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Books > Humanities > Religion & beliefs > Christianity > Protestantism & Protestant Churches > General
By utilizing the contributions of a variety of scholars -
theologians, historians, and biblical scholars - this book makes
the complex and sometimes disparate Anabaptist movement more easily
accessible. It does this by outlining Anabaptism's early history
during the Reformation of the sixteenth century, its varied and
distinctive theological convictions, and its ongoing challenges to
and influence on contemporary Christianity. T&T Clark Handbook
of Anabaptism comprises four sections: 1) Origins, 2) Doctrine, 3)
Influences on Anabaptism, and 4) Contemporary Anabaptism and
Relationship to Others. The volume concludes with a chapter on how
contemporary Anabaptists interact with the wider Church in all its
variety. While some of the authorities within the volume will
disagree even with one another regarding Anabaptist origins,
emphases on doctrine, and influence in the contemporary world, such
differences represent the diversity that constitutes the history of
this movement.
Under the Big Top challenges the utility of the
fundamentalist-modernist dichotomy in understanding
turn-of-the-twentieth-century American Protestantism. Through an
examination of the immensely popular big tent revivals, the book
develops a new framework to view Protestantism in this
transformative period of American history. Contemporary critics of
the revivalists often depicted them as anachronistically anxious
and outdated religious opponents of a new urban, modern nation.
Early historical accounts followed suit by portraying tent
revivalists as Victorian hold-outs bent on re-establishing
nineteenth-century values and religion in a new modern America.
Josh McMullen argues that rather than mere dour opposition, big
tent revivalists participated in the shift away from Victorianism
and helped in the construction of a new consumer culture in the
United States between the 1880s and the 1920s. McMullen also seeks
to answer the question of how the United States became the most
consumer-driven and yet one of the most religious societies in the
western world. Early critics and historians of consumer culture
concluded that Americans' increasing search for physical, mental,
and emotional well-being came at the expense of religious belief,
yet evangelical Christianity grew alongside the expanding consumer
culture throughout the twentieth century. A study of big tent
revivalism helps resolve this dilemma: revivalists and their
audiences combined the Protestant ethic of salvation with the
emerging consumer ethos by cautiously unlinking Christianity from
Victorianism and linking it with the new, emerging consumer
culture. This innovative, revisionist work helps us to understand
the continued appeal of both the therapeutic and salvific
worldviews to many Americans as well as the ambivalence that
accompanies this combination.
The dominant narrative of Mississippi during the Civil Rights Era
focuses on white citizens, the white church, and their intense
resistance to change. Signed by twenty-eight white pastors of the
Methodist Mississippi Annual conference and published in the
Mississippi Methodist Advocate on January 2, 1963, the "Born of
Conviction" statement offered an alternative witness to the
segregationist party line by calling for freedom of the pulpit and
reminding readers of the Methodist Discipline's claim that the
teachings of Jesus "[permit] no discrimination because of race,
color, or creed". The twenty-eight pastors sought to speak to and
for a mostly silent yet significant minority of Mississippians, and
to lead white Methodists to join the conversation on the need for
racial justice. The document additionally expressed support for
public schools and opposition to any attempt to close them, and
affirmed the signers' opposition to Communism. Though a few lay and
clergy persons voiced public affirmation of "Born of Conviction,"
the overwhelming reaction was negative-by mid-1964, twenty of the
original signers had left Mississippi, revealing the challenges
faced by whites who offered even mild dissent to massive resistance
in the Deep South. Dominant narratives, however, rarely tell the
whole story. The statement caused a significant crack in the public
unanimity of Mississippi white resistance. Signers and their public
supporters had also received private messages of gratitude for
their stand, and eight of the signers remained in the Methodist
ministry in Mississippi until retirement. Born of Conviction tells
the story of "the Twenty-eight," illuminating the impact on the
larger culture of this attempt by white clergy to support race
relations change. The book explores the theological and ethical
understandings of the signers through an account of their
experiences before, during, and after the statement's publication.
It also offers a detailed portrait of both public and private
expressions of the theology and ethics of white Mississippi
Methodists as a whole - including laity and other clergy - as
revealed by their responses to the "Born of Conviction"
controversy, which came at the crisis point of the Civil Rights Era
in Mississippi.
Many scholars and church leaders believe that music and worship
style are essential in stimulating diversity in congregations.
Gerardo Marti draws on interviews with more than 170 congregational
leaders and parishioners, as well as his experiences participating
in worship services in a wide variety of Protestant, multiracial
Southern Californian churches, to present this insightful study of
the role of music in creating congregational diversity.
Worship across the Racial Divide offers a surprising conclusion:
that there is no single style of worship or music that determines
the likelihood of achieving a multiracial church. Far more
important are the complex of practices of the worshipping community
in the production and absorption of music. Multiracial churches
successfully diversify by stimulating unobtrusive means of
interracial and interethnic relations; in fact, preparation for
music apart from worship gatherings proves to be just as important
as its performance during services. Marti shows that aside from and
even in spite of the varying beliefs of attendees and church
leaders, diversity happens because music and worship create
practical spaces where cross-racial bonds are formed.
This groundbreaking book sheds light on how race affects worship in
multiracial churches. It will allow a new understanding of the
dynamics of such churches, and provide crucial aid to church
leaders for avoiding the pitfalls that inadvertently widen the
racial divide.
The Bohemian preacher and religious reformer Jan Hus has been
celebrated as a de facto saint since being burned at the stake as a
heretic in 1415. Patron Saint and Prophet analyzes Hus's
commemoration from the time of his death until the middle of the
following century, tracing the ways in which both his supporters
and his most outspoken opponents sought to determine whether he
would be remembered as a heretic or saint. Phillip Haberkern
examines how specific historical conflicts and exigencies affected
the evolution of Hus's memoryawithin the militant Hussite movement
that flourished until the mid-1430s, within the Czech Utraquist
church that succeeded it, and among sixteenth-century Lutherans who
viewed Hus as a forerunner and even prophet of their reform. Using
close readings of written sources such as sermons and church
histories, visual media including manuscript illuminations and
monumental art, and oral forms of discourse such as vernacular
songs and liturgical prayers, this book offers a fascinating
account of how changes in media technology complemented the
shifting theology of the cult of saints in order to shape early
modern commemorative practices. By focusing on the ways in which
the invocation of Hus catalyzed religious dissent within two
distinct historical contexts, Haberkern compares the role of memory
in late medieval Bohemia with the emergence of history as a
constitutive religious discourse in the early modern German land.
In this way, he also provides a detailed analysis of the ways in
which Bohemian and German religious reformers justified their
dissent from the Roman Church by invoking the past.
This companion brings together new contributions from
internationally renowned scholars in order to examine the past,
present, and future of Protestantism. The volume opens with an
investigation into the formation of Protestant identity, looking at
its historical development across Europe, North America, Asia,
Australasia, and Africa. This section includes coverage of leading
Protestant thinkers, such as Luther, Calvin, Schleiermacher, and
Barth. The companion then goes on to consider the interaction of
Protestantism with different areas of modern life, including the
arts, politics, the law, and science. The editors and contributors
take seriously the shift in Protestantism from a predominantly
North Atlantic perspective to a more global reality. A final
section looks to the future of Protestantism, debating what will
happen to both Western and non-Western Protestant movements.
This book relates the unique experiences of Lesbian, Gay, Bisexual,
Transgender and Queer/Questioning (LGBTQ+) people in Australian
Pentecostal-Charismatic Christian churches. Grounded in the
theoretical contributions of Michel Foucault, Judith Butler, Lewis
Coser, and others, the book exposes the discursive 'battleground'
over the 'truth' of sex which underlies the participants' stories.
These rich and complex narratives reveal the stakes of this
conflict, manifested in 'the line' - a barrier restricting out
LGBTQ+ people from full participation in ministry and service.
Although some participants related stories of supportive-if
typically conservative-congregations where they felt able to live
out an authentic, integrated faith, others found they could only
leave their formerly close and supportive communities behind,
'counter-rejecting' the churches and often the faith that they felt
had rejected them.
This brilliant study opposes the Marxist concept of dialectical
materialism and its view that change takes place through the
conflict of opposites. Instead, Weber relates the rise of a
capitalist economy to the Puritan determination to work out anxiety
over salvation or damnation by performing good deeds - an effort
that ultimately encouraged capitalism.
Religious Communication Association's Book of the Year
Hollywood and Christianity often seem to be at war. Indeed, there
is a long list of movies that have attracted religious
condemnation, from Gone with the Wind with its notorious "damn," to
The Life of Brian and The Last Temptation of Christ. But the
reality, writes William Romanowski, has been far more
complicated--and remarkable.
In Reforming Hollywood, Romanowski, a leading historian of popular
culture, explores the long and varied efforts of Protestants to
influence the film industry. He shows how a broad spectrum of
religious forces have played a role in Hollywood, from
Presbyterians and Episcopalians to fundamentalists and
evangelicals. Drawing on personal interviews and previously
untouched sources, he describes how mainline church leaders lobbied
filmmakers to promote the nation's moral health and, perhaps
surprisingly, how they have by and large opposed government
censorship, preferring instead self-regulation by both the industry
and individual conscience. "It is this human choice," noted one
Protestant leader, "that is the basis of our religion." Tensions
with Catholics, too, have loomed large--many Protestant clergy
feared the influence of the Legion of Decency more than Hollywood's
corrupting power. Romanowski shows that the rise of the evangelical
movement in the 1970s radically altered the picture, in
contradictory ways. Even as born-again clergy denounced "Hollywood
elites," major studios noted the emergence of a lucrative
evangelical market. 20th Century-Fox formed FoxFaith to go after
the "Passion dollar," and Disney took on evangelical Philip
Anschutz as a partner to bring The Chronicles of Narnia to the big
screen.
William Romanowski is an award-winning commentator on the
intersection of religion and popular culture. Reforming Hollywood
is his most revealing, provocative, and groundbreaking work on this
vital area of American society.
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