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Books > Social sciences > Sociology, social studies > Social institutions > Death & dying > General
Although much has been published on the social history of death, this is the first book to give a comprehensive account of attitudes toward the dead--above all the "placing" of the dead, in physical, spiritual and social terms--in order to reveal the social and religious outlook of past societies. The contributions range widely geographically, from Scotland to Transylvania, and address a spectrum of themes: attitudes toward the corpse, patterns of burial, forms of commemoration, the treatment of dead infants, the nature of the afterlife, and ghosts.
'I have quite a bit of understanding of white man's ways, but it is difficult for me to understand this one.' An Australian Senate committee investigation of the Northern Territory's Rights of the Terminally Ill Act 1995, the first legislation in the world that allowed doctors to actively assist patients to die, found that for the vast majority of Indigenous Territorians, the idea that a physician - or anyone else - should help end a dying, suffering person's life was so foreign that in some instances it proved almost impossible to translate. The Good Death Through Time asks how such a death became a 'thinkable'-even desirable-way to die for so many others in Western cultures. For centuries a good death - the 'euthanasia' - meant a death blessed by God that might well involve pain, for suffering was seen as ultimately redemptive. But in the Victorian age, when doctors started to treat the dying with painkillers as well as prayers, a painful death came to be thought of as an aberrant, dehumanising experience. As this book explores, the modern idea that a good death should be painless spurred sometimes troubling developments in palliative medicine as well as an increasingly well-organised assisted dying movement. Delving into what euthanasia activists, doctors, lawyers, religious leaders and lay people have thought and felt about dying, The Good Death Through Time shows that understanding the radical historical shift in Western attitudes to managing dying and suffering helps us better grasp the stakes in today's contestations over what it means to die well.
Contributions by Allan Amanik, Kelly B. Arehart, Sue Fawn Chung, Kami Fletcher, Rosina Hassoun, James S. Pula, Jeffrey E. Smith, and Martina Will de Chaparro Till Death Do Us Part: American Ethnic Cemeteries as Borders Uncrossed explores the tendency among most Americans to separate their dead along communal lines rooted in race, faith, ethnicity, or social standing and asks what a deeper exploration of that phenomenon can tell us about American history more broadly. Comparative in scope, and regionally diverse, chapters look to immigrants, communities of color, the colonized, the enslaved, rich and poor, and religious minorities as they buried kith and kin in locales spanning the Northeast to the Spanish American Southwest. Whether African Americans, Muslim or Christian Arabs, Indians, mestizos, Chinese, Jews, Poles, Catholics, Protestants, or various whites of European descent, one thing that united these Americans was a drive to keep their dead apart. At times, they did so for internal preference. At others, it was a function of external prejudice. Invisible and institutional borders built around and into ethnic cemeteries also tell a powerful story of the ways in which Americans have negotiated race, culture, class, national origin, and religious difference in the United States during its formative centuries.
How has the Jewish family changed over the course of the twentieth
century? How has it remained the same? How do Jewish families see
themselves--historically, socially, politically, and
economically--and how would they like to be seen by others?
All too frequently, clinical practice consists of repeating year after year the methods learned in graduate training, occasionally seasoned by a technique learned in a continuing-education workshop. Bereavement Groups and the Role of Social Support gives clinicians what they've been missing in other volumes: practical techniques that have a solid contemporary empirical basis. Deftly weaving together theory, research, and practice, this volume is a compendium of the latest practical thinking about bereavement support groups. Readers will learn when well-loved practices make sense and are supported by sound evidence, as well as which practices should possibly be discontinued. The book also contains the results of a qualitative study bringing together the best practices of experienced bereavement group leaders from around the world.
Where did the ideas of heaven and hell come from? As strange as it may seem to us now, there was a time when no one thought they would go to heaven or hell after they died. In fact, there is no mention of them in the Old Testament, and Jesus did not believe the souls of the departed were bound for either realm. In this gripping history of the afterlife, Bart Ehrman reveals how the concepts of heaven and hell developed and took hold, and why they endure to this day. He examines the social, cultural and historical roots of competing views held by Greeks, Jews and Christians, and traces how beliefs changed over time. Ultimately, he shows that many of our ideas about heaven and hell emerged long after Jesus's time, through the struggle to explain the injustices of the world.
What made some 700 men and women in the Yorkshire town of
Kingston-upon-Hull, in the years 1837 to 1900, decide to suffer no
longer "the slings and arrows of outrageous fortune" and take their
own lives? In this study, the author seeks to uncover the
experiences that drove people to suicide; to analyze how suicide
was understood by victims, by their families and friends, and by
legal and medical authorities; to study how the presumed causes of
suicide and the meanings of suicide changed over time and in
response to changed social circumstances; and to see what "suicide
narratives" elicited by coroners' inquests can tell us about
Victorian life, beliefs, and values in general.
This work aims to explore experience of loss, change and grief, and foster positive attitudes towards teaching and learning about these issues. It outlines the different beliefs and practices associated with death and dying, and aims to help adults understand how children grieve. Suggestions are provided of ways in which adults might include teaching about loss and change within the school curriculum, and ways in which professionals educating and caring for children can collaborate in their work.
lluminated by a profound yet humorous vision, Lifting the Taboo explores the specific relationship women of many colors, cultures, ages, and sexual orientations have to their own deaths, their attitudes towards loss, and their disposition to their role as primary care-givers to the dying. Specifically, the book weighs the implications of breast cancer and examines in detail Alzheimer's Disease which, contrary to popular myth, can in several significant ways be perceived as a women's disease. Investigating mothers' responses to children's deaths, Sally Cline establishes that women's relationships to death are intricately connected to the experience of giving birth. They are, she argues, therefore psychologically and emotionally different from those of men. Cline goes on to examine women's roles and responses to AIDS and suicide, women's sexual relationships while dying, how society views widows as leftover lives, and women's radical work in hospices and death therapy, as well as their roles as female funeral directors.
"Pet Loss and Human Bereavement" deals with the human/companion
animal relationship and what happens when that bond is broken. The
contributors to the book acknowledge the significance o the
relationship and the grief involved when a pet dies or is
terminally ill. The contributors' approach covers multidisciplinary
care that can be given by veterinarians, psychiatrists, social
workers, philosopher-ethicists, and others. Topics include guidance for dealing with owners of terminally ill or recently deceased animals; the rights of animals to humane treatment; and the right of owners to find acceptance of their bereavement, respect for their emotional ties to their pets, and positive resolution of their grief.
Mummies, Cannibals and Vampires charts in vivid detail the largely forgotten history of European corpse medicine, which saw kings, ladies, gentlemen, priests and scientists prescribe, swallow or wear human blood, flesh, bone, fat, brains and skin in an attempt to heal themselves of epilepsy, bruising, wounds, sores, plague, cancer, gout and depression. In this comprehensive and accessible text, Richard Sugg shows that, far from being a medieval therapy, corpse medicine was at its height during the social and scientific revolutions of early-modern Britain, surviving well into the eighteenth century and, amongst the poor, lingering stubbornly on into the time of Queen Victoria. Ranging from the execution scaffolds of Germany and Scandinavia, through the courts and laboratories of Italy, France and Britain, to the battlefields of Holland and Ireland, and on to the tribal man-eating of the Americas, Mummies, Cannibals and Vampires argues that the real cannibals were in fact the Europeans. Picking our way through the bloodstained shadows of this remarkable secret history, we encounter medicine cut from bodies living and dead, sacks of human fat harvested after a gun battle, gloves made of human skin, and the first mummy to appear on the London stage. Lit by the uncanny glow of a lamp filled with human blood, this second edition includes new material on exo-cannibalism, skull medicine, the blood-drinking of Scandinavian executions, Victorian corpse-stroking, and the magical powers of candles made from human fat. In our quest to understand the strange paradox of routine Christian cannibalism we move from the Catholic vampirism of the Eucharist, through the routine filth and discomfort of early modern bodies, and in to the potent, numinous source of corpse medicine's ultimate power: the human soul itself. Now accompanied by a companion website with supplementary articles, interviews with the author, related images, summaries of key topics, and a glossary, the second edition of Mummies, Cannibals and Vampires is an essential read for anyone interested in the history of medicine, early modern history, and the darker, hidden past of European Christendom.
Ten years after Elisabeth Kubler-Ross's death: "An
inspiring...guide to life, distilled from the experiences of people
who face death" ("Kirkus Reviews")--the beloved classic now with a
new introduction and updated resources section.
Several years ago in Rajasthan, an eighteen-year-old woman was
burned on her husband's funeral pyre and thus became sati. Before
ascending the pyre, she was expected to deliver both blessings and
curses: blessings to guard her family and clan for many
generations, and curses to prevent anyone from thwarting her desire
to die. Sati also means blessing and curse in a broader sense. To
those who revere it, sati symbolizes ultimate loyalty and
self-sacrifice. It often figures near the core of a Hindu identity
that feels embattled in a modern world. Yet to those who deplore
it, sati is a curse, a violation of every woman's womanhood. It is
murder mystified, and as such, the symbol of precisely what
Hinduism should not be.
This collection contains twenty-one thought-provoking essays on the controversies surrounding the moral and legal distinctions between euthanasia and "letting die." Since public awareness of this issue has increased this second edition includes nine entirely new essays which bring the treatment of the subject up-to-date. The urgency of this issue can be gauged in recent developments such as the legalization of physician-assisted suicide in the Netherlands, "how-to" manuals topping the bestseller charts in the United States, and the many headlines devoted to Dr. Jack Kevorkian, who has assisted dozens of patients to die. The essays address the range of questions involved in this issue pertaining especially to the fields of medical ethics, public policymaking, and social philosophy. The discussions consider the decisions facing medical and public policymakers, how those decisions will affect the elderly and terminally ill, and the medical and legal ramifications for patients in a permanently vegetative state, as well as issues of parent/infant rights. The book is divided into two sections. The first, "Euthanasia and the Termination of Life-Prolonging Treatment" includes an examination of the 1976 Karen Quinlan Supreme Court decision and selections from the 1990 Supreme Court decision in the case of Nancy Cruzan. Featured are articles by law professor George Fletcher and philosophers Michael Tooley, James Rachels, and Bonnie Steinbock, with new articles by Rachels, and Thomas Sullivan. The second section, "Philosophical Considerations," probes more deeply into the theoretical issues raised by the killing/letting die controversy, illustrating exceptionally well the dispute between two rival theories of ethics, consequentialism and deontology. It also includes a corpus of the standard thought on the debate by Jonathan Bennet, Daniel Dinello, Jeffrie Murphy, John Harris, Philipa Foot, Richard Trammell, and N. Ann Davis, and adds articles new to this edition by Bennett, Foot, Warren Quinn, Jeff McMahan, and Judith Lichtenberg.
Rarely heard about in our society are caregivers' thoughts and feelings about life, death, and dying and how they act on those feelings. "For the Living: Coping, Caring and Communicating with the Terminally Ill" provides an in-depth, qualitative look at the experiences of oncology healthcare professionals as they work with terminally ill patients. Through a series of recorded and edited interviews, the author explores the social and cultural dynamics that affect physicians, nurses, and social workers routinely encountering mortality and loss. What death and the prospect of dying mean to these individuals should not be taken lightly.
Where are the dead? What are they doing? What kind of a process is dying? What relationships exist among the dead themselves, and between the dead and those in the world they have left behind? Modern philosophers argue that the idea of disembodied survival - to which many believers pay lip service - is incoherent, and that there can be evidence neither for nor against something incoherent. By contrast, this book argues, the idea of an embodied survival (albeit a form of embodiment differing from our present embodiment) makes perfect sense in itself and fits much better with the alleged evidence for post-mortem survival. Exploring post-mortem survival, Where are the Dead? uses a variety of empirical data, alongside mythological, legendary and purely fictional material, to illustrate how the less familiar idea of embodied post-mortem survival might actually 'work' in some real afterlife environment. By asking questions about the nature and whereabouts of the afterlife, and about what it might be like to be dead, the book explores themes nowadays relatively neglected even in disciplines explicitly concerned with ideas about death, dying and life after death.
Zygmunt Bauman's book is a brilliant exploration, from a sociological point of view, of the "taboo" subject in modern societies: death and dying. The book develops a new theory of the ways in which human mortality is reacted to, and dealt with, in social institutions and culture. The hypothesis explored in the book is that the necessity of human beings to live with the constant awareness of death accounts for crucial aspects of the social organization of all known societies. Two different "life strategies" are distinguished in respect of reactions to mortality. One, "the modern strategy," deconstructs mortality by translating the insoluble issue of death into many specific problems of health disease which are "soluble in principle." The "post-modern strategy," is one of deconstructing immortality: life is transformed into a constant rehearsal of "reversible death," a substitution of "temporary disappearance" for the irrevocable termination of life. This profound and provocative book will appeal to a wide audience. It will also be of particular interest to students and professionals in the areas of sociology, anthropology, theology, and philosophy.
Aimed at health care professionals and their colleagues, ministers of religion and funeral directors, this comprehensive work of reference describes the complex procedures required when someone dies. The information should be of value to all those who are concerned with the correct handling of situations as diverse as fatal mass disasters and the rites that are associated with those who hold unfamiliar religious beliefs. The guide is in three parts: legal and technical aspects; considerations for the living, care of the dying, and death with dignity; and religious, ethnic and cultural aspects of dying and death. The author combines medico-legal facts and practical, sensitive advice.
Revisioning War Trauma in Cinema: Uncoming Communities uses philosophy and critical theory to examine films that participate in debates concerning trauma and representation. Our book reflects upon films that invent, rather than represent the moment history breaks down. It proposes a 21st century way forward across problems of trauma, inheritance, and representation into exceptional communities of artistic invention. Revisioning War Trauma involves a confrontation with death and the hole that trauma exposes. We build our subtitle from a play on words, namely the "un-coming" as a resistance to jouissance and as a limit to cultural demands. Uncoming also refers to the traumatic departure of figures in the films from their homes and their symbolic places. As always already in the process of departure, characters in the films our book discusses embody the hemorrhaging of imaginary belonging that nationhood compels. The book uses psychoanalytic theory as a framework and a robust language that allows us to speak about what evades sense. Our book also engages with other post-modern theories of disaster and politics to examine how trauma might serve as an opportunity to foreground an aesthetics and politics of difference. Each chapter is a close reading of a film that critically examines a cinematic screen that allows for the emergence of what history fails to transmit.
"A child's suicide pitches you into a hellish place of fragmentary images, the deepest depression imaginable, efforts to destroy yourself, and an almost complete break with what's happening in the world around you. That was my experience. I wish it upon no one." The essays of The Loneliest Places began as a chronicle of Rachel Dickinson's life after her son's suicide. The pieces became much more. Dickinson writes the unimaginable and terrifying facts of heartbreaking loss. In The Loneliest Places she tells stories from her months on the run, fleeing her grief and herself, as she escapes to Iceland and the Falkland Islands-as far as possible from the memories of her dead son, Jack. She frankly relates the paralyzing emotion that sometimes left her trapped in her home, confined to a single chair, helplessly isolated. The tales from these years are bleak and Dickinson's journey home, back to her changed self and fractured family, is lonely. Conjuring Emily Dickinson, however, she describes how hope was sighted, allowed to perch, and then, remarkably, made actual.
A study of the way in which death is socially organized in the city of Belfast. It analyzes the responses to 415 deaths registered here in 1981, tracing the social, medical, legal, religious and political responses made to those deaths from the time death was pronounced to the time of disposal.
Guided by the Spirits is a case study of youth suicide in the Sault Sainte Marie Tribe of Chippewa Indians. Written by a member of the tribal community, this study focuses on qualitative methods, indigenous experience, and collaborative approaches to explore the social and historical significance of youth suicide in an Ojibwa community. Guided by the Spirits combines traditional methods of analysis, extracts of interviews and field notes, and creative ethnographic writing to present the relationships between culture, history, identity, agency, and youth suicide. This book is a must read for lay readers, policy makers, and researchers who seek a window into contemporary Native American life as well as a critical interpretation of youth suicide in indigenous societies.
Every day, funeral director Caitlin Doughty receives dozens of questions about death. What would happen to an astronaut's body if it was pushed out of a space shuttle? Do people poop when they die? Can Grandma have a Viking funeral? In the tradition of Randall Munroe's What If?, Doughty's new book, Will My Cat Eat My Eyeballs?, blends her scientific understanding of the body and the intriguing history behind common misconceptions about corpses to offer factual, hilarious and candid answers to thirty-five urgent questions posed by her youngest fans. Readers will learn what happens if you die on an airplane, the best soil for mummifying your dog and whether or not you can preserve your friend's skull as a keepsake. Featuring illustrations from Dianne Ruiz, Will My Cat Eat My Eyeballs? will delight anyone interested in the fascinating truth about what will happen (to our bodies) after we die. |
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