When Constance Garnett's translations (1910-20) made Dostoevsky's novels accessible in England for the first time they introduced a disruptive and liberating literary force, and English novelists had to confront a new model and rival. The writers who are the focus of this study - Lawrence, Woolf, Bennett, Conrad, Forster, Galsworthy and James - either admired or feared Dostoevsky as a monster who might dissolve all literary and cultural distinctions. Though their responses differed greatly, these writers were unanimous in their inability to recognize Dostoevsky as a literary artist. They viewed him instead as a psychologist, a mystic, a prophet and, in the cases of Lawrence and Conrad, a hated rival who compelled creative response. This study constructs a map of English modernist novelists' misreadings of Dostoevsky, and in so doing it illuminates their aesthetic and cultural values and the nature of the modern English novel.

The Trickster Figure in American Literature provides a new framework to look at the richness that is American literature and culture. Trickster stories allow readers to experience vicariously another culture's deepest discontent. They supply a laugh but more importantly, their stories reflect contemporary dilemmas being played out in fiction. Using the trickster figure as an entry-point into African American, American Indian, Euro-American, Asian American, and Latino/a stories, Winifred Morgan examines the oral roots of each racial/ethnic group to reveal how each group's history, frustrations, and aspirations have molded the tradition. Ultimately, this compelling study shows that in a country such as the United States of America, tricksters remind listeners and readers that the ideals espoused by the law and traditions have not been achieved.

Television and movies, not libraries or scholarship, have made Charles Dickens the most important unread novelist in English. In addition to the millions of people already deploying the word "Dickensian" to describe their own and others' lives, many more who have never read Dickens are familiar with the term. They know of him because they have access to over a century of adaptations of his works for movies and television. Including an exhaustive filmography, this work will be an invaluable resource for students and scholars.

Asked in 2006 about the philosophical nature of his fiction, the late American writer David Foster Wallace replied, "If some people read my fiction and see it as fundamentally about philosophical ideas, what it probably means is that these are pieces where the characters are not as alive and interesting as I meant them to be.""Gesturing Toward Reality" looks into this quality of Wallace's work--when the writer dons the philosopher's cap--and sees something else. With essays offering a careful perusal of Wallace's extensive and heavily annotated self-help library, re-considerations of Wittgenstein's influence on his fiction, and serious explorations into the moral and spiritual landscape where Wallace lived and wrote, this collection offers a perspective on Wallace that even he was not always ready to see. Since so much has been said in specifically literary circles about Wallace's philosophical acumen, it seems natural to have those with an interest in both philosophy and Wallace's writing address how these two areas come together.

This edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and significance of each piece. Familiar works such as "Gulliver's Travels" and "A Tale of a Tub" acquire new and deeper meanings when considered within the Irish frameworks presented in the edition. Differing in noteworthy ways from the more traditional, canonical, Anglocentric picture conveyed by other published volumes, the Swift that emerges from these pages is a brilliant polemicist, popular satirist, political agitator, playful versifier, tormented Jeremiah, and Irish patriot.

Ethics and Affects in the Fiction of Alice Munro explores the representation of embodied ethics and affects in Alice Munro's writing. The collection illustrates how Munro's short stories powerfully intersect with important theoretical trends in literary studies, including affect studies, ethical criticism, age studies, disability studies, animal studies, and posthumanism. These essays offer us an Alice Munro who is not the kindly Canadian icon reinforcing small-town verities who was celebrated and perpetuated in acts of national pedagogy with her Nobel Prize win; they ponder, instead, an edgier, messier Munro whose fictions of affective and ethical perplexities disturb rather than comfort. In Munro's fiction, unruly embodiments and affects interfere with normative identity and humanist conventions of the human based on reason and rationality, destabilizing prevailing gender and sexual politics, ethical responsibilities, and affective economies. As these essays make clear, Munro's fiction reminds us of the consequences of everyday affects and the extraordinary ordinariness of the ethical encounters we engage again and again.

This study examines the ways in which the relationships between the creative power of revolutionary people and the revolutionary power of creative artists, especially writers, are evident in the on-going Arab uprisings. Bringing together literature, cultural geography, and human rights discourse, it explores a range of recent novels and memoirs from Tunisia, Egypt, Libya, and Syria. These works sought to unravel the political geographies of injustice and popular discontent and thus 'anticipated' or imaginatively envisioned as well as participated in some of the major current upheavals in their particular national contexts. By revealing socio-economic divisions and spatial injustice, disappearances and political prisons, surveillance and exile as well as the revolutionary spirit of oppressed populations and the dangers of counter-revolutionary forces, civil strife, and fundamentalism, they variously re-imagine the realities that triggered the transformations we are now witnessing.

This study introduces the reader to Victor Serge's life and extraordinary novels, locating them amidst crucial debates about revolution, communism, anarchism, literature and representation, and in comparison with his contemporaries. Marshall demonstrates that the voice of Serge is unified by a notion of dissent - an active dissent far removed from the quietism and conservatism of other dissidents.

This book focuses on the struggles and strategies of the Muslim woman immigrant to Britain after 9/11, as depicted in a group of thematically-related novels published over the past decade. The book looks at the work of Monica Ali, Leila Aboulela, Fadia Faqir, Camilla Gibb, Kia Abdullah, Almas Khan and Nadeem Aslam - all of whom raise questions about the integration of the Muslim woman who has moved from a majority position in her Muslim homeland to a minority position in her adopted home in Britain (usually London). Drawing on the idea of 'disorientation' (a period of withdrawal, confusion and alienation experienced by the Muslim woman after arrival in the West), this book argues for a greater focus on religion as an element of immigrant identity-creation, ultimately showing that the heterogeneity of immigrant religious experience requires a new and more complex understanding of diasporic existence.

This new volume in the "Literary Lives" series focuses on the career of the popular Victorian novelist Wilkie Collins (1824-1889), and provides a new account of his professional life in the literary world of nineteenth-century Britain. It draws on recently available business and personal correspondence to establish a fresh portrait of one of Victorian Britain's busiest authors, taking in Collins's notoriously complicated private life and his friendship with Charles Dickens, as well his work as journalist, reviewer and playwright. New insights are given into the international dimensions of Collins's career. There is discussion of Collins's best-known novels, including "The Woman in White," "The Moonstone" and "Armadale," but attention is also given to lesser-known works and to Collins's plays, which have long been neglected. The volume will appeal to all students of Wilkie Collins and also to those interested in the literary world of Victorian Britain and the social and business networks which lay at its heart.

Nobel laureate William Faulkner is one of the most distinctive voices in American literature. Known for his opaque prose style and his evocative depictions of life in the American South, he is recognised as one of the most important authors of the twentieth century. This introductory book provides students and readers of Faulkner with a clear overview of the life and work of one of America's most prolific writers of fiction. His nineteen novels, including The Sound and the Fury, As I Lay Dying, Go Down, Moses and Absalom, Absalom! are discussed in detail, as are his major short stories and nonfiction. Focused on the works themselves, but also providing useful information about their critical reception, this introduction is an accessible guide to Faulkner's challenging and complex oeuvre.

Conrad's major novels-Lord Jim, Nostromo, The Secret Agent, and Under Western Eyes-tell of illusions and betrayals, dreams and lies. Ambiguity, contradiction, and irony so dominate the narratives that the more closely one reads, the more difficult it becomes to know what is real or what is true. While Conrad's impressionism teaches one to see, his irony casts doubt on the meaning of what one has seen. Facts have little value, yet beliefs are futile or hollow because they ignore facts. Irony turns every certainty into uncertainty. Even the cultural values upon which the irony seems to rest are often mocked. This perplexity, which is the binding force of Conrad's art, is thoroughly examined in Culture and Irony.

Sublime Woolf was written in a burst of enthusiasm after the author, Daniel T. O'Hara was finally able to teach Virginia Woolf's modernist classics again. This book focuses on those uncanny visionary passages when in elaborating 'a moment of being,' as Woolf terms it, supplements creatively the imaginative resonance of the scene.

Respected by his peers and hugely successful internationally in his own time, Andre Maurois is now hardly read. Moderate and conciliatory in everything, including his literary style, he appealed to the educated reader of his time, but did those very qualities prevent him from achieving lasting distinction and impact?

Victorian writer Frances Trollope has largely been relegated to a mere footnote in literary history as simply the mother of Anthony. Equally unfortunate is that, aside from her nonfiction work "Domestic Manners of the Americans," her 34 novels have been out of print since the nineteenth century. She was, nonetheless, the most provocative female writer of the early Victorian period who used the novel to impel social change. She has been credited for writing the first anti-slavery novel that predates "Uncle ToM's Cabin," along with a number of works that incited reform legislation regarding bastardy clauses, poor laws, and labor conditions.

Expert contributors examine her life and writings, her social activism, and the impact of her works. The book includes discussions of her influence on Anthony Trollope, the rivalry between Frances Trollope and Charles Dickens, her belief in the power of female friendship, her ambivalence toward the ability of women to effect social change, her thoughts on Evangelicalism, her views on women and aging, and her innovative contribution to early crime fiction. Contributors argue for the value of reprinting her novels and travel books and point to her enduring literary legacy.

Implementing a never-before-seen approach to sea literature, American Sea Literature: Seascapes, Beach Narratives, and Underwater Explorations explores the role of American maritime activities and their cultural representations in literature. Differentiating between the 'terrestrial' and 'oceanic' as concepts, Shin Yamashiro divides sea literature into three categories: literature on the sea, by the sea, and beneath the sea. Discussing both canonical works and new books on scuba diving, deep-sea explorations, and surfing, this fascinating study recognizes sea literature's unique influence on American history.

This book is a concise and engaging analysis of contemporary literature viewed through the critical lens of cosmopolitan theory. It covers a wide spectrum of issues including globalization, cosmopolitanism, nationhood, identity, philosophical nomadism, posthumanism, climate change, devolution and love.

The extraordinary flowering of Southern literary talent in the early twentieth century, the Southern Literary Renascence, has continued virtually unabated, showing increasing vitality in recent decades. These newer fiction writers, poets, dramatists, and journalists reflect in their work the changing social conditions of the South while also presenting traditional Southern values and qualities. Their astonishing output constitutes a phenomenon worthy of being called a Second Southern Literary Renascence. Joseph M. Flora and Robert Bain, editors of the acclaimed Fifty Southern Writers before 1900 and Fifty Southern Writers after 1900, found that they could only begin to suggest the continuing abundance and significance of Southern writing in the latter volume. Retaining the same format, they have developed two new volumes for the contemporary period. The first, focusing on fiction, comprises forty-nine talented novelists, including such popular figures as Pat Conroy, Gail Godwin, T. R. Pearson, Anne Tyler, and Alice Walker. The companion volume, (Contemporary Poets, Dramatists, Essayists, and Novelists: A Bio-Bibliographical Sourcebook forthcoming from Greenwood Press) will cover primarily poets, playwrights, and essayists as well as fiction writers who have made major contributions to these other genres. The essays, written by scholars and critics, present in each case a biographical sketch, an analysis of the writer's style and major themes, an assessment of reviews and scholarship, a chronological list of works, and a bibliography of selected criticism. Considered individually and comparatively and with attention to the editors' introductory essay, these bio-bibliographical studiesclearly demonstrate the state and strength of Southern letters.

Speculative fiction often shows the complicated and rather fraught history of medicine as it relates to black women. Through prominent writers like Octavia Butler, Nnedi Okorafor, and Nalo Hopkinson, Jones highlights how personal experiences of illness and disease frequently reflect larger societal sicknesses in connection to race and gender.

John Banville's Narcissistic Fictions is an exploration of Banville's novels from the point of view of various psychoanalytic understandings of the concept of narcissism. It presents this increasingly central figure in contemporary fiction as a writer for whom narcissism is both an essential truth of selfhood and a fundamental aspect of the writing of fiction. Though it deals with a number of theoretical concepts, it does so in a straightforward and highly accessible manner. The book is not simply a reading of a single, isolated aspect of Banville's work; rather, it presents narcissism as the key to understanding this writer, and as a way of bringing together the various disparate strands - thematic, stylistic and formal - of his complex and enigmatic oeuvre.

Michael Ragussis re-reads the novelistic tradition by arguing the acts of naming--bestowing, revealing, or earning a name; taking away, hiding, or prohibiting a name; slandering, or protecting and serving it--lie at the center of fictional plots from the 18th century to the present. Against the background of philosophic approaches to naming, Acts of Naming reveals the ways in which systems of naming are used to appropriate characters in novels as diverse as Clarissa, Fanny Hill, Oliver Twist, Pierre, Tess of the d'Urbervilles, Remembrance of Things Past, and Lolita, and identifies unnaming and renaming as the locus of power in the family's plot to control the child, and more particularly, to rape the daughter. His analysis also treats additional works by Cooper, Bronte, Hawthorne, Eliot, Twain, Conrad, and Faulkner, extending the concept of the naming plot to reimagine the traditions of the novel, comparing American and British plots, female and male plots, inheritance and seduction plots, and so on. Acts of Naming ends with a theoretical exploration of the "magical" power of naming in different eras and in different, even competing, forms of discourse."

York Notes for GCSE offer an exciting approach to English Literature and will help you to achieve a better grade. This market-leading series has been completely updated to reflect the needs of today's students. The new editions are packed with detailed summaries, commentaries on key themes, characters, language and style, illustrations, exam advice and much more. Written by GCSE examiners and teachers, York Notes are the authoritative guides to exam success.

During the Progressive Era in the United States, as teaching became professionalized and compulsory attendance laws were passed, the public school emerged as a cultural authority. What did accepting this authority mean for Americans' conception of self-government and their freedom of thought? And what did it mean for the role of artists and intellectuals within democratic society? Jesse Raber argues that the bildungsroman negotiated this tension between democratic autonomy and cultural authority, reprising an old role for the genre in a new social and intellectual context. Considering novels by Abraham Cahan, Willa Cather, and Charlotte Perkins Gilman alongside the educational thought of John Dewey, the Montessorians, the American Herbartians, and the social efficiency educators, Raber traces the development of an aesthetics of social action. Richly sourced and vividly narrated, this book is a creative intervention in the fields of literary criticism, pragmatic philosophy, aesthetic theory, and the history of education.