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Books > Health, Home & Family > Handicrafts > Paper crafts > General
Handmade paper has a unique texture and an individual quality that
makes it not only a surface to write or print on, but also an
object of beauty. With a small investment in equipment (or the
supplies to make it from scratch), a small harvest of backyard
weeds or garden plants, and the guidance of papermaking expert
Helen Hiebert, anyone can make exquisite papers right in the home
kitchen.
Hiebert's basic papermaking techniques, laid out in illustrated
step-by-step instructions, make it easy to blend and shape a
variety of organic papers from such common plants as hosta,
milkweed, and thistledown, as well as the more unusual pineapple,
yucca, and seaweed. She describes how to collect, harvest, and
process the plant fibers and then create sheets using both Western
and Japanese techniques.
Inspired by the community of papermaking artists she is a part of,
Hiebert features profiles of papermakers from around the world,
highlighting their individual tips and techniques. She also
includes project instructions for using handmade paper to create
one-of-a-kind cards and envelopes, multi-paneled lampshades, and
accordion-fold books. There are also instructions for embellishing
techniques such as adding flower petals, creating collages, and
dyeing with richly colored walnut shells.
From plant to finished paper, the simple completeness and beauty of
Papermaking with Garden Plants & Common Weeds will appeal to
craftspeople, gardeners, environmentalists, teachers, and anyone
who enjoys creating from nature.
Beautiful to receive as well as fun to make, here is a sparkling
selection of fabulous card-making projects designed for maximum
decorative and creative effect. There are cards for holidays and
festivals, birthday celebrations, special anniversaries and red
letter days, plus cards to express love, friendship, apology,
sympathy and much more. There are also inspirational ideas for
gift-wraps, pretty origami boxes and handmade envelopes. The
introduction outlines materials and equipment you will need and
demonstrates over 50 papercraft techniques - from cutting, scoring
and stencilling to stamping, bleaching and pin-pricking - to help
you achieve your desired design. Bursting with ideas and
illustrated with 1100 step- by-step photographs this book is a
treasury of inspiration for every creative crafts enthusiast
Stickers make people happy. And Pipsticks Workman, the creative
partnership between Workman Publishing and Mo Vazquez's
subscription sticker club, knows that more stickers = more fun. The
super-quirky, super-trendy gift line - with 215,000 copies in print
- introduces an all-new sticker book for stationery and sticker
lovers. A must-have for any sticker fanatic, So. Many. Stickers.
features 2,500 little stickers for any occasion. Whether you're
collecting them, decorating with them, or trading with your
besties, the range is pure fun: old-school cameras, vibrantly
colored flowers, stylish high-top sneakers. It's the perfect add-on
to a Pipsticks Workman planner. So go ahead: Spread the sticker
love!
Marbling will show you how to create and transfer colourful
patterns onto things you own while inspiring you to live a more
colourful life. Throughout this book, Zeena Shah will help you to
find your own eye for colour through marbling. Colour is
intrinsically linked to our mood, and this book will explore how
this can be translated into your craft. All you need is some inks
and paper to start. Discover how accessible marbling can be as you
learn to upcycle objects you already own and give them a new lease
of life by playing with colour. Including a collection of 20
projects from dyeing postcards and envelopes to scrunchies, picture
frames and a patchwork cushion, as well as a section on seasonal
projects including baubles and Easter eggs - this book covers
everything you need to know to marble. Learn how to find your
colour confidence and uncover your love of marbling with this
modern guide for craft lovers everywhere.
Escape to Moominvalley with The Moomin Colouring Book. This
stylish, unique and relaxing colouring book features original
artwork from the coveted archive of Tove Jansson, creator of the
Moomins; one of the most cherished children's book series ever
written. Beautifully conceived and designed, this contemporary
colouring book features striking patterns and scenes as well as all
your favourite Moomin characters and their most memorable quotes.
The perfect gift for Moomin fans.
Scrapbooks have been around since printed matter began to flow into
the lives of ordinary people, a flow that became an ocean in
nineteenth-century America. Though libraries can show us the vast
archive-literally thousands of dailies, weeklies, monthlies,
quarterlies, and annuals were flooding the public once
mass-circulation was common-we have little knowledge of what, and
particularly how people read. Writing with Scissors follows
swimmers through that first ocean of print. We know that thousands
of people were making meaning out of the swirl of paper that
engulfed them. Ordinary readers processed the materials around
them, selected choice examples, and created book-like collections
that proclaimed the importance of what they read. Writing with
Scissors explores the scrapbook making practices of men and women
who had varying positions of power and access to media. It
considers what the bookmakers valued and what was valued by the
people or institutions that sheltered them over time. It compares
nineteenth-century scrapbooking methods with current techniques for
coping with an abundance of new information on the Web, such as
bookmarks, favorites lists, and links. The book is part of a
developing literature in cultural studies and book history
exploring reading practices of ordinary readers. Scholars
interested in the burgeoning field of print culture have not yet
taken full advantage of scrapbooks, these great repositories of
American memory. Rather than just using evidence from scrapbooks,
Garvey turns to the scrapbook as a genre on its own. Her book
offers a fascinating view of the semi-permeable border between
public and domestic realms, illuminating the ongoing negotiation
between readers and the press.
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