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Books > Arts & Architecture > Music > Techniques of music > General
Lesson Book 2 starts as pre-reading, then moves to reading on the
staff. After a review, the new concepts taught are: Dotted quarter
note and 4/4 time, 4/4 time, Mezzo-forte, Staff and note reading,
Steps and skips, Grand staff. New notes taught are F and G in the
LH and RH, completing the Middle C position.
This book is the cornerstone upon which to build any
Suzuki-oriented library. In it the author presents the philosophy
and principles of Suzuki's teaching methods. Through the examples
from his own life and teaching, Suzuki establishes his case for
early childhood education and the high potential of every human
being, not just those seemingly gifted.
(Faber Piano Adventures ). Book 1 covers fundamental rhythms, all
the notes of the grand staff, C position, G position. Contents
include: Aloha Oe * Amazing Grace * Bagpipes * Bus Stop Boogie *
Camptown Races * Chant of the Monk * Chant of the Monks * Chinese
Dragon * Chord Crossings * Dreamscape * Eine Kleine Nachtmusik *
English Minuet * Fife and Drums * Forest Drums * French Minuet.
Mozart's emergence as a mature artist coincides with the rise to
prominence of the piano, an instrument that came alive under his
fingers and served as medium for many of his finest compositions.
In Mozart's Piano Music, William Kinderman reconsiders common
assumptions about Mozart's life and art while offering
comprehensive and incisive commentary on the solo music and
concertos. After placing Mozart's pianistic legacy in its larger
biographical and cultural context, Kinderman addresses the lively
gestural and structural aspects of Mozart's musical language and
explores the nature of his creative process. Incorporating the most
recent research throughout this encompassing study, Kinderman
expertly surveys each of the major genres of the keyboard music,
including the four-hand and two-piano works. Beyond examining
issues such as Mozart's earliest childhood compositions, his
musical rhetoric and expression, the social context of his Viennese
concertos, and affinities between his piano works and operas,
Kinderman's main emphasis falls on detailed discussion of selected
individual compositions.
Beautifully presented and intelligently paced, the Lesson Books
combine unusually attractive music and lyrics. The books feature
note reading, rhythm reading, sight-reading and technical workouts.
Each piece on the CD was recorded at a performance tempo and a
slower practice tempo.
This volume contains valuable practice material for candidates
preparing for the ABRSM Grade 4 Piano exams. The book is written in
attractive and approachable styles and representative of the
technical level expected in the exam.
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