Spousal bereavement seems to be one of the most devastating things a person can suffer through during the course of his or her life and it can result in adverse bio-psycho-social consequences for the left behind spouse. This book offers updated views from incorporating meaning making theory and social constructionist theory to examine the mediating roles of meaning making and help readers to understand grief and bereavement experiences of the widowed elderly population in China. The volume starts with elaborating on the meaning making model, followed by an overview of grief theories and traditional culture, including empirical feedback of the results of applying the model to Chinese elderly widows and widowers. Pan's book concludes with a discussion on the implications and limitations of this research as well as future directions. The volume provides valuable theoretical reflection and empirical evidence on grief and bereavement experiences of the elderly population in China. By combining meaning making theory with a social constructionist perspective, this research develops a novel approach to apply Western models and theories to the Chinese context and effectively study China's elderly population and their grief and bereavement experiences. This volume brings the readers the benefits of understanding Chinese cultural doctrines regarding death and life, getting a comprehensive view on meaning making theory, as well as learning the specific coping skills of Chinese elderly in widowhood. This volume merits the attention of those in the fields of mental health, social work, and gerontology to help further their understanding of meaning making systems in a non-western setting.

*SHORTLISTED FOR THE 2022 FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION* ** AS HEARD ON BBC RADIO 4** 'Warsan Shire is an extraordinarily gifted poet whose profoundly moving poems so powerfully give voice to the unspoken' Bernardine Evaristo 'Vital, moving and courageous, this is a debut not to be missed' Guardian __________ Poems of migration, womanhood, trauma and resilience from the award-winning Somali British poet Warsan Shire, celebrated collaborator on Beyonce's Lemonade and Black Is King. With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. These are noisy lives, full of music and weeping and surahs. These are fragrant lives, full of blood and perfume and jasmine. These are polychrome lives, full of moonlight and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets is a blessing, an incantatory celebration of survival. Each reader will come away changed. 'Warsan Shire electrifies... The beautifully crafted poems in this collection are fiercely tender gifts' Roxane Gay 'Absolutely beautiful... So relevant' Elizabeth Day, *Day's Delights*

Mortuary Dialogues presents fresh perspectives on death and mourning across the Pacific Islands. Through a set of rich ethnographies, the book examines how funerals and death rituals give rise to discourse and debate about sustaining moral personhood and community amid modernity and its enormous transformations. The book's key concept, "mortuary dialogue," describes the different genres of talk and expressive culture through which people struggle to restore individual and collective order in the aftermath of death in the contemporary Pacific.

Death is a constant in every society, but each of the world's cultures views the end of life differently. This book examines beliefs about dying, burial, and life after death held by peoples of wide ranging societies.

This book examines what we know about the phenomenon of suicide by cop and places this behavior in a broader context. For example, some murder victims (perhaps as many as a quarter) provoke the murderer, to some extent, into killing them-so-called victim-precipitated homicide. In some cases, it has been suspected that murderers kill and act thereafter in such a way as to provoke the state into executing them. The authors then examine some of the issues specific to suicide by cop, such as whether there is a racial bias in these acts and what the legal implications are. Finally, they discuss the process of hostage negotiation (since those involved in suicide by cop often take hostages during the confrontation with police), the need to provide counseling for police officers involved in suicide-by-cop incidents, and how we might reduce the incidence of this behavior.

This volume explores the fascinating phenomenon of noble death through pagan, Jewish and Christian sources. Today's society is uncomfortable with death, and willingly submitting to a violent and ostentatious death in public is seen as particularly shocking and unusual. Yet classical sources give a different view, with public self-sacrifice often being applauded. The Romans admired a heroic end in the battlefield or the arena, suicide in the tradition of Socrates was something laudable, and Christians and Jews alike faithfully commemorated their heroes who died during religious persecutions. The cross-cultural approach and wide chronological range of this study make it valuable for students and scholars of ancient history, religion and literature.

Every day, funeral director Caitlin Doughty receives dozens of questions about death. What would happen to an astronaut's body if it was pushed out of a space shuttle? Do people poop when they die? Can Grandma have a Viking funeral? In the tradition of Randall Munroe's What If?, Doughty's new book, Will My Cat Eat My Eyeballs?, blends her scientific understanding of the body and the intriguing history behind common misconceptions about corpses to offer factual, hilarious and candid answers to thirty-five urgent questions posed by her youngest fans. Readers will learn what happens if you die on an airplane, the best soil for mummifying your dog and whether or not you can preserve your friend's skull as a keepsake. Featuring illustrations from Dianne Ruiz, Will My Cat Eat My Eyeballs? will delight anyone interested in the fascinating truth about what will happen (to our bodies) after we die.

Talking Through Death examines communication at the end-of-life from several different communication perspectives: interpersonal (patient, provider, family), mediated, and cultural. By studying interpersonal and family communication, cultural media, funeral related rituals, religious and cultural practices, medical settings, and legal issues surrounding advance directives, readers gain insight into the ways symbolic communication constructs the experience of death and dying, and the way meaning is infused into the process of death and dying. The book looks at the communication-related health and social issues facing people and their loved ones as they transition through the end of life experience. It reports on research recently conducted by the authors and others to create a conversational, narrative text that helps students, patients, and medical providers understand the symbolism and construction of meaning inherent in end-of-life communication.

Death and Philosophy considers these questions with different perspectives varying from the existentialist - deriving from Camus, Heidegger or Sartre, to the English speaking analytic tradition of Bernard Williams or Thomas Nagel; to non-wester approaches such as are exemplified in the Tibetan Book of the Dead and in Daoist thought; to perspectives influenced by Lucretious, Epicurus and Nietzsche.
Death and Philosophy will be of great interest to philosphers, or those studying religion and theology, buts its clarity and scope ensures it will be accessible to anyone who has considered what it means to be mortal.

Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.

Structured around a personal account of the illness and death of the author's partner, Jane, this book explores how something hard to bear became a threshold to a world of insight and discovery. Drawing on German Idealism and Jane's own research in the area, The Aesthetic Experience of Dying looks at the notion of life as a binary synthesis, or a return enhanced, as a way of coming to understand death. Binary synthesis describes the interplay between dynamically opposing pairs of concepts - such as life and death - resulting in an enhanced version of one of them to move forward in a new cycle of the process. Yet what relevance does this elegant word game have to the shocking diagnosis of serious illness? Struggling to balance reason with sense, thought with feeling, this book examines the experience of caring for someone from diagnosis to death and is illustrated with examples of the return enhanced. The concluding chapter outlines how the tension of Jane's dying has been resolved as the rhythmic patterns of the lifeworld have been understood through the process of reflecting on the experience. This creative and insightful book will appeal to those interested in the medical humanities. It will also be an important reference for practising and student health professionals.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Grave takes a ground-level view of how burial sites have transformed over time and how they continue to change. As a cemetery tour guide, Allison C. Meier has spent more time walking among tombstones than most. Even for her, the grave has largely been invisible, an out of the way and unobtrusive marker of death. However, graves turn out to be not always so subtle, reverent, or permanent. While the indigent and unidentified have frequently been interred in mass graves, a fate brought into the public eye during the COVID-19 pandemic, the practice today is not unlike burials in the potter's fields of the colonial era. Burial is not the only option, of course, and Meier analyzes the rise of cremation, green burial, and new practices like human composting, investigating what is next for the grave and how existing spaces of death can be returned to community life. Object Lessons is published in partnership with an essay series in The Atlantic.

Never before available in paperback, J. M. C. Toynbee's study is the most comprehensive book on Roman burial practices. Ranging throughout the Roman world from Rome to Pompeii, Britain to Jerusalem--Toynbee's book examines funeral practices from a wide variety of perspectives. First, Toynbee examines Roman beliefs about death and the afterlife, revealing that few Romans believed in the Elysian Fields of poetic invention. She then describes the rituals associated with burial and mourning: commemorative meals at the gravesite were common, with some tombs having built-in kitchens and rooms where family could stay overnight. Toynbee also includes descriptions of the layout and finances of cemeteries, the tomb types of both the rich and poor, and the types of grave markers and monuments as well as tomb furnishings.

This volume is directed towards professionals who work in the fields concerning death and dying. These professionals must perceive the needs of people with cultural patterns which are different from the "standard and dominant" patterns in the United States and Canada. Accordingly, the book includes illustrative episodes and in-depth presentations of selected "ethnic patterns".; Each of the "ethnic chapters" is written by an author who shares the cultural traditions the chapter describes. Other chapters examine multicultural issues and provide the means for personal reflection on death and dying. There are also two bibliographic sections, one general and one geared towards children. The text is divided into three sections - Cross-Cultural and Personal perspectives, Dying, Death, and Grief Among Selected Ethnic Communities, and Reflections and Conclusions.; The book is aimed at those in the fields of clinical psychology, grief therapy, sociology, nursing, social and health care work.

'Poignant and often hilarious' Publishers Weekly What if we responded to death... by throwing a party? By the time Erica Buist's father-in-law Chris was discovered, upstairs in his bed, his book resting on his chest, he had been dead for over a week. She searched for answers (the artery-clogging cheeses in his fridge?) and tried to reason with herself (does daughter-in-law even feature in the grief hierarchy?) and eventually landed on an inevitable, uncomfortable truth: everybody dies. With Mexico's Day of the Dead festivities as a starting point, Erica decided to confront death head-on by visiting seven death festivals around the world - one for every day they didn't find Chris. From Mexico to Nepal, Sicily, Thailand, Madagascar, Japan and finally Indonesia - with a stopover in New Orleans, where the dead outnumber the living ten to one - Erica searched for the answers to both fundamental and unexpected questions around death anxiety. This Party's Dead is the account of her journey to understand how other cultures deal with mortal terror, how they move past the knowledge that they're going to die in order to live happily day-to-day, how they celebrate rather than shy away from the topic of death - and how when this openness and acceptance are passed down through the generations, death suddenly doesn't seem so scary after all.

A key tenet of Christian faith is that the crucifixion of Jesus Christ is a unique death by which the powers of death in the world have been conquered, so that Christian life in the Spirit is marked by the promise and hope of 'new life' already anticipated in the community of baptized believers. Notwithstanding this basic tenet regarding the Christian life as a participation in the redemptive death of Jesus Christ, theology in the past, as well as much contemporary theology, tends to assign no salvific significance to the event of our own death, focusing instead on death in negative terms as the wages of sin. This work is a significant retort to theological neglect, both Catholic and Protestant, of the positive and transformative aspect of our death when conceived as a dying into the redemptive death of Jesus Christ. The development of Henry L. Novello's proposed theology of death takes place in conversation with the pre-eminent contemporary contributors to this field of theological inquiry. By offering comprehensive critiques of Karl Rahner, Hans Urs von Balthasar, Karl Barth, Eberhard JA1/4ngel and JA1/4rgen Moltmann, Novello painstakingly pieces together a positive construal of death as salvific and transformative. What is especially distinctive about Novello's work is that he develops the idea of death as a sharing in the 'admirable exchange of natures' in the person of Jesus Christ, from which emerges his theory of resurrection at death for all. The reach of the work is extended by exploring some pastoral and liturgical implications of a theology of death conceived as the privileged moment for the actualization of God's grace in Jesus Christ, and thus being created anew in the power of the Spirit.

Death is at once a universal and everyday, but also an extraordinary experience in the lives of those affected. Death and bereavement are thereby intensified at (and frequently contained within) certain sites and regulated spaces, such as the hospital, the cemetery and the mortuary. However, death also affects and unfolds in many other spaces: the home, public spaces and places of worship, sites of accident, tragedy and violence. Such spaces, or Deathscapes, are intensely private and personal places, while often simultaneously being shared, collective, sites of experience and remembrance; each place mediated through the intersections of emotion, body, belief, culture, society and the state. Bringing together geographers, sociologists, anthropologists, cultural studies academics and historians among others, this book focuses on the relationships between space/place and death/ bereavement in 'western' societies. Addressing three broad themes: the place of death; the place of final disposition; and spaces of remembrance and representation, the chapters reflect a variety of scales ranging from the mapping of bereavement on the individual or in private domestic space, through to sites of accident, battle, burial, cremation and remembrance in public space. The book also examines social and cultural changes in death and bereavement practices, including personalisation and secularisation. Other social trends are addressed by chapters on green and garden burial, negotiating emotion in public/ private space, remembrance of violence and disaster, and virtual space. A meshing of material and 'more-than-representational' approaches consider the nature, culture, economy and politics of Deathscapes - what are in effect some of the most significant places in human society.

Why did certain domestic murders fire the Victorian imagination? In her analysis of literary and cultural representations of this phenomenon across genres, Bridget Walsh traces how the perception of the domestic murderer changed across the nineteenth century and suggests ways in which the public appetite for such crimes was representative of wider social concerns. She argues that the portrayal of domestic murder did not signal a consensus of opinion regarding the domestic space, but rather reflected significant discontent with the cultural and social codes of behaviour circulating in society, particularly around issues of gender and class. Examining novels, trial transcripts, medico-legal documents, broadsides, criminal and scientific writing, illustration and, notably, Victorian melodrama, Walsh focuses on the relationship between the domestic sphere, so central to Victorian values, and the desecration of that space by the act of murder. Her book encompasses the gendered representation of domestic murder for both men and women as it tackles crucial questions related to Victorian ideas of nationhood, national health, political and social inequality, newspaper coverage of murder, unstable and contested models of masculinity and the ambivalent portrayal of the female domestic murderer at the fin de siecle.

A day in the life of Carla Valentine - curator, pathology technician and 'death professional' - is not your average day. She spent ten years training and working as an Anatomical Pathology Technologist: where the mortuary slab was her desk, and that day's corpses her task list. Past Mortems tells Carla's stories of those years, as well as investigating the body alongside our attitudes towards death - shedding light on what the living can learn from dead and the toll the work can take on the living souls who carry it out. Fascinating and insightful, Past Mortems reveals the truth about what happens when the mortuary doors swing shut or the lid of the coffin closes ...

Death has long been a pre-occupation of philosophers, and this is especially so today. The Oxford Handbook of Philosophy of Death collects 21 newly commissioned essays that cover current philosophical thinking of death-related topics across the entire range of the discipline. These include metaphysical topics-such as the nature of death, the possibility of an afterlife, the nature of persons, and how our thinking about time affects what we think about death-as well as axiological topics, such as whether death is bad for its victim, what makes it bad to die, what attitude it is fitting to take towards death, the possibility of posthumous harm, and the desirability of immortality. The contributors also explore the views of ancient philosophers such as Aristotle, Plato and Epicurus on topics related to the philosophy of death, and questions in normative ethics, such as what makes killing wrong when it is wrong, and whether it is wrong to kill fetuses, non-human animals, combatants in war, and convicted murderers. With chapters written by a wide range of experts in metaphysics, ethics, and conceptual analysis, and designed to give the reader a comprehensive view of recent developments in the philosophical study of death, this Handbook will appeal to a broad audience in philosophy, particularly in ethics and metaphysics.

About 30 percent of hospice patients report a "visitation" by someone who is not there, a phenomenon known in end-of-life care as a deathbed vision. These visions can be of dead friends or family members and occur on average three days before death. Strikingly, individuals from wildly diverse geographic regions and religions-from New York to Japan to Moldova to Papua New Guinea-report similar visions. Appearances of our dead during serious illness, crises, or bereavement are as old as the historical record. But in recent years, we have tended to explain them in either the fantastical terms of the supernatural or the reductive terms of neuroscience. This book is about how, when, and why our dead visit us. Allan Kellehear-a medical sociologist and expert on death, dying, and palliative care-has gathered data and conducted studies on these experiences across cultures. He also draws on the long-neglected work of early anthropologists who developed cultural explanations about why the dead visit. Deathbed visions conform to the rituals that underpin basic social relations and expectations-customs of greeting, support, exchange, gift-giving, and vigils-because the dead must communicate with us in a social language that we recognize. Kellehear emphasizes the personal consequences for those who encounter these visions, revealing their significance for how the dying person makes meaning of their experiences. Providing vital understanding of a widespread yet mysterious phenomenon, Visitors at the End of Life offers insights for palliative care professionals, researchers, and the bereaved.

'Passing' is a common euphemism for the death of a person, as he or she is said to 'pass away' or 'pass on'. This open-ended saying has at its heart a notion of transformation from one state to another, which in turn grants the possibility of grasping or approximating the passage of time and the materiality of death and decay. This book begins with the idea that since all material things - whether animals, human beings, objects or buildings - undergo some form of passing, then the specific transformation in these passages and the materiality actively given to it can offer us a grasp of otherwise precarious temporalities. It examines how human beings strive to relate to the temporal dimension of death and decay, by giving new shape and direction to being and by examining its natural transformations. Focusing on the materiality of passing, and thereby the relationship between embodiment, temporality and death, Materialities of Passing offers rich case studies from Europe, Papua New Guinea, South Africa and the Russian Far East for exploring the material, spatial and directional aspects of the very interface between life and death. As such, it will appeal to scholars of anthropology, death studies, archaeology, philosophy and cultural studies.

In the febrile religious and political climate of late sixteenth-century England, when the grip of the Reformation was as yet fragile and insecure, and underground papism still perceived to be rife, Lancashire was felt by the Protestant authorities to be a sinister corner of superstition, lawlessness and popery. And it was around Pendle Hill, a sombre ridge that looms over the intersecting pastures, meadows and moorland of the Ribble Valley, that their suspicions took infamous shape. The arraignment of the Lancashire witches in the assizes of Lancaster during 1612 is England's most notorious witch-trial. The women who lived in the vicinity of Pendle, who were accused alongside the so-called Samlesbury Witches, then convicted and hanged, were more than just wicked sorcerers whose malign incantations caused others harm. They were reputed to be part of a dense network of devilry and mischief that revealed itself as much in hidden celebration of the Mass as in malevolent magic. They had to be eliminated to set an example to others. In this remarkable and authoritative treatment, published to coincide with the 400th anniversary of the case of the Lancashire witches, Philip C Almond evokes all the fear, drama and paranoia of those volatile times: the bleak story of the storm over Pendle