Beholding Beauty: Sa'di of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry explores the relationship between sexuality, politics, and spirituality in the lyrics of Sa'di Shirazi (d. 1292 CE), one of the most revered masters of classical Persian literature. Relying on a variety of sources, including unstudied manuscripts, Domenico Ingenito presents the so-called "inimitable smoothness" of Sa'di's lyric style as a serene yet multifaceted window into the uncanny beauty of the world, the human body, and the realm of the unseen. The book constitutes the first attempt to study Sa'di's lyric meditations on beauty in the context of the major artistic, scientific and intellectual trends of his time. By charting unexplored connections between Islamic philosophy and mysticism, obscene verses and courtly ideals of love, Ingenito approaches Sa'di's literary genius from the perspective of sacred homoeroticism and the psychology of performative lyricism in their historical context.

An intimate portrait of the postwar lives of Korean children and women Korean children and women are the forgotten population of a forgotten war. Yet during and after the Korean War, they were central to the projection of US military, cultural, and political dominance. Framed by War examines how the Korean orphan, GI baby, adoptee, birth mother, prostitute, and bride emerged at the heart of empire. Strained embodiments of war, they brought Americans into Korea and Koreans into America in ways that defined, and at times defied, US empire in the Pacific. What unfolded in Korea set the stage for US postwar power in the second half of the twentieth century and into the twenty-first. American destruction and humanitarianism, violence and care played out upon the bodies of Korean children and women. Framed by War traces the arc of intimate relations that served as these foundations. To suture a fragmented past, Susie Woo looks to US and South Korean government documents and military correspondence; US aid organization records; Korean orphanage registers; US and South Korean newspapers and magazines; and photographs, interviews, films, and performances. Integrating history with visual and cultural analysis, Woo chronicles how Americans went from knowing very little about Koreans to making them family, and how Korean children and women who did not choose war found ways to navigate its aftermath in South Korea, the United States, and spaces in between.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

This volume explores social practices of framing, building and enacting community in urban-rural relations across medieval Eurasia. Introducing fresh comparative perspectives on practices and visions of community, it offers a thorough source-based examination of medieval communal life in its sociocultural complexity and diversity in Central and Southeast Europe, South Arabia and Tibet. As multi-layered social phenomena, communities constantly formed, restructured and negotiated internal allegiances, while sharing a topographic living space and joint notions of belonging. The volume challenges disciplinary paradigms and proposes an interdisciplinary set of low-threshold categories and tools for cross-cultural comparison of urban and rural communities in the Global Middle Ages. Contributors are Maaike van Berkel, Hubert Feiglstorfer, Andre Gingrich, Karoly Goda, Elisabeth Gruber, Johann Heiss, Katerina Hornickova, Eirik Hovden, Christian Jahoda, Christiane Kalantari, Odile Kommer, Fabian Kummeler, Christina Lutter, Judit Majorossy, Ermanno Orlando, and Noha Sadek.

Relaying Cinema in Midcentury Iran investigates how the cultural translation of cinema has been shaped by the physical translation of its ephemera. Kaveh Askari examines film circulation and its effect on Iranian film culture in the period before foreign studios established official distribution channels and Iran became a notable site of world cinema. This transcultural history draws on cross-archival comparison of films, distributor memos, licensing contracts, advertising schemes, and audio recordings. Askari meticulously tracks the fragile and sometimes forgotten material of film as it circulated through the Middle East into Iran and shows how this material was rerouted, reengineered, and reimagined in the process.

This volume contains the edition and translation of the chapter of al-Maqrizi's al-H abar 'an al-basar dealing with Greeks, Romans, Byzantines, Franks, and Goths. This chapter is, for the most part, an almost exact reproduction of Ibn Haldun's Kitab al-'Ibar, from which al-Maqrizi derived material from many other sources, including prominent Christian sources such as Kitab Hurusiyus, Ibn al-'Amid's History, and works by Muslim historians like Ibn al-Atir's Kamil. Therefore, this chapter of al-H abar 'an al-basar is a continuation of the previous Arabic historiographical tradition, in which European history is integrated into world history through the combination of Christian and Islamic sources.

Nature, Power and the Ottoman Empire The Ottoman Empire was one of the greatest early modern world empires, stretching from the outskirts of Vienna in the west to the Caucasus Mountains in the east and from the tip of Arabian Peninsula in the south to the Ukrainian steppes in the north, covering an area of 3.81 million square kilometres. The Ottomans were remarkable not just for their political and military success but also for their desire and ability to understand, adapt, modify and manage different environments. This edited volume is the first collective effort to take an original look at the Ottomans through the lens of environmental history. In its wide-ranging essays, environmental perspectives illuminate diverse historical processes and events in the long history of the Ottoman Empire. The essays thus offer new answers to old questions - but also ask new questions - about the ways the Ottomans related to, depended on, thought about and interacted with the natural environment. It will appeal to anyone interested in the environmental history of one of the world's largest and most durable empires, the longest-lasting in the history of the Muslim world.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber's scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. It also includes reviews and obituaries. Vol. V and VI are catalogues of newly discovered Arabic manuscript originals and films/offprints from manuscripts related to the topics of the preceding volumes.

In An Chunggun: His Life and Thought in his own Words, Jieun Han and Franklin Rausch provide a complete translation of all of An's writings and excerpts from his trial and appeal. Though An is most famous for killing Ito Hirobumi, the contents of this volume show that there was much more to him than that. For instance, far from being anti-Japanese, An thought deeply about how China, Japan, and Korea could work together to build a regional peace that would eventually spread throughout the world. Now, for the first time, all of An's extant writings have been assembled together into an English translation that includes annotations and an introduction that places An and his works in their historical context. This translation was funded by the Institute of Korean Studies, Yonsei University.