|
|
Books > Social sciences > Sociology, social studies > Social institutions > Death & dying > General
 |
Lost
(Paperback)
Christine Reynebeau; Illustrated by Rachael Hawkes
|
R277
R254
Discovery Miles 2 540
Save R23 (8%)
|
Ships in 18 - 22 working days
|
|
|
Dementia is a particularly cruel and teasing disease for which
there is no known cure. No vaccine... and no escape, once it takes
a hold. My book is a personal, yet hopefully objective, and
sociological, reflection on all aspects of caring for my much-loved
Mum throughout the steadily worsening stages of her final (5) years
of life... until the Dementia finally reeled in its 'prey.' If it
makes a positive difference to just one sufferer, it will not have
been written in vain.
Hundreds of thousands of individuals perished in the epic conflict
of the U.S. Civil War. As battles raged and the specter of death
and dying hung over the divided nation, the living worked not only
to bury their dead but also to commemorate them. President Abraham
Lincoln's Gettysburg Address perhaps best voiced the public
yearning to memorialize the war dead. His address marked the
beginning of a new tradition of commemorating American soldiers and
also signaled a transformation in the relationship between the
government and the citizenry through an embedded promise and
obligation for the living to remember the dead. In Death at the
Edges of Empire Shannon Bontrager examines the culture of death,
burial, and commemoration of American war dead. By focusing on the
Civil War, the Spanish-Cuban-American War, the Philippine-American
War, and World War I, Bontrager produces a history of collective
memories of war expressed through American cultural traditions that
emerged within broader transatlantic and transpacific networks.
Examining the pragmatic collaborations between middle-class
Americans and government officials to negotiate the contradictory
terrain of empire and nation, Death at the Edges of Empire shows
how Americans imposed modern order on the inevitability of death
and used the war dead to reimagine political identities and
opportunities into imperial ambitions.
When Julia Ridley Smith's parents died, they left behind a virtual
museum of furniture, books, art, and artifacts. Between the
contents of their home, the stock from their North Carolina
antiques shop, and the ephemera of two lives lived, Smith faced a
monumental task. What would she do with her parents' possessions?
Smith's wise and moving memoir in essays, The Sum of Trifles, peels
back the layers of meaning surrounding specific objects her parents
owned, from an eighteenth-century miniature to her father's
prosthetics. A vintage hi-fi provides a view of her often tense
relationship with her father, whose love of jazz kindled her own
artistic impulse. A Japanese screen embodies her mother's
principles of good taste and good manners, while an antebellum
quilt prompts Smith to grapple with her family's slaveholding
legacy. Along the way, she turns to literature that illuminates how
her inheritance shaped her notions of identity and purpose. The Sum
of Trifles offers up dark humor and raw feeling, mixed with an
erudite streak. It's a curious, thoughtful look at how we live in
and with our material culture and how we face our losses as we
decide what to keep and what to let go.
|
|