Political, economic, social, cultural and technological changes have led to profound transformations in the ways that death and loss are perceived and managed in contemporary society. Over the last few decades, the long term shift to chronic illness as a major causal factor has significantly increased the time scale of dying. Most people die in institutions and 'care' is typically medical. Many communities and ordinary citizens now relinquish control and involvement to experts in the last stages of life.
At global and local levels, however, new arrangements are emerging to govern the changing face of death, and a reorientation model is being developed to counter claims of the 'creeping medicalisation' of death and dying. With an international authorship and scope, this book illustrates the interlinking nature of society, death and loss, and it gives examples of governance that promotes the empowerment, participation and the increasing need for the involvement of ordinary people and communities in differing social and cultural contexts.
Chapters come from collaborations of academics and practitioners in end of life care - from sociologists, anthropologists or the arts but also from nursing, social work, or medicine. The result is a reflective, academic and practical discussion of the outline of the problem we face in the contemporary governance of death, and an exploration of the critical, theoretical and practice-based ways forward for us all.

This volume of essays adopts a multi-faceted approach to questions surrounding dying and death. It features contributions from those working within the areas of palliative care, healthcare chaplaincy, philosophy, and theology. Among the topics covered are: the transformative power of palliative care; spiritual care at the end of life; a philosophical perspective on dying, death, and dignity; prudential judgment in end-of-life decision making; perinatal death; compassionate accompaniment of the bereaved; honoring the sacred story of the dying; reflecting on the Order of Christian Funerals; scriptural perspectives on mortality; the significance of music in the funeral liturgy; how the afterlife has been imagined within the Christian tradition; and the 'liturgy' of the Irish Wake. With questions for further discussion and reflection at the end of each chapter, all who wish to think more deeply about issues surrounding dying, death, and the care of the terminally ill, will find this collection timely and thought-provoking.

Death in War and Peace is the first detailed historical study of experience of death, grief, and mourning in England in the fifty years after 1914. In it Professor Jalland explores the complex shift from a culture where death was accepted and grief was openly expressed before 1914, to one of avoidance and silence by the 1940s and thereafter. The two world wars had a profound and cumulative impact on the prolonged process of change in attitudes to death in England. The inter-war generation grew up in a bleak atmosphere of mass mourning for the dead soldiers of the Great War, and the Second World War created an even deeper break with the past, as a pervasive model of silence about death and suppressed grieving became entrenched in the nation's psyche.
Stories drawn from letters and diaries show us how death and loss were experienced by individuals and families in England from 1914; and how the attitudes, responses, and rituals of death and grieving varied with gender, religion, class, and region. The growing medicalization and hospitalization of death from the 1950s further reinforced the growing culture of silence about death, as it moved from the care of the family to that of hospitals, doctors, and undertakers. These silences about death still linger today, despite a further cultural shift since the 1970s towards greater emotional expressiveness. This fascinating study of death and bereavement helps us to understand the present as well as the past.

Fatal Years is the first systematic study of child mortality in the United States in the late nineteenth century. Exploiting newly discovered data from the 1900 Census of Population, Samuel Preston and Michael Haines present their findings in a volume that is not only a pioneering work of demography but also an accessible and moving historical narrative. Despite having a rich, well-fed, and highly literate population, the United States had exceptionally high child-mortality levels during this period: nearly one out of every five children died before the age of five. Preston and Haines challenge accepted opinion to show that losses in privileged social groups were as appalling as those among lower classes. Improvements came only with better knowledge about infectious diseases and greater public efforts to limit their spread. The authors look at a wide range of topics, including differences in mortality in urban versus rural areas and the differences in child mortality among various immigration groups. "Fatal Years is an extremely important contribution to our understanding of child mortality in the United States at the turn of the century. The new data and its analysis force everyone to reconsider previous work and statements about U.S. mortality in that period. The book will quickly become a standard in the field."--Maris A. Vinovskis, University of Michigan Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Award-winning writer and nurse Sallie Tisdale offers a lyrical, thought-provoking yet practical perspective on death and dying in this frank, direct and compassionate meditation on the inevitable. _______________________________________ From the sublime to the ridiculous, Tisdale leads the reader through the peaks and troughs of death with a calm, wise and humorous hand. More than a how-to manual or a spiritual bible, this is a graceful compilation of honest and intimate anecdotes based on the deaths Tisdale has witnessed in her work and life, as well as stories from cultures, traditions and literature around the world. As Tisdale explores all the heartbreaking, beautiful, terrifying, confusing, absurd and even joyful experiences that accompany the work of dying, she also addresses the meaning of 'a good death', how to communicate with the dying, loved ones, doctors and more, and what to expect, physically and emotionally, from the last months, days and hours of life. Beautifully written and compulsively readable, Advice for the Dying offers the resources and reassurance that we all need for planning the ends of our lives. It is essential reading for all of us.

This monograph reviews the epidemiological, demographic, and biological basis of population models of human mortality. These investigations were motivated by the desire to better understand the regularities of survival processes among adults -- especially at extreme late ages where empirical data is currently limited. The monograph discusses biological mechanisms, which shape the age-patterns of mortality. The effects of an individual health state, susceptibility to diseases and death, or physical frailty on changes in late age survival are also investigated.

The house looked as if she'd brushed it over with a hurried hand. Things were open-drawers, cans, and closets. A pile of newspapers fanned out across the floor by the front door, and still I did not wonder. She must have dropped them as she ran, I thought. My mother was often late. But had I stopped to look, I would have seen the fear in the way the house had settled-a footstool that lay on its side, several books that had fallen from their shelves. When you count back, you can see a story from the end. I like that-the seemingly natural narrative that forms this way. With the end in my hand, the story becomes mine. I can have it all make sense, or I can lose my mind like she lost hers-like I lost her. But I can have my story. Walking the Night Road speaks to the experience of caring for a loved one with a terminal illness and the difficulties of encountering death. Alexandra Butler, daughter of the Pulitzer Prize-winning gerontologist Robert N. Butler and respected social worker and psychotherapist Myrna Lewis, composes a lyrical yet unsparing portrait of caring for her mother during her sudden, quick decline from brain cancer. Her rich account shares the strains of caregiving on both the provider and the person receiving care and recognizes the personal and professional sacrifices caregivers must make to fulfill the role. More than a memoir of dying and grief, Butler's account also tests many of the theories her parents pioneered in their work on healthy aging. Authors of such seminal works as Love and Sex After Sixty, Butler's parents were forced to rethink many of the tenets they lived by while Myrna was incapacitated, and Butler's father found himself relying heavily on his daughter to provide his wife's care. Butler's poignant and unflinching story is therefore a rare examination of the intimate aspects of aging and death experienced by practitioners who suddenly find themselves in the difficult position of the clients they once treated.

For the Romans, the manner of a person's death was the most telling indication of their true character. Death revealed the true patriot, the genuine philosopher, even, perhaps, the great artist-and certainly the faithful Christian. Catharine Edwards draws on the many and richly varied accounts of death in the writings of Roman historians, poets, and philosophers, including Cicero, Lucretius, Virgil, Seneca, Petronius, Tacitus, Tertullian, and Augustine, to investigate the complex significance of dying in the Roman world. Death in the Roman world was largely understood and often literally viewed as a spectacle. Those deaths that figured in recorded history were almost invariably violent-murders, executions, suicides-and yet the most admired figures met their ends with exemplary calm, their last words set down for posterity. From noble deaths in civil war, mortal combat between gladiators, political execution and suicide, to the deathly dinner of Domitian, the harrowing deaths of women such as the mythical Lucretia and Nero's mother Agrippina, as well as instances of Christian martyrdom, Edwards engagingly explores the culture of death in Roman literature and history.

"Fatal Years" is the first systematic study of child mortality in the United States in the late nineteenth century. Exploiting newly discovered data from the 1900 Census of Population, Samuel Preston and Michael Haines present their findings in a volume that is not only a pioneering work of demography but also an accessible and moving historical narrative. Despite having a rich, well-fed, and highly literate population, the United States had exceptionally high child-mortality levels during this period: nearly one out of every five children died before the age of five. Preston and Haines challenge accepted opinion to show that losses in privileged social groups were as appalling as those among lower classes. Improvements came only with better knowledge about infectious diseases and greater public efforts to limit their spread. The authors look at a wide range of topics, including differences in mortality in urban versus rural areas and the differences in child mortality among various immigration groups. "Fatal Years is an extremely important contribution to our understanding of child mortality in the United States at the turn of the century. The new data and its analysis force everyone to reconsider previous work and statements about U.S. mortality in that period. The book will quickly become a standard in the field."--Maris A. Vinovskis, University of Michigan

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'[A] real-life Midsomer Murder ... it's chilling, but [David Wilson's] explanation of how a psychopath thinks is masterly' The Times Two deaths. Three doors apart. An unsuspecting community about to realise there's a killer in their midst. In October 2015, Peter Farquhar was found dead in his house in Maids Moreton, lying on the sofa next to a bottle of whisky. An inquest was made, and Peter's death was quickly ruled an accident. But after the death of another elderly neighbour, the dreadful truth began to emerge: both victims had been groomed, seduced and mentally tortured by a young man, Benjamin Field, who had used his position of power in the community to target and exploit the elderly. He almost got away with it. Very little shocks criminologist David Wilson, but this extraordinary case in his sleepy hometown astounded him. Wilson felt duty-bound to follow its trail, discovering how his tightknit community failed to intervene, how a psychopath went undetected for years, and how Peter unwittingly supplied the blueprint for his own murder. A Plot to Kill is a chilling, gripping account of a callous murder in the heart of middle England, a fight for justice, and a revealing insight into the mind of a killer.

Suicide attacks have become the defining act of political violence of our age. From New York City to Baghdad, from Sri Lanka to Israel, few can doubt that they are a pervasive and terrifying feature of an increasing number of violent conflicts. Since 1981, approximately thirty organizations throughout the world - some of them secular and others affiliated to radical Islam - have carried out more than 500 suicide missions. Although a tiny fraction of the overall number of guerrilla and terrorist attacks occurring in the same period, the results have proved infinitely more lethal. This book is the first to shed real light on these extraordinary acts, and provide answers to the questions we all ask. Are these the actions of aggressive religious zealots and unbridled, irrational radicals or is there a logic driving those behind them? Are their motivations religious or has Islam provided a language to express essentially political causes? How can the perpetrators remain so lucidly effective in the face of certain death? And do these disparate attacks have something like a common cause? For more than two years, this team of internationally distinguished scholars has pursued an unprejudiced inquiry, investigating organizers and perpetrators alike of this extraordinary social phenomenon. Close comparisons between a whole range of cases raise challenging further questions: If suicide missions are so effective, why are they not more common? If killing is what matters, why not stick to 'ordinary' violent means? Or, if dying is what matters, why kill in the process? Making Sense of Suicide Missions contains a wealth of original information and cutting-edge analysis which furthers our understanding of this chilling feature of the contemporary world in radically new and unexpected ways.

Five friends meet. Only four come home. On Christmas morning, DS Robin Butler has no plans to celebrate. He'll be glad to get back to work - a wish that comes true sooner than he anticipates. A dog walker at a local beach has discovered five unresponsive people strewn across the shingle. By the time Robin arrives, one is pronounced dead, and the other four are being treated in hospital. DC Freya West is less than pleased when the romantic day with her boyfriend is scuppered, but duty calls. As she and Butler speak to those involved, it's clear something is being left unsaid. They claim they are friends, and that they don't know how one of the group was killed. But why are they so cagey? A cold case investigation unlocks some answers about the history between the beach-going gang, yet they're tight-lipped about what prompted them to meet on Christmas Eve. Butler and West are getting nowhere, and their partnership is about to face another test. When Freya wants to come clean about events in her past, it's not just her neck on the line, but Robin's too. Can their relationship survive if their pact of silence is broken? The thrilling new instalment from policing's most dauntless duo. Perfect for fans of Cara Hunter, Jane Casey and Susie Steiner. Praise for Blink of an Eye 'A thrilling and unusual mystery, spiced with sadness, masterfully unspooling past secrets into present danger. Butler and West would make high quality Sunday night network television.' Dominic Nolan, author of Vine Street 'Butler and West are fast becoming my favourite detective partnership... Addictive reading!' Alison Belsham, author of The Tattoo Thief 'The untangling of the long-held web of lies from The Five was expertly done... the story telling seems so effortlessly easy, and before you know it, you're chapters in and can't stop.' Fliss Chester, author of A Dangerous Goodbye 'Blink of an Eye is a blindingly brilliant return to the Butler and West series, with a tight-knit and claustrophobic friendship group at the core of its mystery. The chemistry between detectives Freya and Robin is the absolute star of the show - the twists and turns of their partnership will leave you desperate for more. Cannot recommend this series enough!' Heather Critchlow 'I've just raced through Blink of an Eye and couldn't put it down. A Christmas Day body found on a beach, and a suspicious group of old friends... What's not to love! Tense, brilliant plotting and the perfect duo.' Rachael Blok, author of The Fall 'A punchy and pacy police procedural with heart.' Jo Furniss, author of All The Little Children 'One of the best detective series there is. Smooth, thrilling and full of emotion, this series of books are a must-read!' James Delargy, author of Vanished 'Great characters and a compelling mystery. Highly recommend.' Reader review 'Blink of an Eye, the fourth in Butler and West series, is one of the most intriguing British police procedurals published today.' Reader review 'A solid mystery with a tangled web at heart, perfectly crafted characters and a smart narrative. Both compelling and immersive.' Reader review 'So perfectly paced and boy do the jaw-dropping moments never cease. Superbly done.' Reader review

"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.

Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.

A close look at stories of maternal death in Malawi that considers their implications in the broader arena of medical knowledge. By the early twenty-first century, about one woman in twelve could expect to die of a pregnancy or childbirth complication in Malawi. Specific deaths became object lessons. Explanatory stories circulated through hospitals and villages, proliferating among a range of practitioners: nurse-midwives, traditional birth attendants, doctors, epidemiologists, herbalists. Was biology to blame? Economic underdevelopment? Immoral behavior? Tradition? Were the dead themselves at fault? In Partial Stories, Claire L. Wendland considers these explanations for maternal death, showing how they reflect competing visions of the past and shared concerns about social change. Drawing on extended fieldwork, Wendland reveals how efforts to legitimate a single story as the authoritative version can render care more dangerous than it might otherwise be. Historical, biological, technological, ethical, statistical, and political perspectives on death usually circulate in different expert communities and different bodies of literature. Here, Wendland considers them together, illuminating dilemmas of maternity care in contexts of acute change, chronic scarcity, and endemic inequity within Malawi and beyond.

'I have quite a bit of understanding of white man's ways, but it is difficult for me to understand this one.' An Australian Senate committee investigation of the Northern Territory's Rights of the Terminally Ill Act 1995, the first legislation in the world that allowed doctors to actively assist patients to die, found that for the vast majority of Indigenous Territorians, the idea that a physician - or anyone else - should help end a dying, suffering person's life was so foreign that in some instances it proved almost impossible to translate. The Good Death Through Time asks how such a death became a 'thinkable'-even desirable-way to die for so many others in Western cultures. For centuries a good death - the 'euthanasia' - meant a death blessed by God that might well involve pain, for suffering was seen as ultimately redemptive. But in the Victorian age, when doctors started to treat the dying with painkillers as well as prayers, a painful death came to be thought of as an aberrant, dehumanising experience. As this book explores, the modern idea that a good death should be painless spurred sometimes troubling developments in palliative medicine as well as an increasingly well-organised assisted dying movement. Delving into what euthanasia activists, doctors, lawyers, religious leaders and lay people have thought and felt about dying, The Good Death Through Time shows that understanding the radical historical shift in Western attitudes to managing dying and suffering helps us better grasp the stakes in today's contestations over what it means to die well.

In this fascinating new book, Vincent Henry (a 21-year veteran of the NYPD who recently retired to become a university professor) explores the psychological transformations and adaptations that result from police officers' encounters with death. Police can encounter death frequently in the course of their duties, and these encounters may range from casual contacts with the deaths of others to the most profound and personally consequential confrontations with their own mortality. Using the 'survivor psychology' model as its theoretical base, this insightful and provocative research ventures into a previously unexplored area of police psychology to illuminate and explore the new modes of adaptation, thought, and feeling that result from various types of death encounters in police work.
The psychology of survival asserts that the psychological world of the survivor--one who has come in close physical or psychic contact with death but nevertheless managed to live--is characterized by five themes: psychic numbing, death guilt, the death imprint, suspicion of counterfeit nurturance, and the struggle to make meaning. These themes become manifest in the survivor's behavior, permeating his or her lifestyle and worldview.
Drawing on extensive interviews with police officers in five nominal categories--rookie officers, patrol sergeants, crime scene technicians, homicide detectives, and officers who survived a mortal combat situation in which an assailant or another officer died--Henry identifies the impact such death encounters have upon the individual, the police organization, and the occupational culture of policing. He has produced a comprehensive and highly textured interpretation ofpolice psychology and police behavior, bolstered by the unique insights that come from his personal experience as an officer, his intimate familiarity with the subtleties and nuances of the police culture's value and belief systems, and his meticulous research and rigorous method. Death Work provides a unique prism through which to view the individual, organizational, and social dynamics of contemporary urban policing. With a foreword by Robert Jay Lifton and a chapter devoted to the local police response to the World Trade Center attacks, Death Work will be of interest to psychologists and criminal justice experts, as well as police officers eager to gain insight into their unique relationship to death.

Though considered by devotees to be perhaps the most potent expression of religious faith, dying for one's God is also one of the most difficult concepts for modern observers of religion to understand. This is especially true in the West, where martyrdom has all but disapeared and martyrs in other cultures are often viewed skeptically and dismissed as fanatics. This book seeks to foster a greater understanding of these acts of religious devotion by explaining how martyrdom has historically been viewed in the world's major religions. It provides the first sustained, cross-cultural examination of this fascinating aspect of religious life. Spanning 4000 years of history and ranging from Saul in the Hebrew Bible to Sati immolations in present-day India, this book provides a wealth of insight into an often noted but rarely understood cultural phenomenon.

'Clever, compelling, canine and utterly mesmerising' - Helen Lederer Stupendo the dog has died. But that's just the beginning of his story. To love and protect. The code of the good dog is clear. When single mother Tuesday took on mongrel pup Stupendo, she made a friend for life. Through the best and the worst of times, Stupendo has been there for her. Ever faithful, ever loyal, ever true. Nothing could break their bond. Until last week. Stupendo doesn't know why Tuesday is suddenly ignoring him or why his doggy antics no longer seem to soothe Baby William. It takes his worst enemy - the cat next door - to break the news that Stupendo has become a ghost. Somehow left behind on Earth, Stupendo knows he has unfinished business. Enlisting the help of the community of animals in the neighbourhood, Stupendo must get to the bottom of the very human sadness that hangs over his old home and keeps him from saying goodbye to Tuesday. Praise for SAYING GOODBYE TO TUESDAY: 'An emotional, lovely read, just perfect for animal lovers. It was a joy to read, although have tissues handy' - Rachel Wells, bestselling author of Alfie the Doorstep Cat 'Pawfection. It's emotional and joyful and utterly compelling' - Alex Brown 'A gorgeous, ingenious story' - Amanda Brookfield 'This isn't just a story about a dog, it's a story about the very meaning of life, told from a unique and bold perspective. Filled with joyful bittersweetness and clear-eyed wisdom it made me both laugh and cry and its message of hope will stay with me for a long time to come' - Alexandra Potter