Cemetery and landscape studies have been hallmarks of North African archaeology for more than one hundred years. Mortuary Landscapes of North Africa is the first book to combine these two fields by considering North African cemeteries within the context of their wider landscapes. This unique perspective allows for new interpretations of notions of identity, community, imperial influence, and sacred space.

Based on a wealth of material research from current fieldwork, this collection of essays investigates how North African funerary monuments acted as regional boundaries, markers of identity and status, and barometers of cultural change. The essays cover a broad range in terms of space and time - from southern Libya to eastern Algeria, and from the seventh century BCE to the seventh century CE. A comprehensive introduction explains the importance of the 'landscape perspective' that these studies bring to North African funerary monuments, while individual case-studies address such topics as the African way of death among the Garamantes, the ritual reasons for the location of certain Early Christian tombs, Punic burials, Roman cupula tombs, and the effects of rapid state formation and imperial incorporation on tomb builders. Unique in both scope and perspective, this volume will prove invaluable to a cross-section of archaeological scholars.

Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study. Materials analyzed here-ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources-make explicit a dynamic scenario where actors embody a variety of positions towards death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.

An Anthology of Death, Dying, and the Living offers students a multifaceted, cross-disciplinary, and intellectual exploration of death, what it means to be human, and what it means to truly live. Through a historic and anthropological lens, students read articles that address diverse domestic and international events and convene a variety of perspectives in terms of culture and identity as they relate to death, dying, and living. The anthology is divided into five distinct sections: Should We Fear Death? To Die is to Have Lived!; Existential Death-Suicide?; Death and the Family; Death and the Self (Grief, Mourning, and Elegies); and Biomedical Death-What Does it Mean to Die with Dignity?. Each section features articles from a variety of sources that draw from the disciplines of anthropology, philosophy, psychology, sociology, biology, politics, government and law, and religious studies. Students experience a holistic and complete examination of various understandings, interpretations, and viewpoints about life, death, and the interplay between the two. The revised first edition includes two new readings. The first is an article by the editor, Atiba Rougier, that considers the national-and personal-impacts of 9/11 and COVID-19, and the second is a piece by a gastroenterologist and chronicles how their role at a hospital changed during the pandemic. An accessible, emotional, and thought-provoking collection, An Anthology of Death, Dying, and the Living is well suited for courses that explore death and dying from a sociological, psychological, philosophical, or anthropological perspective.

The two volumes of Death, Dying, and the Ending of Life present the core of recent philosophical work on end-of-life issues. Volume I examines issues in death and consent: the nature of death, brain death and the uses of the dead and decision-making at the end of life, including the use of advance directives and decision-making about the continuation, discontinuation, or futility of treatment for competent and incompetent patients and children. Volume II, on justice and hastening death, examines whether there is a difference between killing and letting die, issues about physician-assisted suicide and euthanasia and questions about distributive justice and decisions about life and death.

What is suicide? When does suicide start and when does it end? Who is involved? Examining narratives of suicide through a discourse analytic framework, Discursive Constructions of the Suicidal Process demonstrates how linguistic theories and methodologies can help answer these questions and cast light upon what suicide involves and means, both for those who commit an act and their loved ones. Engaging in close analysis of suicide letters written before the act and post-hoc narratives from after the event, this book is the first qualitative study to view suicide not as a single event outside time, but as a time-extended process. Exploring how suicide is experienced and narrated from two temporal perspectives, Dariusz Galasinski and Justyna Ziolkowska introduce discourse analysis to the field of suicidology. Arguing that studying suicide narratives and the reality they represent can add significantly to our understanding of the process, and in particular its experiences and meanings, Discursive Constructions of the Suicidal Process demonstrates the value of discourse analytic insights in informing, enriching and contextualising our knowledge of suicide.