In Our Day Out Mrs Kay's 'Progress Class' embark on an anarchic school trip to Conwy Castle in Wales. Assisted by the authoritarian Deputy Headmaster, Mr Briggs, the students conspire to steal animals from the zoo and cause as much chaos as possible along the way. This edition also includes the following short plays: The Boy with the Transistor Radio, Terraces and I Read the News Today.

Kanegelo ya lenyalo la tutuetso ya batswadi, bao ba tsenago kereke e tee. Selina o kgopela Rapitsi go yo tcweletsa dithuto tca borutisi pele kholetsheng. Rapitsi le mmagwe ga ba kwane le seo. A story about a marriage arranged by parents who attend the same church. Selina intends to further her studies. Rapitsi and his mother are against that.

Celebrate 400 years of Shakespeare's legacy with this repackage of award-winning author Diane Stanley's tribute to the world-famous playwright William Shakespeare.

Nobody knows exactly when or why William Shakespeare left his boyhood home of Stratford-on-Avon for the great city of London, but it didn't take long for him to make a name for himself. His plays are now performed almost every day in just about every part of the world; even people who've never seen them use words and phrases he introduced into the English language.

How did a man from an unremarkable family create a legacy that the world, even 400 years after his death, has never forgotten? There will always be unsolved mysteries about Shakespeare, but what we do know of his life, his times, and his theater makes for a very dramatic story.

Pull back the curtain and enter a world where mystery and magic take centre stage in a gloriously gothic adventure from Jenni Spangler, illustrated by Chris Mould. Twelve-year-old Tig works at Manchester's Theatre Royale, cleaning, selling tickets and doing anything else that is asked of her by her tyrannical boss, Mr Snell. Tig will do whatever it takes to get closer to her dream - to become a Stage Manager and spend her days inventing new ways to imagine and build the intricate machinery and props that bring the exciting productions to life! But when a strange new act - a talking machine - arrives at the Theatre Royale, it moves and behaves in a way that Tig just can't work out. It's as though it's alive somehow . . . And when the machine appears to be hiding a dangerous secret, Tig must race against time to solve the mystery, before everything and everyone she cares about is lost forever. A Victorian adventure full of ghost, gadgets and shifty villains, from the critically-acclaimed Jenni Spangler, who's debut The Vanishing Trick, was selected as Waterstones Book of the Month. Praise for THE VANISHING TRICK: A thrilling, original, evocative and eerie tale - I adored it!' Michelle Harrison, author of A Pinch of Magic 'A thrilling page-turner. Madame Pinchbeck is a gloriously Dickensian villain' Abi Elphinstone, author of Sky Song 'Ghosts, gadgets, likeable villains and unlikely heroes: The Vanishing Trick is a dark and dazzling adventure' Emma Carroll, author of Letters from the Lighthouse 'A completely enthralling tale, oozing with atmosphere and originality' Catherine Doyle, author of The Storm Keeper's Island

The inspiring life and legacy of vocal artist and civil rights icon Paul Robeson--one of the most important public figures in the twentieth century--adapted for young adults by the acclaimed Robeson biographer As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this. --Paul Robeson Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future leader of the colored race in America. Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. The predictions seemed to have been correct--Paul Robeson's triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy. With the original biography lavishly praised in the Washington Post as enthralling . . . a marvelous story marvelously told, this will be a thrilling new addition to the young adult canon. Featuring contextualizing sidebars, explanations of key terms, and photographs from Paul Robeson's life and times, Paul Robeson: No One Can Silence Me will introduce readers in middle and high school to the inspiring and complicated life of one of America's most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

A four-section book of acting games and improvisations to assist students in developing their creative abilities. Section one includes games for relaxing and focusing. Section two helps students discover new ways of seeing themselves, others and the world around them. The third section demonstrates with improvisations how to use space to build scenes and create characters from imagination. Section four features acting games to analyze and play characters from existing plays. All of the essential elements of acting and character development are explored. A working textbook for acting students of all ages. Four parts: Relaxing and Focusing Exercises: Acting Games: Improvisations: Exercises for Characters, Scenes and Plays.

Forty-eight true-to-life scenes for guys, girls, and mixed casts of two to four actors. Written as terens speak witht he drama and emotions of adolescence. Themes include bullying, dating, driving, clothes, sports, sibling rivalry, self-esteen, vanity, jobs, sex, responsibility, drugs and many more. Some scenes are humorous, others serious. Suitable for classroom or stage performance. Excellent contest scripts. Includes five- and ten-minute scenes for girls, guys and mixed casts.

A guidebook for young would-be thespians, covering theatre vocabulary, scripting, casting, staging, sets and scenery, props, costumes, and makeup, as well as the basics of backstage and technical particulars.

A dip-in, flick-through, quick-fire resource book in the Nick Hern Books Drama Games series, this title is for teachers and workshop leaders working with difficult or reluctant students, youth groups, young offenders, and all those who seem intent on saying 'no' to whatever is offered them. 'This book offers invaluable ways for artists, teachers, workshop leaders and activists to better use the arts to empower young people' Ken Livingstone, from his Foreword. For these groups, drama games and activities need to be robust and engaging, and the dozens that appear in this book have been devised with this in mind - and then tested by their target players. Each page features clear instructions on How to Play, notes on the Benefits of the Game, and advice on age range, number of players and timing. Following the ninety games and exercises aimed at developing core skills, the book offers scenarios for a series of improvisational challenges that test participants' abilities in mediation, communication, negotiation, assertiveness and managing emotions. Also included is a collection of games aimed at preparing teachers and workshop leaders for facilitating challenging sessions. The ultimate aim is to encourage reluctant participants to engage, collaborate and develop not just skills for drama but skills for life.

Celebrate Oprah Winfrey's most motivational and powerful moments, with quotes from the media mogul, and vibrant illustrations by Alison Oliver (Moon; BabyLit series.) Be encouraging. Be brilliant. Be you. Each book ends with a mirror! Look for the companion volume, Be Bold, Baby: Michelle Obama.

Infantes de diez a os nos brindan una mirada a su pasado. Recuerdan sus aventuras. Aquellas que les hicieron ver el mundo de otra manera o les brindaron una lecci n. A oranza, 3 historias de 10 nos traslada, a trav s de los ojos de los ni os, hacia el mundo de la fantas a donde: brazos enormes quieren acariciar y grillos gigantes desean vengar a sus amigos que fueron fre dos; un tesoro espera ser descubierto para evitar que un padre deje a su hijo y ste tenga que cortar todos los lazos e ilusiones que la infancia brinda, o donde un camino llega a un lugar mejor donde nadie es afectado por las consecuencias de la obesidad. Ni os de diez a os se reencuentran en estas historias para brindarnos la oportunidad de reconocer nuestro propio ni o interno, para permitirle vivir en nuestra vida como personas adultas.

1781. Albany, New York. As the war for American independence rages on, Alexander Hamilton and Elizabeth Schuyler begin their new life as a married couple. Still, Alex is as determined as ever to prove his mettle and secure his legacy... even if that means leaving his beloved Eliza behind to join the front lines at the Battle of Yorktown. But when the war unexpectedly arrives on Eliza's doorstep, she must fight for a better future - for their fledgling country and for her marriage. Yet even after the Revolution comes to its historic close, Alex and Eliza's happily-ever-after is threatened. Eliza struggles to build a home in the hustle and bustle of New York City just as Alex's burgeoning law practice brings him up against his greatest rival - the ambitious young lawyer Aaron Burr. And with Alex's star on the rise, Eliza can't help but feel neglected by a husband who seems to have time for everyone but her. Torn apart by new trials and temptations, can Alex and Eliza's epic love survive life in the big city? The battles are just beginning in the sumptuous sequel to Melissa de la Cruz's New York Times bestselling Alex & Eliza: A Love Story.

Designed for busy teachers, Drama Lessons: Ages 4-7 provides tried and tested lesson plans which will help you to make your drama lessons fun learning experiences. Drama Lessons: Ages 4-7 emerges from the continuing positive responses to Drama Lessons for Five to Eleven Year Olds (2001) and the three book series, Role Play in The Early Years (2004). In this book you will find a carefully chosen selection of the best lessons taken from these four texts, plus some exciting new material - a combination of brand new and classic lessons. This new collection introduces Literacy Alerts which identify how the drama activities develop aspects of literacy and suggest additional literacy activities. For each lesson plan, essential resources and timing information are provided. The lessons cover a range of themes and curriculum areas. Specialists and non-specialists, nursery nurses, teaching assistants and playgroup leaders will find the book easy to use and it will give all trainee teachers a flying start in their school placements.

This practical book gives you all the ideas you need to make drama a regular and integral part of your school s curriculum, offering detailed suggestions of drama work for ages 7 to 11. The teaching units are arranged around four strands: drama for literacy; drama and the whole curriculum; drama film, media, and ICT; and drama for performance. The authors provide a wealth of practical activities throughout. Each unit includes:

• explicit links to the Renewed Framework for literacy and the wider curriculum
• a list of resources needed
• clear learning objectives and outcomes
• steps for teaching and learning including how to modify activities to suit your school
• links to writing
• assessment guidance.

Based on the authors experience as teachers and in-service trainers, this book provides a wide range of ideas and activities for inspiring drama across Key Stage 2, and is essential reading for all those interested in bringing drama into their school.

`This original and fascinating approach to children's movement development is highly recommended reading for tutors, practitioner and students alike' - Under Five `Movement and Dance in Early Childhood offers a clear and accessible entry into the world of movement and dance and the possibilities that exist for children, their families and the wider educational community' - Every Child `Eminently readable and accessible. Whether the reader is versed in movement understanding or a beginner, by the end of the book they should be a much better movement observer, teacher and handler' - Marion North, Principal and Chief Executive, Laban Centre for Movement and Dance In this unique and innovative book on movement and dance development from birth to eight years, the author draws on her depth of knowledge and practical experience in helping children to become skilled, creative and imaginative in a wide range of movement-oriented activities. The book seeks to help early childhood educators and parents in very practical ways and provides guidance based on a sound theoretical understanding. Originally published as Helping Children Learn Through a Movement Perspective, this book has been updated in the light of recent research. The author extends her investigation of how young children learn in and through movement. There is an expanded chapter on dance, which suggests strategies for working with young children and examines ways in which young children take on the roles of dance-makers, performers and appreciators. An additional chapter shows ways in which the expressive and artistic aspects of children's movement can be appropriately located and includes exemplars for dance at Key Stage 1 and the early phases of Key Stage 2.

The original and very popular Grammar Wars text has been workshopped in classrooms throughout the U.S. Now a new text to answer questions about this unique and valuable technique for learning language and theatre arts. In addition to over 115 new games, the author explains productive and defensive behaviors that students exhibit in the performance of the exercises. By encouraging productive behavior students learn performance skills as well as punctuation, grammar and parts of speech. An excellent supplement text for English and theatre performance classes. Sample chapters: Tricking the World. Performance Learning Isn't Desk Learning, Is It Really Competitive?, Activities for Basic Skills, New Games, Maximizing Student Involvement, Mime, Sample Lessons, Appendices and more.

Using drama right across the curriculum to improve and invigorate teaching and learning, this book provides whole school and individual class approaches underpinned by sound theory and implemented in a real primary school. Explanations and examples are given in a clear and accessible style, and links are made to The National Strategy.

The book illustrates a wide range of strategies that show how drama can help with:

• behavior
• inclusion and multicultural issues
• improving the whole school ethos
• involving parents and governors.

This user-friendly and comprehensive text is the perfect support tool for teachers and managers ready to improve their school regardless of whether they're approaching drama for the first time or are already passionate about it.

Every single artistic endeavor in Stanislavsky's life was achieved in close collaboration with female partners. First, it was his own mother, Elizaveta Alekseyeva, who shaped his personality, and encouraged his exploration of theatre. Then it was his artistic mother, Glikeria Fedotova, who guided him through the ten years of his work. Then Maria Lilina, his wife, who became his best student, and later one of the best actresses of the Art Theatre. It would be impossible to understand Stanislavsky's development as an actor and director without his work with Maria Andreyeva, the "femme fatale" of turn of the century Russian theatre, or Olga Knipper, whom he directed and acted with for forty years. And near the end of his life, when Stanislavsky introduced the method of physical action (metod phizicheskix deistvii), another woman embraced his work, a young actress named Irina Rozanova. Stanislavsky and Female Actors is the exploration of Stanislavsky's artistic and personal relationship with the leading actresses of the Moscow Art Theatre. It seeks to portray their life-long artistic dialogue and offers a new biographical study of the previously unknown spheres of Stanislavsky's life, as well as the lives of the Moscow Art Theatre's principal actresses.

Written for practising and trainee English and Drama specialists, this text clarifies what constitutes useful knowledge about spoken English and how pupils aged 11-16 can develop their skills in speaking and listening through the use of drama. It provides practical guidance on: the national curriculum and KS3 Literacy Strategy requirements for teaching speaking and listening; English and drama exercises to improve speaking and listening skills; and methods of assessing a pupil's ability and understanding. Suitable for the English classroom and the drama studio alike, this book succeeds in making this important element of the curriculum both coherent and exciting.

Why is the old sailor so terrified of the blind man? What is hidden inside his mysterious sea chest? What lies behind his cruel, drunken songs? This imaginative yet faithful adaptation brings out all the most nightmarish qualities of pirates, ships and buried treasure.

The movement games in this book are intended to cultivate children's social and creative abilities. Some are based on playground games, others on professional theater and dance exercises. The games are divided into ten categories including touch and reaction, concentration and puzzles, impersonation and cooperation, and music and movement.