When Jet McDonald cycled four thousand miles to India and back, he didn't want to write a straightforward account. He wanted to go on an imaginative journey. The age of the travelogue is over: today we need to travel inwardly to see the world with fresh eyes. Mind is the Ride is that journey, a pedal-powered antidote to the petrol-driven philosophies of the past. The book takes the reader on a physical and intellectual adventure from West to East using the components of the bike as a metaphor for philosophy, which is woven into the cyclist's experience. Each chapter is based around a single component, and as Jet travels he adds new parts and new philosophies until the bike is 'built'; the ride to India is completed; and the relationship between mind, body and bicycle made apparent.

This collection On Travel is clever, funny, provoking and confrontational by turn. In a pyrotechnic display of cracking one- liners, cynical word play and comic observation, it mines three thousand years of wit and wisdom: from Martha Gellhorn to Confucius and from Pliny to Paul Theroux.

Adventures of a Mountain Man: The Narrative of Zenas Leonard is a remarkable true-life adventure story, a narrative of exploration, survival, conflict, capture, torture, and an insider's account of the daily life of an 1830's American fur trader and trapper in the early American West.

Met kaarte en geografiese grense sal mens wel kan bepaal waar le die Tankwa-Karoo. maar vir Adriaan Oosthuizen kry jy die streek wanneer jy die langste grondpad tussen twee dorpe in Suid-Afrika aanpak: die pad tussen Ceres en Calvinia. Saam met Adriaan se foto’s vertel Leti Kleyn van haar besoek aan hierdie geliefde stuk land en dit word aangevul deur Dawid Slinger se vertellings en skrywes. ’n Fees vir die oog, lekkerleesboek en ’n inligtinggids ineen oor die geliefde streek wat die Tankwa-Karoo heet.

An absorbing, original, and ambitious work of reportage from the acclaimed New Yorker correspondent

During the past decade, Peter Hessler has persistently illuminated worlds both foreign and familiar--ranging from China, where he served as The New Yorker's correspondent from 2000 to 2007, to southwestern Colorado, where he lived for four years. Strange Stones is an engaging, thought-provoking collection of Hessler's best pieces, showcasing his range as a storyteller and his gift for writing as both native and knowledgeable outsider. From a taste test between two rat restaurants in South China to a profile of Yao Ming to the moving story of a small-town pharmacist, these pieces are bound by subtle but meaningful ideas: the strength of local traditions, the surprising overlap between cultures, and the powerful lessons drawn from individuals who straddle different worlds.

Full of unforgettable figures and an unrelenting spirit of adventure, Strange Stones is a dazzling display of the powerful storytelling, shrewd cultural insight, and warm sense of humor that are the trademarks of Peter Hessler's work.

Following A Month by the Sea, her acclaimed exploration of life in Gaza, Dervla Murphy describes with passionate honesty the experience of living with and among Jewish Israelis and Palestinians in both Israel and Palestine. In cramped Haifa high-rises, in homes in the settlements and in a refugee camp on the West Bank, she talks with whomever she meets, trying to understand them and their attitudes with her customary curiosity, her acute ear and mind, her empathy, her openness to the experience and her moral seriousness. Behind the book lies a desire to communicate the reality of life on the ground, and to puzzle out for herself what might be done to alleviate the suffering of all who wish to share this land and to make peace in the region a possibility. Meeting the wise, the foolish and the frankly deluded, she gradually knits together a picture of the patchwork that constitutes both sides of the divide - Hamas and Fatah, rural and urban, refugee, indigenous inhabitant, Russian, Black Hebrew and Kabbalist to name but a fraction. She finds compassion and empathy in both communities, but is also appalled by instances of its lack on both sides - a Palestinan woman who will not concede the suffering of Jewish civilian victims of a suicide bomber, and the Jewish inhabitants of Hebron who make the lives of their Muslim neighbours a living hell. Clinging to hope, Dervla comes to believe that despite its difficulties the only viable future lies in a single democratic state of Israel/Palestine, based on one person, one vote - a One-State Solution.

Metro Cowboys, Tiny Elevators, Trusting The New Patisserie..."Paris, I've Grown Accustomed To Your Ways" continues the saga begun in Me, Myself and Paris, humorist and writer Ruth Yunker's account of her forays into life in Paris, part time tourist, part time resident. In Paris, I've Grown Accustomed To Your Ways the training wheels have come off. Ms. Yunker negotiates the exquisitely charming, but impossibly exacting, City of Light with a new sense of ease, and an increasing sense of feeling right at home. She revels in the amber warmth of Angelina's chocolate Eden on a cold November day. She zeroes in on, after six visits, her favorite arrondissement in which to rent her apartment...the fifteenth, just so you know She shops in Montmartre with aplomb, and still does not climb up to the top of the Eiffel Tower. She sees passionate love in unexpected places out on the streets of Paris. She watches cowboys riding the metros, and considers the sweet life of a lemon as it rolls out of her apartment door. A little boy in St. Suplice wins her heart. The concierge at the apartment on rue Vaneau does not. She discovers there are rules for finishing one's plate in restaurants. But there are no rules for which pain rustique will make the very best toast every morning. In Paris, I've Grown Accustomed To Your Ways, Ruth Yunker delves deeply to discover what makes the heart of Paris sing, and emerges more in love than ever.

***SILVER AWARD WINNER, 2019 NAUTILUS BOOK AWARDS!*** The Children's Fire forges a trail into Britain's wild and ancient Celtic past. It locates the fragments of a story that still has resonance today; the pulse and surge of an older wisdom that cracks the mendacity of the shopping mall's vacuous promise. It is a passionate evocation of a generous, inclusive, diverse and spiritually significant world - the world of our longing. In the winter of 2009 Mac Macartney walked from his birthplace in England across Wales to the island of Anglesey, once the spiritual epicentre of Late Iron Age Britain, navigating by the sun and the stars, with no map, compass, stove or tent, and in the coldest winter for many years. The Children's Fire records that journey, and seeks to lay bare the aching loss of knowing and understanding sacredness as it applies to everything ordinary that brings joy to the human heart. It asserts the emergence of a new story; the story of a people coming home to a truth made all the more poignant having so painfully broken faith with nature, our deeper humanity, and the paradise we fouled with such casual disrespect. It is a love story and part of a larger narrative that is surfacing all around the world. It seeks to reclaim our future and name it, beautiful.

"Romanian Furrow", written in 1933, is an enchanting and evocative chronicle of a journey made by a young Englishman, Donald Hall, to Romania in search of a rural lifestyle that was rapidly disappearing in Western Europe. Hall set out not only to observe but to actively participate in peasant life and in this quest he brilliantly succeeded in touching the soul of Romanian country life. The friendships he made along the way are most moving. Hall's account of rural life in Romania - which has not markedly changed today - admirably meets the reading requirements of Green or Eco tourists, a market segment that Romania is investing much of its tourism budget to attract.

Set in the urban pastoral of an East London postcode, Feral Borough asks what it means to call a place home, and how best to share that home with its non-human inhabitants. Meryl Pugh reimagines the wild as 'feral', recording the fauna and flora of Leytonstone in prose as incisive as it is lyrical. Here, on the edge of the city, red kite and parakeets thrive alongside bluebell and yarrow, a muntjac deer is glimpsed in the undergrowth, and an escaped boa constrictor appears on the High Road. In this subtle, captivating book - part herbarium, part bestiary and part memoir - Pugh explores the effects of loss, and lockdown, on human well-being, conjuring the local urban environment as a site for healing and connection. 'A subtle, heartfelt and affecting book about home, the city and the self -- Pugh reminds us that nowhere, however urban, is without nature; that wherever we go, the intricate web of life continues to shape and change us.' Rebecca Tamas