Under the Big Top challenges the utility of the fundamentalist-modernist dichotomy in understanding turn-of-the-twentieth-century American Protestantism. Through an examination of the immensely popular big tent revivals, the book develops a new framework to view Protestantism in this transformative period of American history. Contemporary critics of the revivalists often depicted them as anachronistically anxious and outdated religious opponents of a new urban, modern nation. Early historical accounts followed suit by portraying tent revivalists as Victorian hold-outs bent on re-establishing nineteenth-century values and religion in a new modern America. Josh McMullen argues that rather than mere dour opposition, big tent revivalists participated in the shift away from Victorianism and helped in the construction of a new consumer culture in the United States between the 1880s and the 1920s. McMullen also seeks to answer the question of how the United States became the most consumer-driven and yet one of the most religious societies in the western world. Early critics and historians of consumer culture concluded that Americans' increasing search for physical, mental, and emotional well-being came at the expense of religious belief, yet evangelical Christianity grew alongside the expanding consumer culture throughout the twentieth century. A study of big tent revivalism helps resolve this dilemma: revivalists and their audiences combined the Protestant ethic of salvation with the emerging consumer ethos by cautiously unlinking Christianity from Victorianism and linking it with the new, emerging consumer culture. This innovative, revisionist work helps us to understand the continued appeal of both the therapeutic and salvific worldviews to many Americans as well as the ambivalence that accompanies this combination.

Many scholars and church leaders believe that music and worship style are essential in stimulating diversity in congregations. Gerardo Marti draws on interviews with more than 170 congregational leaders and parishioners, as well as his experiences participating in worship services in a wide variety of Protestant, multiracial Southern Californian churches, to present this insightful study of the role of music in creating congregational diversity.
Worship across the Racial Divide offers a surprising conclusion: that there is no single style of worship or music that determines the likelihood of achieving a multiracial church. Far more important are the complex of practices of the worshipping community in the production and absorption of music. Multiracial churches successfully diversify by stimulating unobtrusive means of interracial and interethnic relations; in fact, preparation for music apart from worship gatherings proves to be just as important as its performance during services. Marti shows that aside from and even in spite of the varying beliefs of attendees and church leaders, diversity happens because music and worship create practical spaces where cross-racial bonds are formed.
This groundbreaking book sheds light on how race affects worship in multiracial churches. It will allow a new understanding of the dynamics of such churches, and provide crucial aid to church leaders for avoiding the pitfalls that inadvertently widen the racial divide.

The Bohemian preacher and religious reformer Jan Hus has been celebrated as a de facto saint since being burned at the stake as a heretic in 1415. Patron Saint and Prophet analyzes Hus's commemoration from the time of his death until the middle of the following century, tracing the ways in which both his supporters and his most outspoken opponents sought to determine whether he would be remembered as a heretic or saint. Phillip Haberkern examines how specific historical conflicts and exigencies affected the evolution of Hus's memoryawithin the militant Hussite movement that flourished until the mid-1430s, within the Czech Utraquist church that succeeded it, and among sixteenth-century Lutherans who viewed Hus as a forerunner and even prophet of their reform. Using close readings of written sources such as sermons and church histories, visual media including manuscript illuminations and monumental art, and oral forms of discourse such as vernacular songs and liturgical prayers, this book offers a fascinating account of how changes in media technology complemented the shifting theology of the cult of saints in order to shape early modern commemorative practices. By focusing on the ways in which the invocation of Hus catalyzed religious dissent within two distinct historical contexts, Haberkern compares the role of memory in late medieval Bohemia with the emergence of history as a constitutive religious discourse in the early modern German land. In this way, he also provides a detailed analysis of the ways in which Bohemian and German religious reformers justified their dissent from the Roman Church by invoking the past.

This book relates the unique experiences of Lesbian, Gay, Bisexual, Transgender and Queer/Questioning (LGBTQ+) people in Australian Pentecostal-Charismatic Christian churches. Grounded in the theoretical contributions of Michel Foucault, Judith Butler, Lewis Coser, and others, the book exposes the discursive 'battleground' over the 'truth' of sex which underlies the participants' stories. These rich and complex narratives reveal the stakes of this conflict, manifested in 'the line' - a barrier restricting out LGBTQ+ people from full participation in ministry and service. Although some participants related stories of supportive-if typically conservative-congregations where they felt able to live out an authentic, integrated faith, others found they could only leave their formerly close and supportive communities behind, 'counter-rejecting' the churches and often the faith that they felt had rejected them.

A new critical edition of Henry VIII's 1526 public letter to Martin Luther, enabling readers to examine how Henry VIII wanted his subjects to regard the German heresiarch. A modern critical edition of Henry VIII's second published work against Martin Luther. This open letter to Luther, printed at the king's command in December 1526, was in reply to a private letter addressed to him by Luther the previous year. Its particular interest lies in the fact that, unlike his better known Assertion of the Seven Sacraments, published five years before, Henry's open letter was released not only in Latin but also in an official Englishtranslation, with a special English preface added by the king for the edification of his subjects. This edition thus enables modern readers to hear what Henry had to say about Luther in his own words, and how he wanted his subjects to regard the German heresiarch. This critical edition is based on a previously unrecognised presentation manuscript which furnishes the earliest surviving text of both letters. In addition, it offers editions and newtranslations of a range of related texts, including Luther's reply to Henry and further contributions to the burgeoning controversy from several of the most prominent Catholic opponents of Luther in Europe. For Henry's letter, like his earlier book, became for a while a European sensation, reprinted in towns and cities from Cologne to Cracow. This fully annotated edition includes a substantial introduction which for the first time tells the full history of Henry's second controversy with Luther, and which sets that story in the broader context of the lengthy and fractious relationship between the two men from the time of Luther's emergence in 1517 until his death in 1546.

The book examines the nexus between political and religious thought within the Prussian old conservative milieu. It presents early-nineteenth-century Prussian conservatism as a phenomenon connected to a specific generation of young Prussians. The book introduces the ecclesial-political 'party of the Evangelische Kirchenzeitung' (EKZ), a religious party within the Prussian state church, as the origins of Prussia's conservative party post-1848. It traces the roots of the EKZ party back to the experiences of the Napoleonic Wars (1806-15) and the social movements dominant at that time. Additionally, the book analyses this generation's increasing politicization and presents the German revolution of 1848 and the foundation of Prussia's first conservative party as the result of a decade-long struggle for a religiously-motivated ideal of church, state, and society. The overall shift from church politics to state politics is key to understanding conservative policy post-1848. Consequently, this book shows how conservatives aimed to maintain Prussia's character as a Christian and monarchical state, while at the same time adapting to contemporary political and social circumstances. Therefore, the book is a must-read for researchers, scholars, and students of Political Science and History interested in a better understanding of the origins and the evolution of Prussian conservatism, as well as the history of political thought.

This brilliant study opposes the Marxist concept of dialectical materialism and its view that change takes place through the conflict of opposites. Instead, Weber relates the rise of a capitalist economy to the Puritan determination to work out anxiety over salvation or damnation by performing good deeds - an effort that ultimately encouraged capitalism.

Religious Communication Association's Book of the Year
Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable.
In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen.
William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.