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Books > Health, Home & Family > Mind, body & spirit > Unexplained phenomena / the paranormal > General
Cited by the L.A. Weekly as "the culture's foremost spokesman for the psychedelic experience," Terrence McKenna is an underground legend as a brilliant raconteur, adventurer, and expert on the experiential use of mind-altering plants. In these essays, interviews, and narrative adventures, McKenna takes us on a mesmerizing journey deep into the Amazon as well as into the hidden recesses of the human psyche and the outer limits of our culture, giving us startling visions of the past and future.
When a workman is pushed and hissed at by something invisible on
the stairs of her family’s 150-year-old townhouse, Jeanne Stanton
must confront the possibility that a ghost inhabits. She proceeds
in the way any former Harvard Business School case writer would:
she embarks upon a rigorous search for proof of the ghost’s
existence and identity, exploring the literature and lore of
ghosts; the practices of mediums, psychics, and “ghost
busters;†and the various attempts that have been made over the
decades to verify ghostly sounds and sights through scientific
methods. After visits to a psychic provide insights but not proof,
Stanton enters the equally mysterious realms of physics and
neurology, hoping science has answers. Notables encountered during
her research efforts include Henry James, Arthur Conan Doyle,
Oliver Sacks, and Sigmund Freud, the latter a colleague of her
home’s original owner. Wry and witty, Stanton takes time out to
laugh at her own futile attempts at ghost detection—spending a
sleepless night in an allegedly haunted bedroom, creeping along the
edges of rooms in search of cold spots—along the way. Determined
to get to the bottom of the ghost business, Stanton wavers between
skepticism and belief, searching for definitive evidence—and
almost failing to find it. Almost.
Writing Phantoms in the Night or ETs? was not easy for author
Lorraine McAdam, and what she relates in this book might not be
believed by the vast majority of people -Â which is why she
delayed writing it for so long… Indeed, until now, only those in
her close, nuclear family had known of the details of her story,
which has been a lifelong one. But in her heart she eventually
realised that withholding her story -Â of what she has now
come to believe is some form of ongoing ET contact - was no longer
an option. And because it seems that the world at large has moved
to a more enlightened attitude towards ‘abductees’ or
‘experiencers’ who have experienced and gone through this high
strangeness, loosely called ‘alien contact’, McAdam now thinks
that the time is ripe to reveal her story. “This is my own
simple, truthful, riveting, intriguing, and sometimes frightening
account of multiple encounters, and experiences, with beings I
believe originate from other worlds and, possibly, other
dimensionsâ€, she writes. “And yet I am, to all who know me, an
ordinary English teacher, wife, and mother. So why me? I have no
answer.â€
The author's conclusions are ground-breaking - his ideas have been
published in the respected Journal Of Near Death Studies.
A look inside the hospitals, asylums, and sanatoriums in which
formal spectral residents refuse to move on. Hospitals are supposed
to be places of healing, places of birth, and places of hope. But
with all of the varying highs and lows that are experienced in
these buildings, is it any wonder when echoes linger indefinitely?
How about asylums, which house some of society’s worst offenders
and troubled inmates, or sanatoriums, places where the mentally and
physically ill find themselves trapped, even after death? Journey
inside the history of these macabre settings and learn about the
horrors from the past that live on in these frighteningly eerie
tales from Canada, the United States, and around the world.
Carol Zaleski's book is the first objective, comprehensive survey of the mass of evidence surrounding near-death experiences: the extraordinary visions and ecstatic feelings reported by people who have survived a close brush with death. Comparing recent near-death narratives with those of a much earlier period she finds both profound similarities and striking contrasts.
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