Radio messages from J. Vernon McGee delighted and enthralled listeners for years with simple, straightforward language and clear understanding of the Scripture. Now enjoy his personable, yet scholarly, style in a 60-volume set of commentaries that takes you from Genesis to Revelation with new understanding and insight. Each volume includes introductory sections, detailed outlines and a thorough, paragraph-by-paragraph discussion of the text. A great choice for pastors - and even better choice for the average Bible reader and student! Very affordable in a size that can go anywhere, it's available as a complete 60-volume series, in Old Testament or New Testament sets, or individually.

Radio messages from J. Vernon McGee delighted and enthralled listeners for years with simple, straightforward language and clear understanding of the Scripture. Now enjoy his personable, yet scholarly, style in a 60-volume set of commentaries that takes you from Genesis to Revelation with new understanding and insight. Each volume includes introductory sections, detailed outlines and a thorough, paragraph-by-paragraph discussion of the text. A great choice for pastors - and even better choice for the average Bible reader and student! Very affordable in a size that can go anywhere, it's available as a complete 60-volume series, in Old Testament or New Testament sets, or individually.

Radio messages from J. Vernon McGee delighted and enthralled listeners for years with simple, straightforward language and clear understanding of the Scripture. Now enjoy his personable, yet scholarly, style in a 60-volume set of commentaries that takes you from Genesis to Revelation with new understanding and insight. Each volume includes introductory sections, detailed outlines and a thorough, paragraph-by-paragraph discussion of the text. A great choice for pastors - and even better choice for the average Bible reader and student! Very affordable in a size that can go anywhere, it's available as a complete 60-volume series, in Old Testament or New Testament sets, or individually.

Cotton Mather, one of the leading intellectuals of colonial America, has often been overshadowed by his younger Puritan contemporary, Jonathan Edwards. Now, however, the publication of this first edition of Mather's magnum opus in the area of biblical knowledge focuses fresh attention on early New England's second most prodigious intellect. Mather's commentary takes the form of questions and answers on the whole biblical canon. The edition, prepared by an international team of experts in early American studies, will consist of ten volumes published over the course of a decade. This first volume introduces the project and offers Mather's comments on Genesis. This work will be treasured by students of American church history, colonial-era Puritanism, Christian responses to the Enlightenment, American intellectual development, and the history of biblical interpretation. It is a must-have acquisition for research libraries covering these disciplines.

The second release in a major new series of guides to the books of the Old Testament written in an accessible and anecdotal style. The series is suitable for personal or group use and the format is also appropriate for daily study.

Traditional scholarly commentaries aspire to open up biblical texts in the light of their ancient social and cultural contexts. In this commentary Robin Parry seeks to take the insights of such works seriously yet also move far beyond them by considering Lamentations within ever-expanding canonical and contemporary contexts. How do the words of Lamentations resonate when read in the context of Jeremiah? Or in the contexts of Isaiah 40-55, the New Testament, the history of Christian anti-Semitism, or the suffering of victims today? The question at the heart of this unusual engagement with the text is -How can Lamentations function as Christian scripture?- Parry argues that the key to answering this question is to follow the ancient liturgical tradition of the church and to see the text in the light of the death and resurrection of Israel's Messiah -- Jesus. According to Parry, Lamentations is Israel's Holy Saturday literature -- the cries of those caught between the death of Jerusalem and its resurrection. In this context Christians are able to make connections between this anguished Israelite poetry, the sufferings of Jesus, and the sufferings of the world. These biblical-theological links have the potential to open up fresh and imaginative theological, doxological, and pastoral encounters with a sadly neglected biblical book.

Septuaginta: A Reader’s Edition offers the complete text of the Greek Old Testament as it appears in the Rahlfs-Hanhart revised Septuaginta, laid out in a clear and readable format. All deuterocanonical books are included, as well as all double-texts, which are presented on facing pages for easy textual comparison.

In order to facilitate natural and seamless reading of the text, every word occurring 100 times or fewer in the Rahlfs-Hanhart text (excluding proper names)—as well as every word that occurs more than 100 times in the Rahlfs-Hanhart text but fewer than 30 times in the Greek New Testament—is accompanied by a footnote that provides a contextual gloss for the word and (for verbs only) full parsing. Additionally, an appendix provides a complete alphabetized list of common vocabulary (namely, all the words that are not accompanied by a footnote), with glosses and (as applicable) comparison of a word’s usage in the Septuagint to its usage in the New Testament.

All of these combined features will make Septuaginta: A Reader’s Edition an indispensable resource for biblical scholars and an excellent tool for improving one’s comprehension of the Greek language.

This new commentary on Zechariah is a part of the 46-volume New American Commentary series--an acclaimed resource for ministers and Bible students who want to understand and delve more deeply into the Scriptures. Based on the New International Version, the volume exhibits sound methodology reflecting research done in the Scripture's original languages. NIV text printed in the body of the commentary aids in cross-reference and study. Featured at academic conferences, the book is also a publicity focus on top theological blogs and publications. The author is an associate dean for the Research Doctoral Program and an associate professor Southwestern Baptist Theological Seminary in Texas. He also serves on the Old Testament editorial board for the Bulletin for Biblical Research.

The New International Biblical Commentary (NIBC) offers the best of contemporary scholarship in a format useful both for general readers and serious students.
Based on the widely used New International Version translation, the NIBC presents careful section-by-section exposition with key terms and phrases highlighted and all Hebrew transliterated. A separate section of notes at the close of each chapter provides additional textual and technical comments. Each commentary also includes a selected bibliography as well as Scripture and subject indexes.

The inspiration of the Bible is central to Christian faith, yet there is no general agreement on the nature of this inspiration. In this provocative book, Kern Robert Trembath reviews seven major evangelical explanations of inspiration and demonstrates that all either view the Bible itself as the actual recipient of inspiration or explain biblical authority on grounds more appropriate to the doctrine of God--in effect investing the Bible with characteristics that properly belong only to God. Building on the work of William Abraham, Trembath constructs his own theory of inspiration--one that regards inspiration as a tripartite concept involving the elements of initiator, means, and receiver. He insists that only a human being can be the recipient of inspiration and that the Bible must therefore be understood as the means, rather than the end, of the process. He goes on to articulate a new definition of biblical inspiration--as "a mediated enhancement of human experience by God, through the Bible"--and argues that this new understanding of inspiration is most compatible with a Thomistic doctrine of God, which insists that God's acts are mediated through the world, rather than immediately occurring in it.

A clear, concise outline is the cornerstone of a well-developed sermon. That's why hard-working pastors and teachers gather fresh ideas and creative approaches from a variety of sources.

This collection presents 100 sermon outlines by popular Bible teacher John Phillips. Some outlines are short and pithy, others are longer and more detailed, but all of them will help the busy preacher build and deliver powerful, life-changing messages.

Topics include: My Brother's KeeperPharaoh Versus God Jeremiah's Foreview of the CrossThe Names of God

This book anchors its account of the beauty of Jesus Christ to a scheme found in St Augustine of Hippo's Expositions of the Psalms. There Augustine recognized the beauty of Christ at every stage-from his pre-existence ('beautiful in heaven'), through his incarnation, the public ministry ('beautiful in his miracles, beautiful in calling to life'), passion, crucifixion, burial, resurrection ('beautiful in taking up his life again'), and glorious life 'in heaven'. Augustine never filled out this laconic summary by writing a work on Christ and his beauty. The Beauty of Jesus Christ seems to be the first attempt in Christian history to write a comprehensive account of the beauty of Christ in the light of Augustine's list. The work begins by offering a working description of what it understands by beauty as being perfect, harmonious, and radiant. Beauty, above all the divine beauty, enjoys inexhaustible meaning and overlaps with 'the holy' or the awesome and fascinating mystery of God. Loving beauty opens the way to truth and helps us grasp and practise virtue. The books needs to add some items to Augustine's list by recognizing Christ's beauty in his baptism, transfiguration, and post-resurrection sending of the Holy Spirit. It also goes beyond Augustine by showing how the imagery and language Jesus prepared in his hidden life and then used in his ministry witness to the beautiful sensibility that developed during his years at home in Nazareth. Throughout, this book draws on the Scriptures to illustrate and justify Augustine's brief claims about the beauty revealed in the whole story of Christ, from his pre-existence to his risen 'post-existence'. Where appropriate, it also cites the witness to Christ's beauty that has come from artists, composers of sacred music, the creators of icons, and writers.

The book of Chronicles has had a chequered past. Neglected for many years under the fortunate name of Paraleipomen or 'Things omitted', meant that they occupied a subordinate position in the Scriptures until the 4th century AD when the title 'A Chronicle of the whole Sacred History' was suggested instead. This has since been shortened to Chronicles and the rest is, literally history. Probably penned by Ezra, Chronicles is a selective history of the Jews encouraging them to trust that God is intimately involved in their story. Written at a time when the Jews were newly out of captivity and with their capital city in ruins, Chronicles assures them of God's faithfulness. If they would obey and serve him then his people would still enjoy his blessing. Cyril Barber has also written Focus on the Bible's commentary on 1 Chronicles.

Hebraism in Religion, History, and Politics is an investigation into Hebraism as a category of cultural analysis within the history of Christendom. Its aim is to determine what Hebraism means or should mean when it is used. The characteristics of Hebraism indicate a changing relation between the Old and New Testaments that arose in Medieval and early modern Europe, between on the one hand a doctrinally universal Christianity, and on the other various Christian nations that were understood as being a 'new Israel'. Thus, Hebraism refers to the development of a paradoxically intriguing 'Jewish Christianity' or an 'Old Testament Christianity'. It represents a 'third culture' in contrast to the culture of Roman or Hellenistic empire and Christian universalism. There were attempts, with varying success, during the twentieth century to clarify Hebraism as a category of cultural history and religious history. Steven Grosby expertly contributes to that clarification. In so doing, the possibility arises that Hebraism and Hebraic culture offer a different way to look at religion, its history, and the history of the West.

Do you know how God sees you? Moses is a key character in the unfolding narrative of God's Kingdom. A foundational leader of God's people in the Old Testament, he's held up throughout the New Testament as a man of God, in spite of his flaws. Yet Moses didn't always believe what God said about him. In this biblically balanced book, Terry Virgo invites us to walk in the footsteps of Moses so that, by faith, we can be ready for whatever life brings.

This valuable resource introduces readers to the Old Testament books of wisdom and poetry--Job, Psalms, Proverbs, Ecclesiastes, and Song of Songs--and helps them better understand each book's overall flow. Estes summarizes some of each book's key issues, offers an exposition of the book that interacts with major commentaries and recent studies, and concludes with an extensive bibliography. Now in paperback.

Through this 10-week study, Lydia Brownback examines the twelve judges and how they exemplify the persistent grace of God in the face of human rebellion.

Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.

A recent string of popular-level books written by the New Atheists have leveled the accusation that the God of the Old Testament is nothing but a bully, a murderer, and a cosmic child abuser. This viewpoint is even making inroads into the church. How are Christians to respond to such accusations? And how are we to reconcile the seemingly disconnected natures of God portrayed in the two testaments?
In this timely and readable book, apologist Paul Copan takes on some of the most vexing accusations of our time, including:

God is arrogant and jealous
God punishes people too harshly
God is guilty of ethnic cleansing
God oppresses women
God endorses slavery
Christianity causes violence
and more

Copan not only answers God's critics, he also shows how to read both the Old and New Testaments faithfully, seeing an unchanging, righteous, and loving God in both.

The nature of the Greek of the Septuagint has long been debated. Interference from the original Hebrew is present but scholars continue to disagree on its extent and significance. The Greek of the Pentateuch builds on John A. L. Lee's previous work on the vocabulary of the Pentateuch and its links with documentary texts, while offering a fresh perspective on the field. This timely and authoritative contribution argues that the language the translators used was fundamentally the Greek of their time and that they had full competence in it. The volume is divided into seven chapters which proceed through several topics: use of evidence, language variation, educated language, the presence of Greek idiom, the translators' collaboration, and freedom of choice in dealing with the Hebrew. A final chapter draws conclusions not only about the Pentateuch translators' knowledge of Greek, but about the translators themselves, their achievement, and their audience. The book presents a wide range of examples, comprising both vocabulary and syntax, from the Septuagint itself, Greek papyri of the period found in Egypt, and Classical and Koine Greek literature.

In this volume, Douglas Yoder uses the tools of modern and postmodern philosophy and biblical criticism to elucidate the epistemology of the Tanakh, the collection of writings that comprise the Hebrew Bible. Despite the conceptual sophistication of the Tanakh, its epistemology has been overlooked in both religious and secular hermeneutics. The concept of revelation, the genre of apocalypse, and critiques of ideology and theory are all found within or derive from epistemic texts of the Tanakh. Yoder examines how philosophers such as Spinoza, Hume, and Kant interacted with such matters. He also explores how the motifs of writing, reading, interpretation, image, and animals, topics that figure prominently in the work of Derrida, Foucault, and Nietzsche, appear also in the Tanakh. An understanding of Tanakh epistemology, he concludes, can lead to new appraisals of religious and secular life throughout the modern world.

Drawing insights from gender studies and the environmental humanities, Demonic Bodies and the Dark Ecologies of Early Christian Culture analyzes how ancient Christians constructed the Christian body through its relations to demonic adversaries. Through case studies of New Testament texts, Gnostic treatises, and early Christian church fathers (e.g., Ignatius of Antioch, Clement of Alexandria, and Tertullian of Carthage), Travis W. Proctor notes that early followers of Jesus construed the demonic body in diverse and sometimes contradictory ways, as both embodied and bodiless, "fattened" and ethereal, heavenly and earthbound. Across this diversity of portrayals, however, demons consistently functioned as personifications of "deviant" bodily practices such as "magical" rituals, immoral sexual acts, gluttony, and pagan religious practices. This demonization served an exclusionary function whereby Christian writers marginalized fringe Christian groups by linking their ritual activities to demonic modes of (dis)embodiment. The tandem construction of demonic and human corporeality demonstrates how Christian authors constructed the bodies that inhabited their cosmos-human, demon, and otherwise-as part of overlapping networks or "ecosystems" of humanity and nonhumanity. Through this approach, Proctor provides not only a more accurate representation of the bodies of ancient Christians, but also new resources for reimagining the enlivened ecosystems that surround and intersect with our modern ideas of "self."

From the simple and beautiful language of the prose tale, to the verbal fireworks of the dialogue between Job and his friends, to the haunting beauty of the poem on wisdom and the sublime poetics of the divine speeches, this book provides an intense encounter with the aesthetic resources of Hebrew verbal art. In this brilliant new study, Carol Newsom illuminates the relation between the aesthetic forms of the book and the claims made by its various characters. Her innovative approach makes possible a new understanding of the unity of the book of Job; she rejects the dismantling of the book by historical criticism and the flattening of the text that characterizes certain final form readings.

Gustave Dore and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Dore (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Dore's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Dore Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Dore's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Dore's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Dore is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.

An Invitation to Biblical Poetry is an accessibly written introduction to biblical poetry that emphasizes the aesthetic dimensions of poems and their openness to varieties of context. It demonstrates the irreducible complexity of poetry as a verbal art and considers the intellectual work poems accomplish as they offer aesthetic experiences to people who read or hear them. Chapters walk the reader through some of the diverse ways biblical poems are organized through techniques of voicing, lineation, and form, and describe how the poems' figures are both culturally and historically bound and always dependent on later reception. The discussions consider examples from different texts of the Bible, including poems inset in prose narratives, prophecies, psalms, and wisdom literature. Each chapter ends with a reading of a psalm that offers an acute example of the dimension under discussion. Students and general readers are invited to richer and deeper readings of ancient poems and the subjects, problems, and convictions that occupy their imagination.