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Modernism and Melancholia - Writing as Countermourning (Hardcover)
Loot Price: R2,536
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Modernism and Melancholia - Writing as Countermourning (Hardcover)
Series: Modernist Literature and Culture, 21
Expected to ship within 12 - 17 working days
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The malaise of melancholia has a long tradition in literature,
theory, and the visual arts, from Durer's famous sixteenth-century
engraving (Melencolia I) and Milton's "Il Penseroso," to Walter
Benjamin's Arcades and Lars Von Triers' recent film Melancholia.
Sanja Bahun's monograph uses the mental condition as a jumping-off
point to advance new approaches to modernist novelists from around
Russia, the Czech Republic, and Britain. Informed by the writings
of Freud, Klein, Judith Butler, and others, Bahun argues that
formal explorations by modernist authors are best interpreted as
narratives of historical melancholia. Specifically, Modernism and
Melancholia shows how a range of novels from 1913 to 1941 perform
melancholia in their diction, images, metaphors, syntax, and
experimental narrative techniques. Drawing on the narrative
theorist, Bakhtin, Bahun applies the term chronotope to link all
these formal characteristics to a historical moment bounded by two
world wars, the loss of stable identities, and the rise of racism
and totalitarianism. Melancholic symptoms, once they become
performative, create a modernist relationship to history that
becomes both passionately engaged and curiously withdrawn. The
three core novels at the heart of the study are Andrei Bely's
Petersburg, Franz Kafka's The Castle, and Virginia Woolf's Between
the Acts. Modernism and Melancholia adds an important transnational
perspective to modernist studies and comparative literature more
broadly.
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