All battlefields are haunted by the memory of what occurred there. Some, however, are haunted by more than remembrance, memorialization, and heritage events. There are American Civil War battlefields that remain "active" with the ongoing manifestations of past military behaviors. A theory of American Civil War battlefield hauntings is presented here, tied to mid-19th c. concepts of (and belief in) a "good death" and the importance of home and family. Fieldwork exploring these ideas shows, in many battlefield manifestations, a direct relationship between these concepts and battlefield interactive hauntings.

The fiery transformation of the dead is replete in our popular culture and Western modernity's death ways, and yet it is increasingly evident how little this disposal method is understood by archaeologists and students of cognate disciplines in the humanities and social sciences. In this regard, the archaeological study of cremation has much to offer. Cremation is a fascinating and widespread theme and entry-point in the exploration of the variability of mortuary practices among past societies. Seeking to challenge simplistic narratives of cremation in the past and present, the studies in this volume seek to confront and explore the challenges of interpreting the variability of cremation by contending with complex networks of modern allusions and imaginings of cremations past and present and ongoing debates regarding how we identify and interpret cremation in the archaeological record. Using a series of original case studies, the book investigates the archaeological traces of cremation in a varied selection of prehistoric and historic contexts from the Mesolithic to the present in order to explore cremation from a practice-oriented and historically situated perspective.

The evidence of death and dying has been removed from the everyday lives of most Westerners. Yet we constantly live with the awareness of our vulnerability as mortals. Drawing on a range of genres, bands and artists, Mortality and Music examines the ways in which popular music has responded to our awareness of the inevitability of death and the anxiety it can evoke. Exploring bereavement, depression, suicide, violence, gore, and fans' responses to the deaths of musicians, it argues for the social and cultural significance of popular music's treatment of mortality and the apparent absurdity of existence.

"I am learning the alchemy of grief-how it must be carefully measured and doled out, inflicted-but I have not yet mastered this art," writes Judith Ortiz Cofer in The Cruel Country. This richly textured, deeply moving, lyrical memoir centers on Cofer's return to her native Puerto Rico after her mother has been diagnosed with late-stage lung cancer. Cofer's work has always drawn strength from her life's contradictions and dualities, such as the necessities and demands of both English and Spanish, her travels between and within various mainland and island subcultures, and the challenges of being a Latina living in the U.S. South. Interlaced with these far-from-common tensions are dualities we all share: our lives as both sacred and profane, our negotiation of both child and adult roles, our desires to be the person who belongs and also the person who is different. What we discover in The Cruel Country is how much Cofer has heretofore held back in her vivid and compelling writing. This journey to her mother's deathbed has released her to tell the truth within the truth. She arrives at her mother's bedside as a daughter overcome by grief, but she navigates this cruel country as a writer-an acute observer of detail, a relentless and insistent questioner.

Death Embraced is like no other book you have ever read. Fascinating and entertaining, it leads readers to ponder issues that should not be avoided. Some may want to use it as a guide to visiting New Orleans graveyards . . . or as a guide to life. "An amazing book by an even more amazing writer, historian and educator with vast knowledge of the Crescent City's history and an intimate understanding of many of the Big Easy's lesser-known cultural traditions and customs. A must-read for anyone who is serious about learning the true history of New Orleans. I dare you to try to put it down after reading its first few pages." -Edmund W. Lewis, Editor, The Louisiana Weekly "A gem of a book, full of little things you didn't know you wanted to know. With subtitle wit and serious depth of knowledge, Mary LaCoste shares the down and dirty of one of New Orleans most mysterious institutions." -Liz Scott, New Orleans Magazine

In Tales from Kentucky Funeral Homes, William Lynwood Montell has collected stories and reminiscences from funeral home directors and embalmers across the state. These accounts provide a record of the business of death as it has been practiced in Kentucky over the past fifty years. The collection ranges from tales of old-time burial practices, to stories about funeral customs unique to the African American community, to tales of premonitions, mistakes, and even humorous occurrences. Other stories involve such unusual aspects of the business as snake-handling funerals, mistaken identities, and in-home embalming. Taken together, these firsthand narratives preserve an important aspect of Kentucky social life not likely to be collected elsewhere. Most of these funeral home stories involve the recent history of Kentucky funeral practices, but some descriptive accounts go back to the era when funeral directors used horse-drawn wagons to reach secluded areas. These accounts, including stories about fainting relatives, long-winded preachers, and pallbearers falling into graves, provide significant insights into the pivotal role morticians have played in local life and culture over the years.