Guide to playing the Irish whistle, in the key of D, especially designed for beginners. Included is a selection of well-known airs, tunes, and dance music. International fingering chart included. Triple pack includes book, CD and whistle.

The reed is possibly the most crucial link in the chain of acoustical elements needed to produce an oboe sound. For the nearly 300 years since the appearance of the French oboe, players have painstakingly evolved this highly individualized skill. But because of their fragile nature, original historical examples of oboe reeds are practically non-existent. David Ledet has produced a unique study of techniques for styling oboe reeds by analyzing in detail 168 examples of reeds by 81 artists from 14 countries. Each reed is strikingly photographed both in reflected light and in silhouette, thus clearly illustrating the relative thickness and shaping of the various sections of the reed. The precise dimensions of each example are compiled in an elaborate table. As background to his reed survey, Ledet discusses the various aspects of tone production (respiration, articulation, embouchure, and acoustics), gives a brief history of the instrument, and offers valuable advice about pedagogical techniques. The artists' reflections on their reedmaking techniques and brief biographical sketches introduce the photographs. Ledet often refers the readers to readily available phonographic recordings t

This classic study, now revised and updated, shows how scientific calculations can be used to improve the understanding, design, and tuning of woodwind instruments. A powerful tool for correcting tuning errors in existing instruments and for creating new designs, Nederveen's analysis has long been a standard in the field of acoustics.

Nederveen's aim is to find systematic and accurate methods for calculating the position and size of tone holes and functional bore corrections for the various woodwinds. He achieves this aim and further provides a detailed application to the design of flutes, clarinets, saxophones, oboes, and bassoons.

An extended new chapter analyzing and interpreting recent developments in acoustics of woodwind instruments, a list of symbols, and a subject index complete this revised edition. This book is a necessity for specialists in the physics of acoustics, music teachers, and anyone interested in woodwind design.

Paul Harris's Basics Series is widely regarded as the leading method for beginner players and their teachers. Clarinet Basics Teacher's book contains piano and clarinet accompaniments for the pieces in Clarinet Basics Pupil's book along with a general introduction and guidance for teachers. Starting at beginner level and progressing to Grade 2, this edition offers a fresh design, clear technical drawings, and includes all of the great tunes featured in the original Clarinet Basics, as well as: * a wide range of repertoire, including original pieces and well-loved favourites from every genre * warm ups and fun original exercises * invaluable fact files, quizzes and technical advice covering notation, general musicianship and care of the instrument * helpful fingering diagrams and rhythm boxes * duets throughout - ideal for group teaching * pull-out fingering chart to pin on your wall

This five-volume graded anthology acts as an introduction to the flute music of the early- and mid-eighteenth century. All important composers of flute music of the period are represented, starting with the French pioneers La Barre and Hotteterre, and culminating in the great Germans Handel and Bach. Texts faithfully follow the original sources, any editorial additions being carefully differentiated as such. These marks, which include ornament realizations and breathing suggestions, together with the editorial notes that accompany each piece, are designed to help the progressing flautist to cultivate an authentic playing style. In addition, useful information is given about the composers represented and about the pieces selected and the sources from which they are drawn. A separate continuo part is provided, allowing the bass line to be doubled on cello or viola da gamba, in accordance with standard continuo practice. This part, in which the bass is figured, may also be used by keyboard players who wish to improvise their own accompaniment.

"This is a valuable reference tool for any serious tubascholar." -- TUBA Journal Reviews

..". an excellentresource... " -- American Music Teacher

Program notes, written by the composers themselves, describe 88 works for the solo tuba. Includesworks for the tuba alone, tuba and piano, and tuba with other types ofaccompaniment. Each entry gives complete publication data, a history of the piece, its instrumentation and movements, and a description of its musical structure andcharacteristics. Gary Bird provides an invaluable resource for students, teachers, and professional performers in building repertoire and in gaining insight into avital body of contemporary music.

The best selling woodwind and brass tutor series. Learn As You Play provides everything you need from the first lesson up to grade three. A well structured course of exercises, studies and pieces ensures a good grounding in technique and musicianship.

Ireland's Patrick Conway has collected 71 favorite Irish ballads, hornpipes, jigs, and reels and transcribed them for the D tinwhistle. Guitar chords are shown for each piece.

(Music Sales America). Piano score based on The Carl Nielsen Edition Series II, Instrumental Music Vol. 9 Part 2.

(Music Sales America). A Manuel de Falla.

The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe's prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument's place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe's appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument's social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.

Contains advice on equipment, instructions for an effective embouchure and comfortable posture, and an explanatory section on reading music. This book also includes music, including duets, rounds and ensemble pieces, tests to check progress and comprehension, and useful pull out chart giving all fingerings.