Gerard Behague presents five culture-, process-, and
community-specific case studies of performance that challenge the
assumption that contextual differences in performance and
performance practice matter little in overall effect. Within the
diverse performance contexts evaluated--Hindustani, Karantak, Mali,
Berber, American, and Latin American music--the concept of
performance practice as the integrated study of sound and context
is self-evident although the nature of the empirical data gathered
and the perspective and theorectical framework of each study varies
significantly.
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