
Newly expanded "Art and Technology" chapters, providing more tips, tricks and insights for getting the best out of your recording, mixing, monitoring and mastering
An expanded MIDI chapter to include MIDI 2.0
More in-depth coverage of digital audio and the digital audio workstation
Greater coverage of immersive audio, including Dolby Atmos Production
Table of Contents
1. Introduction 2. Sound and Hearing 3. Studio Acoustics and Design 4. Microphones: Design and Application 5. The Analog Tape Recorder 6. Digital Audio Technology 7. The Digital Audio Workstation 8. Groove Tools and Techniques 9. MIDI and Electronic Music Technology 10. The iOS in Music Production 11. Multimedia and the Web 12. Synchronization 13. Amplifiers 14. Power- and Ground-Related Issues 15. Signal Processing 16. The Art and Technology of Monitoring 17. The Art and Technology of Recording 18. The Art and Technology of Mixing 19. The Art and Technology of Mastering 20. Immersive Audio 21. Media Distribution and Manufacturing 22. It's all about the Journey
The Schaum Note Speller has the unqualified testimonial of
thousands of teachers who pronounce it 'The Best.' Musical facts,
beginning with line and space numbers are taught. Students learn by
doing, since this book is in workbook form. This saves valuable
lesson time, and immediately shows any mistakes in the beginner's
thinking.
A three-volume series that includes the scales, chords and modes
necessary to play bebop music. A great introduction to a style that
is most influential in today's music. The first volume includes
scales, chords and modes most commonly used in bebop and other
musical styles. The second volume covers the bebop language,
patterns, formulas and other linking exercises necessary to play
bebop music. A great introduction to a style that is most
influential in today's music.
Me and My Piano is the best-selling series by the distinguished
authors Fanny Waterman and Marion Harewood, that has sold over 2
million copies worldwide. Designed especially for the needs of the
younger beginner and delightfully illustrated throughout, the
series makes learning the piano an enjoyable experience for both
pupil and teacher. This Complete Edition combines Parts 1 and 2 in
one book. Part 1 takes the young pianist step by step through the
earliest stages of piano technique, leading to very easy pieces for
hands together using a constant five-finger hand position in C
major. Part 2 builds on these foundations by extending the compass
of notes, introducing new rhythms, note values, chords and changes
of hand position. Games and puzzles throughout give elementary
theory a new lease of life, and children will love the rhymes,
songs and Monkey Puzzles pages.
In recent years, music theory educators around the country have
developed new and innovative teaching approaches, reintroducing a
sense of purpose into their classrooms. In this book, author and
veteran music theory educator Jennifer Snodgrass visits several of
these teachers, observing them in their music theory classrooms and
providing lesson plans that build upon their approaches. Based on
three years of field study spanning seventeen states, coupled with
reflections on her own teaching strategies,Teaching Music Theory:
New Voices and Approaches highlights real-life teaching approaches
from effective (and sometimes award-winning) instructors from a
wide range of institutions: high schools, community colleges,
liberal arts colleges, and conservatories. Throughout the book,
Snodgrass focuses on topics like classroom environment,
collaborative learning, undergraduate research and professional
development, and curriculum reform. She also emphasizes the
importance of a diverse, progressive, and inclusive teaching
environment throughout, from encouraging student involvement in
curriculum planning to designing lesson plans and assessments so
that pedagogical concepts can easily be transferred to the applied
studio, performance ensemble, and other courses outside of music.
An accessible and valuable text designed with the needs of both
students and faculty in mind,Teaching MusicTheoryprovides teachers
with a vital set of tools to rejuvenate the classroom and produce
confident, empowered students.
At a time of unprecedented interest in improvisation across the
arts, The Art of Becoming boldly asserts that everyone can and
should improvise. Drawing on emerging psychological literature as
well as their own research with musicians, authors Raymond
MacDonald and Graeme Wilson - both music psychologists and renowned
performers in their own right - propose new ideas on what defines
improvisation in music. MacDonald and Wilson explore the cognitive
processes involved, the role of specialist skills or knowledge in
improvised interaction, and the nature of understanding between
improvisers. Their investigation lays out how we develop as
improvisers, alongside health benefits derived from music
participation. The Art of Becoming is a vital resource for courses
on improvisation in contemporary practice, and for those applying
musical improvisation in community and therapeutic contexts,
setting out a framework based on psychological findings for
understanding improvisation as a universal capability and an
essentially social behavior. With suggestions for approaching this
practice in new ways at any level, it demonstrates how
improvisation transcends musical genres and facilitates
collaboration between practitioners from disciplines across the
artistic spectrum. Putting forward important implications for
contemporary artistic practices, pedagogy, music therapy and the
psychology of social behavior, The Art of Becoming provides fresh
and provocative insights for anyone interested in playing,
studying, teaching, or listening to improvised music.
The Recital Books congratulate students for a job well done by
providing correlated repertoire to their Lesson Books that are
based on concepts they've already learned. As a result, the pieces
are quickly mastered. Recital Book Level 4 comprises mostly
arrangements of familiar tunes like "'Country Gardens" and "Amazing
Grace," and a few new originals as well.
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