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Books > Humanities > Religion & beliefs > Christianity > Protestantism & Protestant Churches > General
The Bohemian preacher and religious reformer Jan Hus has been
celebrated as a de facto saint since being burned at the stake as a
heretic in 1415. Patron Saint and Prophet analyzes Hus's
commemoration from the time of his death until the middle of the
following century, tracing the ways in which both his supporters
and his most outspoken opponents sought to determine whether he
would be remembered as a heretic or saint. Phillip Haberkern
examines how specific historical conflicts and exigencies affected
the evolution of Hus's memoryawithin the militant Hussite movement
that flourished until the mid-1430s, within the Czech Utraquist
church that succeeded it, and among sixteenth-century Lutherans who
viewed Hus as a forerunner and even prophet of their reform. Using
close readings of written sources such as sermons and church
histories, visual media including manuscript illuminations and
monumental art, and oral forms of discourse such as vernacular
songs and liturgical prayers, this book offers a fascinating
account of how changes in media technology complemented the
shifting theology of the cult of saints in order to shape early
modern commemorative practices. By focusing on the ways in which
the invocation of Hus catalyzed religious dissent within two
distinct historical contexts, Haberkern compares the role of memory
in late medieval Bohemia with the emergence of history as a
constitutive religious discourse in the early modern German land.
In this way, he also provides a detailed analysis of the ways in
which Bohemian and German religious reformers justified their
dissent from the Roman Church by invoking the past.
This brilliant study opposes the Marxist concept of dialectical
materialism and its view that change takes place through the
conflict of opposites. Instead, Weber relates the rise of a
capitalist economy to the Puritan determination to work out anxiety
over salvation or damnation by performing good deeds - an effort
that ultimately encouraged capitalism.
The book examines the nexus between political and religious thought
within the Prussian old conservative milieu. It presents
early-nineteenth-century Prussian conservatism as a phenomenon
connected to a specific generation of young Prussians. The book
introduces the ecclesial-political 'party of the Evangelische
Kirchenzeitung' (EKZ), a religious party within the Prussian state
church, as the origins of Prussia's conservative party post-1848.
It traces the roots of the EKZ party back to the experiences of the
Napoleonic Wars (1806-15) and the social movements dominant at that
time. Additionally, the book analyses this generation's increasing
politicization and presents the German revolution of 1848 and the
foundation of Prussia's first conservative party as the result of a
decade-long struggle for a religiously-motivated ideal of church,
state, and society. The overall shift from church politics to state
politics is key to understanding conservative policy post-1848.
Consequently, this book shows how conservatives aimed to maintain
Prussia's character as a Christian and monarchical state, while at
the same time adapting to contemporary political and social
circumstances. Therefore, the book is a must-read for researchers,
scholars, and students of Political Science and History interested
in a better understanding of the origins and the evolution of
Prussian conservatism, as well as the history of political thought.
Missiologists and mission-oriented folks have been invited to
reflect on topics that touch on the transforming power of God's
Spirit. This series of essays has been produced as one way of
celebrating the fascinating, missional career of Dr. Eugene
Bunkowske, long-time missionary to Africa, long-time linguist and
Bible translator, long-time seminary professor, life-long sharer of
the Good News of Jesus the Christ. This volume offers plenty of
"meat" to engage the serious student of missions - but also a
number of "gems" that will enlighten any Christian with a
commitment to outreach or an interest in the church's mission.
Lutheran Church-Missouri Synod readers will be especially
interested in some of the pieces, though any student of Sacred
Scripture will benefit from many of the essays.
Religious Communication Association's Book of the Year
Hollywood and Christianity often seem to be at war. Indeed, there
is a long list of movies that have attracted religious
condemnation, from Gone with the Wind with its notorious "damn," to
The Life of Brian and The Last Temptation of Christ. But the
reality, writes William Romanowski, has been far more
complicated--and remarkable.
In Reforming Hollywood, Romanowski, a leading historian of popular
culture, explores the long and varied efforts of Protestants to
influence the film industry. He shows how a broad spectrum of
religious forces have played a role in Hollywood, from
Presbyterians and Episcopalians to fundamentalists and
evangelicals. Drawing on personal interviews and previously
untouched sources, he describes how mainline church leaders lobbied
filmmakers to promote the nation's moral health and, perhaps
surprisingly, how they have by and large opposed government
censorship, preferring instead self-regulation by both the industry
and individual conscience. "It is this human choice," noted one
Protestant leader, "that is the basis of our religion." Tensions
with Catholics, too, have loomed large--many Protestant clergy
feared the influence of the Legion of Decency more than Hollywood's
corrupting power. Romanowski shows that the rise of the evangelical
movement in the 1970s radically altered the picture, in
contradictory ways. Even as born-again clergy denounced "Hollywood
elites," major studios noted the emergence of a lucrative
evangelical market. 20th Century-Fox formed FoxFaith to go after
the "Passion dollar," and Disney took on evangelical Philip
Anschutz as a partner to bring The Chronicles of Narnia to the big
screen.
William Romanowski is an award-winning commentator on the
intersection of religion and popular culture. Reforming Hollywood
is his most revealing, provocative, and groundbreaking work on this
vital area of American society.
This book relates the unique experiences of Lesbian, Gay, Bisexual,
Transgender and Queer/Questioning (LGBTQ+) people in Australian
Pentecostal-Charismatic Christian churches. Grounded in the
theoretical contributions of Michel Foucault, Judith Butler, Lewis
Coser, and others, the book exposes the discursive 'battleground'
over the 'truth' of sex which underlies the participants' stories.
These rich and complex narratives reveal the stakes of this
conflict, manifested in 'the line' - a barrier restricting out
LGBTQ+ people from full participation in ministry and service.
Although some participants related stories of supportive-if
typically conservative-congregations where they felt able to live
out an authentic, integrated faith, others found they could only
leave their formerly close and supportive communities behind,
'counter-rejecting' the churches and often the faith that they felt
had rejected them.
This book features a new perspective on a French religious
diaspora. In ""From a Far Country"", Catharine Randall examines
Huguenots and their less-known cousins the Camisards, offering a
fresh perspective on the important role these French Protestants
played in settling the New World. The Camisard religion was marked
by more ecstatic expression than that of the Huguenots, not unlike
differences between Pentecostals and Protestants. Both groups were
persecuted and emigrated in large numbers, becoming participants in
the broad circulation of ideas that characterized the seventeenth-
and eighteenth-century Atlantic world. Randall vividly portrays
this French Protestant diaspora through the lives of three figures:
Gabriel Bernon, who led a Huguenot exodus to Massachusetts and
moved among the commercial elite; Ezechiel Carre, a Camisard who
influenced Cotton Mather's theology; and Elie Neau, a
Camisard-influenced writer and escaped galley slave who established
North America's first school for blacks. Like other French
Protestants, these men were adaptable in their religious views, a
quality Randall points out as quintessentially American. In
anthropological terms they acted as code shifters who manipulated
multiple cultures. While this malleability ensured that French
Protestant culture would not survive in externally recognizable
terms in the Americas, Randall shows that the culture's impact was
nonetheless considerable.
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