"Cultural Responses to Occupation in Japan" examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change."Cultural Responses to Occupation in Japan" explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.""

Drawing on a variety of sources, ranging from interviews with key figures to unpublished archival material, Saban Halis Calis traces this ambition back to the 1930s. In doing so, he demonstrates that Turkey's policy has been shaped not just by US and Soviet positions, but also by its own desire both to reinforce its Kemalist character and to 'Westernise'. The Cold War, therefore, can be seen as an opportunity for Turkey to realise its long-held goal and align itself economically and politically with the West. This book will shed new light on the Cold War and Turkey's modern diplomacy, and re-orientate existing understandings of modern Turkish identity and its diplomatic history.

In this book, author Nader Moumneh-a Canadian senior policy adviser of Lebanese descent- examines the research of the formation and evolution of the Christian resistance in Lebanon he performed as a graduate student at the American University of Beirut in the early 1990s. He has conducted hundreds of lengthy interviews with senior Lebanese Forces leaders who were thoroughly impressed by his communicative yet assertive personality, his scrupulous presentation of facts, his obsessive attention to detail, and most importantly, his unwavering determination to unveil behind-the-scenes events. Mr. Moumneh drew upon his self-acquired persuasion tactics and negotiation strategies to earn the Lebanese Forces' trust and gain access to top secret, never-before published information. Since then, he has continually revised and expanded the manuscript to address the rapidly changing situation in Lebanon and the Middle East. The Lebanese Forces: Emergence and Transformation of the Christian Resistance has taken twenty-five years to produce and is unique in its own right. Mr. Moumneh's work is not a typical re-telling of the Lebanese crisis, rather it is a magnificent blend of skillful craftsmanship, an unprecedented wealth of painstakingly referenced chronological research and now declassified intelligence information.

This book provides a systematic study of the political, economic, cultural, and educational changes that have taken place in China since 1978, and examines the impacts of these changes on the Chinese people's thinking and behavior. Jing Lin traces the gradual change of the Chinese from obedient, unquestioning citizens to critical and intelligent thinkers. She points out that with the more relaxed political and economic environment the Chinese people have gone through a period of reflection on their communist past, which has resulted in a new sense of identity and a more independent spirit. The book also looks at how the Chinese have begun to learn from other countries, resulting in an ongoing desire for openness and democracy.

With the spread of manga (Japanese comics) and anime (Japanese cartoons) around the world, many have adopted the Japanese term 'otaku' to identify fans of such media. The connection to manga and anime may seem straightforward, but, when taken for granted, often serves to obscure the debates within and around media fandom in Japan since the term 'otaku' appeared in the niche publication Manga Burikko in 1983. Debating Otaku in Contemporary Japan disrupts the naturalization and trivialization of 'otaku' by examining the historical contingency of the term as a way to identify and contain problematic youth, consumers and fan cultures in Japan. Its chapters, many translated from Japanese and available in English for the first time - and with a foreword by Otsuka Eiji, former editor of Manga Burikko - explore key moments in the evolving discourse of 'otaku' in Japan. Rather than presenting a smooth, triumphant narrative of the transition of a subculture to the mainstream, the edited volume repositions 'otaku' in specific historical, social and economic contexts, providing new insights into the significance of the 'otaku' phenomenon in Japan and the world. By going back to original Japanese documents, translating key contributions by Japanese scholars and offering sustained analysis of these documents and scholars, Debating Otaku in Contemporary Japan provides alternative histories of and approaches to 'otaku'. For all students and scholars of contemporary Japan and the history of Japanese fan and consumer cultures, this volume will be a foundation for understanding how 'otaku', at different places and times and to different people, is meaningful.