If you love Oi Frog and Friends, you'll adore this madcap animal alphabet story, guaranteed to get kids giggling - and learning! Dog's looking for animals to star in her new alphabet book. But she doesn't want 'ordinary animals'. No cats, dogs or lions. She's looking for animals who are different. Animals who are special. Animals who have ... the ABC Factor. Stick Insect is sure he has got the ABC factor - but will Dog and her fellow judges agree? From anacondas and aye-ayes to manatees, lemmings and naked mole rats, only the weirdest and more wonderful animals need apply. Britain's Got Talent meets Oi Frog - perfect for anyone who loves hilarious picture books and TV talent shows from Strictly to X Factor! Winner of the Hampshire Picture Book Prize!

Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its eighth edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory and cutting-edge essays by contemporary scholars, the text examines both historical and theoretical viewpoints on the subject. Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. Reorganized into ten sections-each comprising the major fields of critical controversy and analysis-this new edition features reformulated introductions and biographical headnotes that contextualize the readings, making the text more accessible than ever to students, film enthusiasts, and general readers alike. A wide-ranging critical and historical survey, Film Theory and Criticism remains the leading text for undergraduate courses in film theory. It is also ideal for graduate courses in film theory and criticism.

The inspiring life and legacy of vocal artist and civil rights icon Paul Robeson--one of the most important public figures in the twentieth century--adapted for young adults by the acclaimed Robeson biographer As an artist I come to sing, but as a citizen, I will always speak for peace, and no one can silence me in this. --Paul Robeson Paul Robeson was destined for greatness. The son of an ex-slave who upon his college graduation ranked first in his class, Robeson was proclaimed the future leader of the colored race in America. Although a graduate of Columbia Law School, he abandoned his law career (and the racism he encountered there) and began a hugely successful career as an internationally celebrated actor and singer. The predictions seemed to have been correct--Paul Robeson's triumphs on the stage earned him esteem among white and Black Americans across the country, although his daring and principled activism eventually made him an outcast from the entertainment industry, and his radical views made many consider him a public enemy. With the original biography lavishly praised in the Washington Post as enthralling . . . a marvelous story marvelously told, this will be a thrilling new addition to the young adult canon. Featuring contextualizing sidebars, explanations of key terms, and photographs from Paul Robeson's life and times, Paul Robeson: No One Can Silence Me will introduce readers in middle and high school to the inspiring and complicated life of one of America's most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

Looking for effective ways to implement the curriculum creatively. Helping you to plan and deliver drama as a key tool for improving literacy, this book is packed with "read it and run with it" activities. These show how to use stories in combination with basic drama techniques to raise standards in reading, writing, speaking and listening. Illustrated in colour, it: exploits children's love of good stories and role-play in order to make learning fun; provides clear and easy-to-use activities that will enhance understanding of basic drama techniques for teachers and children; includes a checklist to help senior managers assess the whole-school impact of these activities; and offers templates for easy planning. Fun and accessible, this book is essential for teachers and support staff in foundation settings and key stage one classrooms. It shows you how to incorporate key texts into your teaching in a creative and enjoyable way.

A dramatic adaptation of the celebrated Anglo-Saxon epic poem in which a wandering hero comes to the aid of a nation held in terror by a savage monster.

In exuberant verse and stirring pictures, Patricia Hruby Powell and Christian Robinson create an extraordinary portrait for young people of the passionate performer and civil rights advocate Josephine Baker, the woman who worked her way from the slums of St. Louis to the grandest stages in the world. Meticulously researched by both author and artist, Josephine's powerful story of struggle and triumph is an inspiration and a spectacle, just like the legend herself.

Jumpstart! Drama contains more than forty engaging, practical, easy-to-do and highly motivating drama activities which will appeal to busy primary teachers who wish to enliven their practice and make more use of drama in line throughout their teaching. Suitable for use across a variety of subjects and for a wide range of learning styles, the book introduces teaching practitioners to a range of drama conventions and demonstrates how to use them in the primary classroom. Organised in five clear parts, this new edition of Jumpstart! Drama covers the following topics: The relationship and link between drama and literacy Analysing both fiction and non-fiction texts through drama conventions Exploring poetry through drama conventions Developing role play and learning through imaginary worlds With all activities connected to well-known texts, this fully updated second edition now reflects picturebooks and novels published in the last five years, and is ideal for busy primary teachers who wish to encourage their pupils in drama using texts in a dramatic and motivating way.

Celebrate 400 years of Shakespeare's legacy with this repackage of award-winning author Diane Stanley's tribute to the world-famous playwright William Shakespeare.

Nobody knows exactly when or why William Shakespeare left his boyhood home of Stratford-on-Avon for the great city of London, but it didn't take long for him to make a name for himself. His plays are now performed almost every day in just about every part of the world; even people who've never seen them use words and phrases he introduced into the English language.

How did a man from an unremarkable family create a legacy that the world, even 400 years after his death, has never forgotten? There will always be unsolved mysteries about Shakespeare, but what we do know of his life, his times, and his theater makes for a very dramatic story.

Twin brothers, Mickey and Edward, are separated at birth as their mother cannot afford to keep them both. Raised only streets apart in the heart of Liverpool, the boys' lives take two very different paths. However, following a chance meeting, the pair form an unlikely friendship. But what will happen if they ever find out the secret of their shared history?

Victimised by the cruel, cunning Stubbs, Terry Dumpton, nicknamed Humpty Dumpty, resorts to truancy to avoid his bullies. Following pressure from his tormentors to prove he isn't a coward, Terry takes part in a dangerous activity resulting in a fatal outcome.

Ka go papadi ye, go ditiragalo tsa letsatsi ka letsatsi tseo di amago baratani. Ka nako lehufa le dira gore o nagane gore go na le dilo tse mpe tseo di diregago le ge e le gore ga go bjalo. Motho o no fetsa le monagano wa gagwe gore selo se a direga goba se diregile eupsa go se na bohlatse ebile go se bjalo. Lehufa le na le maatla a magolo gomme le ka isa motho kotsing ge a sa naganisise ditaba gabotse.

Aunt Cora is determined to turn two orphans, perky Hilary and sullen Rachel, into members of her dance troupe. But Rachel wants to keep Hilary from being one of Wintle’s Little Wonders—is it selfishness or something else? Misunderstandings and a spoiled cousin come together for a tale full of high drama. Originally published in 1957.

Laughter is the most effective technique for teenage survival. These monologs, dialogs and short skits allow teenage performers a chance to laugh at the system, their teachers, their parents and most importantly, themselves! These are scripts for laughter and pathos. They create an awareness of the perils of drinking and driving, teenage parties, smoking, alcoholic parents and much more. Sixty superb, short scripts! For speech contests, acting exercises, auditions, variety shows and classroom use. Some of the titles include: MONOLOGS: Vacation from Hell, Daydreaming, Kiss Off That First Kiss, DIALOGS: Girls Come in All Shapes, Designated Driver, Tassels and Tears. SKITS: How to Dump a Dip, Beauty Sleep, Party Time.

In Our Day Out Mrs Kay's 'Progress Class' embark on an anarchic school trip to Conwy Castle in Wales. Assisted by the authoritarian Deputy Headmaster, Mr Briggs, the students conspire to steal animals from the zoo and cause as much chaos as possible along the way. This edition also includes the following short plays: The Boy with the Transistor Radio, Terraces and I Read the News Today.

Na o ne o tseba h utulla dipatilweng tsa setho sa Basotho jwang dingolweng moo re fumanang meetlo ya rona, kgodiso ya bana, dikamano tsa ditho tsa lelapa, dikamano tsa ditho tsa setjhaba ka kakaretso, mesebetsi ya setjhaba, dipapadi le kgalemelo? Lesupatsela lena la Sef le tla o utullela tse ding tsa dintho tsena, hore ha o tsamaya o sa tsaroha phoka, o le metsi a foro, o se na boikemelo, se tla pitla se sa qenehele sef. Bolepo ba sekgo bo tla kgaoha mme se ratlanele sa ruri. Tataiso ena e hlahiswang ho Sef ke keletso e bile ke thuto hore menomasweu a bolaya a tsheha. Hlwelang Sef le tle le natefelwe ke boithuti ba tshwantshiso!

After the mysterious and violent death of Sir Charles Baskerville, Sherlock Holmes and Dr Watson embark upon their most famous case. What is the spectral hound that howls by night in the mists of Dartmoor? Is there really a curse on the Baskerville family?

Why is the old sailor so terrified of the blind man? What is hidden inside his mysterious sea chest? What lies behind his cruel, drunken songs? This imaginative yet faithful adaptation brings out all the most nightmarish qualities of pirates, ships and buried treasure.

Aimed at a generation of short attention spans and a taste for razor-sharp comedy, the rapid-fire ZAP is a smart, farcical new play for high-school students that's ready to bring the house down.
When they're not dusting off the old classics -- over and over -- high-school drama departments are constantly in search of new material. But what play could possibly suit the point-and-click attention spans of kids born with remote controls in their cribs? Cue the lights for ZAP, a nonstop farce that juxtaposes seven different plays -- performed simultaneously -- with a comic genius reminiscent of masters from Monty Python to the Marx Brothers. Combining spot-on parodies of Anton Chekhov, Agatha Christie, Tennessee Williams, Samuel Beckett, Neil Simon and performance art and throwing in scenes from RICHARD III for good measure, ZAP flicks rapidly back and forth from play to play, with hilarious results. As characters from one play end up on the set of another, their befuddlement, exasperation, and brave attempts at improvisation are truly priceless. A hoot to read, ZAP is a dream to perform -- as high schools in California, New York, and Florida have already discovered.