The story of Inman Park, Atlanta's first planned suburb, is one closely tied with transportation ingenuity, trade, and the progressive determination of its citizens. Situated two miles east of downtown Atlanta, Inman Park was farmland when the Civil War ravaged its rolling hills. In the 1890s, Inman Park bloomed into Atlanta's first residential park, the location of choice for Atlanta's social elite. The growth of Atlanta, however, struck a blow to the development of this utopian suburb. By the mid-20th century, the suburb fell into dilapidation, abandoned by the prominent families of Atlanta. It was not until the 1970s that the neighborhood, like Atlanta itself, was raised from its ashes to become the celebrated example of Victorian restoration that it is today and was added to the National Register of Historic Places.

Located in the far northeastern edge of the city, Deanwood is one of Washington, D.C.'s oldest, consistently African American neighborhoods. Rooted in slave-based agriculture on white-owned land, the community began its transition from rural to urban development with the 1871 arrival of a branch of the Baltimore and Ohio Railroad along its western boundary. This period after the Civil War offered blacks the opportunity to become landowners. Since this time, many notable Washingtonians of various ethnicities have been residents and frequent visitors to the area. In the early 1920s, it was home to Suburban Gardens, the only permanent amusement park ever to be housed within the city limits. Many of Deanwood's families have lived in the community for generations, which makes it stable and close-knit.

This engaging pictorial history tells of the tall sailing ships that came to the Pacific Northwest beginning in the mid-1700s. Met by native Salish people, the ships brought Spanish, British, Russian, and American explorers, as well as settlers and entrepreneurs, to the region. Over the next two centuries, during boom and bust periods, these majestic vessels have continued to ply the waters of Puget Sound. Today the proud tall ships operate in a training and education rather than commercial context; however, the commitment to preserving and promoting their heritage remains strong within the region, as well as throughout the United States and around the globe. This groundbreaking book features 180 rare photographs and illustrations that chronicle the colorful history of tall ships on Puget Sound.

The Hartford Whalers began their existence in Boston as the New England Whalers of the World Hockey Association (WHA). The Whalers played in every season of the WHA's seven-year existence and were the league's first champions. Although their games were well attended in Boston, the upstart league was never serious competition for the powerhouse Bruins. In 1975, they moved to Hartford to play in the new Hartford Civic Center, and in 1979, along with Winnipeg, Edmonton, and Quebec, joined the National Hockey League. They moved to North Carolina following the 1997 season and won a Stanley Cup as the Carolina Hurricanes in 2006. The Hartford Whalers is a pictorial tribute to this beloved and much-missed Hartford institution.

When the sun slips behind the trees and shadows lengthen near dusk, the mountains and valleys of Highlands and Cashiers whisper with stories of lost loves, deals gone bad and ghosts who walk the night. Learn the stories and firsthand accounts of hauntings and the hard to explain. Is that a whisper winding through the hemlocks, or is it just the wind?

Located on the site of the original Sears Tower, the historic Sears, Roebuck and Company catalog plant is one of the nation's most unique landmarks. Representing American ingenuity at its best, Richard Sears and Julius Rosenwald combined technology, commerce, and social science with bricks and mortar to build "the World's Largest Store" on Chicago's West Side. Completed in 1906, the plant housed nearly every conceivable product of the time: clothing, jewelry, furniture, appliances, tools, and more. The complex employed 20,000 people, and merchandise orders were processed and delivered by rail -- within the same day. During the first two decades of the 20th century, almost half of America's families shopped the over 300 million catalogs published in that era. WLS (World's Largest Store) Radio broadcasted the Gene Autrey show from the top of the tower, and the first Sears retail store opened here on Homan Avenue and Arthington Street. In 1974, Sears moved to the current Sears Tower. Thanks to many individuals who fought to save these architecturally and historically important treasures, the administration building, the original Sears Tower, the catalog press-laboratory building, and the powerhouse remain today. There are currently plans for redeveloping these buildings into housing, office, and retail space. A new Homan Square Community Center stands on the site of the merchandise building.

Black Print Unbound explores the development of the Christian Recorder during and just after the American Civil War. As a study of the official African Methodist Episcopal Church newspaper (a periodical of national reach and scope among free African Americans), Black Print Unbound is thus at once a massive recovery effort of a publication by African Americans for African Americans, a consideration of the nexus of African Americanist inquiry and print culture studies, and an intervention in the study of literatures of the Civil War, faith communities, and periodicals. The book pairs a longitudinal sense of the Recorder's ideological, political, and aesthetic development with the fullest account available of how the physical paper moved from composition to real, traceable subscribers. It builds from this cultural and material history to recover and analyze diverse and often unknown texts published in the Recorder including letters, poems, and a serialized novel-texts that were crucial to the development of African American literature and culture and that challenge our senses of genre, authorship, and community. In this, Black Print Unbound offers a case study for understanding how African Americans inserted themselves in an often-hostile American print culture in the midst of the most complex conflict the young nation had yet seen, and it thus calls for a significant rewriting of our senses of African American-and so American-literary history.