The meaning of our concern for mortal remains-from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters-for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources-from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed-and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

The main questions raised in this book are: How does the analyst help the patient to be in touch with pain and mourning? Is the relinquishment of defenses always desirable? And what is the analyst's role in the mourning process-should the analyst struggle to help patients relinquish defenses against pain and mourning, which they may experience as vital to their precarious psychic survival? Or should he or she accompany patients on their way to self-discovery, which may or may not result in the patients letting go of their defenses when faced with the pain and mourning inherent in trauma? the utilization of various defenses and the resulting unresolved mourning reflect the magnitude of the anxiety and pain that is found on the road to mourning. The ability to mourn and the capacity to bear some helplessness while still finding life meaningful are the objectives of the analytic work in this book.

Dr Sparrow is back, coping with more bizarre, macabre and hilarious situations. Following his successful debut with Country Doctor, he once more guides us through the daily rounds of the weird and wonderful in his practice on the Devon/Cornwall border. What would you do if faced with the unsuccessful resuscitation of the wrong patient, being held at gunpoint as a suspected terrorist or confronting a blind man who refuses to stop driving? And what about the little old lady who presents you with a supermarket bag stuffed with GBP20 notes? Add to this, jets crashing on the runway, fleeting glimpses of the Royal Genitalia and the haunting tale of the suicidal stranger and an abducted child - and you will start to have some idea of the unpredictable life of Dr Sparrow.

Never before available in paperback, J. M. C. Toynbee's study is the most comprehensive book on Roman burial practices. Ranging throughout the Roman world from Rome to Pompeii, Britain to Jerusalem--Toynbee's book examines funeral practices from a wide variety of perspectives. First, Toynbee examines Roman beliefs about death and the afterlife, revealing that few Romans believed in the Elysian Fields of poetic invention. She then describes the rituals associated with burial and mourning: commemorative meals at the gravesite were common, with some tombs having built-in kitchens and rooms where family could stay overnight. Toynbee also includes descriptions of the layout and finances of cemeteries, the tomb types of both the rich and poor, and the types of grave markers and monuments as well as tomb furnishings.

The purpose of this important book is to explore the phenomena of the low suicide rate in the concentration camps during the Holocaust, and why its survivors seem to become increasingly susceptible to suicide, as they grow older. This unique book explores this heretofore unexplored area of history by the case study method utilising the detailed biographies of famous survivors. People kill themselves usually because they are in deep despair, with no hope for the future. Surely the people in the concentration camps, especially those that were clearly extermination camps, would have been in deep despair with no hope for the future. But since they supposedly did not commit suicide at a high rate, they must not have been in such state. This puzzle of human behaviour is examined under the microscope of a well-known world expert on suicide.

Worldwide, at least 1 million people die by suicide each year and many millions more attempt suicide. However, suicide has been increasingly recognised as a preventable problem in many cases. Because of this, and the rising rates of suicide in young people, many countries have established national suicide prevention strategies. These include the United Kingdom, the USA, Scandinavian countries, other countries in Europe, Australia and New Zealand. There is also increasing emphasis on the treatment of suicidal people and those who have made suicide attempts. In order to be effective it is imperative that strategies for treatment and prevention are based on sound scientific evidence. In this book leading figures from psychiatry, psychology, epidemiology, public health, and social medicine bring together the research evidence concerning the key elements in suicide prevention and treatment of suicidal behaviour and translate it into implications for practical action. This includes social and public health policy as well as clinical practice. The book draws together the evidence relevant to treatment and prevention, and uses this in order to highlight the most effective approaches. The range of initiatives covered is wide, reflecting the complex nature of suicide and hence the need for a range of approaches. This book will be an essential source for anyone concerned with the design and implementation of effective suicide prevention strategies, including clinicians working with individual patients, strategic policy makers, and researchers.

Michael K. Rosenow investigates working people's beliefs, rituals of dying, and the politics of death by honing in on three overarching questions: How did workers, their families, and their communities experience death? Did various identities of class, race, gender, and religion coalesce to form distinct cultures of death for working people? And how did people's attitudes toward death reflect notions of who mattered in U.S. society? Drawing from an eclectic array of sources ranging from Andrew Carnegie to grave markers in Chicago's potter's field, Rosenow portrays the complex political, social, and cultural relationships that fueled the United States' industrial ascent. The result is an undertaking that adds emotional depth to existing history while challenging our understanding of modes of cultural transmission.

The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters--for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources--from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed--and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.

This book is a must for anyone interested in 19th century America, Britain and France or the Goth sub-culture. It is a broad look at the effects death had on these societies and the many creative ways people responded to it. This book is also a must for anyone interested in or perplexed by modern and abstract art, drawing clear lines from nineteenth century religions or philosophies such as Spiritualism and Theosophy to art and artists of the twentieth century. The book takes a comprehensive approach to art. Instead of buying texts on each subject, this work discusses various topics from cemetery design, to painting, to photography, to mourning clothing and jewelry design and etc. It explains important things missing from art history texts when It discusses mediums as performance artists, post mortem painters and post mortem photographers. It explains the connection between death and the emergence of 3-dimensional media. The book also examines why 19th century people acted as they did, which, from our perspective, seems odd or even bizarre. It answers questions such as: why did people from this era believe that mediums could communicate with the dead?; why did they believe that photographers could photograph ghosts?; and why did they believe the dead could paint? Most importantly, the book explains how these beliefs influence us today.

The U.S. hospital embodies society's hope for itself-a technological bastion standing between us and death. What does the gold standard of rescue, as ideology and industry, mean for the dying patient in the hospital and for the status of dying in American culture? This book shows how dying is a management problem for hospitals, occupying space but few billable encounters and of little interest to medical practice or quality control. An anthropologist and bioethicist with two decades of professional nursing experience, Helen Chapple goes beyond current work on hospital care to present fine-grained accounts of the clinicians, patients, and families who navigate this uncharted, untidy, and unpredictable territory between the highly choreographed project of rescue and the clinical culmination of death. This book and its important social and policy implications make key contributions to the social science of medicine, nursing, hospital administration, and health care delivery fields.

This book makes a strong case that Turkey's regime and its vicissitudes are dependent on a necropolitical undercurrent. Building on the insights of critical and contemporary theory, the essays address the multiple ways in which lives are brought into the fold of power. Once there, they are subjected to mechanisms of death and destruction, and to modalities of infrastructural violence, strategic neglect and exposure. This produces new forms of impoverishment, inequality and disposability. Bringing together historical, discursive, and ethnographic approaches from multiple disciplines, this collection offers a sobering and original analysis of contemporary Turkey.

Death consumes our lives. As such, it is unsurprising that our leisure time, recreational activities and playful exploits are also infatuated with dying, death and the dead. Death, Culture and Leisure offers a playful exploration of the way in which we play with both death and the dead. This inter- and multi-disciplinary work brings together a variety of scholars to consider the nexuses that exist between death, culture and leisure. Edited by Matt Coward-Gibbs, this collection provides an exploration of how our leisure time and playful exploits are interwoven with death. Embracing an array of tensions and contradictions, this book draws on a diverse trajectory of examples ranging from play in the post-Anthropocene to the articulate undead, and from the depictions of death in children's picture books to the playful activism of the death positivity movement. Bringing together debates from thanatology, game studies, sociology, music studies, theatre studies, contemporary literature, religious studies and media studies, this innovative collection offers up a rich assemblage of interdisciplinary voices. This text invites readers to not only consider the diverse ways in which we play dead but also invokes a call to explore the myriad of presentations of death, dying and disposal that exist in leisure environs.

In "Being Mortal," bestselling author Atul Gawande tackles the hardest challenge of his profession: how medicine can not only improve life but also the process of its ending

Medicine has triumphed in modern times, transforming birth, injury, and infectious disease from harrowing to manageable. But in the inevitable condition of aging and death, the goals of medicine seem too frequently to run counter to the interest of the human spirit. Nursing homes, preoccupied with safety, pin patients into railed beds and wheelchairs. Hospitals isolate the dying, checking for vital signs long after the goals of cure have become moot. Doctors, committed to extending life, continue to carry out devastating procedures that in the end extend suffering.

Gawande, a practicing surgeon, addresses his profession's ultimate limitation, arguing that quality of life is the desired goal for patients and families. Gawande offers examples of freer, more socially fulfilling models for assisting the infirm and dependent elderly, and he explores the varieties of hospice care to demonstrate that a person's last weeks or months may be rich and dignified.

Full of eye-opening research and riveting storytelling, "Being Mortal" asserts that medicine can comfort and enhance our experience even to the end, providing not only a good life but also a good end.

The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean. Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Documenting Death is a gripping ethnographic account of the deaths of pregnant women in a hospital in a low-resource setting in Tanzania. Through an exploration of everyday ethics and care practices on a local maternity ward, anthropologist Adrienne E. Strong untangles the reasons Tanzania has achieved so little sustainable success in reducing maternal mortality rates, despite global development support. Growing administrative pressures to document good care serve to preclude good care in practice while placing frontline healthcare workers in moral and ethical peril. Maternal health emergencies expose the precarity of hospital social relations and accountability systems, which, together, continue to lead to the deaths of pregnant women.

This book explores how social networking platforms such as Facebook, Twitter, and WhatsApp 'accidentally' enable and nurture the creation of digital afterlives, and, importantly, the effect this digital inheritance has on the bereaved. Debra J. Bassett offers a holistic exploration of this phenomenon and presents qualitative data from three groups of participants: service providers, digital creators, and digital inheritors. For the bereaved, loss of data, lack of control, or digital obsolescence can lead to a second loss, and this book introduces the theory of 'the fear of second loss'. Bassett argues that digital afterlives challenge and disrupt existing grief theories, suggesting how these theories might be expanded to accommodate digital inheritance. This interdisciplinary book will be of interest to sociologists, cyber psychologists, philosophers, death scholars, and grief counsellors. But Bassett's book can also be seen as a canary in the coal mine for the 'intentional' Digital Afterlife Industry (DAI) and their race to monetise the dead. This book provides an understanding of the profound effects uncontrollable timed posthumous messages and the creation of thanabots could have on the bereaved, and Bassett's conception of a Digital Do Not Reanimate (DDNR) order and a voluntary code of conduct could provide a useful addition to the DAI. Even in the digital societies of the West, we are far from immortal, but perhaps the question we really need to ask is: who wants to live forever?

This book is a brief but comprehensive survey of research, writings, and professional practices concerned with death and dying. It is interdisciplinary and eclectic--medical, psychological, religious, philosophical, artistic, demographics, bereavement, and widowhood are all considered--but with an emphasis on psychological aspects. A variety of viewpoints and research findings on topics subsumed under "thanatology" receive thorough consideration. Questions, activities, and projects at the end of each chapter enhance reflection and personalize the material.
This fourth edition features material on:
* moral issues and court cases concerned with abortion and euthanasia;
* the widespread problem of AIDS and other deadly diseases;
* the tragedies occasioned by epidemics, starvation, and war; and
* the resumption of capital punishment in many states.
The book's enhanced multicultural tone reflects the increased economic, social, and physical interdependency among the nations of the world.
Topics receiving increased attention in the fourth edition are: terror management; attitudes and practices concerning death; cross-cultural concepts of afterlife; gallows humor, out-of-body experiences; spiritualism; mass suicide; pet and romantic death; euthanasia; right to die; postbereavement depression; firearm deaths in children; children's understanding of death; child, adolescent, adult, and physician-assisted suicide; religious customs and death; confronting death; legal issues in death, dying and bereavement; death education; death music; creativity and death; longevity; broken heart phenomenon; beliefs in life after death; new definitions of death; children's acceptance of a parent's death; terminal illness; and the politics of death and dying.

Issues of Death offers a fresh approach to the tragic drama of Shakespeare and his contemporaries. Starting from the premise that death is a historical construct that is differently experienced in every culture, it treats Renaissance tragedy as an instrument for re-imagining the human encounter with death. Analyses of major plays by Marlowe, Kyd, Shakespeare, Webster, Middleton, and Ford explore the relation of tragedy to the macabre tradition, to the apocalyptic displays of the anatomy theatre, and to the spectacular arts of funeral.

After Homicide describes the collective responses of bereaved people to the aftermath of violent death, a subject not dealt with in any detail in the literature that is currently available. The book concentrates particularly on the birth, development and organization of the self help and campaigning groups that emerged in the last decade. The author examines these as attempts to give institutional expression to interpretations of grief.

In addition, the author had special access to a number of groups and uses the infomation that he gathered through this access to discuss the practical and political importance of the work of these groups, and their affects on policing, the media and the law.

The third edition of Hospice and Palliative Care is the essential guide to the hospice and palliative care movement both within the United States and around the world. Chapters provide mental-health and medical professionals with a comprehensive overview of the hospice practice as well as discussions of challenges and the future direction of the hospice movement. Updates to the new edition include advances in spiritual assessment and care, treatment of prolonged and complicated grief, provision of interdisciplinary palliative care in limited-resource settings, significant discussion of assisted suicide, primary healthcare including oncology, and more. Staff and volunteers new to the field along with experienced care providers and those using hospice and palliative care services will find this essential reading.

This engrossing book explores family experiences of dying, death, grieving, and mourning between 1830 and 1920. Victorian letters and diaries reveal a deep preoccupation with death because of a shorter life expectancy, a high death rate for infants and children, and a dominant Christian culture. Using the private correspondence, diaries, and death memorials of fifty-five middle and upper-class British families, Pat Jalland shows us how dying, death, and grieving were experienced by Victorian families and how the manner and rituals of death and mourning varied with age, gender, disease, religious belief, family size and class. She examines deathbed scenes, good and bad deaths, funerals and cremations, widowhood, and the roles of religion and medicine. Chapters on the deaths of children and old people demonstrate the importance of the stages of the life-cycle, as well as the failure of many actual deathbeds to achieve the Christian ideal of the good death. The consolations of Christian faith and private memory, and the transformation in the ideas and beliefs about heaven, hell, and immortality are analysed. The rise and decline of Evangelicalism, the influence of unbelief and secularism, falling mortality, and the trauma of the Great War are all key motors of change in this period. This fascinating study of death and bereavement in the past helps us to understand the present, especially in the context of the modern tendency to avoid the subject of dying, and to minimize the public expression of grief. In their practical and compassionate treatment of death, the Victorians have much to teach us today.

The early accounts of one of the most famous scenes in Christian history, the death of Peter, do not present a single narrative of the events, for they do not agree on why Peter requested to die in the precise way that he allegedly did. Over time, historians and theologians have tended to smooth over these rough edges, creating the impression that the ancient sources all line up in a certain direction. This impression, however, misrepresents the evidence. The reason for Peter's inverted crucifixion is not the only detail on which the sources diverge. In fact, such disagreement can be seen concerning nearly every major narrative point in the martyrdom accounts of Peter and Paul. The Many Deaths of Peter and Paul shows that the process of smoothing over differences in order to create a master narrative about the deaths of Peter and Paul has distorted the evidence. This process of distortion not only blinds us to differences in perspective among the various authors, but also discourages us from digging deeper into the contexts of those authors to explore why they told the stories of the apostolic deaths differently in their contexts. David L. Eastman demonstrates that there was never a single, unopposed narrative about the deaths of Peter and Paul. Instead, stories were products of social memory, told and re-told in order to serve the purposes of their authors and their communities. The history of the writing of the many deaths of Peter and Paul is one of contextualized variety.

The state has no greater power over its own citizens than that of killing them. This remarkable and disturbing history of capital punishment in Germany deals with the politics of the death penalty and the experience and cultural significance of executions. Richards Evans casts new light on the history of German attitudes to law, deviance, cruelty, suffering and death, illuminating many aspects of Germany's modern political development. He has made a formidable contribution not only to scholarship on German history but also to the social theory of punishment, and to the current debate on the death penalty.

The conventional approach to suicide is psychiatric: ask the average person why people kill themselves, and they will likely cite depression. But this approach fails to recognize suicide's social causes. People kill themselves because of breakups and divorces, because of lost jobs and ruined finances, because of public humiliations and the threat of arrest. While some psychological approaches address external stressors, this comprehensive study is the first to systematically examine suicide as a social behavior with social catalysts. Drawing on Donald Black's theories of conflict management and pure sociology, Suicide presents a new theory of the social conditions that compel an aggrieved person to turn to self-destruction. Interpersonal conflict plays a central but underappreciated role in the incidence of suicide. Examining a wide range of cross-cultural cases, Jason Manning argues that suicide arises from increased inequality and decreasing intimacy, and that conflicts are more likely to become suicidal when they occur in a context of social inferiority. As suicide rates continue to rise around the world, this timely new theory can help clinicians, scholars, and members of the general public to explain and predict patterns of self-destructive behavior.