A close look at stories of maternal death in Malawi that considers their implications in the broader arena of medical knowledge. By the early twenty-first century, about one woman in twelve could expect to die of a pregnancy or childbirth complication in Malawi. Specific deaths became object lessons. Explanatory stories circulated through hospitals and villages, proliferating among a range of practitioners: nurse-midwives, traditional birth attendants, doctors, epidemiologists, herbalists. Was biology to blame? Economic underdevelopment? Immoral behavior? Tradition? Were the dead themselves at fault? In Partial Stories, Claire L. Wendland considers these explanations for maternal death, showing how they reflect competing visions of the past and shared concerns about social change. Drawing on extended fieldwork, Wendland reveals how efforts to legitimate a single story as the authoritative version can render care more dangerous than it might otherwise be. Historical, biological, technological, ethical, statistical, and political perspectives on death usually circulate in different expert communities and different bodies of literature. Here, Wendland considers them together, illuminating dilemmas of maternity care in contexts of acute change, chronic scarcity, and endemic inequity within Malawi and beyond.

"The milkman cried when I told him you were dead. 'Last night,' I said, 'Mark died.'" This collection brings together 30 short stories and poems about dying and bereavement. Written by mothers, fathers, daughters, sons, wives, husbands and dying people, these moving pieces talk honestly about how it feels to care for someone who is dying, to grieve for a loved one, and to face death oneself. A candid story about a daughter's relationship with her mother's carer; an internal monologue on dementia; a deeply moving poem about losing a son to cot death; and a heartfelt story about a mother's end of life are some of the poignant pieces included. This collection provides an opportunity to think and talk about death and dying, too often a taboo subject, and offers readers the rare comfort and support of shared experience.

"Kein Antlitz in einem Sarg hat mir je gezeigt, daB der Eben-Verstorbene uns vermiBt. Das Gegenteil davon ist Uberdeutlich . . . Der Verstorbene UberlaBt mich der Erinnerung an meine Erlebnisse mit ihm . . . Er hingegen, der Verstorbene, hat inzwischen eine Erfahrung, die mir erst noch bevorsteht, und die sich nicht ver- mitteln laBt - es geschehe denn durch eine Offenbarung im Glauben. " Aus der Totenrede von Max Frisch fUr Peter Noll Die Ergebnisse einer kulturvergleichenden Analyse zu Sterben und Tod, die sich die 7. Internationale Fachkonferenz Ethnomedizin im April 1984 zur Aufgabe gemacht hatte, werden hier einer breiteren Offentlichkeit zuganglich. Die Beitrage konfrontieren uns mit einer tiberwaltigenden Ftille kultureller Zeugnisse tiber den Umgang mit Sterbenden und tiber die Symbolisierung des Todes. Ungeachtet der un- vermeidlichen Beschranktheit und Zufalligkeit der Auswahl, trotz der in der Sache liegenden Verfremdung wissenschaftlich-methodischer Dar- stellung ftihlt sich der Leser unmittelbar angesprochen, ja, gefes- selt durch die Intensitat, mit der zu allen Zeiten und in allen Kulturen Sterben und Tod kulturell gestaltet, symbolisch gedeutet und im mitmenschlichen Umgang erfahren wurde. DaB uns Menschen Ster- ben und Tod gemeinsam sind, daB jede Zeit, jede Kultur, aber auch jeder einzelne sich dieser anthropologisch gemeinsamen Situation stellen muB, sie ftir sich deuten und verarbeiten muB, dtirfte wohl auf keine andere Weise so sinnfallig und tiberzeugend hervortreten wie in dem hier vorgelegten Tagungsbericht.

This book makes up a collection of cautionary tales about the undignified ways you can kick the bucket - and they're all true! The vegetarian who was killed with a frozen leg of lamb, the cyclist who swallowed his own dentures and the burglar who fell head-first into a toilet and drowned... These are just a few of the true reports which reveal some of the silliest ways a whole host of unlucky people have bought the farm.

A gripping account of the Russian visionaries who are pursuing human immortality As long as we have known death, we have dreamed of life without end. In The Future of Immortality, Anya Bernstein explores the contemporary Russian communities of visionaries and utopians who are pressing at the very limits of the human. The Future of Immortality profiles a diverse cast of characters, from the owners of a small cryonics outfit to scientists inaugurating the field of biogerontology, from grassroots neurotech enthusiasts to believers in the Cosmist ideas of the Russian Orthodox thinker Nikolai Fedorov. Bernstein puts their debates and polemics in the context of a long history of immortalist thought in Russia, with global implications that reach to Silicon Valley and beyond. If aging is a curable disease, do we have a moral obligation to end the suffering it causes? Could immortality be the foundation of a truly liberated utopian society extending beyond the confines of the earth-something that Russians, historically, have pondered more than most? If life without end requires radical genetic modification or separating consciousness from our biological selves, how does that affect what it means to be human? As vividly written as any novel, The Future of Immortality is a fascinating account of techno-scientific and religious futurism-and the ways in which it hopes to transform our very being.