The living and the dead cohabited Paris until the late eighteenth century, when, in the name of public health, measures were taken to drive the latter from the city. Cemeteries were removed from urban space, and corpses started to be viewed as terrifyingly noxious substances.The dead had fallen victim to a sustained new reflection on the notions of life and death that emerged from the two new medical fields of biology and hygiene. In large part, the Paris of the nineteenth century-the Paris of modernity-arose, both theoretically and physically, out of this concern over the relations between the animate and the inanimate.As the dead became a source of pervasive and intense anxiousness, they also became an object of fascination that at once exceeded and guided the medical imagination attempting to control them. Human Remains examines that exuberant anxiety to discover the irrational, indeed erotic, forces motivating the medicalization of death.Working across a broad range of disciplines, including history, literature, the visual arts, philosophy, and psychoanalysis, the book seeks to understand the meaning of the dead and their role in creating one of the most important cities of the contemporary world.

Death is inevitable, but our perspectives about death and dying are socially constructed. This updated third edition takes us through the maze of issues, both social and personal, which surround death and dying in Canada. Topics include euthanasia and medically assisted death, palliative care and hospices, the high incidence of opioid deaths, the impact of cyber bullying in suicide deaths, the sociology of HIV/AIDS, funeral and burial practices, the high rates of suicide in Canada and dealing with grief and bereavement, among others. Additionally, Auger explores alternative methods for helping dying persons and their loved ones deal with death in a holistic, patient-centred way. Each chapter includes suggested readings, discussion questions and in-class assignments.

What drives a person to take his or her own life? Why would an individual be willing to strap a bomb to himself and walk into a crowded marketplace, blowing himself up at the same time as he kills and maims the people around him? Does suicide or voluntary death have the same meaning today as it had in earlier centuries, and does it have the same significance in China, India and the Middle East as it has in the West? How should we understand this distressing, often puzzling phenomenon and how can we explain its patterns and variations over time? In this wide-ranging comparative study, Barbagli examines suicide as a socio-cultural, religious and political phenomenon, exploring the reasons that underlie it and the meanings it has acquired in different cultures throughout the world. Drawing on a vast body of research carried out by historians, anthropologists, sociologists, political scientists and psychologists, Barbagli shows that a satisfactory theory of suicide cannot limit itself to considering the two causes that were highlighted by the great French sociologist Emile Durkheim namely, social integration and regulation. Barbagli proposes a new account of suicide that links the motives for and significance attributed to individual actions with the people for whom and against whom individuals take their lives. This new study of suicide sheds fresh light on the cultural differences between East and West and greatly increases our understanding of an often-misunderstood act. It will be the definitive history of suicide for many years to come.

When Evelyn Waugh wrote The Loved One (1948) as a satire of the elaborate preparations and memorialization of the dead taking place in his time, he had no way of knowing how technical and extraordinarily creative human funerary practices would become in the ensuing decades. In Funeral Festivals in America, author Jacqueline S. Thursby explores how modern American funerals and their accompanying rituals have evolved into affairs that help the living with the healing process. Thursby suggests that there is irony in the festivities surrounding death. The typical American response to death often develops into a celebration that reestablishes links or strengthens ties between family members and friends. The increasingly important funerary banquet, for example, honors an often well-lived life in order to help survivors accept the change that death brings and to provide healing fellowship. At such celebrations and other forms of the traditional wake, participants often use humor to add another dimension to expressing both the personality of the deceased and their ties to a particular ethnic heritage. In her research and interviews, Thursby discovered the paramount importance of food as part of the funeral ritual. During times of loss, individuals want to be consoled, and this is often accomplished through the preparation and consumption of nourishing, comforting foods. In the Intermountain West, AFuneral Potatoes, @ a potato-cheese casserole, has become an expectation at funeral meals; Muslim families often bring honey flavored fruits and vegetables to the funeral table for their consoling familiarity; and many Mexican Americans continue the tradition of tamale making as a way to bring people together to talk, to share memories, and to simply enjoy being together. Funeral Festivals in America examines rituals for loved ones separated by death, frivolities surrounding death, funeral foods and feasts, post-funeral rites, and personalized memorials and grave markers. Thursby concludes that though Americans come from many different cultural traditions, they deal with death in a largely similar approach. They emphasize unity and embrace rites that soothe the distress of death as a way to heal and move forward.

Although much has been published on the social history of death, this is the first book to give a comprehensive account of attitudes toward the dead--above all the "placing" of the dead, in physical, spiritual and social terms--in order to reveal the social and religious outlook of past societies. The contributions range widely geographically, from Scotland to Transylvania, and address a spectrum of themes: attitudes toward the corpse, patterns of burial, forms of commemoration, the treatment of dead infants, the nature of the afterlife, and ghosts.

In the Andes, a long history of research on burial records and burial contexts exists for the purpose of reconstructing cultural affiliation, chronology, socioeconomic status, grave content, and human body treatment. Less attention is paid to the larger question of how mortuary practices functioned in different cultures. "Tombs for the Living: Andean Mortuary Practices" (originally released in 1995) examines this broader issue by looking at the mortuary practices that created a connection between the living and the dead; the role of wealth and ancestors in cosmological schemes; the location, construction, and sociopolitical implications of tombs and cemeteries; and the art and iconography of death. By examining rich sets of archaeological, ethnographic, and ethnohistoric data, the thirteen essays continue to enrich our understanding of the context and meaning of the mortuary traditions in the Andes.

In 2015, the Supreme Court of Canada struck down criminal laws prohibiting medical assistance in dying (MAID) in its Carter v Canada ruling. Assisted Suicide in Canada delves into the moral and policy dimensions of this case, summarizing other key rulings and subsequent legislation. Travis Dumsday explores thorny topics such as freedom of conscience for healthcare professionals, public funding for MAID, and extensions of eligibility. Carter v Canada will alter Canadians' understanding of life, death, and the practice of medicine for generations. This nuanced work will help readers think through the legal, ethical, and policy issues surrounding assisted dying.

'A beloved genius of storytelling and illustration' Observer In his customary pose as the grumpiest of grumpy old men, Raymond Briggs contemplates old age and death... and doesn't like them much. Illustrated with Briggs's inimitable pencil drawings, Time for Lights Out is a collection of short pieces, some funny, some melancholy, some remembering his wife who died young, others about the joy of grandchildren, of walking the dog... He looks back at his schooldays and his time as an evacuee during the war, and remembers his parents and the house in which he grew up. But most, like this one, are about his home in Sussex: Looking round this house, What will they say, The future ghosts? There must have been Some barmy old bloke here, Long-haired, artsy-fartsy type, Did pictures for kiddy books Or some such tripe. You should have seen the stuff He stuck up in that attic! Snowman this and snowman that, Tons and tons of tat.

BOOK OF THE YEAR IN THE SPECTATOR AND THE TIMES 'Fascinating.... Deeply disturbing... Brilliant' Sunday Times 'Powerful and moving.' Louis Theroux Meet Adam. He's twenty-seven years old, articulate and attractive. He also wants to die. Should he be helped? And by whom? In The Inevitable, award-winning journalist Katie Engelhart explores one of our most abiding taboos: assisted dying. From Avril, the 80-year-old British woman illegally importing pentobarbital, to the Australian doctor dispensing suicide manuals online, Engelhart travels the world to hear the stories of those on the quest for a 'good death'. At once intensely troubling and profoundly moving, The Inevitable interrogates our most uncomfortable moral questions. Should a young woman facing imminent paralysis be allowed to end her life with a doctor's help? Should we be free to die painlessly before dementia takes our mind? Or to choose death over old age? A deeply reported portrait of everyday people struggling to make impossible decisions, The Inevitable sheds crucial light on what it means to flourish, live and die.

If any anthropologist living today can illuminate our dim understanding of death's enigma, it is Robert Desjarlais. With Subject to Death, Desjarlais provides an intimate, philosophical account of death and mourning practices among Hyolmo Buddhists, an ethnically Tibetan Buddhist people from Nepal. He studies the death preparations of the Hyolmo, their specific rituals of grieving, and the practices they use to heal the psychological trauma of loss. Desjarlais's research marks a major advance in the ethnographic study of death, dying, and grief, one with broad implications. Ethnologically nuanced, beautifully written, and twenty-five years in the making, Subject to Death is an insightful study of how fundamental aspects of human existence--identity, memory, agency, longing, bodiliness--are enacted and eventually dissolved through social and communicative practices.

Suicide is increasingly recognized as a major global issue of public health, with far-reaching social, economic, and emotional consequences. The World Health Organization estimates that around 800,000 people die each year by suicide, with suicide attempts perhaps up to twenty times more frequent than the completed act. Moreover, in the past thirty years global suicide rates have increased by a dizzying 60 per cent. (For example, in Japan-after Russia, the developed world's leading suicide nation-more than 33,000 people committed suicide in 2007.) Some general facts are now widely known. For instance: suicide is mainly a (young) male act; mental disorders (such as depression and schizophrenia) are strongly associated with the majority of suicide cases; and suicide rates tend to increase during times of economic downturn, and decrease when individuals within society are well integrated-which probably explains why suicide rates tend to decline during wars. Also, certain groups of people (e.g. alcoholics, the bereaved, prisoners, and migrants) are recognized to be at particular risk of suicide. While it is possible to make such generalizations, many urgent questions, of course, remain unanswered. Consequently, practical and scholarly research better to understand the complex interaction of psychological, genetic, sociological, and environmental factors that may lead to suicide flourishes as never before, not least in the hope of instigating effective suicide-prevention strategies and initiatives. However, much of the literature remains inaccessible or is highly specialized and compartmentalized, so that it is often difficult to obtain an informed overview. To enable users to make sense of the sheer scale of the growth in research output-and the breadth of the field-this new four-volume collection from Routledge's Major Themes in Health and Social Welfare series answers the need for a comprehensive reference work offering wide-ranging and multidisciplinary perspectives on suicide and suicidal behaviour. Edited by two of the world's leading authorities, the collection brings together canonical and the very best cutting-edge research. Suicide will be welcomed by professionals and policy-makers. It will also be an invaluable reference resource for students and scholars working in the field, as well as users from a wide range of allied disciplines-such as nursing, education, social work, and law-who increasingly require an understanding of the issues this collection explores.

This second edition contains 10 new essays. It addresses itself to certain basic issues inherent in a philosophy of death. Principal themes explored are: the meaning of death; the nature of the soul; and the prospects for immortality.

A gripping account of the Russian visionaries who are pursuing human immortality As long as we have known death, we have dreamed of life without end. In The Future of Immortality, Anya Bernstein explores the contemporary Russian communities of visionaries and utopians who are pressing at the very limits of the human. The Future of Immortality profiles a diverse cast of characters, from the owners of a small cryonics outfit to scientists inaugurating the field of biogerontology, from grassroots neurotech enthusiasts to believers in the Cosmist ideas of the Russian Orthodox thinker Nikolai Fedorov. Bernstein puts their debates and polemics in the context of a long history of immortalist thought in Russia, with global implications that reach to Silicon Valley and beyond. If aging is a curable disease, do we have a moral obligation to end the suffering it causes? Could immortality be the foundation of a truly liberated utopian society extending beyond the confines of the earth-something that Russians, historically, have pondered more than most? If life without end requires radical genetic modification or separating consciousness from our biological selves, how does that affect what it means to be human? As vividly written as any novel, The Future of Immortality is a fascinating account of techno-scientific and religious futurism-and the ways in which it hopes to transform our very being.

Child mortality has been widely perceived and addressed as a medical issue. Regardless of the fact that there has been a substantial decrease in child mortality world-wide it continues to be a concern in developing countries. Millions of children die each year due to preventable causes. This book argues that there is a clear and consistent pattern of preventable child deaths, which is, at its core, a problem of justice. Modern theories of justice can offer important lessons for the design and assessment of child survival policies from an equity perspective. The book considers Amartya Sen's multifocal metric of justice as more plausible than its Rawlsian or resourcist counterparts. It argues that such an approach to justice is relevant for affirmative action policies, which have long been a source of resentment among historically better-off groups around the world, especially in two of the world's largest and most vibrant democracies-India and the United States.

This volume addresses the relationship between archaeologists and the dead, through the many dimensions of their relationships: in the field (through practical and legal issues); in the lab (through their analysis and interpretation); and in their written, visual and exhibitionary practice - disseminated to a variety of academic and public audiences. Written from a variety of perspectives, its authors address the experience, effect, ethical considerations, and cultural politics of working with mortuary archaeology. Whilst some papers reflect institutional or organisational approaches, others are more personal in their view: creating exciting and frank insights into contemporary issues which have hitherto often remained 'unspoken' amongst the discipline. Reframing funerary archaeologists as 'death-workers' of a kind, the contributors reflect on their own experience to provide both guidance and inspiration to future practitioners, arguing strongly that we have a central role to play in engaging the public with themes of mortality and commemoration, through the lens of the past. Spurred by the recent debates in the UK, papers from Scandinavia, Austria, Italy, the US, and the mid-Atlantic, frame these issues within a much wider international context which highlights the importance of cultural and historical context in which this work takes place.

From the survivor of ten Nazi concentration camps who went on to become the City of Boston's Director of Education and created the New England Holocaust Memorial, a wise and intimate memoir about finding strength in the face of despair and an inspiring meditation on how we can unlock the morality within us to build a better world. On October 29, 1939 Szmulek Rosental's life changed forever. Nazis marched into his home of Lodz, Poland, destroyed the synagogues, urinated on the Torahs, and burned the beards of the rabbis. Two people were killed that first day in the pillaging of the Jewish enclave, but much worse was to come. Szmulek's family escaped that night, setting out in search of safe refuge they would never find. Soon, all of the family would perish, but Szmulek, only eight years old when he left his home, managed to against all odds to survive. Through his resourcefulness, his determination, and most importantly the help of his fellow prisoners, Szmulek lived through some of the most horrific Nazi death camps of the Holocaust, including Dachau, Auschwitz, Bergen Belsen, and seven others. He endured acts of violence and hate all too common in the Holocaust, but never before talked about in its literature. He was repeatedly raped by Nazi guards and watched his family and friends die. But these experiences only hardened the resolve to survive the genocide and use the experience--and the insights into morality and human nature that it revealed--to inspire people to stand up to hate and fight for freedom and justice. On the day that he was scheduled to be executed he was liberated by American soldiers. He eventually traveled to Boston, Massachusetts, where, with all of his friends and family dead, he made a new life for himself, taking the name Steve Ross. Working at the gritty South Boston schools, he inspired children to define their values and use them to help those around them. He went on to become Boston's Director of Education and later conceived of and founded the New England Holocaust Memorial, one of Boston's most visited sites. Taking readers from the horrors of Nazi Germany to the streets of South Boston, From Broken Glass is the story of one child's stunning experiences, the piercing wisdom into humanity with which they endowed him, and the drive for social justice that has come to define his life.

Becoming a widow is one of the most traumatic life events that a woman can experience. Yet, as this remarkable new collection reveals, each woman responds to that trauma differently. Here, forty-three widows tell their stories, in their own words. Some were widowed young, while others were married for decades. Some cared for their late partners through long terminal illnesses, while others lost their partners suddenly. Some had male partners, while others had female partners. Yet each of these women faced the same basic dilemma: how to go on living when a part of you is gone. Widows' Words is arranged chronologically, starting with stories of women preparing for their partners' deaths, followed by the experiences of recent widows still reeling from their fresh loss, and culminating in the accounts of women who lost their partners many years ago but still experience waves of grief. Their accounts deal honestly with feelings of pain, sorrow, and despair, and yet there are also powerful expressions of strength, hope, and even joy. Whether you are a widow yourself or have simply experienced loss, you will be sure to find something moving and profound in these diverse tales of mourning, remembrance, and resilience.

"A compulsively readable, totally unforgettable memoir that recounts a sensitive college student's experience working on an emergency ambulance in hell, aka New York City." -- James Patterson In 1967, Mike Scardino was an eighteen year-old pre-med student with a problem - his parents couldn't afford to pay his college tuition. Luckily, Mike's dad hooked him up with a lucrative, albeit unusual, summer job, one he's never forgotten. Bad Call is Mike's visceral, fast-moving, and mordantly funny account of the summers he spent working as an "ambulance attendant" on the mean streets of late 1960s New York, at a time when emergency medicine looked nothing like it does today. Fueled by adrenaline and Sabrett's hot dogs, he crossed third rails to pick up injured trainmen, encountered a woman attacked by rats, attended to victims of a plane crash at JFK airport, was nearly murdered, and got an early and indelible education in the impermanence of life. But his work also afforded moments of rare beauty, hope, and everyday heroism, and it changed the course of Mike's life as well as the way he saw the world. Action-packed, poignant, and rich with details that bring Mike's world to life, Bad Call is a gritty portrait of a bygone era as well as a thrilling tale of one man's coming of age.

Tombs and burial customs are an exquisite source for social history, as their commemorative character inevitably expresses much of the contemporaneous ideology of a society. This book presents, for the first time, a holistic view of the funerary culture of Rome and its surroundings during the third century AD. While the third century is often largely ignored in social history, it was a transitional period, an era of major challenges - political, economic, and social - which inspired creativity and innovation, and paved the way for the new system of late antiquity. Barbara Borg argues that during this time there was, in many ways, a return to practices known from the Late Republic and early imperial period, with spectacular monuments for the rich, and a large-scale reappearance of collective burial spaces. Through a study of terraced tombs, elite monuments, the catacomb nuclei, sarcophagi, and painted image decoration, this volume explores how the third century was an exciting period of experimentation and creativity, a time when non-Christians and Christians shared fundamental ideas, needs, and desires as well as cemeteries, tombs, and hypogea. Ambition continued to be a driving force and a determining factor in all social classes, who found innovative solutions to the challenges they encountered.

In "Being Mortal," bestselling author Atul Gawande tackles the hardest challenge of his profession: how medicine can not only improve life but also the process of its ending

Medicine has triumphed in modern times, transforming birth, injury, and infectious disease from harrowing to manageable. But in the inevitable condition of aging and death, the goals of medicine seem too frequently to run counter to the interest of the human spirit. Nursing homes, preoccupied with safety, pin patients into railed beds and wheelchairs. Hospitals isolate the dying, checking for vital signs long after the goals of cure have become moot. Doctors, committed to extending life, continue to carry out devastating procedures that in the end extend suffering.

Gawande, a practicing surgeon, addresses his profession's ultimate limitation, arguing that quality of life is the desired goal for patients and families. Gawande offers examples of freer, more socially fulfilling models for assisting the infirm and dependent elderly, and he explores the varieties of hospice care to demonstrate that a person's last weeks or months may be rich and dignified.

Full of eye-opening research and riveting storytelling, "Being Mortal" asserts that medicine can comfort and enhance our experience even to the end, providing not only a good life but also a good end.

When the topic of death is a taboo subject to a population, how can life insurance companies create a market for their business? In Marketing Death, Cheris Shun-ching Chan examines the development of the life insurance market in China to address how culture impacts economic practice. Based on an extensive ethnographic study of various life insurance companies in China, Chan found a clear disparity in the way transnational and domestic life insurers dealt with local resistance to the idea of insuring against early death. While the transnational insurers attempted to remove this resistance by introducing new concepts about risk management, the locally-founded insurers redefined these concepts as money management to avoid the taboo subject. The domestic players' strategies proved to be more effective, but conflicted with the profit-oriented institutional logic of life insurance in the Chinese context. Having learned a lesson from significant losses, the domestic insurers eventually collaborated with their transnational counterparts to create a risk-management market. Nonetheless, local potential buyers, with their ingrained cultural values, continue to negotiate with insurance providers about their preferred product features. Chan argues that the life insurance business is growing rapidly in China despite these incompatible local cultural values largely because insurance practitioners strategically mobilized the local cultural tool-kit to circumvent the resistance. In Chan's account, the interplay of two forms of culture-a shared meaning system on one hand and a repertoire of strategies on the other-has significantly shaped the trajectory of the emergent Chinese market. Marketing Death is the first book to offer an analysis of the emergence of a life insurance market outside of the Euro-American context. It documents the processes and politics by which local cultures shape the way a market is formed and, hence, sheds light on the dynamics through which modern capitalist enterprises diffuse to regions with different cultural traditions.

Society has become increasingly diverse; multi-cultural, multi-faith and wide ranging in family structures. The wealthier are healthier and social inequalities are more pronounced. Respecting and working with the range of 'differences' among service users, families and communities in health and social care with ill, dying and bereaved people is a neglected area in the literature. As the principles of palliative and end of life care increasingly permeate the mainstream of health and social care services, it is important that professionals are sensitive and respond to the differing needs of individuals from diverse socio-economic backgrounds, ethnicities, beliefs, abilities and sexual orientations, as well as to the different contexts and social environments in which people live and die. This book explores what underpins inequality, disadvantage and injustice in access to good end of life care. Increasingly clinicians, policy planners, and academics are concerned about inequity in service provision. Internationally, there is an increasing focus and sense of urgency both on delivering good care in all settings regardless of diagnosis, and on better meeting the needs of vulnerable and disadvantaged groups. National initiatives emphasise the importance of resolving disparities in care and harnessing empowered user voices to drive change. This newly expanded, fully revised second edition, with 11 new chapters, provides a comprehensive analysis of discrimination, difference and disadvantage in end of life care, and offers practical guidance for all who seek to support the equitable provision of good end of life care.

While cinema is a medium with a unique ability to "watch life" and "write movement," it is equally singular in its portrayal of death. The first study to unpack American cinema's long history of representing death, this book considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera and connects the slow or static process of dying to formal film innovation throughout the twentieth century.

C. Scott Combs analyzes films that stretch from cinema's origins to the end of the twentieth century, looking at attractions-based cinema, narrative films, early sound cinema, and films using voiceover or images of medical technology. Through films such as Thomas Edison's "Electrocuting an Elephant" (1903), D. W. Griffith's "The Country Doctor" (1909), John Ford's "How Green Was My Valley" (1941), Billy Wilder's "Sunset Boulevard" (1950), Stanley Kubrick's " 2001: A Space Odyssey" (1968), and Clint Eastwood's "Million Dollar Baby" (2004), Combs argues that the end of dying occurs more than once, in more than one place. Working against the notion that film cannot capture the end of life because it cannot stop moving forward, that it cannot induce the photographic fixity of the death instant, this book argues that the place of death in cinema is persistently in flux, wedged between technological precision and embodied perception. Along the way, Combs consolidates and reconceptualizes old and new debates in film theory.