The main questions raised in this book are: How does the analyst help the patient to be in touch with pain and mourning? Is the relinquishment of defenses always desirable? And what is the analyst's role in the mourning process-should the analyst struggle to help patients relinquish defenses against pain and mourning, which they may experience as vital to their precarious psychic survival? Or should he or she accompany patients on their way to self-discovery, which may or may not result in the patients letting go of their defenses when faced with the pain and mourning inherent in trauma? the utilization of various defenses and the resulting unresolved mourning reflect the magnitude of the anxiety and pain that is found on the road to mourning. The ability to mourn and the capacity to bear some helplessness while still finding life meaningful are the objectives of the analytic work in this book.

Home is where the heart is. But home is also the most common site for murder. The grimly fascinating new book from the UK's leading criminologist David Wilson uncovers the dangers that exist where we least expect them - perfect for fans of The Dark Side of the Mind and The Mind of a Murderer. The home is the place where murder most commonly occurs. In England and Wales, each year on average 75 per cent of female murder victims and 39 per cent of murdered men are killed at home. This gripping new title from the author of My Life with Murderers and A Plot to Kill explores the tragic prevalence of domestic murder and how, for so many victims, their own home is the place they are most in danger. David Wilson is the UK's leading criminologist and his knowledge of murder is unparalleled. By walking through each part of the house, he explains how each room's purpose has changed over time, the weapons they contain, and ultimately, how these things combine in murder. Delving into infamous as well as lesser-known true crime cases, this examination of the tragic, ordinary nature of murder is both a chilling read and a startling insight into the everyday impact of violence and how it can touch us all.

This rich collection of original essays illuminates the causes and consequences of the South's defining experiences with death. Employing a wide range of perspectives, while concentrating on discrete episodes in the region's past, the authors explore topics from the seventeenth century to the present, from the death traps that emerged during colonization to the bloody backlash against emancipation and civil rights to recent canny efforts to commemorate - and capitalize on - the region's deadly past. Some authors capture their subjects in the most intimate of moments: killing and dying, grieving and remembering, and believing and despairing. Others uncover the intentional efforts of Southerners to publicly commemorate their losses through death rituals and memorialization campaigns. Together, these poignantly told Southern stories reveal profound truths about the past of a region marked by death and unable, perhaps unwilling, to escape the ghosts of its history.

Charles Dickens is famous for his deathbed scenes, but these have rarely been examined within the context of his ambivalence towards the Victorian commodification of death. Dickens repeatedly criticised ostentatious funeral and mourning customs, and asserted the harmful consequences of treating the corpse as an object of speculation rather than sympathy. At the same time, he was fascinated by those who made a living from death and recognised that his authorial profits implicated him in the same trade. This book explores how Dickens turned mortality into the stuff of life and art as he navigated a thriving culture of death-based consumption. It surveys the diverse ways in which death became a business, from body-snatching, undertaking, and joint-stock cemetery companies, to the telling and selling of stories. This broad study offers fresh perspectives on death in The Old Curiosity Shop and Our Mutual Friend, and discusses lesser-known works and textual illustrations.

Mira Menzfeld explores dying persons' experiences of their own dying processes. She reveals cultural specificities of pre-exital dying in contemporary Germany, paying special attention to how concepts of dying '(un)well' are perceived and realized by dying persons. Her methodological focus centers on classical ethnographic approaches: Close participant observation as well as informal and semi-structured conversations. For a better understanding of the specificities of dying in contemporary Germany, the author provides a refined definition catalogue of adequate terms to describe dying from an anthropological perspective.

In this interfaith book Lucinda Mosher investigates different understandings of destiny, loss, death, and remembrance in America's many religions. Using stories and interviews with a variety of religious adherents and health professionals, the book wrestles with questions such as: how can our religion guide us in making decisions about certain kinds of medical treatment options? What religion-related issues would it be helpful for a healthcare provider to know? How do different religious traditions help manage our grief? In a globalized society religious traditions sit alongside each other as never before, and the need for religious literacy and multifaith chaplaincy is increasingly recognized. By looking at multireligious America, this book provides an essential exploration of different attitudes to death, helping members of all faith communities to become more literate with each other's religious traditions.

A Sunday Times Bestseller March 2022 (Ireland) Soon, the lockdown would start. People would die alone, without any proper ceremony. Charlotte's death would be washed away, the first drop in a downpour. Nobody knew it then but hers would be the last good funeral of the year. It was February 2020, when Ed O'Loughlin heard that Charlotte, a woman he'd known had died, young and before her time. He realised that he was being led to reappraise his life, his family and his career as a foreign correspondent and acclaimed novelist in a new, colder light. He was suddenly faced with facts that he had been ignoring, that he was getting old, that he wasn't what he used to be, that his imagination, always over-active, had at some point reversed its direction, switching production from dreams to regrets. He saw he was mourning his former self, not Charlotte. The search for meaning becomes the driving theme of O'Loughlin's year of confinement. He remembers his brother Simon, a suicide at thirty; the journalists and photographers with whom he covered wars in Africa, the Middle East, the Balkans, wars that are hard to explain and never really stopped; his habit of shedding baggage, an excuse for hurrying past and not dwelling on things. Moving, funny, and searingly honest, The Last Good Funeral of the Year takes the reader on a circular journey from present to past and back to the present: 'Could any true story end any other way?'

Our understandings of both ageing and spirituality are changing rapidly in the twenty-first century, and grasping the significance of later life spirituality is now crucial in the context of extended longevity. Spiritual Dimensions of Ageing will inform and engage those who study or practise in all fields that relate to the lives of older people, especially in social, psychological and health-related domains, but also wherever the maintenance and development of spiritual meaning and purpose are recognised as important for human flourishing. Bringing together an international group of leading scholars across the fields of psychology, theology, history, philosophy, sociology and gerontology, the volume distils the latest advances in research on spirituality and ageing, and engages in vigorous discussion about how we can interpret this learning for the benefit of older people and those who seek to serve and support them.

Originally published in 1994, Jewish Views of the Afterlife is a classic study of ideas of afterlife and postmortem survival in Jewish tradition and mysticism. As both a scholar and pastoral counselor, Raphael guides the reader through 4,000 years of Jewish thought on the afterlife by investigating pertinent sacred texts produced in each era. Through a compilation of ideas found in the Bible, Apocrypha, rabbinic literature, medieval philosophy, medieval Midrash, Kabbalah, Hasidism and Yiddish literature, the reader learns how Judaism conceived of the fate of the individual after death throughout Jewish history. In addition, this book explores the implications of Jewish afterlife beliefs for a renewed understanding of traditional rituals of funeral, burial, shiva, kaddish and more. This newly released twenty-fifth anniversary edition presents new material on little-known Jewish mystical teachings on reincarnation, a chapter on "Spirits, Ghosts and Dybbuks in Yiddish Literature", and a foreword by the renowned scholar of Jewish mysticism, Rabbi Arthur Green. Both historical and contemporary, this book provides a rich resource for scholars and laypeople and for teachers and students and makes an important Jewish contribution to the growing contemporary psychology of death and dying.

The Funerary International series comprises essential reference texts for policy-makers, practitioners and academics with an interest in funerary practices globally. Each book has a country or region specific focus, addressing a standard framework of questions to aid comparison. This book sets English and Welsh funerary practice in its wider legal, national and local governance framework, including the continuing role of the Church of England. It provides the historical context for current practice, provides data on new trends in burial and cremation and examines recent developments including direct cremation and alkaline hydrolysis. It provides detail of current practice and includes a detailed description of a typical funeral, including commemorative practice, and discussion of funeral costs. Chapters address the legalities and technicalities of burial and cremation, explaining the concept of burial rights and the technicalities of grave construction, and outlining cremation certification requirements and the process of cremation. This book is a valuable desk-top resource to give a broader frame of reference for policy makers, and to provide explanation of key concepts for practitioners who may be new to this area of work. The text will be of particular value to academics that may be unfamiliar with the legal, technical and professional aspects of the funerary industry. The text is fully referenced, with an additional bibliography of further reading, and includes illustrations, charts, tables, diagrams and boxed text including key information.

The theme of death is an essential component of film narrative, particularly in how it affects the hero. Filmmakers from different cultures and backgrounds have developed distinct yet archetypical perspectives on death and the protagonist's response. Focusing on Western and Japanese period genre films, the author examines the work of John Ford (1894-1973), Akira Kurosawa (1910-1998) and Sergio Leone (1929-1989) and finds similarities regarding death's impact on the hero's sense of morality.

Within popular culture, death is not the end, but instead a space where the dead can exert agency whilst entertaining the consumer. Popular culture enables the dead to be consumed by the living on a mass global scale, actively engaging them with issues of mortality. This book develops the sociological intersectionality between death, the dead and popular culture by examining the agency of the dead. Drawing upon the posthumous careers of the celebrity dead and organ transplantation mythology in popular culture the dead are shown to not be hampered by death but to benefit from the symbolic and economic value they can generate. Meanwhile the fictional dead - the Undead and the dead in crime drama - are conceptualised through morbid sensibility and morbid space to mobilise consumer consideration of mortality and even challenge the public wisdom that contemporary Western society is in death denial and that death is taboo. Death and the dead, within the parameters of popular culture, form a palatable and normative bridge between viewers and mortality, iterating the innate value and hidden depths of popular culture in the study of contemporary society. This book will be of interest to anybody who researches death, popular culture and questions of mortality.

From the ritual object which functions as a substitute for the dead - thus acting as a medium for communicating with the 'other world' - to the representation of death, violence and suffering in media, or the use of online social networks as spaces of commemoration, media of various kinds are central to the communication and performance of death-related socio-cultural practices of individuals, groups and societies. This second volume of the Studies in Death, Materiality and Time series explores the ways in which such practices are subject to 're-mediation'; that is to say, processes by which well-known practices are re-presented in new ways through various media formats. Presenting rich, interdisciplinary new empirical case studies and fieldwork from the US and Europe, Asia, The Middle East, Australasia and Africa, Mediating and Remediating Death shows how different media forms contribute to the shaping and transformation of various forms of death and commemoration, whether in terms of their range and distribution, their relation to users or their roles in creating and maintaining communities. With its broad and multi-faceted focus on how uses of media can redraw the traditional boundaries of death-related practices and create new cultural realities, this book will appeal to scholars across the social sciences and humanities with interests in ritual and commemoration practices, the sociology and anthropology of death and dying, and cultural and media studies.

In order to understand how adults deal with children's questions about death, we must examine how children understand death, as well as the broader society's conceptions of death, the tensions between biological and supernatural views of death and theories on how children should be taught about death. This collection of essays comprehensively examines children's ideas about death, both biological and religious. Written by specialists from developmental psychology, pediatrics, philosophy, anthropology and legal studies, it offers a truly interdisciplinary approach to the topic. The volume examines different conceptions of death and their impact on children's cognitive and emotional development and will be useful for courses in developmental psychology, clinical psychology and certain education courses, as well as philosophy classes - especially in ethics and epistemology. This collection will be of particular interest to researchers and practitioners in psychology, medical workers and educators - both parents and teachers.

The letters Gillian Griffith wrote to her elderly, demented mother were never intended to be read - they were simply Gillian's way of dealing with her own anger and guilt towards her high-handed, infuriating and impossibly challenging mother. To Gillian's own surprise, "as the words bounced back at me off the page, magic happened". The letters began to morph into a book, and the writing of it gradually released Gillian from her mother's influence. The result is a powerful, touching, uplifting and often very funny account of one woman's emotional and practical battle with the chaos caused by dementia. This book (the title comes from a small piece of nonsense spoken by Gillian's mother) brings a new insight into the effects of dementia on those caught up in it. It will make a valuable and original contribution to the debate on dementia care.

Winner of the 2018 Media Ecology Association's Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction Winner of the Eastern Communication Association's Everett Lee Hunt Award A behind-the-scenes account of how death is presented in the media Death is considered one of the most newsworthy events, but words do not tell the whole story. Pictures are also at the epicenter of journalism, and when photographers and editors illustrate fatalities, it often raises questions about how they distinguish between a "fit" and "unfit" image of death. Death Makes the News is the story of this controversial news practice: picturing the dead. Jessica Fishman uncovers the surprising editorial and political forces that structure how the news and media cover death. The patterns are striking, overturning long-held assumptions about which deaths are newsworthy and raising fundamental questions about the role that news images play in our society. In a look behind the curtain of newsrooms, Fishman observes editors and photojournalists from different types of organizations as they deliberate over which images of death make the cut, and why. She also investigates over 30 years of photojournalism in the tabloid and patrician press to establish when the dead are shown and whose dead body is most newsworthy, illustrating her findings with high-profile news events, including recent plane crashes, earthquakes, hurricanes, homicides, political unrest, and war-time attacks. Death Makes the News reveals that much of what we think we know about the news is wrong: while the patrician press claims that they do not show dead bodies, they are actually more likely than the tabloid press to show them-even though the tabloids actually claim to have no qualms showing these bodies. Dead foreigners are more likely to be shown than American bodies. At the same time, there are other unexpected but vivid patterns that offer insight into persistent editorial forces that routinely structure news coverage of death. An original view on the depiction of dead bodies in the media, Death Makes the News opens up new ways of thinking about how death is portrayed.

Across the contiguous 48 states, populations in states with more activist civic cultures have lower mortality than states that do not follow this model. Several different factors can be pointed to as causes for this discrepancy - net income, class inequality, and the history of settlement in each of the different states and regions. These observations are true of Non-Hispanic Whites and African Americans but not of American Indians, and Hispanics, neither of which is fully integrated into the state political culture and economy in which it resides. In Regional Cultures and Mortality in America, the struggles these various populations face in regard to their health are explored in terms of where they reside.

This rich collection of original essays illuminates the causes and consequences of the South's defining experiences with death. Employing a wide range of perspectives, while concentrating on discrete episodes in the region's past, the authors explore topics from the seventeenth century to the present, from the death traps that emerged during colonization to the bloody backlash against emancipation and civil rights to recent canny efforts to commemorate - and capitalize on - the region's deadly past. Some authors capture their subjects in the most intimate of moments: killing and dying, grieving and remembering, and believing and despairing. Others uncover the intentional efforts of Southerners to publicly commemorate their losses through death rituals and memorialization campaigns. Together, these poignantly told Southern stories reveal profound truths about the past of a region marked by death and unable, perhaps unwilling, to escape the ghosts of its history.

About 30 percent of hospice patients report a "visitation" by someone who is not there, a phenomenon known in end-of-life care as a deathbed vision. These visions can be of dead friends or family members and occur on average three days before death. Strikingly, individuals from wildly diverse geographic regions and religions-from New York to Japan to Moldova to Papua New Guinea-report similar visions. Appearances of our dead during serious illness, crises, or bereavement are as old as the historical record. But in recent years, we have tended to explain them in either the fantastical terms of the supernatural or the reductive terms of neuroscience. This book is about how, when, and why our dead visit us. Allan Kellehear-a medical sociologist and expert on death, dying, and palliative care-has gathered data and conducted studies on these experiences across cultures. He also draws on the long-neglected work of early anthropologists who developed cultural explanations about why the dead visit. Deathbed visions conform to the rituals that underpin basic social relations and expectations-customs of greeting, support, exchange, gift-giving, and vigils-because the dead must communicate with us in a social language that we recognize. Kellehear emphasizes the personal consequences for those who encounter these visions, revealing their significance for how the dying person makes meaning of their experiences. Providing vital understanding of a widespread yet mysterious phenomenon, Visitors at the End of Life offers insights for palliative care professionals, researchers, and the bereaved.

Mass violence and terrorism are a salient phenomenon in the late modern society, showing no sign of decline. Proactive results from the long, ongoing debate of how to address these issues are therefore increasingly necessary - not just in the context of prevention, but also in the context of the aftermath. Shared Experiences of Mass Shootings develops an understanding of the collective experience, consequences and recovery processes after mass shootings. Drawing from in-depth case studies of two mass shootings in Finland and comparing them with other international cases, it explores how communities work through violent tragedies employing social memory and memorialization practices that can be seen as either tools for recovery, or as something that needs to be restricted. Contributing a novel understanding of how experiencing mass violence is deeply gendered through the social patterns and narratives of men's and women's emotions, this timely monograph will appeal to undergraduate and postgraduate students, as well as postdoctoral researchers, interested in fields such as: Sociology of Violence, Criminology, Social Work, Memory Studies, Media Studies and Cultural Trauma.

Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries - of taste, of bodies, of reason - are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of 'gynaehorror': films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and 'mad science'; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and 'abject barren' bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.

Near-death experiences offer a glimpse not only into the nature of death but also into the meaning of life. They are not only useful tools to aid in the human quest to understand death but are also deeply meaningful, transformative experiences for the people who have them. In a unique contribution to the growing and popular literature on the subject, philosophers John Martin Fischer and Benjamin Mitchell-Yellin examine prominent near-death experiences, such as those of Pam Reynolds, Eben Alexander and Colton Burpo. They combine their investigations with critiques of the narratives' analysis by those who take them to show that our minds are immaterial and heaven is for real. In contrast, the authors provide a blueprint for a science-based explanation. Focusing on the question of whether near-death experiences provide evidence that consciousness is separable from our brains and bodies, Fischer and Mitchell-Yellin give a naturalistic account of the profound meaning and transformative effects that these experiences engender in many. This book takes the reality of near-death experiences seriously. But it also shows that understanding them through the tools of science is completely compatible with acknowledging their profound meaning.

Ten years after Elisabeth Kubler-Ross's death: "An inspiring...guide to life, distilled from the experiences of people who face death" ("Kirkus Reviews")--the beloved classic now with a new introduction and updated resources section.
Is this really how I want to live my life? Each one of us at some point asks this question. The tragedy is not that life is short, but that we often see only in hindsight what really matters.
In her first book on life and living, Elisabeth Kubler-Ross joined with David Kessler to guide us through the practical and spiritual lessons we need to learn so that we can live life to its fullest in every moment. Many years of working with the dying have shown the authors that certain lessons come up over and over again. Some of these lessons are enormously difficult to master, but even the attempts to understand them can be deeply rewarding. Here, in fourteen accessible chapters, from the Lesson of Love to the Lesson of Happiness, the authors reveal the truth about our fears, our hopes, our relationships, and, above all, about the grandness of who we really are.

This collection of essays presents a contextual view of genocide. The authors, who are academic authorities and practitioners in the field, explore the legal treatment, but also the social and political concepts and historical dimensions of the crime. They also suggest alternative justice solutions to the phenomenon of genocide. Divided into five parts, the first section offers an historical perspective of genocide. The second consists of case studies examining recent atrocities. The third section examines differences between legal and social concepts of genocide. Part four discusses the treatment of genocide in courts and tribunals throughout the world. The final section covers alternatives to trial justice and questions of prevention and sentencing.