Perfect for pretend play, 'I'm a Clown ' is a novelty board books shaped like a mask for children to wear.

The inspiring life and legacy of vocal artist and civil rights icon Paul Robeson--one of the most important public figures in the twentieth century--adapted for young adults by the acclaimed Robeson biographer As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this. --Paul Robeson Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future leader of the colored race in America. Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. The predictions seemed to have been correct--Paul Robeson's triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy. With the original biography lavishly praised in the Washington Post as enthralling . . . a marvelous story marvelously told, this will be a thrilling new addition to the young adult canon. Featuring contextualizing sidebars, explanations of key terms, and photographs from Paul Robeson's life and times, Paul Robeson: No One Can Silence Me will introduce readers in middle and high school to the inspiring and complicated life of one of America's most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

The value of drama in the classroom for educational depth and social unity is well known, but teachers in lower school and middle school can sometimes struggle to find suitable play scripts for their classes, especially smaller classes. This book offers three inventive plays, based on classic stories (Robin Hood, The Philosopher's Stone, The Silver Shoes) which work for small casts, and which bring the audience into the action. Even larger classes will enjoy the humour and creativity of the scripts.

In his debut essay collection, Nicholas Belardes uses today's pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories. In great detail he describes how working for a cheesy Las Vegas animation company meant everything to a relationship with his dad. And he presents an unpopular artistic argument for how Tyrion Lannister of Game of Thrones may have ruined his life as a writer (not really). He gives you Star Wars and its weird connections to the Catcher in the Rye (as well as artistic expectations in education). In an essay about race he presents virtual universes, cowboy images of his racist dad, and odd choices of identity in Ready Player One. He even provides a layman's guide for how to introduce someone to Star Trek while at the same time telling us that what we mimic might not be good for us. He also discusses miscommunication in the world in relation to writing the first original Twitter novel, Small Places. And finally, he describes how American numbness negatively affects the world of art. Belardes presents a side of our humanity working in tandem with pop culture. It isn't always pretty, though it is hopeful, sometimes funny, and full of promise.