When the sun slips behind the trees and shadows lengthen near dusk, the mountains and valleys of Highlands and Cashiers whisper with stories of lost loves, deals gone bad and ghosts who walk the night. Learn the stories and firsthand accounts of hauntings and the hard to explain. Is that a whisper winding through the hemlocks, or is it just the wind?

The Hartford Whalers began their existence in Boston as the New England Whalers of the World Hockey Association (WHA). The Whalers played in every season of the WHA's seven-year existence and were the league's first champions. Although their games were well attended in Boston, the upstart league was never serious competition for the powerhouse Bruins. In 1975, they moved to Hartford to play in the new Hartford Civic Center, and in 1979, along with Winnipeg, Edmonton, and Quebec, joined the National Hockey League. They moved to North Carolina following the 1997 season and won a Stanley Cup as the Carolina Hurricanes in 2006. The Hartford Whalers is a pictorial tribute to this beloved and much-missed Hartford institution.

Located on the site of the original Sears Tower, the historic Sears, Roebuck and Company catalog plant is one of the nation's most unique landmarks. Representing American ingenuity at its best, Richard Sears and Julius Rosenwald combined technology, commerce, and social science with bricks and mortar to build "the World's Largest Store" on Chicago's West Side. Completed in 1906, the plant housed nearly every conceivable product of the time: clothing, jewelry, furniture, appliances, tools, and more. The complex employed 20,000 people, and merchandise orders were processed and delivered by rail -- within the same day. During the first two decades of the 20th century, almost half of America's families shopped the over 300 million catalogs published in that era. WLS (World's Largest Store) Radio broadcasted the Gene Autrey show from the top of the tower, and the first Sears retail store opened here on Homan Avenue and Arthington Street. In 1974, Sears moved to the current Sears Tower. Thanks to many individuals who fought to save these architecturally and historically important treasures, the administration building, the original Sears Tower, the catalog press-laboratory building, and the powerhouse remain today. There are currently plans for redeveloping these buildings into housing, office, and retail space. A new Homan Square Community Center stands on the site of the merchandise building.

Black Print Unbound explores the development of the Christian Recorder during and just after the American Civil War. As a study of the official African Methodist Episcopal Church newspaper (a periodical of national reach and scope among free African Americans), Black Print Unbound is thus at once a massive recovery effort of a publication by African Americans for African Americans, a consideration of the nexus of African Americanist inquiry and print culture studies, and an intervention in the study of literatures of the Civil War, faith communities, and periodicals. The book pairs a longitudinal sense of the Recorder's ideological, political, and aesthetic development with the fullest account available of how the physical paper moved from composition to real, traceable subscribers. It builds from this cultural and material history to recover and analyze diverse and often unknown texts published in the Recorder including letters, poems, and a serialized novel-texts that were crucial to the development of African American literature and culture and that challenge our senses of genre, authorship, and community. In this, Black Print Unbound offers a case study for understanding how African Americans inserted themselves in an often-hostile American print culture in the midst of the most complex conflict the young nation had yet seen, and it thus calls for a significant rewriting of our senses of African American-and so American-literary history.