Ends of Assimilation compares sociological and Chicano/a (Mexican American) literary representations of assimilation. It argues that while Chicano/a literary works engage assimilation in complex, often contradictory ways, they manifest an underlying conviction in literature's productive power. At the same time, Chicano/a literature demonstrates assimilation sociology's inattention to its status as a representational discourse. As twentieth-century sociologists employ the term, assimilation reinscribes as fact the fiction of a unitary national culture, ignores the interlinking of race and gender in cultural formation, and valorizes upward economic mobility as a politically neutral index of success. The study unfolds chronologically, describing how the historical formation of Chicano/a literature confronts the specter of assimilation discourse. It tracks how the figurative, rhetorical, and lyrical power of Chicano/a literary works compels us to compare literary discourse with the self-authorizing empiricism of assimilation sociology. It also challenges presumptions of authenticity on the part of Chicano/a cultural nationalist works, arguing that Chicano/a literature must reckon with cultural dynamism and develop models of relational authenticity to counter essentialist discourses. The book advances these arguments through sustained close readings of canonical and noncanonical figures and gives an account of various moments in the history and institutional development of Chicano/a literature, such as the rise and fall of Quinto Sol Publications, asserting that Chicano/a writers, editors, and publishers have self-consciously sought to acquire and redistribute literary cultural capital.

In the mountains of northern New Mexico above Taos Pueblo lies a deep, turquoise lake which was taken away from the Taos Indians, for whom it is a sacred life source and the final resting place of their souls. The story of their struggle to regain the lake is at the same time a story about the effort to retain the spiritual life of this ancient community. Marcia Keegan's text and historic photographs document the celebration in 1971, when the sacred lake was returned to Taos Pueblo after a sixty year struggle with the Federal government.

This revised and expanded edition celebrates the 40th anniversary of this historic event, and includes forwards from the 1971 edition by Frank Waters, and from the 1991 20th anniversary edition by Stewart L. Udall. Also contained here is new material: statements from past and current tribal leaders, reflections from Pueblo members, historic tribal statements made at the 1970 Congressional hearings and a 1971 photograph o

What was once described as an undesirable swampland has been transformed into one of the most beautiful and wealthiest neighborhoods in America. Chicago's Gold Coast neighborhood, developed in the late 1800s, was first called the Astor Street District. It was named after one of the first multimillionaires in the United States, John Jacob Astor--even though Astor never lived in Chicago. In 1885, Astor Street District's first mansion was built. Potter Palmer, a dry goods merchant and owner of the Palmer House Hotel, built his palatial, castle-like residence on the corner of Lake Shore Drive and Banks Street; inside the Palmer mansion were 42 lavishly furnished rooms, which required 26 servants to maintain. Many wealthy Chicagoans followed Palmer's lead and built mansions in the neighborhood. Several homes took up an entire city block and, as time progressed, the name Gold Coast was adopted. On January 30, 1978, the entire Gold Coast district was listed in the National Register of Historic Places.

The complexity of the American economy and polity has grown at an explosive rate in our era of globalization. Yet as the 2008 financial crisis revealed, the evolution of the American state has not proceeded apace. The crisis exposed the system's manifold political and economic dysfunctionalities.
Featuring a cast of leading scholars working at the intersection of political science and American history, The Unsustainable American State is a historically informed account of the American state's development from the nineteenth century to the present. It focuses in particular on the state-produced inequalities and administrative incoherence that became so apparent in the post-1970s era. Collectively, the book offers an unsettling account of the growth of racial and economic inequality, the ossification of the state, the gradual erosion of democracy, and the problems deriving from imperial overreach. Utilizing the framework of sustainability, a concept that is currently informing some of the best work on governance and development, the contributors show how the USA's current trajectory does not imply an impending collapse, but rather a gradual erosion of capacity and legitimacy. That is a more appropriate theoretical framework, they contend, because for all of its manifest flaws, the American state is durable. That durability, however, does not preclude a long relative decline.

Historians investigate the relationships between film, culture, and energy. American Energy Cinema explores how Hollywood movies have portrayed energy from the early film era to the present. Looking at classics like Giant, Silkwood, There Will Be Blood, and Matewan, and at quirkier fare like A Is for Atom and Convoy, it argues that films have both reflected existing beliefs and conjured new visions for Americans about the role of energy in their lives and their history. The essays in this collection show how film provides a unique and informative lens to understand perceptions of energy production, consumption, and infrastructure networks. By placing films that prominently feature energy within historical context and analyzing them as historical objects, the contributing authors demonstrate how energy systems of all kinds are both integral to the daily life of Americans and inextricable from larger societal changes and global politics.

Founded by a small band of religious freedom seekers in 1639, Newport, Rhode Island, subsequently became a bustling colonial seaport teeming with artists, sailors, prosperous merchants and, perhaps most distinctively, the ultra-rich families of the Gilded Age. Clinging to the lavish coattails of these newly minted millionaires and robber barons was a stream of con artists and hangers-on who attempted to leech off their well-to-do neighbors. From the Vanderbilts to the Dukes, the Astors to the Kennedys, the City by the Sea has served as a sanctuary for the elite--and a hotbed of corruption. Local historian Larry Stanford pulls back the curtain on over 350 years of history, uncovering the real stories behind many of Newport's most enduring mysteries, controversial characters and scintillating scandals.

In the 1800s, Tombstone was a rowdy silver-mining camp and the scene of a famous gunfight that enhanced its wicked reputation. When the rich silver mines were tapped out, Tombstone managed to survive and lived up to its motto, "The Town Too Tough to Die." The movie industry enhanced this wild reputation by portraying legendary gunfights at the O.K. Corral--which never actually took place at that location. For many years, the town has used its history to attract visitors by giving them a sense of life in the Old West. This volume includes many of the postcards tourists mailed home depicting romanticized and legendary views of Tombstone.

South Carolina's Indian-American governor Nikki Haley recently dismissed one of her principal advisors when his membership to the ultra-conservative Council of Conservative Citizens (CCC) came to light. Among the CCC's many concerns is intermarriage and race mixing. According to the Southern Poverty Law Center, in 2001 the CCC website included a message that read "God is the one who divided mankind into different races.... Mixing the races is rebelliousness against God. " Beyond the irony of a CCC member working for an Indian-American, the episode reveals America's continuing struggle with race, racial integration, and race mixing. The Color Factor shows that the emergent twenty-first-century recognition of race mixing and the relative advantages of light-skinned, mixed-race people represents a "back to the future " moment--a re-emergence of one salient feature of race in America that dates to its founding. Each chapter addresses from a historical perspective a topic in the current literature on mixed-race and color. The approach is economic and empirical, but the text is accessible to social scientists more generally. The historical evidence concludes that we will not really understand race until we understand how American attitudes toward race were shaped by race mixing.

Andre Laurendeau was the most widely respected French-Canadian nationalist of his generation. The story of his life is to a striking degree also the story of French-Canadian nationalism from the 1930s to the 1960s, that period of massive societal change when Quebec evolved from a traditional to a modern society. The most insightful intellectual voice of the nationalist movement, he was at the tumultuous centre of events as a young separatist in the 1930s; an anti-conscription activist and reform-minded provincial politician in the 1940s; and an influential journalist, editor of the Montreal daily Le Devoir, in the 1950s. At the same time he played an important role in Quebec's cultural life both as a novelist and playwright and as a well-known radio and television personality. In tracing his life story, this biography sheds indispensable light not only on the development of Laurendeau's own nationalist thought, but on his people's continuing struggle to preserve the national values that make them distinct.

The nineteenth-century middle-class ideal of the married woman was of a chaste and diligent wife focused on being a loving mother, with few needs or rights of her own. The modern woman, by contrast, was partner to a new model of marriage, one in which she and her husband formed a relationship based on greater sexual and psychological equality. In Making Marriage Modern, Christina Simmons narrates the development of this new companionate marriage ideal, which took hold in the early twentieth century and prevailed in American society by the 1940s.
The first challenges to public reticence to discuss sexual relations between husbands and wives came from social hygiene reformers, who advocated for a scientific but conservative sex education to combat prostitution and venereal disease. A more radical group of feminists, anarchists, and bohemians opposed the Victorian model of marriage and even the institution of marriage. Birth control advocates such as Emma Goldman and Margaret Sanger openly championed women's rights to acquire and use effective contraception. The "companionate marriage" emerged from these efforts. This marital ideal was characterized by greater emotional and sexuality intimacy for both men and women, use of birth control to create smaller families, and destigmatization of divorce in cases of failed unions. Simmons examines what she calls the "flapper" marriage, in which free-spirited young wives enjoyed the early years of marriage, postponing children and domesticity. She looks at the feminist marriage in which women imagined greater equality between the sexes in domestic and paid work and sex. And she explores the African American "partnership marriage," which often included wives' employment and drew more heavily on the involvement of the community and extended family. Finally, she traces how these modern ideals of marriage were promoted in sexual advice literature and marriage manuals of the period.
Though male dominance persisted in companionate marriages, Christina Simmons shows how they called for greater independence and satisfaction for women and a new female heterosexuality. By raising women's expectations of marriage, the companionate ideal also contained within it the seeds of second-wave feminists' demands for transforming the institution into one of true equality between the sexes.

America: A Narrative History puts narrative front and centre with David Shi's rich storytelling style, colourful biographical sketches and vivid first-person quotations. The new editions further reflect the state of our history and society by continuing to incorporate diverse voices into the narrative with new coverage of the Latino/a experience as well as enhanced coverage of gender, African American, Native American, immigration and LGBTQ history. With dynamic digital tools, including the InQuizitive adaptive learning tool, and new digital activities focused on primary and secondary sources, America: A Narrative History gives students regular opportunities to engage with the story and build critical history skills.