Proceedings In The Senate, February 20, 1911. Proceedings In The House June 24, 1911.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

1933. The object of these notes is to show the origin and development of the practice of the separation of the body at death into two or more parts, and to suggest the circumstances which lead to the special treatment of the heart, for which, hitherto, reasons apparently not quite adequate have been advanced.

The Holographic Canvas explores many possibilities one of which raises the question "is Earth as we know it but a matrix or system of programs? Is death then a necessary process or is it simply part of the matrix program? Is it then possible that the concept of dying will cease to exist once humanity uncovers the deception?" Sonia Barrett proposes that human bodies are vehicles not yet turned on but designed to make molecular modifications according to the vibration of our consciousness. She takes us on a journey of our existence in a holographic world, as she states "a virtual game; an assortment of illusions strung together by the brain and the mind. It's an exploration of the illusion of a solid world generated by fluid movements against a canvas of energy, all of which is taking place against the backdrop of the void." Barrett concludes that the answers are all tied into the forgotten past and like the single cell of a plant our history is encoded in our cells, DNA and the air we breathe.

In this major new study Christian Baudelot and Roger Establet provide a timely and wide-ranging account of the changing nature of suicide in the world today. The suicide rate is soaring in the former Communist bloc, in India and in China, which now has the highest female suicide rate in the world. This rise coincides with those countries accelerated entry into a period of brutal modernization. In the developed countries of the West, suicide rates are rising fastest amongst young men and those social groups that are furthest down the social scale. How can we explain these trends and what do they tell us about modern societies?
The social impact of suicide has preoccupied sociologists from Emile Durkheim onwards. For Durkheim, the rising suicide rate was an effect of the rise of modernity and the individualism, growing affluence and increased anomie that accompanied it. Baudelot and Establet draw upon Durkheim and his successor Maurice Halbwachs to argue that classic sociological theories of suicide require some modification. The link between suicide, affluence and individualism is more complex: suicide rates do reflect broad social trends but they are also influenced by the structural position and lived experience of small social groups. The notion of social well-being is demonstrated to be a key factor in changes in suicide rates. Whilst it is well-known that sociology cannot explain why individuals commit suicide, the suicide of individuals and the micro-groups to which they belong can tell us a lot about the societies in which they live.

Julie Mughal has written a moving, compassionate and eloquent book that is ultimately about the strength of the human spirit, even when confronted with unimaginable adversity. It is especially about the strength of wives and mothers who struggle through their own grief and deprivation to see that their fatherless children continue to have hope for a brighter future. Only someone who has experienced this reality in her own life could have the understanding that makes these stories so illuminating. In spite of the many different ways societies support or oppress the widows in their midst, Land Without Hats is ultimately another reminder that the devotion of mothers to their children supersedes all boundaries and helps us "bear unbearable sorrow."
Dr. Charles MacCormack, President, Save the Children
Julie Mughal's story of her own grief and renewal woven into the stories of widows' severe losses and hardships gives a voice to widows worldwide. Too often, widows and their children are swept away by the culture of neglect and abuse and Land Without Hats can only help to support their collective struggles. Her book is a call to widows of the world to come together to create change and hope for all.
AnnMarie Ginella, founder of WidowSpeak
This global tour of grief shimmers with the beauty of the infinite differences among cultural traditions. At the same time it offers comfort through the shared familiarity of human loss. It's a lovely tribute to widows and the men they mourn in every part of the globe.
Suzanne Fisher Staples, author of Shabanu Daughter of the Wind
Julie Mughal has written a stirring book, one that will touch the heart of anyone who knows what it feels like to suffer a shattering loss. She began this project as a way to make sense of the sudden death of her husband, but what she has produced is nothing less than a testament to the plight of widows and their children in some of the most desolate and dangerous parts of the world. The women whose stories Mughal brings us have survived hardships that will be all but unimaginable to many readers. But survive they have. And that, ultimately is the message of this heartfelt and deeply moving book.
Phyllis Kosminsky, PhD, author of Getting Back to Life When Grief Won't Heal
Unseen and unheard, widows in many countries still suffer appalling treatment because of traditional practices. They and their children are often forced into poverty at a time when they are most vulnerable. This book is a timely call for action to alleviate this fundamental breach of human rights.
Patsy Robertson, Chair of Widows' Rights International.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

The majority of the British population no longer attend church and, consequently, lack familiarity with the Christian tradition, its stories, language and metaphors. However, when bereaved, many still turn to church representatives, working in parish settings or chaplaincies, to perform funerals for their loved ones. The key issue addressed in this book is how funerals may be created which are not only relevant for the bereaved, but also have theological integrity. A paradigm shift in the manner by which funerals are constructed is proposed - from imposing alien liturgies to creating a unique ritual which evolves from the meeting of the stories of the bereaved and that of the ritual leader.
The argument for the co-construction of funerals is informed by contemporary models of grief and Kelly's own experience with bereaved parents who worked with hospital chaplains to co-construct funerals for their babies. Co-construction is a process which is centred on listening and empowering, and involves offering the bereaved choices from a range of ritual resources (sacred and secular) in order to help them shape their funeral's content. It is a model of ritual construction which requires time, availability and risk-taking on the part of the ritual leader but which significantly helps the spiritual needs of the bereaved to be met. Moreover, such a process facilitates sensitive regulation of grief in an age where its privatisation has meant the bereaved are often bereft of a means by which to benchmark their feelings, behaviour and decision making.