Reading Late Lawrence is a study of a number of the neglected fictional works of D.H. Lawrence's late period: these include Glad Ghosts, The Lovely Lady, The Blue Moccasins, and the first two revisions of Lady Chatterly's Lover. The particular focus is on Lawrence's revisions, and the insights they offfer into the complexity of his writing processes and the depth of his commitment to renewal and reimagining. The study draws extensively upon the manuscript and variant material recently made available in the new scholarly editions of his work.

The Wild Earth's Nobility is the first of Frank Waters's semiautobiographical novels in the Pikes Peak saga. Here, in a frontier town in the shadow of the commanding mountain, the Rogier family settles near an age-old route of migrating Native Americans. In an era of prospecting, silver strikes, and frenzied mining, Joseph Rogier becomes a successful building contractor, rears a large family, and is gradually overwhelmed by the power of the great peak.
In Waters's visionary prose, the story becomes a mythic journey to reconcile instinct and reason, consciousness and intuition, and the powerful emotions of a family struggling with its own dreams and human limitations.
Frank Waters (1902-1995), one of the finest chroniclers of the American Southwest, wrote twenty-eight works of fiction and nonfiction. Of Pike's Peak (1971), the Chicago Daily News wrote, It is a product of maturity, written with a sustained strength and beauty of style rarely found in fiction today.
Pike's Peak is composed of three condensed novels: The Wild Earth's Nobility, Below Grass Roots, and The Dust within the Rock.

This book is about how France's two major documentary authors of the nineteenth century - Gustave Flaubert and Emile Zola - incorporate medical knowledge about the body into their works, and in so doing exploit its metaphorical potential of the body to engage in critical reflection about the accumulation and reconfiguration of knowledge.

"Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma" studies the intersections of modernism, sexuality, and subjectivity in the work of two leading women modernists. Over the course of her writing career, each came to confront those aspects of her culture and her personal history that resulted in a degraded sense of female sexuality. In particular, both explored the ways in which traumatic childhood sexual experiences informed their relationship to female corporeality and fiction writing. Their narratives about these memories--and the essays and fictions in which they recovered and worked through them--are all the more remarkable in that they appeared at a time when Freud's renunciation of the seduction theory had become the authorizing narrative of psychoanalysis.

Bruce Kellner worked directly from the collection of often-overlooked novelist Donald Windham to produce this reference work. Entries on books, pamphlets, articles and criticism provided a comprehensive record of Windham's literary development, critical reception, failures, and achievements. According to Kellner, the public has yet to fully embrace the quiet eloquence of Windham's work; like authors Herman Melville and Gertrude Stein, he may be vindicated by time. Kellner introduces the bio-bibliography with a discussion of Donald Windham's background, writing style, and reception by publishers and readers. He likens Windham's subtle style to E.M. Forster, and he suggests that America's action-oriented culture lacks patience for Windham's offerings, which are homosexual but not erotic, Southern but not gothic. The book, which includes an addendum to the introduction by Windham himself, is divided into five parts: Books and Pamphlets, Books and Pamphlets with Contributions, Contributions to Periodicals, Ephemera, and Criticism and Biography. This book is valuable to students, scholars, and general audiences of literature.

Trollope is usually seen as a faithful mirror of Victorian England, both in providing details of contemporary life and in endorsing the moral attitudes and certainties of the period. His powers of empathy make his characters convincing and knowable. Yet the Victorians restricted women to the house and severely limited their rights and opportunities. This text examines the conundrum of how a great novelist could both accept the conventional values of the time and yet be able to see and sympathise with the impossible situations that Victorian women often found themselves. The author shows the individuality of Trollope's women: even conventional Angel in the House heroines, like the eponymous Rachel Ray and Mary Lowther in "The Vicar of Bullhampton", can surprise us at times. More tellingly, he cannot help giving some of his less angelic characters, such as the vivacious Lizzie Eustace in "The Eustace Diamonds" and the dauntless Mrs Hurtle in "The Way We Live Now". His range extends beyond simple romance to the realistic handling of marriages, both happy and unhappy, and to the treatment of bigamy and scandal. He shows men and women getting on together as well as fighting bitterly. Nor are Trollope's novels as devoid of sex as has often been thought. Not only are hidden jokes made about the subject, men in the novels clearly think about women's bodies - something that women reciprocate. While in his plots and in his authorial asides, Trollope usually supports conventional Victorian attitudes, in his handling of women he shows himself capable of a real understanding of their restrictions and problems: the imperative to catch a husband; women's powerlessness (as experienced by Emily Trevelyan in "He Knew He Was Right" where a marriage failed; and the double standards applied to them throughout their lives.

The metaphor of life as prison obsessed Edith Wharton, and, consequently, the theme of imprisonment appears in most of her 86 short stories. In the last several decades, critical studies of Wharton's fiction have focused on this theme of imprisonment, but invariably it is related to biographical considerations. This study, however, is not concerned with such insights and influences; rather, it concentrates on Wharton's skill as a craftsman in consciously and carefully fitting her narrative techniques to the imprisonment theme. Representative tales from Wharton's early period (1891-1904), her major phase (1905-1919), and her later years (1926-1937) have been examined and divided into four categories: individuals trapped by love and marriage, men and women imprisoned by the dictates of society, human beings victimized by the demands of art and morality, and persons paralyzed by fear of the supernatural.

The English novel written between 1700 and 1740 remains a comparatively neglected area. In addition to Daniel Defoe, whose "Robinson Crusoe" and "Moll Flanders" are landmarks in the history of English fiction, many other authors were at work. These included such women as Penelope Aubin, Jane Barker, Mary Davys, and Eliza Haywood, who made a considerable contribution to widening the range of emotional responses in fiction. These authors, and many others, continued writing in the genres inherited from the previous century, such as criminal biographies, the Utopian novel, the science fictional voyage, and the epistolary novel. This annotated bibliography includes entries for these works and for critical materials pertinent to them.

The volume first seeks to establish the existing studies of the era, along with anthologies. It then provides entries for a wide-ranging selection of works which cover fictional, theoretical, historical, political, and cultural topics, to provide a comprehensive background to the unfolding and understanding of prose fiction in the early 18th century. This is followed by an alphabetical listing of novels, their editions, and any critical material available on each. The next section provides a chronological record of significant and enduring works of fiction composed or translated in this period. The volume concludes with extensive indexes.

"Reading Women's Worlds from Christine de Pizan to Doris Lessing "explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room even, or may be more ambitious, such as the dream of an entire country created for and inhabited exclusively by women. Sharon L. Jansen places these texts in conversation with one another, pairing them in ways that reveal the writers' distinctive voices even while they speak of the dream they share.

This is the first book-length critical study of E.B. White, the American essayist and author of Stuart Little, Charlotte's Web, The Trumpet of the Swan . G. Douglas Atkins focuses on White and the writing life, offering detailed readings of the major essays and revealing White's distinctiveness as an essayist.

Abandoning the Black Hero is the first book to examine the postwar African American white-life novel-novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby. John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency. In an era when "Negro writers" were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the "Negro problem" encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.

Despite the devastation of combat in WWII, the Holocaust, and the atomic bomb, the fiction produced in America in the decade following resolutely avoided the events and their implications. "Repression and Realism in Postwar American Literature" challenges popular notions regarding the ability of fantasy genres to force a confrontation with repressed horror by exploring the ways realist literature became a subversive site of reified taboo in America following World War II.

Palgrave Advances in Charles Dickens Studies is a comprehensive and authoritative guide to the study of one of the most important Victorian novelists. Its editors, Robert L. Patten and John Bowen, are leading authorities on Dickens and the international team of contributors they have assembled contains some of the most exciting critics of nineteenth-century fiction writing today. The book covers the whole range of Dickens's writing and criticism about it, including biographical, theoretical and historical approaches. It is based on up-to-the-minute research and written in a lively and engaging way, and will be essential reading for all students and scholars of this canonical writer.

Richard Wright is one of the most important African American writers. He is also one of the most prolific. Best known as the author of Native Son, he wrote 7 novels; 2 collections of short fiction; an autobiography; more than 250 newspaper articles, book reviews, and occasional essays; some 4,000 verses; a photo-documentary; and 3 travel books. By attacking the taboos and hypocrisy that other writers had failed to address, he revolutionized American literature and created a disturbing and realistic portrait of the African American experience. This encyclopedia is a guide to his vast and influential body of works. Included are more than 350 alphabetically arranged entries, such as: Beale Street Belgium Black Boy Chicago Renaissance Civil Rights Movement Ralph Waldo Ellison Sigmund Freud Harlem Martin Luther King, Jr. Marxism Native Son Edgar Allan Poe Segregation Sharecropping And many more. Entries cite works for further reading, and the encyclopedia closes with an extensive bibliography. Literature students will value this work for its thorough overview of Wright's canon, while students in history and social studies classes will welcome it as a means of understanding the African American struggle for civil rights through literature.

This book conveys Thackeray's development as a novelist, lecturer in Great Britain and the United States, familiar essayist, and shaper of cultural awareness as editor of a major new journal - a development especially growing out of the achievement of Vanity Fair , where he has so powerfully articulated the comical and absurd system of forces defining the human existence that he and his readers shared. Articulating the connections among Thackeray's varied work and activities, Harden reveals the broadening imaginative growth and deepening understanding of a supremely insightful perceiver and critic of human life.

This book investigates the development of crime fiction in the 1880s and 1890s, challenging studies of late-Victorian crime fiction which have given undue prominence to a handful of key figures and have offered an over-simplified analytical framework, thereby overlooking the generic, moral, and formal complexities of the nascent genre.

A collection of essays on the 1960s experimental writer B.S. Johnson, this book draws together new research on all aspects of his work, and, in tracing his connections to a wider circle of continental, British and American avant-garde writers, offers exciting new approaches to reading 1960s experimental fiction.

Decadence is a concept that designates a given historical moment as a phase of decay and valorizes the past as an irretrievable golden age. The literary theme and motif has survived through the history of literary and cultural discourses in Japan since antiquity to the present and holds a key to understand the wide range of social consciousnesses that cannot be always molded by a given social mainstream. Here, Ikuho Amano offers an innovative examination of a century of Japanese fiction through the analytical prism of decadence. Drawing on the economic issues prevalent in twentieth-century fictions, the book argues that non-productive labor plays an integral part of modern society and culture while accommodating the entropic excess of modern society. Through deviant dealings of resources, including waste, squandering, wagering, and excessive generosity, the decadent individuals negotiate with modern utilitarian ideologies of society based on labor and production, showcasing their desire and dream outside the circle of diligence and productivity.

This is the first modern study in English of the life and thought of the ninth-century Byzantine theologian and monastic reformer, Theodore the Stoudite. Cholij analyses Theodore's letters and religious writings in context in order to reach new conclusions concerning the religious and secular issues which engaged him in controversy. This analysis develops a new definition of the origins of the Orthodox sacramental tradition.

It is often thought that Jonathan Swift was vehemently opposed to the new science that heralded the beginning of the modern age, but this book interrogates that assumption, bringing new perspectives to his most famous works, and making a case for the intellectual importance of some of his more neglected poems and prose satires. Lynall's study traces the theological, political, and socio-cultural resonances of scientific knowledge in the early eighteenth century, and considers what they can reveal about the growth of Swift's imagination. Taking us to a universe made from clothes, to a place where flowers can talk and men are only trees turned upside down, to an island that hovers high in the clouds, and to a library where a spider predicts how the world will end, the book shows how satire can be an active and unique participant in cultural debates about the methods and purposes of scientific enquiry.

Writers in Brazil and Mexico discovered early on that speculative fiction provides an ideal platform for addressing the complex issues of modernity, yet the study of speculative fictions rarely strays from the United States and England. Cyborgs, Sexuality, and the Undead: The Body in Mexican and Brazilian Speculative Fiction expands the traditional purview of speculative fiction in all its incarnations (science fiction, fantasy, horror) beyond the traditional Anglo-American context to focus on work produced in Mexico and Brazil across a historical overview from 1870 to the present. The book portrays the effects-and ravages-of modernity in these two nations, addressing its technological, cultural, and social consequences and their implications for the human body. In Cyborgs, Sexuality, and the Undead, M. Elizabeth Ginway examines all these issues from a number of theoretical perspectives, most importantly through the lens of BolIvar EcheverrIa's "baroque ethos," which emphasizes the strategies that subaltern populations may adopt in order to survive and prosper in the face of massive historical and structural disadvantages. Foucault's concept of biopolitics is developed in discussion with Roberto Esposito's concept of immunity and Giorgio Agamben's distinction between 'political life' and 'bare life.' This book will be of interest to scholars of speculative fiction, as well as Mexicanists and Brazilianists in history, literary studies, and critical theory.

It is during the nineteenth-century, the age of machinery, that we begin to witness a sustained exploration of the literal and discursive entanglements of minds, bodies, machines. This book explores the impact of technology upon conceptions of language, consciousness, human cognition, and the boundaries between materialist and esoteric sciences.

James A. Michener is one of the most widely read American authors of the 20th century. He worked as a social studies teacher and as an editor, and went on to write such memorable works as Tales of the South Pacific and Centennial. He also wrote numerous scattered short pieces. Though a popular writer, Michener's importance to the American literary, educational, social, and political scene is now slowly being recognized, and his writings are being used as guides and touchstones for study in American schools. This volume contains a checklist of Michener's major novels and his scattered minor writings, along with an extensive annotated bibliography of works about him. The first part is a checklist of his works, while the second is an annotated listing of books and articles published on Michener from the 1920s to the 1990s. The volume also contains a selected list of reviews of Michener's major works. Two reviews for each work have been selected at random, and they provide an overview of the critical response to Michener's writings over the years.

This study innovatively explores how Malory’s Morte Darthur responds to available literary vernacular Arthurian traditions—the French defined as theoretical in impulse, the English as performative and experimental. Negotiating these influences, Malory transforms constructions of masculine heroism, especially in the presentation of Launcelot, and exposes the tensions and disillusions of the Arthurian project. The Morte poignantly conveys a desire for integrity in narrative and subject-matter, but at the same time tests literary conceptualizations of history, nationalism, gender and selfhood, and considers the failures of social and legal institutionalizations of violence, in a critique of literary form and of social order.

This book challenges the traditional image of Conrad as writer of the sea, a man in a man's world. It re-establishes the importance of significant women in his life, and his engagement with women's writing and the female readers of his fiction. Rethinking received views of Conrad as a modernist writer, it explores the experimentation of his later, less familiar works, first published in the women's pages of popular journals.