It was Rachel Signer's dream to be that girl: the one smoking hand-rolled cigarettes out the windows of her 19th-century Parisian studio apartment, wearing second-hand Isabel Marant jeans and sipping a glass of Beaujolais redolent of crushed roses with a touch of horse mane. Instead she was an under-appreciated freelance journalist and waitress in New York City, frustrated at always being broke and completely miserable in love. When she tastes her first petillant-naturel (pet-nat for short), a type of natural wine made with no additives or chemicals, it sets her on a journey of self-discovery, both deeply personal and professional, that leads her to Paris, Italy, Spain, Georgia, and finally deep into the wilds of South Australia and which forces her, in the face of her "Wildman," to ask herself the hard question: can she really handle the unconventional life she claims she wants? Have you ever been sidetracked by something that turned into a career path? Did you ever think you were looking for a certain kind of romantic partner, but fell in love with someone wild, passionate and with a completely different life? For Signer, the discovery of natural wine became an introduction to a larger ethos and philosophy that she had long craved: one rooted in egalitarianism, diversity, organics, environmental concerns, and ancient traditions. In You Had Me at Pet-Nat, as Signer begins to truly understand these revolutionary wine producers upending the industry, their deep commitment to making their wine with integrity and with as little intervention as possible, she is smacked with the realization that unless she faces, head-on, her own issues with commitment, she will not be able to live a life that is as freewheeling, unpredictable, and singular as the wine she loves.

Richly observed, this witty and yet deeply moving tale of Charlotte Hobson's year travelling around Russia takes us to the heart of a country that we are continually interested in, yet can struggle to understand. As the TLS put it, Hobson writes with 'such a beguiling directness that it is hard not to feel intimate with her and her characters. Few books evoke so much of Russian life, with so little effort.''Each chapter is a bonne bouche, possessing its own particular flavour, from sweet to acrid-bitter. Hobson's characters are often wonderfully quixotic and so is the spirit she finds everywhere at this crux in Russia's history. She drinks with derelicts, hangs out with gypsies, and watches investigators go about the grim business of exhuming purge victims, and giving them the Christian burial they have been denied for seventy years. Her style is deft: she manages to render the scenes through which she passes with needle-sharp precision.' Financial Times

'A propulsive, soulful story of mourning and gratitude - and an intimate portrait of one woman's sojourn in the wilderness between life and death.' TARA WESTOVER, author of Educated __________ We all face moments that bring us to our knees: heartbreak, trauma, illness. When things don't go to plan this is the book to reach for - an inspirational memoir about what we can learn about life from a brush with death. At just twenty-two, on the cusp of adult life, Suleika Jaouad was diagnosed with leukemia and given a 35 per cent chance of survival. For the next five years, her world comprised four white walls, a hospital bed, fluorescent lights, tubes and wires. She became patient 5624. At twenty-seven, and celebrating her first year of remission, Suleika realized that, having survived, she now had no idea how to live. And so she set out to meet some of the many strangers who had written to her about their experiences of life, death, healing and recovery in response to her Emmy-Award winning New York Times column, 'Life Interrupted'. Between Two Kingdoms is the result. Drawing on Suleika's TED Talk, now with 4 million views, it illuminates universal questions about how we live, mourn, heal and grow up, and what it means to begin again. __________ Praise for Between Two Kingdoms: 'A work of breathtaking creativity and heart-stopping humanity.' ELIZABETH GILBERT, author of Eat Pray Love 'A beautiful, elegant and heart-breaking book that provides a glimpse into the kingdom of illness.' SIDDHARTHA MUKHERJEE, Pulitzer Prize-winning author of The Emperor of All Maladies 'No more doomscrolling. Read this book instead... Full of wisdom and resilience.' ADAM GRANT, author of Originals 'A deeply touching account of learning to live in the now, because nothing else is promised. I loved it.' KATHRYN MANNIX, author of With the End in Mind

'A total joy' Laura Kay, author of The Split 'Hilarious and unexpectedly moving' Richard Roper, author of Something to Live For 'The perfect book for summer 2021' James Bailey, author of The Flip Side 'Brilliantly written, properly funny and poignant' Tom Ellen, author of All About Us 'A delightful and unique take on travel writing' Katy Wix, author of Delicacy The setting: Europe. A continent overrun by tourism, where tapas-crawlers cross paths with machine-gun-wielding cops, graffiti tour guides collide with anti-gentrification protestors and, in one classy mountain retreat, a bored patissier teaches mindful croissant-making to a bereaved luggage designer. Witness to this outlandish international spectacle is Mark, comically self-conscious and often thoroughly disturbed by modern life. In his 30s and working as a copywriter for an online travel company despite never having personally ventured further than France, Mark is determined to make up for lost time by embarking on the kind of freewheeling summer expedition he's always dreamed of. And even if his revered older cousin Paris is unable to join him on the trip, he's determined not to let that hold him back. Mark can always email the mysteriously absent Paris about the homes and experiences he has along the way, in intricate and often hilarious detail. Described by The Times as 'one of the finest comic minds of Generation Y', award-winning comedian Liam Williams brings his inimitable mix of humour and pathos to his unforgettable debut novel.

The book that has captivated millions of Chinese readers, translated into English for the very first time. 'Hypnotic . . . A record of one person's fierce refusal to follow a path laid down for her by the rest of the world' Tash Aw, Paris Review Books of the Year Sanmao: author, adventurer, pioneer. Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara. Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless. At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures. 'Every story conveys Sanmao's infectious capacity for wonder' Sharlene Teo, author of Ponti 'Has endured for generations of young Taiwanese and Chinese women' New York Times 'Ground-breaking' Geographical 'A remarkable and brave book. Sanmao was a freewheeling feminist who broke all the rules and did so with a gleeful, mischievous smile' David Eimer, South China Morning Post

In Search of Perfumes is a fragrant journey across the world, revealing the beauty and mysteries of the perfume trade. Fruits, flowers, spices, bark, leaves, and branches are just some of the natural ingredients from the plant world that are used in the creation of perfume. Dominique Roques, travelling from Andalusia to Somaliland by way of Bulgaria, Laos, El Salvador, Indonesia and Egypt, describes his search to find the best natural ingredients, precious to perfumers everywhere. In Search of Perfumes demonstrates how the prestigious multi-million-pound perfume industry may begin its life as a single plant harvested by producers surviving on ancestral traditions and techniques and often risking their lives in the process as they combat the rising threat of climate change. Roques reveals the beauty and mysteries of a familiar trade; a return to the source of the world's scents.

Berlin is much more than the former capital of Nazi Germany--it is often described today as innovative, fast-paced, avant-garde, rough, exciting, and even sexy. At the political and geographical centre of the Second World War and the Cold War, the city had already been at the cultural heart of Europe for hundreds of years--and continues to set architectural, musical, literary and fashion trends in the twenty-first century. Berlin has been shaped by politicians such as Frederick the Great, dictators like Adolf Hitler and architects such as Karl Friedrich Schinkel and Hans Scharoun, and it boasts icons including the Brandenburg Gate and the Reichstag. Yet no one individual put a decisive stamp on the city, which had to reinvent itself again and again because of its turbulent history. The staid baroque capital of Prussia was succeeded by the up-and-coming capital of newly united Germany; village homes replaced by tenement housing in the nineteenth century; the hierarchical orderliness of the early twentieth century followed by the unconventional statements of modernism. After the destruction of the Second World War, the Berlin Wall cut the city in half and created the brooding image of the Cold War frontier, and since the dramatic collapse of the Wall the latest version of a unified Berlin has arisen as new Germany's capital. Even today, the various communities that now make up the city have their own distinctive identities. Norbert Schurer's cultural guide explores the juxtaposition of Berlin's past and present in history, architecture, literature, art, entertainment and religion and offers an insider account that provides contexts to make sense of Berlin's dazzling variety.

Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.

Adventure, memoir, storytelling and celebration of all things maritime meet in Waypoints, a beautifully written account of sea journeys from Scotland's west coast. In the book Ian Stephen reveals a lifetime's love affair with sailing; each voyage honours a seagoing vessel, and each adventure is accompanied by a spell-binding retelling of a traditional tale about the sea. His writing is enchanting and lyrical, gentle but searching, and is accompanied by beautiful illustrations of each vessel, drawn by his wife, artist Christine Morrison. Ian Stephen is a Scottish writer, artist and storyteller from the remote and bewitching Isle of Lewis in the Outer Hebrides. He fell in love with boats and sailing as a boy, pairing this love affair with a passion for the beautiful but merciless Scottish coastline, an inspiration and motivating force behind his poems, stories, plays, radio broadcasts and visual arts projects for many years. This book will be a delightful and absorbing read for anyone with a passion for sailing and the seas, Scotland's landscape and coastlines, stories and the origins of language and literature.

When Peter Hessler went to China in the late 1990s, he expected to spend a couple of peaceful years teaching English in the town of Fuling on the Yangtze River. But what he experienced - the natural beauty, cultural tension, and complex process of understanding that takes place when one is thrust into a radically different society - surpassed anything he could have imagined. Hessler observes firsthand how major events such as the death of Deng Xiaoping, the return of Hong Kong to the mainland, and the controversial consturction of the Three Gorges Dam have affected even the people of a remote town like Fuling. Poignant, thoughtful and utterly compelling, River Town is an unforgettable portrait of a place caught mid-river in time, much like China itself - a country seeking to understand both what it was and what it will one day become.

Escape to Languedoc in this poignant and transportative true account of life in a beautifully restored house in the south of France 'This love affair between an English family and a very old French house is by turns turbulent, lyrical and tragic . . . Enriched by an insatiable, ever-eager curiosity, he takes us down many a side alley, adding another dimension to the timeless story of what it is that makes France irresistible' MICHAEL PALIN 'What a wonderful book. Exquisitely written, it is by turns laugh-out-loud funny then suddenly, unexpectedly and profoundly moving... an utter joy and a treat to read from the first to last pages' JAMES HOLLAND 'He writes with genuine emotion . . . He writes beautifully about life in a French village' DAILY MAIL ________ One day a Londoner and his wife went a little crazy and bought a crumbling house in deepest Languedoc. It was love at first sight. Over the years these Londoners gradually turn the house into a home. They navigate the language, floods and freezing winters. And eventually they find their place - their bar, their baker, their builder (ignore him at your peril). Slowly the family and the locals get to know one another and these busy English discover slower joys - the scent of thyme and lavender, the warmth of sun on stone walls, nights hung with stars, silence in the hills, the importance of history and memory, the liberation of laughter and the secrets of fig jam. One Place de l'Eglise is a love letter - to a house, a village, a country - from an outsider who discovers you can never be a stranger when you're made to feel so at home. Old houses never belong to people. People belong to them. ________ 'Wonderful. Exquisitely written, it is by turns laugh-out-loud funny then suddenly, unexpectedly and profoundly moving, wistful and touching: a homage to a place, to magical moments in time. An utter joy and a treat to read from the first to last pages' James Holland, author of Brothers in Arms

Whether he's fighting fires, passing a kidney stone, hammering down I-80 in an 18-wheeler, or meditating on the relationship between cowboys and God, Michael Perry draws on his rural roots and footloose past to write from a perspective that merges the local with the global.

Ranging across subjects as diverse as lot lizards, Klan wizards, and small-town funerals, Perry's writing in this wise and witty collection of essays balances earthiness with poetry, kinetics with contemplation, and is regularly salted with his unique brand of humor.

Beyond Belief is a book about one of the more important and unsettling issues of our time. But it is not a book of opinion. It is, in the Naipaul way, a very rich and human book, full of people and their stories: stories of family, both broken and whole; of religion and nation; and of the constant struggle to create a world of virtue and prosperity in equal measure. Islam is an Arab religion, and it makes imperial Arabizing demands on its converts. In this way it is more than a private faith; and it can become a neurosis. What has this Arab Islam done to the histories of the non-Arab Islamic states: Indonesia, Iran, Pakistan, and Malaysia? How do the converted peoples view their past - and their future? In a follow-up to Among the Believers, his classic account of his travels through these countries, V. S. Naipaul returns, after a gap of seventeen years, to find out how and what the converted preach. 'Peerless . . . the human encounters are described minutely, superbly, picking up inconsistencies in people's tales, catching the uncertainties and the nuances . . . there is a candour to his writing, a constant precision at its heart' - Sunday Times

Lonely Planet: The world's leading travel guide publisher* Life-changing food adventures around the world. From bat on the island of Fais to chicken on a Russian train to barbecue in the American heartland, from mutton in Mongolia to couscous in Morocco to tacos in Tijuana - on the road, food nourishes us not only physically, but intellectually, emotionally, and spiritually too. It can be a gift that enables a traveller to survive, a doorway into the heart of a tribe, or a thread that weaves an indelible tie; it can be awful or ambrosial - and sometimes both at the same time. Celebrate the riches and revelations of food with this 38-course feast of true tales set around the world. Features stories by Anthony Bourdain, Andrew Zimmern, Mark Kurlansky, Matt Preston, Simon Winchester, Stefan Gates, David Lebovitz, Matthew Fort, Tim Cahill, Jan Morris and Pico Iyer. Edited by Don George. About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places where they travel. TripAdvisor Travellers' Choice Awards 2012 and 2013 winner in Favorite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *#1 in the world market share - source: Nielsen Bookscan. Australia, UK and USA. March 2012-January 2013

A top-class team has formed to honour the Spanish Riding School in Vienna and the Piber Federal Stud with a sumptuous volume on the occasion of their anniversary: Elisabeth Gurtler, Director of the Spanish Riding School, presents the excellence and the unique character of this institution and its rich tradition. The internationally renowned photographer Rene van Bakel has captured the Lipizzaners through the years from birth to their demanding training and the glamorous performances. Sports journalist and horse enthusiast Arnim Basche interweaves expert knowledge and emotion in his texts. And multi-award-winning publisher Edition Lammerhuber - elected Photography Book Publisher of the Year 2014 - provides the elegant design for the book to match both the theme and the occasion.

Richard Eden's Decades has long been recognised as a landmark in the translation and circulation of information concerning the Americas in England. What is often overlooked in Eden's book is the presence of the first two Tudor voyage accounts to have been committed to print, assembled in haste and added late in the printing process. Both concern English commercial ventures to the West African coast, undertaken despite vehement Portuguese protests and in the midst of the profound alteration of the Marian succession. Both are complex, contradictory, and innovative experiments in generic form and content. This Element closely examines Eden's assembly and framing of these accounts, engaging with issues of material culture, travel writing, new knowledge, race, and the negotiation of political and religious change. In the process it repositions West Africa and Eden at the heart of a lost history of early English expansionism.

Ranulph Fiennes has entered the public imagination as the intrepid explorer par excellance. Taunted by his wife over the challenge of the never-before attempted circumpolar navigation of the globe, he set off in 1979 on a gruelling 52,000 mile adventure. Together with fellow members of 21 SAS regiment, Fiennes left from Greenwich, travelling over land, passing through both ends of the polar axis. Completed over three years later, it was the first circumpolar navigation of the globe, and justifiably entered Fiennes into the record books. TO THE ENDS OF THE EARTH is the record of that journey. It captures the natural beauty of the landscapes they passed through, and the cameraderie that necessarily grows between men who had served in the British forces' elite regiment and were now throwing themselves into danger of a different sort. Time and again, the expedition found themselves in life-threatening situations, weaving through the pack ice of the Arctic Ocean or sharing a single sleeping bag to ward off the -40 degrees celsius Arctic night. The calm and measured approach which made Fiennes such a great expedition leader shines through TO THE ENDS OF THE EARTH, deftly recreating the last unexplored regions on earth. It is also a book which lays the foundations for what was to come for Fiennes, confirming a need to exist outside the comfortable norms the rest of us inhabit. As the expedition progresses, there is also a mounting sense of tension as attainment of the final goal also spells the end of the adventure. TO THE ENDS OF THE EARTH is a compelling account of one journey and Fiennes' drive to push himself to ever further extremes.

In 1895/6 the sixty-year-old Mark Twain set off on a worldwide lecture tour to pay off his debts from a publishing company bankruptcy, notes from which a year later became his final travel book Following the Equator. Two years later he wrote, 'How I did loathe that journey around the world! except the sea-part and India.' Although he was only in India for just over two of the twelve months, his exploits and observations there take up forty per cent of the book-and by common consent are by far the best and liveliest part of it. In The Indian Equator the Mark Twain travel trilogist Ian Strathcarron, his wife and photographer Gillian and his factota Sita follow in his mentor's footsteps, train tracks and boat wakes tracing the route that Twain, his wife Livy, his daughter Clara, his manager Smythe and his bearer Satan took as they crisscrossed the sub-continent. Leaving from the Bombay that was and the Mumbai that is, both writers follow the lecture circuit of old India--including what is now Pakistan--across the plains and cities of the north up to the peaks of the Himalayas by way of Baroda, Jaipur, Delhi, Agra, Lucknow, Benares/Varanasi, Calcutta/Kolkata, Darjeeling, Lahore and Rawalpindi. Staying in the same Raj clubs, travelling down the same train lines, meeting the high and mighty and the downtrodden and destitute, Twain and Strathcarron are absorbed by an India that then was and now is 'not for the faint of heart nor mild of spirit nor weak of mind nor dull of sense nor correct of politic'; a rapidly changing yet still deeply traditional society where 'a few hundred million have grabbed the twenty-first century by the whiskers and many more hundred million still tuck the nineteenth century into bed at night'. Mark Twain loved the India of 1896; like his trilogist, he would love it still.

On a motorcycle trip from Manitoba to southern Chile, Cameron Dueck seeks out isolated enclaves of Mennonites-and himself. "An engrossing account of an unusual adventure, beautifully written and full of much insight about the nature of identity in our ever-changing world, but also the constants that hold us together."-Adam Shoalts, national best-seller author of Beyond the Trees: A Journey Alone Across Canada's Arctic and A History of Canada in 10 Maps Across Latin America, from the plains of Mexico to the jungles of Paraguay, live a cloistered Germanic people. For nearly a century, they have kept their doors and their minds closed, separating their communities from a secular world they view as sinful. The story of their search for religious and social independence began generations ago in Europe and led them, in the late 1800s, to Canada, where they enjoyed the freedoms they sought under the protection of a nascent government. Yet in the 1920s, when the country many still consider their motherland began to take shape as a nation and their separatism came under scrutiny, groups of Mennonites left for the promises of Latin America: unbroken land and new guarantees of freedom to create autonomous, ethnically pure colonies. There they live as if time stands still-an isolation with dark consequences. In this memoir of an eight-month, 45,000 kilometre motorcycle journey across the Americas, Mennonite writer Cameron Dueck searches for common ground within his cultural diaspora. From skirmishes with secular neighbours over water rights in Mexico, to a mass-rape scandal in Bolivia, to the Green Hell of Paraguay and the wheat fields of Argentina, Dueck follows his ancestors south, finding reasons to both love and loathe his culture-and, in the process, finding himself.

'A beautiful and profound meditation on the way landscape shapes art and life. I was entranced by The White Birch, a book that comes close to encapsulating the vast enigma of Russia in the form of a single tree' Alex Preston, author of Winchelsea and As Kingfishers Catch Fire The birch. Genus Betula. One of the northern hemisphere's most widespread and easily recognisable trees, and Russia's unofficial national emblem. From Catherine the Great's garden follies and Tolstoy's favourite chair to the Chernobyl exclusion zone and drunken nights in Moscow, art critic Tom Jeffreys leads us across Russia's diverse land to understand its dramatically shifting identity. As we walk through lost landscapes, discover historic artworks, explore the secret online world of Russian brides, and relive encounters between some of Russia's greatest artists and writers, we uncover a myriad of overlapping meanings surrounding the humble birch tree. Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys that grapples with the riddle of Russianness.

For over twenty years, people turned to A. A. Gill's columns every Sunday - for his fearlessness, his perception, and the laughter-and-tear-provoking one-liners - but mostly because he was the best. 'By miles the most brilliant journalist of our age', as Lynn Barber put it. This is the definitive collection of a voice that was silenced too early but that can still make us look at the world in new and surprising ways. In the words of Andrew Marr, A.. A. Gill was 'a golden writer'. There was nothing that he couldn't illuminate with his dazzling prose. Wherever he was - at home or abroad - he found the human story, brought it to vivid life, and rendered it with fierce honesty and bracing compassion. And he was just as truthful about himself. There have been various collections of A. A. Gill's journalism - individual compilations of his restaurant and TV criticism, of his travel writing and his extraordinary feature articles. This book showcasesthe very best of his work: the peerlessly funny criticism, the extraordinarily knowledgeable food writing, assignments throughout the world, and reflections on life, love, and death. Drawn from a range of publications, including the Sunday Times, Vanity Fair, Tatler and Australian Gourmet Traveller, The Ivy Cookbook and his books on England and America, it is by turns hilarious, uplifting, controversial, unflinching, sad, funny and furious.

The reality of Marseille, with its secret life and scarred beauty, has little in common with its sulphurous reputation. Its inhabitants, who like to keep themselves and their city's true character to themselves, prefer it that way. A taste for independence has been part of the city's nature and history from the beginnings 2,600 years ago; since then it has only been part of France for the past 600, and for much of that time unwillingly. Ringed on three sides by steep hills and by the sea on the fourth, Marseille resembles an island, and soon gives to incoming migrants a Marseillais identity, separating them both from their multiple origins and from the French of the surrounding mainland. Founded as a Greek trading station, the city has traded always, favouring the transit of goods by sea and land over industrialisation; as a result the twentieth-century recession of sea traffic and partial closure of the docks can make Marseille appear neglected, dishevelled, and under-employed as a great port and historical centre. The appearance is deceptive; Marseille is a ceaselessly changing and culturally ever-creative fusion of peoples--rich and poor, black, brown and white, a population, according to the novelist Blaise Cendrars, that remains 'insolent, happy to be alive, and more independent than ever'. The Vieux-Port into which the first Greek settlers rowed their fifty-oared ships is still the vital centre of the city and even if less vibrantly active than in the days of sail, it is here that the sense of the living Marseille can be grasped. Moreover, the Euromediterranee project and the naming of Marseille as cultural capital of Europe in 2013 have together brought in massive capital transfusions to a process of urban rehabilitation which is continuing. David Crackanthorpe explores the striking architecture of Marseille's monuments, the remains of Greek and Roman docks and wall, the islands of the gulf and the magnificent coast, the city's distinctive language, food and popular culture. With all the disfigurements it has suffered, Marseille remains one of the world's most unique cities and its site among the most splendid.

This majestically illustrated and deeply insightful guide explores 100 of the most spiritually significant places throughout the world, seeking to understand what it is that defines these sites. Spirituality has a multitude of meanings for the many who seek deeper significance in their lives. From ancient religions with their timeless places of worship to modern, contemporary followers of faith and new age travellers seeking enlightenment and illumination, we are drawn to all kinds of places in the search for profound meaning. From a Polish Catholic praying in a large cathedral to a Portuguese surfer speechless in wonder at the majesty of the ocean, spirituality knows no bounds.ThePlanet's Most Spiritual Places brings together all definitions to present some of the most important places of spiritual significance, in stunning and immersive detail. We recognize that one person's spirituality can inspire another no matter their origin, history or nationality. We have included sites of spirituality from all around the world, from the established to the exotic, determining a number of fundamental definitions for our spiritual destinations: 1. Ancient Monuments 2. Places of Worship 3. Natural Wonders 4. Centres of Enlightenment 5. Pilgrimage 6. Living Landmarks As readers will discover, the complex history of the world often defines where - and how - spirituality can be found. The modern is as important as the ancient, and the free-form as important as the organised. What counts is the spiritual nature of the site, wherever it is, whoever visits it and whatever they believe. Insightful text is complemented by superb photography, maps ancient and modern and engaging illustrations of the plethora of places contained within. The whole world is covered, continent by continent, and a wide variety of religions, belief systems and faiths.

This volume offers a reasoned critical account of a wide range of travel writing about rural Ireland. The focus is on work by English travellers who visited Ireland for pleasure, from the 'scenic tourists' of the post-Romantic period to Eric Newby in the 1980s. Ryle also discusses accounts by American and English anthropologists, as well as writing by Irish authors including J.M. Synge, George Moore, Sean O'Faolain and Colm TA(3)ibA n. The materials reviewed and discussed here, including many books which are now difficult to find, offer illuminating and sometimes entertaining evidence about the development of tourism. Ryle also shows how the discourses and practices of pleasurable travel have intersected with and been marked by the dimensions of power and proprietorship, hegemony, and resistance, which have characterised Anglo-Irish and Hiberno-English cultural relations over the last two centuries. Journeys in Ireland will interest all those concerned with the literature and history of those relations, and will be an invaluable resource for scholars, teachers and students concerned with travel writing and tourism with and beyond these islands.