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Books > Humanities > History > Asian / Middle Eastern history > General
This volume explores the religious transformation of each nation in
modern Asia. When the Asian people, who were not only diverse in
culture and history, but also active in performing local traditions
and religions, experienced a socio-political change under the wave
of Western colonialism, the religious climate was also altered from
a transnational perspective. Part One explores the nationals of
China (Taiwan), Hong Kong, Korea, and Japan, focusing on the
manifestations of Japanese religion, Chinese foreign policy, the
British educational system in Hong Kong in relation to Tibetan
Buddhism, the Korean women of Catholicism, and the Scottish impact
in late nineteenth century Korea. Part Two approaches South Asia
through the topics of astrology, the works of a Gujarati saint, and
Himalayan Buddhism. The third part is focused on the conflicts
between 'indigenous religions and colonialism,' 'Buddhism and
Christianity,' 'Islam and imperialism,' and 'Hinduism and
Christianity' in Southeast Asia.
At midnight on 30 June 1997, Hong Kong reverted to Chinese
sovereignty after 150 years of British rule. The moment when the
British flag came down was dramatic enough but the ten years
leading up to it were full of surprising incident and change. These
'Letters from Hong Kong', written by an Englishwoman who was
involved in those events from 1987, are both an unusual historical
record and a heartwarming account of women's domestic, intellectual
and political activity. This epilogue brings Hong Kong up to date
ten years after the Handover.
Nasrin Askari explores the medieval reception of Firdausi's
Shahnama, or Book of Kings (completed in 1010 CE) as a mirror for
princes. Through her examination of a wide range of medieval
sources, Askari demonstrates that Firdausi's oeuvre was primarily
understood as a book of wisdom and advice for kings and courtly
elites. In order to illustrate the ways in which the Shahnama
functions as a mirror for princes, Askari analyses the account
about Ardashir, the founder of the Sasanian dynasty, as an ideal
king in the Shahnama. Within this context, she explains why the
idea of the union of kingship and religion, a major topic in almost
all medieval Persian mirrors for princes, has often been attributed
to Ardashir.
Drawing on a variety of sources, ranging from interviews with key
figures to unpublished archival material, Saban Halis Calis traces
this ambition back to the 1930s. In doing so, he demonstrates that
Turkey's policy has been shaped not just by US and Soviet
positions, but also by its own desire both to reinforce its
Kemalist character and to 'Westernise'. The Cold War, therefore,
can be seen as an opportunity for Turkey to realise its long-held
goal and align itself economically and politically with the West.
This book will shed new light on the Cold War and Turkey's modern
diplomacy, and re-orientate existing understandings of modern
Turkish identity and its diplomatic history.
Truly an essential reference for today's world, this detailed
introduction to the origins, events, and impact of the adversarial
relationship between Arabs and Israelis illuminates the
complexities and the consequences of this long-lasting conflict.
The Arab-Israeli conflict remains one of the most contentious in
modern history, one with repercussions that reach far beyond the
Middle East. This volume describes and explains the most important
countries, people, events, and organizations that play or have
played a part in the conflict. Chronological coverage begins with
the Israeli War of Independence in 1948 and extends to the present
day. A one-stop reference, the guide offers a comprehensive
overview essay, as well as perspective essays by leading scholars
who explore such widely debated issues as the United States'
support for Israel and historic rights to Palestine. Important
primary source documents, such as the UN Resolution on the
Partition of Palestine and the Camp David Accords, are included and
put into context. Further insight into drivers of war and peace in
the Middle East are provided through biographies of major political
leaders like Menachem Begin, Golda Meir, Yasser Arafat, Benjamin
Netanyahu, and Anwar Sadat. Provides a comprehensive overview of
one of the most complex conflicts in modern times, clarifying its
causes and consequences Inspires critical thinking through
perspective essays on topics related to the conflict that generate
wide-spread debate Takes into account events such as the impact of
the Arab Spring and the ongoing negotiations with Iran over its
nuclear capabilities Offers valuable insights into the backgrounds
and philosophies of the leaders on both sides who have helped
defined the Arab-Israeli conflict
The Oxford Handbook of Arab Novelistic Traditions is the most
comprehensive treatment of the subject to date. In scope, the book
encompasses the genesis of the Arabic novel in the second half of
the nineteenth century and its development to the present in every
Arabic-speaking country and in Arab immigrant destinations on six
continents. Editor Wail S. Hassan and his contributors describe a
novelistic phenomenon which has pre-modern roots, stretching
centuries back within the Arabic cultural tradition, and branching
outward geographically and linguistically to every Arab country and
to Arab writing in many languages around the world. The first of
three innovative dimensions of this Handbook consists of examining
the ways in which the Arabic novel emerged out of a syncretic
merger between Arabic and European forms and techniques, rather
than being a simple importation of the latter and rejection of the
former, as early critics of the Arabic novel claimed. The second
involves mapping the novel geographically as it took root in every
Arab country, developing into often distinct though overlapping and
interconnected local traditions. Finally, the Handbook concerns the
multilingual character of the novel in the Arab world and by Arab
immigrants and their descendants around the world, both in Arabic
and in at least a dozen other languages. The Oxford Handbook of
Arab Novelistic Traditions reflects the current status of research
in the broad field of Arab novelistic traditions and signals toward
new directions of inquiry.
The collection contains materials of archival documents and memoirs
concerning the famine of 1931-1933 in Central Kazakhstan. Various
documents from the archives reveal to the reader the most difficult
period of the Soviet history of Kazakhstan, associated with the
dispossession of the kulaks and debaiization of the Kazakh village
and aul, Stalinist forced collectivization, forced sedentarization
of nomadic Kazakh farms, large-scale cattle, meat and grain
procurements, famine and epidemics in the republic. The publication
introduces previously unpublished archival materials from the
Central and regional archives of Kazakhstan into scientific
circulation. In addition, the collection includes the memories of
famine witnesses preserved by their descendants. The collection is
addressed to researchers, students, as well as a wide range of
readers interested in the history of Kazakhstan.
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1963.
The Lebanese civil war, which spanned the years of 1975 to
1990,caused the migration of hundreds of thousands of Lebanese
citizens, many of whom are still writing of their experiences.
Jumana Bayeh presents an important and major study of the
literature of the Lebanese diaspora. Focusing on novels and
writings produced in the aftermath of Lebanon's protracted civil
war, Bayeh explores the complex relationships between place,
displacement and belonging, and illuminates the ways in which these
writings have shaped a global Lebanese identity. Combining history
with sociology, Bayeh examines how the literature borne out of this
expatriate community reflects a Lebanese diasporic imaginary that
is sensitive to the entangled associations of place and identity.
Paving the way for new approaches to understanding diasporic
literature and identity, this book will be vital for researchers of
migration studies and Middle Eastern literature, as well as those
interested in the cultures, history and politics of the Middle
East.
Gershon Baskin's memoir of thirty-eight years of intensive pursuit
of peace begins with a childhood on Long Island and a bar mitzvah
trip to Israel with his family. Baskin joined Young Judaea back in
the States, then later lived on a kibbutz in Israel, where he
announced to his parents that he had decided to make aliya,
immigrate to Israel. They persuaded him to return to study at NYU,
after which he finally immigrated under the auspices of Interns for
Peace. In Israel he spent a pivotal two years living with Arabs in
the village of Kufr Qara. Despite the atmosphere of fear, Baskin
found that he could talk with both Jews and Palestinians, and that
very few others were engaged in efforts at mutual understanding. At
his initiative, the Ministry of Education and the office of
right-wing Prime Minister Menachem Begin created the Institute for
Education for Jewish-Arab Coexistence with Baskin himself as
director. Eight years later he founded and codirected the only
joint Israeli-Palestinian public policy think-and-do tank in the
world, the Israel/Palestine Center for Research and Information.
For decades he continued to cross borders, often with a kaffiyeh
(Arab headdress) on his dashboard to protect his car in Palestinian
neighborhoods. Airport passport control became Kafkaesque as
Israeli agents routinely identified him as a security threat.
During the many cycles of peace negotiations, Baskin has served
both as an outside agitator for peace and as an advisor on the
inside of secret talks-for example, during the prime ministership
of Yitzhak Rabin and during the initiative led by Secretary of
State John Kerry. Baskin ends the book with his own proposal, which
includes establishing a peace education program and cabinet-level
Ministries of Peace in both countries, in order to foster a culture
of peace.
It has been the home to priests and prostitutes, poets and spies.
It has been the stage for an improbable flirtation between an
Israeli girl and a Palestinian boy living on opposite sides of the
barbed wire that separated enemy nations. It has even been the
scene of an unsolved international murder. This one-time shepherd's
path between Jerusalem and Bethlehem has been a dividing line for
decades. Arab families called it "al Mantiqa Haram." Jewish
residents knew it as "shetach hefker." In both languages it meant
the same thing: "the Forbidden Area." Peacekeepers that monitored
the steep fault line dubbed it "Barbed Wire Alley." To folks on
either side of the border, it was the same thing: A dangerous
no-man's land separating warring nations and feuding cultures. The
barbed wire came down in 1967. But it was soon supplanted by
evermore formidable cultural, emotional and political barriers
separating Arab and Jew. For nearly two decades, coils of barbed
wire ran right down the middle of what became Assael Street,
marking the fissure between Israeli-controlled West Jerusalem and
Jordanian-controlled East Jerusalem. In a beautiful narrative, A
Street Divided offers a more intimate look at one road at the heart
of the conflict, where inches really do matter.
The open access publication of this book has been published with
the support of the Swiss National Science Foundation. From
pilgrimage sites in the far west of Europe to the Persian court;
from mystic visions to a gruesome contemporary “dance”; from a
mundane poem on wine to staggering religious art: thus far in space
and time extends the world of the Armenians. A glimpse of the vast
and still largely unexplored threads that connect it to the wider
world is offered by the papers assembled here in homage to one of
the most versatile contemporary armenologists, Theo Maarten van
Lint. This collection offers original insights through a
multifaceted lens, showing how much Armenology can offer to Art
History, History, Linguistics, Philology, Literature, and Religious
Studies. Scholars will find new inspirations and connections, while
the general reader will open a window to a world that is just as
wide as it is often unseen.
This volume explores the changing place of Islam in contemporary
Central Asia, understanding religion as a "societal shaper" - a
roadmap for navigating quickly evolving social and cultural values.
Islam can take on multiple colors and identities, from a purely
transcendental faith in God to a cauldron of ideological ferment
for political ideology, via diverse culture-, community-, and
history-based phenomena. The volumes discusses what it means to be
a Muslim in today's Central Asia by looking at both historical and
sociological features, investigates the relationship between Islam,
politics and the state, the changing role of Islam in terms of
societal values, and the issue of female attire as a public debate.
Contributors include: Aurelie Biard, Tim Epkenhans, Nurgul
Esenamanova, Azamat Junisbai, Barbara Junisbai, Marlene Laruelle,
Marintha Miles, Emil Nasritdinov, Shahnoza Nozimova, Yaacov Ro'i,
Wendell Schwab, Manja Stephan-Emmrich, Rano Turaeva, Alon Wainer,
Alexander Wolters, Galina M. Yemelianova, Baurzhan Zhussupov
Jewish Contiguities and the Soundtrack of Israeli History
revolutionizes the study of modern Israeli art music by tracking
the surprising itineraries of Jewish art music in the move from
Europe to Mandatory Palestine and Israel. Leaving behind cliches
about East and West, Arab and Jew, this book provocatively exposes
the legacies of European antisemitism and religious Judaism in the
making of Israeli art music.
Shelleg introduces the reader to various aesthetic dilemmas
involved in the emergence of modern Jewish art music, ranging from
auto-exoticism through the hues of self-hatred to the
disarticulation of Jewish musical markers. He then considers part
of this musics' translocation to Mandatory Palestine, studying its
discourse with Hebrew culture, and composers' grappling with modern
and Zionist images of the self. Unlike previous efforts in the
field, Shelleg unearths the mechanism of what he calls "Zionist
musical onomatopoeias," but more importantly their dilution by the
non-western Arab Jewish oral musical traditions (the same
traditions Hebrew culture sought to westernize and secularize).
And what had begun with composers' movement towards the musical
properties of non-western Jewish musical traditions grew in the 60s
and 70s to a dialectical return to exilic Jewish cultures. In the
aftermath of the Six-Day War, which reaffirmed Zionism's redemptive
and expansionist messages, Israeli composers (re)embraced precisely
the exilic Jewish music that emphasized Judaism's syncretic
qualities rather than its territorial characteristics. In the 70s,
therefore, while religious Zionist circles translated theology into
politics and territorial maximalism, Israeli composers
deterritorialized the national discourse by a growing return to the
spaces shared by Jews and non-Jews, devoid of Zionist
appropriations."
Medieval Arab Music and Musicians offers complete, annotated
English translations of three of the most important medieval Arabic
texts on music and musicians: the biography of the musician Ibrahim
al-Mawsili from al-Isbahani's Kitab al-Aghani (10th c), the
biography of the musician Ziryab from Ibn Hayyan's Kitab
al-Muqtabis (11th c), and the earliest treatise on the muwashshah
Andalusi song genre, Dar al-Tiraz, by the Egyptian scholar Ibn
Sana' al-Mulk (13th c). Al-Mawsili, the most famous musician of his
era, was also the teacher of the legendary Ziryab, who traveled
from Baghdad to al-Andalus and is often said to have laid the
foundations of Andalusi music. The third text is crucial to any
understanding of the medieval muwashshah and its possible relations
to the Troubadours, the Cantigas de Santa Maria, and the Andalusi
musical traditions of the modern Middle East.
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