Unique in its scope of coverage, this reference work provides students and scholars interested in researching modern American leftist and working-class culture with a convenient starting place for examining American leftist and working-class novels of the past century. The book begins with a brief historical survey of the development of this cultural phenomenon. It then offers brief descriptions of selected critical, historical, and theoretical works that are a useful background to the novels. The bulk of the book comprises detailed alphabetically arranged discussions of more than 170 modern American novels of the Left, along with brief considerations of more than 240 other works.

The novels discussed in detail include a number of works by major American authors, including John Dos Passos, John Steinbeck, Ernest Hemingway, Theodore Dreiser, and Upton Sinclair. Also covered are works by a number of other writers in the rich but neglected tradition of American leftist literature. These writers naturally include 1930s proletarian novelists such as Mike Gold, Agnes Smedley, Myra Page, Josephine Herbst, Tillie Olsen, Meridel Le Sueur, Jack Conroy, and Thomas Bell. But they also include figures ranging from early twentieth-century socialists such as I. K. Friedman and Leroy Scott, to African American novelists such as Richard Wright and Toni Morrison, to Chicano writers such as Alejandro Morales and Americo Paredes.

Jane Austen's novels portray a leisured society of gentlemen and ladies who do not need to work. Even the men with professions, such as sailors and soldiers, are almost never seen working; though leisure was not meant to be an excuse for idleness. The proper uses of leisure are to fulfill duties, to read and think, and to pursue social relations in a world where family and marriage for the propertied were of central importance. The activities pursued in Jane Austen's novels, and the way they apply themselves to them, are significant to the understanding of her characters and the roles they play. The working of society depended on a round of visits, dinners and evening parties. Bath and other spas were active centres of entertainment of all kinds; and the seaside resorts were growing in importance. Jane Austen experienced these and put them to use in her novels; but she also registered the fact that quiet, solitary pursuits such as reading, walking or needlwork might be more to the taste of a Fanny Price or Anne Elliot. Male characters enjoy their leisure in a number of sports, often glimpsed off stage - John Thorpe drives his gig wildly through Bath and Tom Bertram is nearly killed by a fall at Newmarket. This text identifies leisure and its use as a central characteristic of Austen's work.

Romain Rolland's life coincided closely with the span of the French Third Republic, an age of which he was an acute and critical observer. A mind combining an unusual breadth of sympathies with uncompromisingly lofty values and a novelist's eye for detail, his interests cover a wide range of areas - history, musicology, biography, politics, religion, the East - and his correspondence with both the famous and the obscure, is exceptionally rich. He is remembered for his plays on the French Revolution, his work on Beethoven, his novels, his biographies, his opposition to the First World War, his desperate attempts between the wars to reconcile Gandhism and Leninism and, during the Occupation, his nostalgia for the Catholic faith of his forbears. Drawing on the wealth of the unpublished Archives Romain Rolland, this book offers a fresh perspective on the events of an often turbulent life and traces the changing patterns of his thought, which disconcerted his friends by its constant evolution. Rolland's work is unified by a fierce desire for independence, an insistence that the psychological force of faith is more important than its content, by an obsession with historical process and by a constant musicianly quest for harmony, or the reconciliation of discords within a synthetic whole. The author attempts to do justice to every side of Romain Rolland's output, showing how each of his works in their diverse genres contributes to the overall thrust of his developing thought. Though covering his political thought, the author avoids over-stressing it, as much previous criticism has done, and gives due weight to the work of his last years, which so far has been very imperfectly studied.

Robots in Popular Culture: Androids and Cyborgs in the American Imagination seeks to provide one go-to reference for the study of the most popular and iconic robots in American popular culture. In the last 10 years, technology and artificial intelligence (AI) have become not only a daily but a minute-by-minute part of American life-more integrated into our lives than anyone would have believed even a generation before. Americans have long known the adorable and helpful R2-D2 and the terrible possibilities of Skynet and its army of Terminators. Throughout, we have seen machines as valuable allies and horrifying enemies. Today, Americans cling to their mobile phones with the same affection that Luke Skywalker felt for the squat R2-D2. Meanwhile, our phones, personal computers, and cars have attained the ability to know and learn everything about us. This volume opens with essays about robots in popular culture, followed by 100 A-Z entries on the most famous AIs in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various robots. The volume closes with a glossary of key terms and a bibliography providing students with resources to continue their study of what robots tell us about ourselves. Provides readers with detailed information on popular examples of robots/AI in American popular culture Provides readers with considerable Further Reading suggestions, including scholarly, pop culture, and scientific readings on each topic Places popular examples of robots/AI in pop culture in proper historical perspective Provides scholarly material that gives readers additional important historical context in five essays Gives equal coverage to a diverse array of robots, from the well-known to the obscure

Enter the world of Neil Gaiman's epic masterpiece with this unique coloring book featuring forty-six illustrations created exclusively for this volume. The war had begun and nobody saw it ...The land of Neil Gaiman's beloved, bestselling novel American Gods is a place where gods-old and new, good and evil-walk among humans; where magic can revive the dead; and where a storm is brewing ...one that threatens to bring about a war for the very soul of America. Now, for the first time, fans of this modern masterwork can bring Gaiman's intricately imagined landscape to life thanks to dozens of gorgeously rendered black-and-white line drawings from renowned illustrators Yvonne Gilbert, Jon Proctor, and Craig Phillips. Indulge your inner artist and revel in the stunning imagery of the gods and people, places and artifacts of Neil Gaiman's American Gods.

Detective Fiction and the Ghost Story is a lively series of case studies celebrating the close relationship between detective fiction and the ghost story. It features many of the most famous authors from both genres including Conan Doyle, Agatha Christie, M. R. James and Tony Hillerman.

This is the first book-length study of best-selling writer John Saul's psychological and supernatural thrillers. Author Paul Bail compares John Saul's novels to a cocktail: (mix) one part, one part "The Exorcist," a dash of "Turn of the ScreW," blend well, and serve thoroughly chillingly. Bail traces John Saul's literary career from his 1977 debut novel "Suffer the Children"--the first paperback original ever to make the New York Times best seller list--to his most recent novel, "Black Lightning" (1995). It features detailed analyses of eleven of his novels. The study includes never-before-published biographical information, drawing an original interview with John Saul, and a chapter on the history of tales of horror and the supernatural and how these genres have influenced Saul's fiction.

Each chapter in this study examines an individual novel. The novels are analyzed for plot structure, characterization, thematic elements, and their relationship to prior and later novels by Saul. In addition, Bail defines and applies a variety of theoretical approaches to the novels--feminist, deconstructionist, Freudian, Jungian, and sociopolitical--to widen the reader's perspective. Bail shows how John Saul enlarged his repertoire from stories of supernatural possession to science-fiction based horror. A complete bibliography of John Saul's fiction and a bibliography of reviews and criticism complete the work. Because of John Saul's great popularity among teenagers and adults, this unique study is a necessary purchase by secondary school and public libraries.

Scientific progress is usually seen as a precondition of modern utopias, but science and utopia are frequently at odds. Ranging from Galileo's observations with the telescope to current ideas of the post-human and the human-animal boundary, this study brings a fresh perspective to the paradoxes of utopian thinking since Plato.

All NEW from bestselling psychological thriller writer Keri BeevisWhen you're a kid, you imagine monsters to have horns and fangs. That they hide under the bed or in the wardrobe. And you believe they can only come after you when it's dark. You don't expect them to look like everyday people or that they may be someone you already know... The summer in question started out with hot, fun-filled days and new friendships. We had just turned thirteen and had our whole lives ahead of us. But that was before her... Before we became known as the Hixton Five and our lives become defined by one night. It's hard to believe twenty years have passed since she was locked away. But now she's free and strange things have started to happen. When I close my eyes, the creeping anxiety and fear is overwhelming and all too real. Because the monster is back, and I know she has a score to settle with us.Praise for The Sleepover 'Another winner from Ms Beevis. A gripping story with plenty of twists and turns.' - J.A. Baker'An atmospheric thriller that grips until the last page. Beevis at her best!' - Diana Wilkinson 'One of my favourite authors! Keri Beevis does it again, with this fast-paced, chilling thriller!' - Amanda Brittany 'Beevis delivers again with a creepy unsettling tale that had me looking nervously over my shoulder.'- Valerie Keogh 'A twisty psychological thriller that will have you racing towards the big finale at breakneck speed. Don't expect to sleep until you've devoured the very last page. Loved it!' - Carla Kovach 'I couldn't sleep. I HAD to finish this book' - NJ Moss 'Another suspenseful page-turner from this very talented author.' - John Nicholl 'Brilliant, chilling, and unputdownable.' - - Gemma Rogers'Beevis has created a dark psychological thriller thick with atmosphere. Cleverly woven threads pull together in a heart-stopping conclusion in this satisfyingly clever tale. Highly recommended.' - Diane Saxon 'Another cracker from Beevis. A dark, twisty 5 star read' - Dan Scottow 'A disturbingly chilling thriller which is completely gripping. The Sleepover is an intense mystery full of clever twists which I didn't see coming.' - Alex Stone

Faulknerista collects more than twenty years of critically influential scholarship by Catherine Gunther Kodat on the writings of one of the most important American authors of the twentieth century, William Faulkner. Initially composed as freestanding essays and now updated and revised, the book's nine chapters place Faulkner's work in the context of current debates concerning the politics of white authors who write about race, queer sexualities, and the use of the N-word in literature and popular culture. The Faulknerista of the title is a critic who tackles these debates without fear or favor, balancing admiration with skepticism in a manner that establishes a new model for single-author scholarship that is both historically grounded (for women have been writing about Faulkner, and talking back to him, since the beginning of his career) and urgently contemporary. Beginning with an introduction that argues for the critical importance of women's engagement with Faulkner's fiction, through comparative discussions pairing it with works by Toni Morrison, Jean-Luc Godard, Quentin Tarantino, and David Simon, Faulknerista offers a valuable resource for students, scholars, and general readers, written in an accessible style and aimed at stimulating discussions of Faulkner's work and the rich interpretive challenges it continues to present.

Reader's Guides provide a comprehensive starting point for any advanced student, giving an overview of the context, criticism and influence of key works. Each guide also offers students fresh critical insights and provides a practical introduction to close reading and to analysing literary language and form. They provide up-to-date, authoritative but accessible guides to the most commonly studied classic texts. Great Expectations (1861) is not only one of the last great novels to be written by Dickens but is also one which centres around his primary themes: the importance of childhood in relationship to adult life, concepts of guilt and imprisonment and an analysis of individualism as opposed to the increasing bureaucracy of nineteenth-century England.This guide isan ideal introduction tothe textincluding its contexts, Dickens's style and imagery, its critical reception from the time of publication to the present, a guide to illustrated editions and film adaptations and a guide to further reading.

Roger Whitlow demonstrates that the negative criticism about the women characters in Ernest Hemingway's fiction is often misguided, perhaps entirely wrong. He argues that most of Hemingway's female characters have strengths that have been consistently overlooked by critics prejudiced by earlier Hemingway criticism or influenced in their evaluations by the male characters with whom Hemingway's women often associate. For example, Catherine Barkley in A Farewell to Arms and Maria in For Whom the Bell Tolls have been uniformly typed "passive sex kittens," when, in fact, each is engaged in a serious struggle to retain her mental balance. Whitlow reexamines Hemingway's critically acclaimed "bitches" such as Brett Ashley and Margot Macomber. He ends his reassessment with a chapter devoted to the "minor" women in Hemingway's "Up in Michigan" series and other short stories.

This book considers how and why German authors have used the child's viewpoint to present the Third Reich. Given the popularity of this device, this study asks whether it is an evasive strategy, a means of gaining new insights into the era, or a means of discovering a new language. This raises issues central to the post-war German aesthetic.

Charles Dickens was the most prominent author of the Victorian era and his work continues to influence and inspire contemporary writers today. Dickens wanted to inform the masses of the troubles encountered in everyday Victorian life, his purpose was to use his novels as a catalyst for social reform. When he died at just fifty eight, mourners left bouquets in their thousands. Among the more extravagant bouquets were wildflowers wrapped in rags - a homage to his humble beginnings. His novels: The Pickwick Papers (1836), Oliver Twist (1837), Nicholas Nickleby (1838), The Old Curiosity Shop (1840), Barnaby Rudge (1841), Martin Chuzzlewit (1843), Dombey and Son (1846), David Copperfield (1849), Bleak House (1852), Hard Times (1854), Little Dorrit (1855), A Tale of Two Cities (1859), Great Expectations (1860), Our Mutual Friend (1864), The Mystery of Edwin Drood (1870). This publication profiles the man behind the pen, in words and pictures.

This is a feminist study of a recurring character type in classic British detective fiction by women - a woman who behaves like a Victorian gentleman. Exploring this character type leads to a new evaluation of the politics of classic detective fiction and the middlebrow novel as a whole.

Part of the New Directions in European Writing series, which aims to present introductory studies of contemporary European writers, this volume offers a systematic study of the controversial Austrian feminist writer, Elfriede Jelinek. It provides a survey and analysis of Jelinek's major texts and a discussion of the literary techniques which characterize the author's writing. Background contextual information on historical and literary developments is given to help the reader gain a better understanding of Jelinek's writing and her place within current international debates on feminism and literary theory.

In America, the long 1950s were marked by an intense skepticism toward utopian alternatives to the existing capitalist order. This skepticism was closely related to the climate of the Cold War, in which the demonization of socialism contributed to a dismissal of all alternatives to capitalism. This book studies how American novels and films of the long 1950s reflect the loss of the utopian imagination and mirror the growing concern that capitalism brought routinization, alienation, and other dehumanizing consequences. The volume relates the decline of the utopian vision to the rise of late capitalism, with its expanding globalization and consumerism, and to the beginnings of postmodernism.

In addition to well-known literary novels, such as NabokoV's "Lolita, " Booker explores a large body of leftist fiction, popular novels, and the films of Alfred Hitchcock and Walt Disney. The book argues that while the canonical novels of the period employ a utopian aesthetic, that aesthetic tends to be very weak and is not reinforced by content. The leftist novels, on the other hand, employ a realist aesthetic but are utopian in their exploration of alternatives to capitalism. The study concludes that the utopian energies in cultural productions of the long 1950s are very weak, and that these works tend to dismiss utopian thinking as na DEGREESDive or even sinister. The weak utopianism in these works tends to be reflected in characteristics associated with postmodernism.

Alan H. Goldman presents an original and lucid account of the relationship between philosophy and the novel. In the first part, on philosophy of novels, he defends theories of literary value and interpretation. Literary value, the value of literary works as such, is a species of aesthetic value. Goldman argues that works have aesthetic value when they simultaneously engage all our mental capacities: perceptual, cognitive, imaginative, and emotional. This view contrasts with now prevalent narrower formalist views of literary value. According to it, cognitive engagement with novels includes appreciation of their broad themes and the theses these imply, often moral and hence philosophical theses, which are therefore part of the novels' literary value. Interpretation explains elements of works so as to allow readers maximum appreciation, so as to maximize the literary value of the texts as written. Once more, Goldman's view contrasts with narrower views of literary interpretation, especially those which limit it to uncovering what authors intended. One implication of Goldman's broader view is the possibility of incompatible but equally acceptable interpretations, which he explores through a discussion of rival interpretations of Ernest Hemingway's The Sun Also Rises. Goldman goes on to test the theory of value by explaining the immense appeal of good mystery novels in its terms. The second part of the book, on philosophy in novels, explores themes relating to moral agency-moral development, motivation, and disintegration-in Jane Austen's Pride and Prejudice, Mark Twain's Huckleberry Finn, John Irving's The Cider House Rules, and Joseph Conrad's Nostromo. By narrating the course of characters' lives, including their inner lives, over extended periods, these novels allow us to vicariously experience the characters' moral progressions, positive and negative, to learn in a more focused way moral truths, as we do from real life experiences.

Tracing the changing conceptions of nationality in the work of traveling writers such as D.H. Lawrence, Gertrude Stein, and Claude McKay, Modernism and Mobility argues that the passport system is an indispensable segue into discussions of literary modernism.

There's more than meets the eye in the fiction of the master of the espionage thriller Robert Ludlum. In a study that examines seventeen of Ludlum's novels in depth, including the latest, The Apocalypse Watch (1995), Macdonald uncovers the serious themes running through the novels: the role of the individual in preserving democracy, the value of competing voices, the failure of educational institutions to preserve ideals, the temptations of power, the importance of personal loyalties in the face of impersonal organizations, and the nature of evil. She shows how Ludlum's novels are valuable in helping us to understand modern paranoia--our fear of conspiracies, terrorism, barbarism, and intolerance. A personal interview granted by Ludlum for this book illuminates the influences on his craft, especially his long experience in the theater, which affects his sense of pacing, characterization, humor, and suspense. After an initial biographical chapter, Macdonald examines Ludlum's literary roots in suspense novels and discusses the genre. Each succeeding chapter examines a group of his novels tied together thematically or, in the case of the Bourne series, by recurring characters. The discussion of each novel is organized into sections on plot and structure, character, and theme, and features an alternate critical interpretation, such as Freudian, Marxist, or reader response criticism, which offers the reader another fresh perspective from which to examine the concerns of the novel. Novels covered in depth are: Trevayne, The Cry of the Halidon, The Scarlatti Inheritance, The Rhinemann Exchange, The Gemini Contenders, The Holcroft Covenant, The Road to Gandolfo, The Road to Omaha, The BourneIdentity, The Bourne Supremacy, The Bourne Ultimatum, The Matarese Circle, The Parsifal Mosaic, The Aquitaine Progression, The Icarus Agenda, The Scorpio Illusion, and The Apocalypse Watch. This critical companion includes an up-to-date bibliography of all of Ludlum's published works, as well as selected reviews of all works examined in this study.

Taking into account the latest criticism, this book argues that Hardy seems contemporary with D.H. Lawrence in his insights into the unconscious and sexuality, and has been the model for the contemporary reaction against modernist poetry. The book goes on to say that Hardy reversed his usual emphasis on sexuality in The Mayor of Casterbridge and his last novel, The Well-Beloved.

This guide provides an overview of the most significant issues and debates in Gothic studies.
Provides an overview of the most significant issues and debates in Gothic studies.
Explains the origins and development of the term Gothic.
Explores the evolution of the Gothic in both literary and non-literary forms, including art, architecture and film.
Features authoritative readings of key works, ranging from Horace Walpole's "The Castle of Otranto" to Bret Easton Ellis's "American Psycho."
Considers recurrent concerns of the Gothic such as persecution and paranoia, key motifs such as the haunted castle, and figures such as the vampire and the monster.
Includes a chronology of key Gothic texts, including fiction and film from the 1760s to the present day, and a comprehensive bibliography.

This book focuses on one of the main issues of our time in the Humanities and Social Sciences as it analyzes the impact of current global migrations on new forms of living together and the formation of identities and homes. Using a transdisciplinary and transcultural approach the contributions shed fresh light upon key concepts such as 'hybrid-performative diaspora', 'transidentities',' hospitality', 'belonging', 'emotion', 'body,' and 'desire'. Those concepts are discussed in the context of Cuban, US-American, Maghrebian, Moroccan, Spanish, Catalan, French, Turkish, Jewish, Argentinian, Indian, and Italian literatures, cultures and religions.

"The Companion to the Victorian Novel" provides contextual and critical information about the entire range of British fiction published between 1837 and 1901.
Provides contextual and critical information about the entire range of British fiction published during the Victorian period.
Explains issues such as Victorian religions, class structure, and Darwinism to those who are unfamiliar with them.
Comprises original, accessible chapters written by renowned and emerging scholars in the field of Victorian studies.
Ideal for students and researchers seeking up-to-the-minute coverage of contexts and trends, or as a starting point for a survey course.