'Original and illuminating ... what a good book this is' Jonathan Dimbleby 'A love letter to the people of the Old City' Jerusalem Post In Jerusalem, what you see and what is true are two different things. Maps divide the walled Old City into four quarters, yet that division doesn't reflect the reality of mixed and diverse neighbourhoods. Beyond the crush and frenzy of its major religious sites, much of the Old City remains little known to visitors, its people overlooked and their stories untold. Nine Quarters of Jerusalem lets the communities of the Old City speak for themselves. Ranging through ancient past and political present, it evokes the city's depth and cultural diversity. Matthew Teller's highly original 'biography' features the Old City's Palestinian and Jewish communities, but also spotlights its Indian and African populations, its Greek and Armenian and Syriac cultures, its downtrodden Dom Gypsy families and its Sufi mystics. It discusses the sources of Jerusalem's holiness and the ideas - often startlingly secular - that have shaped lives within its walls. Nine Quarters of Jerusalem is an evocation of place through story, led by the voices of Jerusalemites.

From an award-winning journalist for "The Washington Post" and one of the leading China correspondents of his generation comes an eloquent and vivid chronicle of the world's most successful authoritarian state -- a nation undergoing a remarkable transformation.

Philip P. Pan's groundbreaking book takes us inside the dramatic battle for China's soul and into the lives of individuals struggling to come to terms with their nation's past -- the turmoil and trauma of Mao's rule -- and to take control of its future. Capitalism has brought prosperity and global respect to China, but the Communist government continues to resist the demands of its people for political freedom.

Pan, who reported in China for the "Post" for seven years and speaks fluent Chinese, eluded the police and succeeded in going where few Western journalists have dared.

From the rusting factories in the industrial northeast to a tabloid newsroom in the booming south, from a small-town courtroom to the plush offices of the nation's wealthiest tycoons, he tells the gripping stories of ordinary men and women fighting for political change. An elderly surgeon exposes the government's cover-up of the SARS epidemic. A filmmaker investigates the execution of a young woman during the Cultural Revolution. A blind man is jailed for leading a crusade against forced abortions carried out under the one-child policy.

The young people who filled Tiananmen Square in the spring of 1989 saw their hopes for a democratic China crushed in a massacre, but Pan reveals that as older, more pragmatic adults, many continue to push for justice in different ways. They are survivors whose families endured one of the world's deadliest famines during the Great Leap Forward, whose idealism was exploited during the madness of the Cultural Revolution, and whose values have been tested by the booming economy and the rush to get rich.

This book deals extensively with Iraq and Saddam Hussein--his rise to power, his mastery of Iraqi statecraft, his pan-Arab proclivities and his two Gulf wars: the first against Iran and the second against the U.S.-led multinational coalition in 1990-1991. Israeli sources, as well as materials gathered during a trip to Turkey and the Kurdish refugee areas in northern Iraq, provide additional perspective for the author and his analysis. The book portrays a multidimensional Saddam Hussein: good and bad, strategic and human. It throws light on the reasons the U.S. went to war against Saddam, and presents an in-depth analysis of the United States' policies, which at one time supported IraQ's cause, in the Gulf region. A valuable feature of the book is its detailed discussion of the psychology of Saddam, of the Arabs, the Iranians, the Israelis, and the American public before, during, and after the Gulf War.

Rezun's conclusions challenge generally accepted views that lay the blame for the war on Saddam Hussein. Although Saddam is a cruel and rapacious demagogue, U.S. policymakers are to blame for having supported Saddam for so long. The author also rejects the view that General Norman Schwartzkopf was a great hero of the last war. Contrary to general opinion, Schwartzkopf conducted a no-risk operation into which Saddam Hussein was caught because of his miscalculation of U.S. intentions. Critical of U.S. policies, Rezun finds them naive and short-sighted. Although disapproving of U.S. policies during the war, Rezun praises the support and sustenance given by the Bush administration to the Kurds in the final hours of the Gulf War. This book is addressed to generalists and academic specialists, and students of Middle East politics.

Designed as a helpful reference tool for both Asian specialists and students and scholars in the broader fields of diplomatic history and foreign relations, this comprehensive historical dictionary contains a series of in-depth essays which describe the diplomatic, political, and military developments sorrounding the Korean War. The volume concentrates on the period of conventional war from the North Korean invasion of South Korea in June 1950 through the signing of the armistice agreement on July 27, 1953, although key developments prior to the formal outbreak of hostilities also receive attention. Written by a distinguished group of contributors from eight countries, the entries cover all of the significant people, controversies, military operations, and policy pronouncements of the era.

Entries are arranged in alphabetical order, with cross references in the text of each to assist users interested in learning about related items. In certain subject areas entries appear in groups, such as battles, military operations, United Nations resolutions, and the activities of major participants, most notably Douglas MacArthur, Harry S. Truman, and Syngman Rhee. References at the end of each entry serve as a guide for readers desiring additional information. Throughout, the dictionary uses the spelling of Korean and Chinese names common at the time of the war to minimize confusion among non-specialists. Six appendices provide statistical information, a personnel summary, a list of acronyms, a chronology of events, a selection of maps, and a bibliography. The Historical Dictionary of the Korean War will be an excellent resource for public and academic libraries, historians, and students.

This book is an annotated collection of English-language documents by foreigners writing about Japan's kabuki theatre in the half-century after the country was opened to the West in 1853. Using memoirs, travelogues, diaries, letters, and reference books, it contains all significant writing about kabuki by foreigners-resident or transient-during the Meiji period (1868-1912), well before the first substantial non-Japanese book on the subject was published. Its chronologically organized chapters contain detailed introductions. Twenty-seven authors, represented by edited versions of their essays, are supplemented by detailed summaries of thirty-five others. The author provides insights into how Western visitors-missionaries, scholars, diplomats, military officers, adventurers, globetrotters, and even a precocious teenage girl-responded to a world-class theatre that, apart from a tiny number of pre-Meiji encounters, had been hidden from the world at large for over two centuries. It reveals prejudices and misunderstandings, but also demonstrates the power of great theatre to bring together people of differing cultural backgrounds despite the barriers of language, artistic convention, and the very practice of theatergoing. And, in Ichikawa Danjuro IX, it presents an actor knowledgeable foreigners considered one of the finest in the world.

This is the story of a wall that somehow chose me as the witness of what it said and did

Nasser Abu Srour grew up in a refugee camp in the West Bank, on the outskirts of Bethlehem. As a child, he played in its shadow and explored the little world within the camp. As he grew older, he began questioning the boundaries that limited his existence. Later, sentenced to life in prison, with no hope of parole, he found himself surrounded by a physical wall.

This is the story of how, over thirty years in captivity, he crafted a new definition of freedom. Turning to writings by philosophers as varied as Derrida, Kirkegaard and Freud, he begins to let go of freedom as a question that demanded an answer, in order to preserve it as a dream. The wall becomes his stable point of reference, his anchor, both physically and psychologically.

As each year brings with it new waves of releases of prisoners, he dares to hope, and seeks refuge in the wall when these hopes are dashed. And, in a small miracle, he finds love with a lawyer from the outside – while in her absence, the wall is his solace and his curse.

A testimony of how the most difficult of circumstances can build a person up instead of tearing them down, The Tale of a Wall is an extraordinary record of the vast confinement and power of the mind.