The middle-aged women described within the chapters of "Common Threads" are ordinary yet extraordinary. They have faced one of life's greatest challenges, working day-in and day-out to design new lives for themselves. As readers witness the resilience of the human spirit, they come to a new perspective on their own experiences, recognizing the good still in their lives. "Common Threads" is a tender and warm embrace, a story of faith and love, of insight, determination, independence and strength. These women's large and small victories are metaphors for hope and continuity.

Contents:
Part 1 Research Instruments: A Revised Death Anxiety scale; The Collett- Lester Fear of Death scale; The Threat Index and Related Methods; Validity and Reliability of Multidimensional Fear of Death Scale; The Death Attitude Profile-Revised DAP-R - A Multidimensional a Measure of Attitudes Towards Death; Death Competency - Bugen's Coping with Death Scale and Death Self-Efficacy. Part 2 Applications: Reduced Death Threat In Near-Death Experiences; Death Threat, Parental Loss, and Interpersonal Style - A Personal Construct Investigation; Death Depression and Death Anxiety In HIV Infected Males; Death Concern and Attitudes Toward the Elderly in Nursing Home - Personnel; Psychological Defences Against Death Anxiety; Changing Death Attitudes Through Death Education. Part 3 Conclusion: Death Attitudes In Adult Life - A Closing Coda.

A clear and practical guide for adults facing the responsibility of helping a child through the pain of separation and loss. Based on years of working with hundreds of bereaved children, this study describes the various stages of mourning and the type of behaviour shown by children at each delicate stage of the grieving process. It describes the many simple techniques that any adult can use to help children through their grief and guide them to its timely resolution. The author uses case histories and sample dialogues between helper and child, which help to explain the long-term impact of separation and loss in a wide variety of situations. This book aims to be helpful to any adult, whether parent, social worker, therapist, counsellor, teacher or friend who is faced with the responsibility of helping a grieving child.

As the social world of American families feverishly changes, single-parent families, dual-career couples, and blended families have quickly become the norm rather than the exception. In Family Relations, a distinguished group of leading family researchers including Joan Huber, David Olson, Hamilton McCubbin, and Marilyn Coleman examines the social changes that have gripped society and explains their impact on family relationships and functioning. Initial chapters address principal theories of change; the remainder of the volume addresses the predominant challenges facing contemporary families such as work/family interface, violence, family dysfunction, family crisis, divorce, and the transition to marriage and parenthood. The contributors make suggestions for change in family policy, family therapy, and family life education, and conclude with an overview of the current state of families and future directions. This comprehensive and interesting volume is for students, family researchers, sociologists, psychologists, counselors, family life educators, and policy analysts. "True to its aim it informs about the latest understandings and tools of intervention to help overcome the formidable challenges to the family....there is some worthy scholarship to be found in this volume....chapter 3 on gender and role change is a lively and readable summary." --British Journal of Social Work "[This volume] has much to offer. For example, the volume contains demographic information often needed by practitioners and policymakers at a moment's notice. Literature reviews not only summarize research on a particular topic but also are organized around a theoretical framework. Well-known authors have contributed scholarly, insightful commentaries on current family issues and challenges for the future. In short, this book provides information that practitioners and policymakers could use to do the following: establish the need and rationale for programming and applied research, justify the expenditure of funds for children and families, ground their work in theory and research, conduct in-service education, and consider program evaluation strategies. . . . This book is well-written and provides a valuable resource for the intended readership. I look forward to the second volume." --Journal of Marriage and the Family

A Sunday Times Bestseller March 2022 (Ireland) Soon, the lockdown would start. People would die alone, without any proper ceremony. Charlotte's death would be washed away, the first drop in a downpour. Nobody knew it then but hers would be the last good funeral of the year. It was February 2020, when Ed O'Loughlin heard that Charlotte, a woman he'd known had died, young and before her time. He realised that he was being led to reappraise his life, his family and his career as a foreign correspondent and acclaimed novelist in a new, colder light. He was suddenly faced with facts that he had been ignoring, that he was getting old, that he wasn't what he used to be, that his imagination, always over-active, had at some point reversed its direction, switching production from dreams to regrets. He saw he was mourning his former self, not Charlotte. The search for meaning becomes the driving theme of O'Loughlin's year of confinement. He remembers his brother Simon, a suicide at thirty; the journalists and photographers with whom he covered wars in Africa, the Middle East, the Balkans, wars that are hard to explain and never really stopped; his habit of shedding baggage, an excuse for hurrying past and not dwelling on things. Moving, funny, and searingly honest, The Last Good Funeral of the Year takes the reader on a circular journey from present to past and back to the present: 'Could any true story end any other way?'

Embodied encounters with death affect humans deeply, with the power to crush, transform and strengthen individuals and relationships. Understanding that these encounters often have a musical accompaniment, this edited collection offers a range of critical, analytic, discursive and personal reflections on how music provides both a container and a medium for experiencing, processing and integrating embodied encounters with death. The collection showcases new and original interdisciplinary case studies written by authors from several different countries across Australia, France, The Netherlands, Poland and the UK. Taking an international, interdisciplinary and inclusive approach, this carefully curated collection elaborates embodied encounters with death through music across a variety of praxes and disciplines such as death & grief, queer studies, disability, philosophy, and more. Providing a mix of personal perspectives and insights on the impact of music and death alongside more conventional academic studies, the chapters reveal how music and human nature are intimately, and bodily, entwined. Framed by opening and closing chapters written by the team of three editors, this core text in the field provides a unique overview of the implications and ramifications of the embodiment of death through music and the musicalisation of death through the body, and signposts possibilities for further research.

In this unique book, Sidney Dekker tackles a largely unexplored dilemma. Our scientific age has equipped us ever better to explain why things go wrong. But this increasing sophistication actually makes it harder to explain why we suffer. Accidents and disasters have become technical problems without inherent purpose. When told of a disaster, we easily feel lost in the steely emptiness of technical languages of engineering or medicine. Or, in our drive to pinpoint the source of suffering, we succumb to the hunt for a scapegoat, possibly inflicting even greater suffering on others around us. How can we satisfactorily deal with suffering when the disaster that caused it is no more than the dispassionate sum of utterly mundane, imperfect human decisions and technical failures? Broad in its historical sweep and ambition, The End of Heaven is also Dekker's most personal book to date.

Seventy per cent of British families now choose cremation for their funerals, a rapid change in traditional death customs. This is the first book to investigate why cremation replaced burial. It examines the political, religious, economic and social reasons behind personal choice and sets them in a European context. This study is doubly timely with the expanding scholarly interest in death studies, and the new media interest in the British way of death.

Contents:
Theories on adaptation after bereavement; empirical research on bereavement; the Leiden Bereavement Study - objectives, method and response; the mode of death, kinship, and functioning after bereavement - empirical results; the structure of functioning; a prospective study on functioning; discussion.

Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them? These are some of the questions posed by major feminist art historian and cultural analyst, Griselda Pollock, in her latest installation of the virtual feminist museum. In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, first- and second-generation Holocaust experience, migration, exile and the encounter with political horror and atrocity. Offering a specifically-feminist contribution to trauma studies, and a feminist psychoanalytical contribution to the study of contemporary art, this volume continues the conceptual innovations that have been the hall-mark of Pollock's dedicated exploration of feminist interventions in art's histories. -- .

Artist and scholar Marcia Brennan serves as Artist in Residence at the M. D. Anderson Cancer Center in Houston, and the experience of seeing, close-up, the transitional states and transformational visions involved in the approaching end of life raised countless questions about the intersection of life, death and art. Those questions are at the heart of this unique book. Bridging disparate fields, including art history, medical humanities, and religious studies, Life at the End of Life explores the ways in which art can provide a means for rendering otherwise abstract, deeply personal and spiritual experiences vividly concrete and communicable, even as they remain open-ended and transcendent. In the face of death, suffering and uncertainty, Brennan shows how artistic expression can offer valuable aesthetic and metaphysical avenues for understanding and for making meaning.

Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums-history, anthropology, art, ethnographic, and science museums - and to understand the changing role of photography in museums. Contributors explore the politics and poetics of displaying death, and more specifically, the role of photography in representing and interpreting this difficult topic. Working with nearly 20 researchers from different cultural backgrounds and disciplines, the editors critically engage the recent debate on the changing role of museums, exhibition meaning-making, and the nature of photography. They offer new ways for understanding representational practices in relation to contemporary visual culture. This book will appeal to researchers and museum professionals, inspiring new thinking about death and the role of photography in making sense of it.

This distinguished constitutional theorist takes a hard look at current criminal law and the Supreme Court's most recent decisions regarding the legality of capital punishment. Examining the penal system, capital punishment, and punishment in general, he reviews the continuing debate about the purpose of punishment for deterrence, rehabilitation, or retribution. He points out that the steady moderation of criminal law has not effected a corresponding moderation in criminal ways or improved the conditions under which men must live. He decries the "pious sentiment" of those who maintain that criminals need to be rehabilitated. He concludes that the real issue is not whether the death penalty deters crime, but that in an imperfect universe, justice demands the death penalty. Originally published by Basic Books in 1979.

Medical advances prolong life. They also sometimes prolong suffering. Should we protect life or alleviate suffering? This dilemma formed the foundation for a powerful right-to-die movement and a counterbalancing concern over an emerging culture of death. What are the qualities of a life worth living? Where are the boundaries of tolerable suffering? This book is based on a hugely popular undergraduate course taught at the University of Texas, and is ideal for those interested in the social construction of social worth, social problems, and social movements. This book is part of a larger text, Who Lives, Who Dies, Who Decides?, http://www.routledge.com/9780415892476/

Biotechnology and the Challenge of Property addresses the question of how the advancement of property law is capable of controlling the interests generated by the engineering of human tissues. Through a comparative consideration of non-Western societies and industrialized cultures, this book addresses the impact of modern biotechnology, and its legal accommodation on the customary conduct and traditional beliefs which shape the lives of different communities. Nwabueze provides an introduction to the legal regulation of the evolving uses of human tissues, and its implications for traditional knowledge, beliefs and cultures.

Intended to supplement standard texts on death and dying, this book covers a range of issues, including the self, family, culture, institutions, suicide, and AIDS. The 78 structured activities motivate high-school and college-age students to do more reading, increase attendance, and become more active participants in class -- and to examine their own personal and cultural attitudes and assumptions about death.

From Pliny to Petrarch to Pope-Hennessy and beyond, many have understood the obvious connection between portraiture and commemorative practice. This book expands and nuances our understanding of Renaissance portraiture; the author shows it to be complexly generated within a discourse of male anxiety and pre-mortuary mourning. She argues that portraiture could defer memory loss or, at the very least, pictorially console the subject against his own potentially unmourned death. This book recognizes a socio-cultural anxiety - the fear not merely of death but also of being forgotten - and identifies a set of pictorial, literary and theoretical strategies consequently formulated to ensure memory. To explore this phenomenon, this interdisciplinary but fundamentally art historical project merges early modern visual culture and critical theories of the body. The author examines an extensive selection of fifteenth- and sixteenth-century male and female portraits, primarily associated with the Medici family, circle and court, in and against both historical writings and contemporary discourses, including literary and cultural theory, psychoanalysis, feminism and gender studies, and critical theories of race and disability. Re-membering Masculinity generates new ideas about both male and female portraiture in early modern Florence, raises even more questions about the experiences and representations of widowhood and mourning, and re-configures our understanding of masculinity - from the early modern male body to 'Renaissance Man' to postmodern manhood.

Facing Death is a unique handbook for educators, healthcare professionals and counselors. It uses materials from the visual arts, excerpts from poetry, fiction, drama, and examples from popular culture to sensitize the reader to important, universal issues confronting the dying, and those responsible for their care.

Grieving women in early modern English drama, this study argues, recall not only those of Classical tragedy, but also, and more significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this book presents a new perspective on early modern drama grounded upon three original interrelated points. First, it explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England. Second, the author here brings to light the extent to which the figures of early modern drama recall those of the recent medieval past. Finally, Goodland addresses how these representations embody actual mourning practices that were viewed as increasingly disturbing after the Reformation. Female Mourning and Tragedy in Medieval and Renaissance English Drama synthesizes and is relevant to several areas of recent scholarly interest, including the performance of gender, the history of emotion, studies of death and mourning, and the cultural trauma of the Reformation.

Arguing that the female criminal subject was central to the rise of the British novel, Kirsten T. Saxton provides fresh and convincing insights into the deeply complex ways in which categories of criminality, gender, and fiction intersected in the long eighteenth century. She offers the figure of the murderess as evidence of the constitutive relationship between eighteenth-century legal and fictional texts, comparing non-fiction representations of homicidal women in biographies of Newgate Ordinaries and in trial reports with those in the early novels of Aphra Behn, Delariviere Manley, Daniel Defoe, and Henry Fielding. As Saxton demonstrates that legal narratives informed the budding genre of the novel and fictional texts shaped the development of legal narratives, her study of deadly plots becomes a feminist intervention in scholarship on the literature of crime that simultaneously insists on the centrality of crime literature in feminist histories of the novel. Her epilogue shows that more than two centuries later, we still contend with displays of female violence that defy and define our notions of textual and sexual license and continue to shape legal and literary mandates, even as the lines between the real and the fictive remain blurred.

Recent scandals involving the use of human body parts have highlighted the need for legal clarification surrounding property law and the use of human tissue. This book advances the notion that the legal basis for dealing with this is already available in the law but has thus far neither been used nor discussed. Proposing an alternative approach to constructing entitlements in human tissue and resolving resulting property conflicts, a new methodology is also advanced for abstracting different concepts within the debate which enables comparison and distinction between different cases of entitlement and retention.

This work grew out of the International Conference on Children and Death held in Athens, Greece in October 1989. The conference brought together professionals from different cultures, backgrounds, theoretical perspectives and clinical settings to share their knowledge, insight and support in promoting the philosophy of death education, hospice care and bereavement support to children and families in need. Some of the questions addressed include: How can we educate children about death? How can we best support them when they are grieving? How can we best understand the bereavement process experienced by family members when a child dies?

While immensely popular in the eighteenth century, current critical wisdom regards graveyard poetry as a short-lived fad with little lasting merit. In the first book-length study of this important poetic mode, Eric Parisot suggests, to the contrary, that graveyard poetry is closely connected to the mid-century aesthetic revision of poetics. Graveyard poetry's contribution to this paradigm shift, Parisot argues, stems from changing religious practices and their increasing reliance on printed material to facilitate private devotion by way of affective and subjective response. Coupling this perspective with graveyard poetry's obsessive preoccupation with death and salvation makes visible its importance as an articulation or negotiation between contemporary religious concerns and emerging aesthetics of poetic practice. Parisot reads the poetry of Robert Blair, Edward Young and Thomas Gray, among others, as a series of poetic experiments that attempt to accommodate changing religious and reading practices and translate religious concerns into parallel reconsiderations of poetic authority, agency, death and afterlife. Making use of an impressive body of religious treatises, sermons and verse that ground his study in a precise historical moment, Parisot shows graveyard poetry's strong ties to seventeenth-century devotional texts, and most importantly, its influential role in the development of late eighteenth-century sentimentalism and Romanticism.

Coming at a time of renewed interest in the developmental changes of the life cycle, Psychotherapy and the Widowed Patient is a rich resource that examines the impact of a spouse's death on an individual's mental health. Psychiatrists and psychoanalysts address a wide range of issues concerning loss, grief, and bereavement, and provide practical and creative approaches for both widowed persons and the helping professionals charged with treating their grief. Chapters in this compassionate volume discuss the characteristics of individuals who are more likely to seek professional help in coping with grief, widowhood as a time of growth and development, the value of openness instead of denial in dealing with death, the grieving process in young widowed spouses, the similarities of widowhood to separation and divorce, the role of dependency in how well widowed patients develop emotionally, and the role of loyalty in the process of grief. The more clinical chapters examine strategies for carrying out experiential psychotherapy with widowed patients, rational-emotive therapy, grief therapy, the effects of new perspectives on spousal bereavement on clinical practice, and aspects of bereavement response to loss, with a timeframe for viewing psychotherapeutic intervention. A review of the psychological literature regarding widowhood completes this comprehensive new book.