Suicide is one of the leading causes of death worldwide, with more than one million fatalities each year. During the post-war period, the rate of completed suicides has risen dramatically, especially among young men and Aboriginal peoples living in the Western world. While this has naturally led to growing concern amongst health care practitioners and policy experts, relatively little is known about the history of attempted and completed suicide. Histories of Suicide is the first book to examine the history of suicide in diverse national contexts, including Japan, Scotland, Australia, Soviet Russia, Peru, United States, France, South Africa, and Canada, to reveal the different social, political, economic, and cultural factors that inform our understanding of suicide.

This interdisciplinary collection of essays assembles historians, health economists, anthropologists, and sociologists, who examine the history of suicide from a variety of approaches to provide crucial insight into how suicide differs across nations, cultures, and time periods. Focusing on developments from the eighteenth century to the present, the contributors examine vitally important topics such as the medicalization of suicide, representations of mental illness, psychiatric disputes, and the frequency of suicide amongst soldiers.

An illuminating volume of studies, Histories of Suicide is a fascinating examination of the phenomenon of self-destruction throughout different historical periods and nations.

In response to increased academic interest in the fields of death studies, memorial studies, and human and animal studies, Skin, Meaning and Symbolism in Pet Memorials examines the mourning rituals which exist between people and their domestic pets. Paying close attention to the changing role and increased prominence of the companion animal in the domestic setting, each chapter considers a different form of companion animal memorialization, linking modern practices such as tattooing to historical examples of animal focused memento mori, particularly taxidermy. The final chapter adopts a forward focus in its provision of a framework for future studies related to how death and memorialization rituals are increasingly coming to occupy the digital space. While skin and touch are the focal points of many encounters explored in the text, what becomes evident is how the virtual realm is increasingly intruding into the touch experience. As a result, the posthumous, online afterlives of pets are set to become a social issue of increasing significance to the death and mourning experience. This work meets the needs of academics, post-graduate students and general readers alike, appealing to anyone with an interest in death studies, popular culture, tattooing and human and animal studies.

This is a book filled with activities to allow individuals, families, and groups in bereavement support groups, at retreats, memorial services, and conferences to acknowledge the death of a loved one or community member in a gentle but effective way. The rituals include information about the appropriate age for specific rituals, materials needed for them, a description of how to go about creating them, and suggested meditations, poems, and thoughts that can be read during rituals.

The neurological criteria for the determination of death remain controversial within secular and Catholic circles, even though they are widely accepted within the medical community. In Determining Death by Neurological Criteria, Matthew Hanley offers both a practical and a philosophical defense. Hanley shows that the criteria are often misapplied in clinical settings, leading to cases where persons declared dead apparently spontaneously revive. These instances are often connected to a rushed decision to retrieve donated organs, thus undermining the trust of the public in organ donation. Hanley calls on health care institutions to take seriously their obligation to establish strict protocols for the determination of death, including who may conduct the examinations. From a broader perspective, Hanley considers how the criteria rely on a philosophical conception of the person as a living organism whose unity disintegrates at death. This view, he notes, corresponds to the Catholic conviction that the soul is the life-principle of the body, which departs at death, bringing about the destruction of the body-soul composite. The Vatican, recognizing that death is a medical judgment, has generally given its approval to the criteria. Hanley also reviews the many and various objections offered by detractors, including against the use of the apnea test, which is faulted as a practice that sometimes hastens death. The problem of the continued presence of certain vital functions within the deceased body of the brain dead is explored in detail, with reference to particular cases and to solutions proposed by leading physicians and bioethicists. Hanley likewise addresses the dilemma of having two separate standards for death, one neurological and the other cardiopulmonary. Given the possibility of resuscitation following loss of the cardio-circulatory system, he concludes that the neurological criteria must be the true standard. Stoppage of the heart leads swiftly to the final necrosis of the brain.

Largo takes an eye-opening and irreverent look at the truth behind kicking the bucket--the definitive A-to-Z illustrated sourcebook on the ways people die. 400+ medical and historical illustrations.

This is the story of how and why a talented writer came to take his own life. When Diana Athill met the man she calls Didi, an Egyptian in exile, she fell in love instantly and out of love just as fast. Didi moved into her flat, they shared housework and holidays, and a life of easy intimacy seemed to beckon. But Didi's sweetness and intelligence soon revealed a darker side - he was a gambler, a drinker and a womanizer, impossible to live with but impossible to ignore. With painful honesty, Athill explores the three years they spent together, a period that culminated in Didi's suicide - in her home - an event he described in the journals he left for her to read as 'the one authentic act of my life'.

Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarks--and, for that matter, people throughout the South--buried their own dead. Every part of the complicated, labor-intensive process was handled within the deceased's community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstitions.

These traditions, especially in rural communities, remained the norm up through the end of World War II, after which a variety of factors, primarily the loss of manpower and the rise of the funeral industry, brought about the end of most customs.

"Gone to the Grave," a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed though obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

The Evolution of the British Funeral Industry in the 20th Century examines the shifts that have taken place in the funeral industry since 1900, focusing on the figure of the undertaker and exploring how organisational change and attempts to gain recognition as a professional service provider saw the role morph into that of 'funeral director'. As the disposal of the dead increased in complexity during the twentieth century, the role of the undertaker/funeral director has mirrored this change. Whilst the undertaker of 1900 primarily encoffined and transported the body, today's funeral director provides other services, such as taking responsibility for the body of the deceased and embalming, and has overseen changes such as the increasing preference for cremation, the impact of technology on the production of coffins and the shift to motorised transport. These factors, together with the problem of succession for some family-run funeral businesses, have led large organisations to make acquisitions and manage funerals on a centralised basis, achieving economies of scale. This book examines how the occupation has sought to reposition itself and how the 'funeral director' has become an essential functionary in funerary practices. However, despite striving for new-found status the role is hindered by two key issues: the stigma of handling the dead, and the perception of making a profit from loss.

'Clever, compelling, canine and utterly mesmerising' - Helen Lederer Stupendo the dog has died. But that's just the beginning of his story. To love and protect. The code of the good dog is clear. When single mother Tuesday took on mongrel pup Stupendo, she made a friend for life. Through the best and the worst of times, Stupendo has been there for her. Ever faithful, ever loyal, ever true. Nothing could break their bond. Until last week. Stupendo doesn't know why Tuesday is suddenly ignoring him or why his doggy antics no longer seem to soothe Baby William. It takes his worst enemy - the cat next door - to break the news that Stupendo has become a ghost. Somehow left behind on Earth, Stupendo knows he has unfinished business. Enlisting the help of the community of animals in the neighbourhood, Stupendo must get to the bottom of the very human sadness that hangs over his old home and keeps him from saying goodbye to Tuesday. Praise for SAYING GOODBYE TO TUESDAY: 'An emotional, lovely read, just perfect for animal lovers. It was a joy to read, although have tissues handy' - Rachel Wells, bestselling author of Alfie the Doorstep Cat 'Pawfection. It's emotional and joyful and utterly compelling' - Alex Brown 'A gorgeous, ingenious story' - Amanda Brookfield 'This isn't just a story about a dog, it's a story about the very meaning of life, told from a unique and bold perspective. Filled with joyful bittersweetness and clear-eyed wisdom it made me both laugh and cry and its message of hope will stay with me for a long time to come' - Alexandra Potter

Hundreds of thousands of individuals perished in the epic conflict of the U.S. Civil War. As battles raged and the specter of death and dying hung over the divided nation, the living worked not only to bury their dead but also to commemorate them. President Abraham Lincoln's Gettysburg Address perhaps best voiced the public yearning to memorialize the war dead. His address marked the beginning of a new tradition of commemorating American soldiers and also signaled a transformation in the relationship between the government and the citizenry through an embedded promise and obligation for the living to remember the dead. In Death at the Edges of Empire Shannon Bontrager examines the culture of death, burial, and commemoration of American war dead. By focusing on the Civil War, the Spanish-Cuban-American War, the Philippine-American War, and World War I, Bontrager produces a history of collective memories of war expressed through American cultural traditions that emerged within broader transatlantic and transpacific networks. Examining the pragmatic collaborations between middle-class Americans and government officials to negotiate the contradictory terrain of empire and nation, Death at the Edges of Empire shows how Americans imposed modern order on the inevitability of death and used the war dead to reimagine political identities and opportunities into imperial ambitions.

This book, written in the genre of "Imaginal Psychology", presents the imaginal dimension of the mourning process. The "angels" it greets are the interior figures who greet the bereaved during the course of their mourning process. In memory, reverie, and dream, images of the dead return to heal and be healed. As the bereaved enter into relationship with these images, the grief in which they are sequestered is particularized and individualized into the precise nuances of significance which make mourning possible.

"As a doctor, I make every effort to strengthen the belief in immortality, especially with older patients when such questions come threateningly close. For, seen in correct psychological perspective, death is not an end but a goal, and life's inclination towards death begins as soon as the meridian is past."--C.G. Jung, commentary on "The Secret of the Golden Flower"

Here collected for the first time are Jung's views on death and immortality, his writings often coinciding with the death of the most significant people in his life. The book shows many of the major themes running throughout the writings, including the relativity of space and time surrounding death, the link between transference and death, and the archetypes shared among the world's religions at the depths of the Self. The book includes selections from "On Resurrection," "The Soul and Death," "Concerning Rebirth," "Psychological Commentary on The Tibetan Book of the Dead" from the "Collected Works, " "Letter to Pastor Pfafflin" from "Letters, " and "On Life after Death."

'[A] real-life Midsomer Murder ... it's chilling, but [David Wilson's] explanation of how a psychopath thinks is masterly' The Times The shocking story of the murder of Peter Farquhar and the churchwarden who groomed and betrayed him, from the UK's leading criminologist David Wilson Two deaths. Three doors apart. An unsuspecting community about to realise there's a killer in their midst. In October 2015, Peter Farquhar was found dead in his house in Maids Moreton, lying on the sofa next to a bottle of whisky. An inquest was made, and Peter's death was quickly ruled an accident. But after the death of another elderly neighbour, the dreadful truth began to emerge: both victims had been groomed, seduced and mentally tortured by a young man, Benjamin Field, who had used his position of power in the community to target and exploit the elderly. He almost got away with it. Very little shocks criminologist David Wilson, but this extraordinary case in his sleepy hometown astounded him. Wilson felt duty-bound to follow its trail, discovering how his tightknit community failed to intervene, how a psychopath went undetected for years, and how Peter unwittingly supplied the blueprint for his own murder. A Plot to Kill is a chilling, gripping account of a callous murder in the heart of middle England, a fight for justice, and a revealing insight into the mind of a killer.

." . . the memory of my mother came to me like a drifting scent in the breeze, swirling through the branches of a nearby cedar tree. I was drawn back 35 years] to the day I learned she had passed on. But that autumn day of 1973 did not grip me with deep sadness, the burden of never seeing her again. I was looking at that day from a new angle, a distant view that seemed to suggest a new, untold story. I was suddenly more than curious about who my mother truly was in this life and beyond."

Uprooted from family and community in Milwaukee by her husband, a French and Irish construction worker with a drinking problem, Corrine Rolo struggles to raise their seven children on a remote farm near Big Falls, Minnesota. She longs to move back to Milwaukee, or to visit her relatives on the Bad River Ojibwe reservation, at one point threatening to leave the older kids behind and return to her home in the city.

Mark Anthony Rolo sifts through potent dreams and childhood memories to recreate a picture of his often conflicted mother during the last three years of her life. She told him a few warm stories of her life on the reservation, but she participated in the family's casually derogatory banter about their Ojibwe heritage. She spent little time helping Rolo with his schoolwork, even as she wrote voluminous, detailed letters to her family in Milwaukee. She could treat her children harshly and yet also display the fiercest love.

With an innocent and sometimes brutal child's view, Rolo recounts stories of a woman who battles poverty, depression, her abusive husband, and isolation through the long northern Minnesota winters, and of himself, her son, who struggles at school, wrestles with his Ojibwe identity, and copes with violence. But he also shows, with eloquence and compassion, his adult understanding of his mother's fight to live with dignity, not despair.

Mark Anthony Rolo is an enrolled member of the Bad River Band of Lake Superior Chippewa. He is the former editor of The Circle newspaper.

Breaking Free from Death examines how Russian writers respond to the burden of living with anxieties about their creative outputs, and, ultimately, about their own inevitable finitude. What contributes to creative death are not just crippling diseases that make man defenseless in the face of death, and not just the arguably universal fear of death but, equally important, the innumerable impositions on the part of various outsiders. Many conflicts in the lives of Rylkova's subjects arose not from their opposition to the existing political regimes but from their interactions with like-minded and supporting intellectuals, friends, and relatives. The book describes the lives and choices that concrete individuals and-by extrapolation-their literary characters must face in order to preserve their singularity and integrity while attempting to achieve fame, greatness, and success.

The definitive reference on the anthropology of death and dying, expanded with new contributions covering everything from animal mourning to mortuary cannibalism Few subjects stir the imagination more than the study of how people across cultures deal with death and dying. This expanded second edition of the internationally bestselling Death, Mourning, and Burial offers cross-cultural readings that span the period from dying to afterlife, considering approaches to this transition as a social process and exploring the great variations of cultural responses to death. Exploring new content including organ transplantation, institutionalized care for the dying, HIV-AIDs, animal mourning, and biotechnology, this text retains classic readings from the first edition, and is enhanced by twenty-three new articles and two new sections which provide increased breadth and depth for readers. Death, Mourning, and Burial, Second Edition is divided into eight parts reflecting the social trajectory of death: conceptualizations of death; death, dying, and care; grief and mourning; mortuary rituals; and remembrance and regeneration. Sections are introduced through foundational texts which provide the ideal introduction to this diverse field. It is essential reading for anyone concerned with issues of death and dying, as well as violence, terrorism, war, state terror, organ theft, and mortuary rituals. * A thoroughly revised edition of this classic anthology featuring twenty-three new articles, two new sections, and three reformulated sections * Updated to include current topics, including organ transplantation, institutionalized care for the dying, HIV-AIDs, animal mourning, and biotechnology * Must reading for anyone concerned with issues of death and dying, as well as violence, terrorism, war, state terror, organ theft, and mortuary rituals * Serves as a text for anthropology classes and provides a genuinely cross-cultural perspective to all those studying death and dying

This book explores how, in encounters with the terminally ill and dying, there is something existentially at stake for the professional, not only the patient. It connects the professional and personal lives of the interviewees, a range of professionals working in palliative and intensive care. Kjetil Moen discusses how the inner and outer worlds, the psychic and the social, and the existential and the cultural, all inform professionals' experience of work at the boundary between life and death. Death at Work is written for an academic audience, but is accessible to and offers insights for practitioners in a variety of fields.

This work is a personal journey into the issues surrounding assisted suicide that covers the widest range of topics and positions on the subject. Assisted suicide remains one of the most emotionally charged and controversial topics - and the issue isn't going away any time soon. As the baby boomer generation ages, many of us will watch as our parents - and ourselves - grow older, and wonder at the decisions that lie ahead. ""Understanding Assisted Suicide"" provides both a fresh take on this important topic and the framework for intelligent participation in the discussion. Uniquely, the author frames the issue using his own experience watching both his parents die, which led him to ask fundamental questions about death, dying, religion, and the role of medicine and technology in alleviating human suffering. In concerns about assisted suicide, each person's ""big picture"" has largely been created out of picking and choosing from nine separate snapshot albums. Understanding this offers a perspective for quickly determining the sources of another's opinion on assisted suicide, as well as the issues they are not considering. Most importantly, ""Understanding Assisted Suicide"" offers a clear, easy-to-traverse landscape over which those who are sincerely looking for their own answers can navigate. The ""nine-issue structure"" allows both careful exploration of separate issues and a view of the full spectrum of ideas involved.

About 30 percent of hospice patients report a "visitation" by someone who is not there, a phenomenon known in end-of-life care as a deathbed vision. These visions can be of dead friends or family members and occur on average three days before death. Strikingly, individuals from wildly diverse geographic regions and religions-from New York to Japan to Moldova to Papua New Guinea-report similar visions. Appearances of our dead during serious illness, crises, or bereavement are as old as the historical record. But in recent years, we have tended to explain them in either the fantastical terms of the supernatural or the reductive terms of neuroscience. This book is about how, when, and why our dead visit us. Allan Kellehear-a medical sociologist and expert on death, dying, and palliative care-has gathered data and conducted studies on these experiences across cultures. He also draws on the long-neglected work of early anthropologists who developed cultural explanations about why the dead visit. Deathbed visions conform to the rituals that underpin basic social relations and expectations-customs of greeting, support, exchange, gift-giving, and vigils-because the dead must communicate with us in a social language that we recognize. Kellehear emphasizes the personal consequences for those who encounter these visions, revealing their significance for how the dying person makes meaning of their experiences. Providing vital understanding of a widespread yet mysterious phenomenon, Visitors at the End of Life offers insights for palliative care professionals, researchers, and the bereaved.

'Ground-breaking. Everyone should read this book' Bessel van der Kolk, author of The Body Keeps the Score When it comes to understanding the connection between our mental and physical health, we should be looking at the exceptions, not the rules. Dr Jeff Rediger, a world-leading Harvard psychiatrist, has spent the last fifteen years studying thousands of individuals from around the world, examining the stories behind extraordinary cases of recovery from terminal illness. Observing the common denominators of people who have beaten the odds, Dr Rediger reveals the immense power of our immune system and unlocks the secrets of the mind-body connection. In Cured, he explains the vital role that nutrition plays in boosting our immunity and fighting off disease, and he also outlines how stress, trauma and identity affect our physical health. In analysing the remarkable science of recovery, Dr Rediger reveals the power of our mind to heal our body and shows us the keys to good health. 'In an era of incurable chronic diseases causing 60% of all deaths worldwide, this book provides one potential way out' Dr Mark Hyman, author of The Blood Sugar Solution 'Seasoned with the author's penetrating insights about healing, clearly articulated science and illuminating case histories, Cured opens genuine vistas of transforming illness into health' Gabor Mate, author of When the Body Says No

What is artificial intelligence (AI)? How does AI affect death matters and the digital beyond? How are death and dying handled in our digital age? AI for Dying and Death covers a broad range of literature, research and challenges around this topic. It explores ethical memorisation, digital legacies and bereavement, post death avatars and AI and the digital beyond. It also analyzes religious perspectives on AI for death and dying, and planning for death in a digital age.

"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed "cities of the dead," such as the Jewish Cemetery in Prague and Pere Lachaise in Paris. Other landscapes that feature in this book include the war cemeteries of northern France, Viking burial islands in central Sweden, Etruscan tombs and early Christian catacombs in Italy, the 17th-century Portuguese-Jewish cemetery "Beth Haim" at Ouderkerk in the Netherlands, Forest Lawns in California, Derek Jarman's garden in Kent and the Stockholm Woodland Cemetery.
It is a fact that architecture "began with the tomb," yet, as Ken Worpole shows us in "Last Landscapes," many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death.
The author explores how modes of disposal - burial, cremation, inhumation in mausoleums and wall tombs - vary across Europe and North America, according to religious and other cultural influences. And "Last Landscapes" raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided thefundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany's Ruhr Valley.