Spanning from the innauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. In "Art and Magic in the Court of the Stuarts," Vaughan Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature.Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldy, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

A unique biographical source revealing the experiences common to Mexican-Americans as well as the diversity and complexity of their struggles to enter the mainstream.' Of the 270 men and women included, approximately 200 are contemporary Mexican-Americans. . . . H]ighly recommended for large public libraries and special collections. "Library Journal"

This biographical dictionary provides a useful source for identifying the important figures in the Mexican American/Chicano experience from 1848 to the present. It includes approximately 280 figures, many of whom are contemporary leaders in politics, education, the arts, sports, and other fields. Arranged alphabetically, the entries contain brief biographies of the people who have made Mexican American history while playing important roles in American society, the focus is primarily on public and professional life, with the most important figures receiving greater attention and more detailed histories. Most of the entries are followed by one or more bibliographic references; there are indexes of the biographees by state and by fields of activity. An outstanding feature of this sourcebook is the inclusion of a broader scope of information about each of the figures, such as their social and intellectual background, academic training, their development in their chosen fields, and signal achievements as shown by appointments, awards, and prizes.

This meticulously researched book presents a vivid portrait of King Juan Carlos from his awkward years as Franco's chosen successor as the Head of State of an authoritarian regime to his achievements in promoting and defending the new democracy after Franco's death in 1975. Few modern kings have played so important a role. Dr Powell's biography is therefore essential reading if we are to understand contemporary Spain.' - Sir Raymond Carr;Widely acknowledged as a key figure in Spain's remarkable transition to democracy following General Franco's death in 1975, King Juan Carlos consolidated his reputation as a champion of democracy by aborting the attempted military coup of 23 February 1981. This political biography of the Spanish monarch sheds new light on his childhood, the process whereby he became Franco's successor in 1969, his subsequent contribution to his nation's democratization, and his role as constitutional monarch since 1978, both at home and abroad.

A portrait of a great American dynasty and its legacy in business, technology, the arts, and philanthropyMeyer Guggenheim, a Swiss immigrant, founded a great American business dynasty. At their peak in the early twentieth century, the Guggenheims were reckoned among America's wealthiest, and the richest Jewish family in the world after the Rothschilds. They belonged to Our Crowd, that tight social circle of New York Jewish plutocrats, but unlike the others -- primarily merchants and financiers -- they made their money by extracting and refining copper, silver, lead, tin, and gold.The secret of their success, the patriarch believed, was their unity, and in the early years Meyer's seven sons, under the leadership of Daniel, worked as one to expand their growing mining and smelting empire. Family solidarity eventually decayed (along with their Jewish faith), but even more damaging was the paucity of male heirs as Meyer and the original set of brothers passed from the scene.In the third generation, Harry Guggenheim, Daniel's son, took over leadership and made the family a force in aviation, publishing, and horse-racing. He desperately sought a successor but tragically failed and was forced to watch as the great Guggenheim business enterprise crumbled.Meanwhile, "Guggenheim" came to mean art more than industry. In the mid-twentieth century, led by Meyer's son Solomon and Solomon's niece Peggy, the Guggenheims became the agents of modernism in the visual arts. Peggy, in America during the war years, midwifed the school of abstract expressionism, which brought art leadership to New York City. Solomon's museum has been innovative in spreading the riches of Western art around the world. After the generation of Harry and Peggy, the family has continued to produce many accomplished members, such as publisher Roger Straus II and archaeologist Iris Love.In The Guggenheims, through meticulous research and absorbing prose, Irwin Unger, the winner of a Pulitzer Prize in history, and his wife, Debi Unger, convey a unique and remarkable story -- epic in its scope -- of one family's amazing rise to prominence.