This anthology of sixteen seminal studies of Homer's Iliad offers essential insights into the poem's artistry and cultural background. Two of the contributions have been translated for this volume and others have been revised and updated. An authoritative introduction sets the papers in context and explores significant connections between them. All Greek is translated and a glossary of Greek terms is provided.

The Royal Tenenbaums meets J. D. Salinger in this "sharply observed and bittersweet family romance with a rock 'n' roll heart" (Elle). Claudio and Mathilde Simone, once romantic bohemians hopelessly enamored with each other, find themselves nestled in domesticity in New York, running a struggling vinyl record store and parenting three daughters as best they can: Natasha, an overachieving prodigy; sensitive Lucy, with her debilitating heart condition; and Carly, adopted from China and quietly fixated on her true origins. With prose that is as keen and illuminating as it is whimsical and luminous, debut novelist Christine Reilly tells the unusual love story of this family. Poignant and humane, Sunday's on the Phone to Monday is a deft exploration of the tender ties that bind families together, even as they threaten to tear them apart.

Ever since the fifth instalment of the Pickwick Papers in 1836 scholars have expressed amazement at the virtually overnight emergence of the 24-year-old Charles Dickens from an unknown nobody to the literary lion of the day. At one bound he leapt from nowhere to the summit of literary success and fame. How did he do it? This is the classic modern study of how Dickens staged his grand entrance. Critics of his day thought he did so without warning or fanfare. How was it possible for an obscure newspaper reporter to write, in his early twenties, such a brilliant, popular work as Pickwick? Where did he acquire the nicety of observation, the fineness of tact, the exquisite humour, the wit, heartiness, sympathy with all things good and beautiful in human nature, the perception of character, the pathos, and accuracy of description? This work is a thorough and illuminating study of this central question, and fully illuminates Dickens's early development.

In Moby-Dick's wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick's construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books-offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

The Victorian novel acquired greater cultural centrality just as the authority of the scriptures and of traditional religious teaching seemed to be declining. Did the novel supplant the Bible? The novelists often adopted or participated in a broadly progressive narrative of social change which can be seen as a secular replacement for the theological narrative of 'salvation history' and the waning authority of biblical narrative. Victorian fiction seems in some ways to enact the process of secularization. But contemporary religious resurgence in various parts of the world and postmodern scepticism about grand narratives have challenged and complicated the conventional view of secularization as an irreversible process, an inevitable 'disenchantment of the world' which is an aspect and function of the grand narrative of modernization. Such developments raise new questions about apparently post-Christian Victorian fiction. In our increasingly secular society novel-reading is now more popular than Bible-reading. Serious novels are often taken more seriously than scripture. Norman Vance looks at how this may have come about as an introduction to four best-selling late-Victorian novelists: George Eliot, Thomas Hardy, Mary Ward and Rider Haggard. Does the novel in their hands take the place of the Bible? Can apparently secular novels still have religious significance? Can they make new imaginative sense of some of the religious and moral themes and experiences to be found in the Bible? Do Eliot and her successors anticipate some of the insights of modern theology and contemporary investigations of religious experience? Do they call in question long-standing rumours of the death of God and the triumph of the secular? Bible and Novel develops a new context for reading later Victorian fiction, using it to illuminate the increasingly perplexed and confusing issue of 'secularization' and recent negotiations of the 'post-secular'.

Along with Louise Erdrich's Love Medicine , Leslie Marmon Silko's Ceremony is one of the two most widely taught and studied Native American literature texts today. In Ceremony Silko recounts a young man's search for consolation in his tribe's history and traditions, and his resulting voyage of self-discovery and discovery of the world. This casebook includes a variety of theoretical approaches and provides readers with crucial information, especially on Native American beliefs, that will enhance their understanding and appreciation of this contemporary classic. This collection also includes two interviews with Leslie Marmon Silko in which she explains the importance of oral tradition and storytelling, along with the autobiographical basis of the novel.

Best known as the author of "Heart of Darkness" (1899), Joseph Conrad (1857-1924) is one of the most widely taught writers in English. His mastery of the English language is especially notable, for he was born in a Ukrainian area of Poland under Czarist Russian rule and began a sea career in France. He joined the British merchant fleet, and his travels took him to European imperial outposts throughout Asia, South America, and Africa. To pass the monotonous time on land between journeys, he began to write fiction in English. Never quite at home anywhere, he spoke a thickly accented mix of English, Polish, and French. He sometimes posed as a flirtatious Frenchman, a fallen Polish nobleman, and an English country squire and man of letters. Like many writers, his works reflect his experiences. Interest in his writings has become especially strong, in light of their relationship to marginality and postcolonialism.

As a reference book, this volume is a comprehensive guide to Conrad's troubled life and enduring literary legacy. An opening biographical chapter tells the story of his difficulties, adventures, and achievements. It also summarizes the current state of biographical research on Conrad and provides a useful context for approaching his works. The chapter that follows builds on the biography by discussing the importance of Conrad's letters to our understanding of his life and writings. Additional chapters examine each of his major works, while others address clusters of his later novels, his short fiction, and his essays and memoirs. Each chapter is written by an expert contributor and offers a combination of summary and original scholarship. Thus the volume provides important biographical, bibliographical, and contextual information to those readers new to Conrad, while it simultaneously gives experienced readers a wealth of fresh critical perspectives.

Few books have had more impact on U.S. history than Harriet Beecher Stowe's Uncle Tom's Cabin. The first American novel to sell more than a million copies, it provoked an entire reading public to extol it, debate it, weep over it, excoriate it. Fighting fire with fire, slavery apologists from North and South responded with their own fiction, producing over three dozen novels in direct response to Stowe's work. Interestingly, a key portion of that fiction was written by women. In Whitewashing Uncle Tom's Cabin, Joy Jordan-Lake examines those women-authored novels to produce compelling insights into both antebellum American culture and a proslavery ideology rife with internal tensions. Jordan-Lake begins by considering the male plantation literary tradition and then demonstrates how white women novelists of the anti-Uncle Tom school adopted characteristics from sentimental fiction, emulating Stowe's own strategies more than those of their male allies. Like Stowe, these women writers tried to appeal to maternal sensibilities and offered motherhood as a means of redemption for an admittedly fallen society. But contrary to their intent, Jordan-Lake shows, their works succumb to evasions, displacements, and contradictions that disrupt their surface narratives and reveal even their most noble women characters as mere pawns in a patriarchal game in which white society's pursuit and maintenance of wealth are made to appear humane, even holy. Ultimately, these texts dismantie themselves to expose a profit-driven chattel slavery as savage as any envisioned by Stowe. Including a discussion of twentieth- and twenty-first-century novels that revisit plantation mythology, Whitewashing Uncle Tom's Cabin casts new light on the ethical and moral disaster of securing one group's economic strength at the expense of other groups' access to dignity, compassion, and justice.

Poised between the Mediterranean and the Mitteleuropa, crossroads of civilizations and seat of vibrant cultural and literary life, Trieste is now acknowledged as enjoying unrivalled cultural status amongst Italian cities. This volume, the first comprehensive study of Triestine literature in English, originally reassesses Triestes literary identity, paying particular attention to the period between 1918 and 1954 when local writing became intensely aware of its local specificity and some of its central motifs came prominently to the fore. Triestes singular border identity, mirrored in a variegated literary output, emerges here as laden with complexities and ambiguities, such as the controversial notion of triestinita, the ambiguous relation with nationalism, specifically in its Fascist inflection, and the anxieties generated by repeated re-definitions of the areas historical borders.

Religion in Science Fiction investigates the history of the representations of religion in science fiction literature. Space travel, futuristic societies, and non-human cultures are traditional themes in science fiction. Speculating on the societal impacts of as-yet-undiscovered technologies is, after all, one of the distinguishing characteristics of science fiction literature. A more surprising theme may be a parallel exploration of religion: its institutional nature, social functions, and the tensions between religious and scientific worldviews. Steven Hrotic investigates the representations of religion in 19th century proto-science fiction, and genre science fiction from the 1920s through the end of the century. Taken together, he argues that these stories tell an overarching story-a 'metanarrative'-of an evolving respect for religion, paralleling a decline in the belief that science will lead us to an ideal (and religion-free) future. Science fiction's metanarrative represents more than simply a shift in popular perceptions of religion: it also serves as a model for cognitive anthropology, providing new insights into how groups and identities form in a globalized world, and into how crucial a role narratives may play. Ironically, this same perspective suggests that science fiction, as it was in the 20th century, may no longer exist.

This book looks at the stories told by the characters in the Iliad. All these stories are relevant to some aspect of the main narrative of the poem and they help us to understand it. Certain episodes narrated by the poet also reflect on the central issues of the poem, such as the dire consequences of rejecting prayers.

"Passionate and revealing love letters from the iconic lesbian novelist . . . Radclyffe Hall is getting a fresh look. . . . Glasgow has chosen these letters well and provides helpful context."
"--Kirkus Review"

"Many assumptions have been made about the degree to which Radclyffe Hall's lesbian classic, "The Well of Loneliness," may be autobiographical. Your John dismisses such notions. This exhaustive collection of letters written between 1934 and 1942 to Evguenia Souline, a White Russian emigre with whom Hall fell deeply in love are detailed, intimate records of Hall's personal life and convictions. . . . the collection is a heart-wrenching record of how politics, money, and geography converged to undermine these women's dreams."
"--Publisher's Weekly"

This landmark book represents the first publication of original writing by Radclyffe Hall, author of "The Well of Loneliness," in over 50 years.

One of the most famous and influential lesbian novelists of the twentieth century, Hall became a cause clbre in 1928, upon the publication of her novel "The Well of Loneliness," when the British government brought action on behalf of the Crown to declare the book obscene. Probably the most widely read lesbian novel ever written, the book has been continuously in print since its first publication and remains to this day an important part of the literary landscape.

Expertly deciphered and edited by Hall scholar and biographer Joanne Glasgow, Your John is a selection of Hall's love letters to Evguenia Souline, a White Russian emigre with whom Hall fell completely and passionately in love in the summer of 1934. Written between this first meeting and the onset of Hall's last illness in 1942, these letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women. It was ultimately this relationship, Glasgow argues, which tragically precipitated the decline in Hall's creative work and her health. The letters also provide important new information about her views on lesbianism and take us well beyond the artistic limits she imposed on the characters in "The Well of Loneliness." They shed light on her views on religion, politics, war, and the literary and artistic scene. Illuminating both the nature of her relationships and her views on the current politics of the time, Your John will greatly extend the range of our knowledge about Radclyffe Hall."

One of the most powerful and provocative writers to have emerged in Britain in recent years, James Kelman has engendered a good deal of controversy over his widely reported, but often misconceived use of 'bad' language words. This introduction to the whole range of his works, from the early short stories through the plays and essays to the Booker Prize winning novel How Late it Was, How Late and the latest experimental fiction, examines the embattled Kelman's literary politics. H. Gustav Klaus pays close attention to the Scottish culture in which Kelman's writing was nurtured, to the uncompromising treatment of the 'underclass', the intricacies of the narrative voice and the existentialist anguish behind it. A writer of international reputation now, Kelman's principled anti-authoritarianism raises uncomfortable questions about the continuing reality of class, dominant social and literary values and the role of writers in our time.

A wide-ranging study of the post-1990 fiction of one of America's most respected writers and cultural critics, this volume focuses on three of Don DeLillo's most recent novelsGCoMao II, Underworld, and Falling ManGCothat span pivotal moments in recent history: the end of the Cold War, the millennium, and 9/11. Consisting of original essays written by scholars whose interdisciplinary approachesGCodrawn from art history and religious history, ethnic studies and urban studies, popular culture and political scienceGCoshed new light on DeLillo's work, it investigates DeLillo's portrait of turn-of-the-century America as the nation confronts the defining phenomena of globalism and terrorism. With an eye always on the impact that shifts in historical sensibility produce on aesthetic sensibility, the volume also considers the role that DeLillo sees narrative playing in a world dominated by digital images and provides the first extended analysis of how much faith he has in fiction's ability to convey the trauma of September 11, an event commonly conceived as resistant to all forms of artistic expression.

This book is a stylistic study of D. H. Lawrence's presentation of narrative viewpoint. The focus is mainly on Lawrence's third novel, Sons and Lovers, occupying a crucial position in his oeuvre and judged by critics to be his first mature piece.While sharing many features typical of nineteenth-century novels, it marks the emergence of a new technique of writing consciousness that functioned as a precursor to the modernist practice of dialogic shifts across viewpoints. Through a detailed linguistic analysis, Sotirova shows that different characters' viewpoints are not simply juxtaposed in the narrative, but linked in a way that creates dialogic resonances between them. The dialogic linking is achieved through the use of devices that have parallel functions in conversational discourse - referring expressions, sentence-initial correctives and repetition. The book uses stylistics to resolve current controversies in narratology and Lawrence criticism.In approaching the study of narrative viewpoint from the angle of discourse, Sotirova arrives at cutting-edge insights into Lawrence's work. This book will be required reading for stylisticians, narratologists, literary linguists and literary studies scholars.

Nineteenth-century fiction writer and journalist Rebecca Harding Davis (1831-1910) is best known for her novella Life in the Iron Mills. Its publication in 1861 launched her stunning fifty-year career that yielded a corpus of some 500 published works, including short stories, novels, novellas, sketches, and social commentary. Davis's unique mode of writing anticipated literary realism twenty years before the time usually associated with its genesis. Today, her life and work continue to figure prominently in the study of American literature and culture. Rebecca Harding Davis: Writing Cultural Autobiography is the annotated edition of her 1904 autobiography, Bits of Gossip, and a previously unpublished family history written for her children. The memoirs are not traditional autobiography; rather, they are Davis's perspective on the extraordinary cultural changes that occurred during her lifetime and of the remarkable - and sometimes scandalous - people who shaped the events. She provides intimate portraits of the famous people she knew, including Emerson, Hawthorne, Louisa May Alcott, Ann Stephens, Oliver Wendell Holmes, and Horace Greeley. Equally important are Davis's commentaries on the political activists of the Civil War era, from Abraham Lincoln to Booker T. Washington, from the ""daughters of the Southland"" to Lucretia Mott, from Henry Ward Beecher to William Still. Whereas Bits of Gossip expands our understanding of Davis as cultural critic and observer of life, the family history offers new information on Davis's early life and the influences that led her to become one of the nineteenth century's pioneering Realists and cultural commentators. Together they bring a human voice to the nineteenth-century American milieu.

Salman Rushdie and the Genesis of Secrecy is the first book to draw extensively from material in the Salman Rushdie archive at Emory University to uncover the makings of the British-Indian writer's modernist poetics. Simultaneously connecting Rushdie with radical non-Western humanism and an essentially English-European sensibility, and therefore questions about world literature, this book argues that a true understanding of the writer lies in uncovering his 'genesis of secrecy' through a close reading of his archive. Topics and materials explored include unpublished novels, plays and screenplays; the earlier versions and drafts of Midnight's Children and its adaptations; understanding Islam and The Satanic Verses; the influence of cinema; and Rushdie's turn to earlier archives as the secret codes of modernism. Through careful examination of Rushdie's archive, Vijay Mishra demonstrates how Rushdie combines a radically new form of English with a familiarity with the generic registers of Indian, Arabic and Persian literary forms. Together, these present a contradictory orientalism that defines Rushdie's own humanism within the parameters of world literature.

There's nothing a mother wouldn't do for her children - even if it means telling a lie...Sisters Georgie and Kate have always been close. Brought up by their mum Jan after the death of their father, this family of women have always been able to rely on each other. Jan loves her daughters with all her heart. She knows some people think she's an over-protective mother, but they didn't know what she knows. She has always kept her girls close but now she can feel them slipping away. Secrets have a nasty habit of refusing to stay hidden, and now Georgie and Kate are about to discover that while lies can cause pain, the truth could destroy them all. Two beloved girls. The mother who adores him. The secret that could tear them apart. Bestselling novelist Clare Swatman returns with a heart-breaking, devastating, but ultimately uplifting story about mothers, daughters and the bonds of love. Praise for Clare Swatman: 'Before We Grow Old is an unashamedly big, life-affirming, tear-jerking love story. Beautifully told, characters Fran and Will had me from the first page, and crying buckets by the last ! Just gorgeous.' Katy Regan 'Before We Grow Old took me on an intense emotional journey, and I cried at the end (and I rarely cry when I'm reading!) The portrayal of the mother and son bond - with its peaks and troughs of intensity and frustration - felt incredibly real, and the dialogue in particular was brilliantly done.' Victoria Scott 'A beautifully written tale of enduring love' - Rowan Coleman 'Irresistible . . . A delightfully bittersweet story that will appeal to fans of One Day' - Sunday Mirror 'Wonderful' - Sun

This volume contains commentary on the text from Partition 1, Section 2, Member 4, Subsection 1 to the end of the second Partition. It thus concludes Burton's account of the causes, symptoms, and prognosis of melancholy, and his examination of remedies, spiritual and medical. As before, the commentary elucidates Burton's meaning (as well as translating all passages in Latin) and identifies the sources of his many quotations from and references to other authors.

Howard Fast, one of the most prolific American writers of the 20th century, has enjoyed wide popularity for his writing and suffered from great notoriety for his politics, but has never been given full credit for his contribution to the essential tales of American culture, the American Revolution, and immigrant acculturation. Although his novels have sold close to eighty million copies, this is the first book-length critical study of his work. In addition to an overview of his fiction, it offers close, critical readings of his historical novels of the American Revolution, Citizen Tom Paine, April Morning, and his most recent, Seven Days in June; his novels about slavery, Freedom Road and Spartacus; and his popular series about the American experience, The Immigrants. A biographical chapter is partly based on an extensive interview granted by Fast exclusively for this book. A comprehensive bibliography completes the work. This critical study begins with a biographical chapter that links life and works, showing how Fast transmuted his experience into fiction. Macdonald asserts that for all Fast's notoriety as a Communist in the 1940s and 1950s, his works show him to be deeply committed to the principles that inspired the American Revolution. A chapter on literary background discusses all of Fast's major works and most of his minor ones, placing the historical novels into literary context and the other works into their genre traditions. The remaining six chapters focus on his most important individual novels. Each novel is analyzed for plot structure, characterization, and thematic elements. In addition, Macdonald defines and applies alternative critical perspectives from which to readeach novel. A genealogy table for The Immigrants series, and a complete, up-to-date bibliography of all of Fast's nearly one hundred published works, as well as selected reviews and background reading, make this study invaluable for research and critical understanding. This study of Fast's classic works of historical fiction will aid the student and support the interdisciplinary American history/literature curriculum.

"Did the artistic aspirations of Ulysses make its salacious parts any less salacious? This work of scrupulous scholarship is an entertaining and important book that traces the fascinating historical details behind the Ulysses trials. It shows that judge Woolsey's famous decision was based on testimony by experts who were calculating, fuzzy, and illogical. Vanderham exposes some of the facile pieties about Art that have prevailed in the academy and the courts ever since. His analysis has important implications for the law, helping us see that such judicial decisions should have a different basis altogether."
--E. D. Hirsch, Jr.Author of Cultural Literacy: What Every American Needs to Know

When James Joyce's Ulysses began to appear in installments in 1918, it provoked widespread outrage and disgust. The novel violated a long list of taboos by denigrating English royalty, describing masturbation, and mingling the erotic with the excremental--in a style that some early reviewers called literary bolshevism. As a result, U.S. Postal authorities denied several installments of Ulysses access to the mails, initiating a series of suppressions that would result in a thirteen-year ban on Joyce's novel. Obscenity trials spanned the next decade. Using personal interviews and primary sources never before discussed in depth, James Joyce and Censorship closely examines the legal trials of Ulysses from 1920 to 1934.

Paying particular attention to the decision that lifted the ban on Ulysses in 1933, a decision that the ACLU cites to this day in cases involving censorship, Vanderham traces the growth of the fallacy that literature is incapable of influencing individuals. He argues persuasivelythat underneath every esthetic lie ethical, political, philosophical, and religious convictions. The legal and the literary aspects of the Ulysses controversy, Vanderham insists, are virtually inseparable. By analyzing the writing and revising of Ulysses in the context of Joyce's lifelong struggle with the censors, he argues that the censorship of Ulysses affected not only the critical reception of the novel but its very shape.

This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market verses the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children's eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.

Never before has the esoteric significance of the "Novel of the Century" been explained. At last its profound symbolism is made clear in light of the Hermetic tradition, establishing The Lord of the Rings to be the work of an illuminated imagination. Alchemy in Middle-earth traces J.R.R. Tolkien's motifs to unexpected connections with Scotland, the Middle East, and legendary Atlantis, and unveils the ancient wisdom in Tolkien's great work not only with the Alchemy of the past, but also with the living mystical alchemy of Sufism. In the process, the mysterious relationship between the spirituality of Islam and Tolkien's Christianity is revealed, signifying nothing less than the completion of the Grail quest at the end of an age.

Eudora Welty holds a prominent position among Southern writers, receiving critical attention in publications that scan a wide range of interests. Journals that specialize in American literature, journals that publish general essays, and journals that focus on Southern literature frequently include articles about her works. Her writings have been included in anthologies and have been adapted for the stage and television. This book traces the evolving critical response to her fiction.

In a lucid introductory essay, Champion presents an overview and summarizes the body of criticism on Welty's fiction. The rest of the volume presents representative selections of criticism from the initial reception of Welty's work to the present day. The selections are grouped in chapters devoted to Welty's principal writings. Her fiction is treated chronologically, and the selections within each chapter are also arranged in chronological order. Thus the book charts the development of Welty criticism over an extended period of time. A bibliography of works for further reading completes the volume.

This is the first annotated critical edition of works of Lancelot Andrewes (1555-1626), a writer recognized by literary critics, historians, and theologians as one of the most important figures in Elizabethan and Jacobean England. Peter McCullough, a leading expert on religious writing in the early modern period, presents fourteen complete sermons and lectures preached by Andrewes across the whole range of his adult career, from Cambridge in the 1580s to the court of James I and VI in the 1620s. Through a radical reassessment of Andrewes's life, influence, and surviving texts, the editor presents Andrewes as his contemporaries saw, heard, and read him, and as scholars are increasingly recognizing him: one of the most subtle, yet radical critics of mainstream Elizabethan Protestantism, and a literary artist of the highest order.
The centuries-old influence of William Laud's authorized edition of Andrewes (1629) is here complicated and contextualized by the full use for the first time of the whole range of Andrewes's works printed before and after his lifetime, as well as manuscript sources. The edition also showcases the aesthetic brilliance of Andrewes's remarkable prose, and suggests new ways for scholars to carry forward the modern literary appreciation of Andrewes famously begun by T. S. Eliot. A full introductory essay sets study of Andrewes on a new footing by placing his works in the context of his life and career, surveying the history of responses to his writings, and summarizing the history of the transmission of his texts. The texts here are edited to high modern critical standards. The exhaustive commentary sets each selection in its historical context, documentsAndrewes's myriad sources, glosses important and unfamiliar words and allusions, and translates his frequent quotations from the ancient Biblical languages.