Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In these entertaining birding anecdotes from around the world, Bo Beolens, alias the 'Fatbirder', traverses many of the planet's wild places, along with his wife Maggie, looking at birds - some familiar, others exotic, a few beyond a person's most extravagant expectations. On the way, he meets up with a wide variety of human, animal and bird characters and experiences a plenitude of amusing and sometimes bizarre happenstances, all told with the author's wellknown flair and panache. Certainly, his travels are a credit to his courage and fortitude in coming to terms with wild birds of different plume, hue and voice. The book, with a prelude by celebrity naturalist and broadcaster Mike Dilger, comprises twenty-six alphabetical 'chapters' - starting with A for Anhinga, the Snake-bird, and ending with Z for Zebra Finch - each being accompanied by a humorous drawing by cartoonist and illustrator Des Campbell. A-Z of Birds will surely amuse and entertain all those who have a passion for birds and wish to be inspired by one who already has lots of first-hand experience of how to (usually) get the most out of travelling to far-flung lands to see them.

Too old to make a gap-year trip? At the age of forty-three, overweight and settled in a good job, what made Andy Fosker embark on just such an adventure, travelling to South America, the Galapagos Islands, Easter Island, New Zealand and Australia? Ahead lay spectacular scenery, wondrous nature, unusual customs and cuisine, any number of flying, crawling and biting insects and perhaps most daunting of all, a test of his ability to be on his own for long periods of time. Follow Andy's journey through his diaries; what made him laugh and what made him sad, the highs and lows and the lasting memories of a momentous time in his life. The Diaries of Me - A Traveller, "The most amazing experience of my life. Travel broadens the mind and helps to reduce the waistline! If you have the opportunity to travel then grab it with both hands."

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Have you ever experienced a strong compulsion to head for the hills? In your dreams have you ever pictured yourself running free over some beautiful moorland landscape, with the wind in your hair and the heather tickling you elsewhere? Perhaps, until now, you have put it down to eating cheese before going to bed? Well, maybe it is the Call of the North - inviting you to explore the Pennines. Maybe it is time to set aside life's problems, step into the footprints of the heroes of old and lose yourself in some exquisite wilderness. Join Peter Lancaster as he dodges death and disaster travelling the Pennines, with only 'Auntie' (his 1963 Rover) for company...apart from his wife Jane, sheepdog and pint of beer. When life is an uphill struggle, why not pause and take a look at the view for a while?

The islands of the Outer Hebrides are home to some of the most remote and spectacular scenery in the world. They host an astonishing range of mysterious structures - stone circles, beehive dwellings, holy wells and 'temples' from the Celtic era. Over a twelve-day pilgrimage, often in appalling conditions, Alastair McIntosh returns to the islands of his childhood and explores the meaning of these places. Traversing moors and mountains, struggling through torrential rivers, he walks from the most southerly tip of Harris to the northerly Butt of Lewis. The book is a walk through space and time, across a physical landscape and into a spiritual one. As he battled with his own ability to endure some of the toughest terrain in Britain, he met with the healing power of the land and its communities. This is a moving book, a powerful reflection not simply of this extraordinary place and its people met along the way, but of imaginative hope for humankind.

Embark on a global journey with Charles Koopman, an intrepid American teacher who has traversed over one hundred countries, gathering profound insights along the way. In “Man in the Mirror,” Koopman delves into the rich tapestry of cultures he’s encountered, illuminating their unique approaches to life’s challenges and the attitudes that shape their perspectives. As a self-described “man without a home,” Koopman intimately understands the nuances of diverse societies, revealing how certain universal truths emerge amidst cultural diversity. Through the exploration of fifty maxims, both familiar and obscure, he unpacks their relevance to the myriad landscapes he’s explored, from the bustling streets of South America to the tranquil villages of China, the enigmatic bazaars of the Middle East, and the vibrant tapestry of Africa, juxtaposed with his experiences in his homeland, the United States.

Koopman fearlessly confronts the blurred lines between truth and fiction in today’s media landscape, using age-old adages to shed light on the complexities of perception. By challenging entrenched stereotypes—such as the notion of Africa as a land of desolation—he urges readers to embrace empathy and abandon preconceived notions. Drawing from his immersive firsthand experiences, Koopman encourages readers to step outside their comfort zones and embrace the wisdom of diverse perspectives. “Man in the Mirror” is not merely a reflection on the world as it exists, but a compelling call to action for greater understanding, compassion, and solidarity. In a world plagued by discord and inequality, Koopman’s poignant exploration underscores the imperative of empathy, offering a roadmap towards a more harmonious and equitable future.

The self-published book is inspired by fifty proverbs that the author explains through his own experiences of the countries he has visited. Like his father, another globetrotting educator, Charles can offer readers highly philosophical insights about the world around us and what makes the human race such a fascinating topic. If there is one thing his travels have taught him, it is that every moment should be lived to its fullest as opportunity may never knock again.

By the YouTube sensation with two and a half million followers, the inspiring account of a young woman who, in a moment of personal crisis, embarked on an epic, transcontinental motorcycle ride—and along the way found a new sense of purpose.

Noraly Schoenmaker was a thirtysomething geologist living in the Netherlands when she learned that her live-in partner had been having a long-term affair. In desperate need of a new beginning, she decided to quit her job and jet off to India. But her plans were dashed when she fell quickly and helplessly in love: with a motorcycle. Behind the handlebars, she felt alive and free—nimble enough to trace the narrowest paths, powerful enough to travel the longest of roads.

First, she set off toward the Pacific, through the jungles of Myanmar and Thailand, then into Malaysia. Rather than satisfy her appetite for the open road, this ride only piqued it. She shipped her bike to Oman, at the base of the Arabian Peninsula, and embarked on a journey through Iran, across Tajikistan along its border with Afghanistan, over the snowy peaks of Central Asia, and into Europe, all the way back home to the Netherlands. She covered remote and utterly unfamiliar territory, broke down on impossibly steep mountains, and pushed too many miles along empty roads, farther and farther from civilization. But through her travels, she discovered the true beauty of the world, the kindness of its people, the simplicity of its open spaces, and a new and unshakable belief in her capabilities.

Free Ride is an inspiring story of self-discovery and renewal. Filled with unforgettable figures, hilarious disasters, and powerful human connections, it shows you what happens when you open your heart and let the world in.

Celebrating a "golden age" of travel, this book retraces the steps of a Grand Tour of South East Asia from the turn of the 20th century to the present day. The Romance of the Grand Tour explores the living heritage of 12 exotic port cities: from Rangoon (Yangon), through the Straits Settlements of Penang, Malacca and Singapore and the old Dutch East Indies cities of Batavia (Jakarta) and Surabaya, via Bangkok to former Indochina at Saigon (Ho Chi Minh City), Phnom Penh and Hanoi, through Manila to Hong Kong. Drawing on archival images and accounts as well as present-day photographs and illustrations, the book captures the romance and excitement of these early Grand Tourists, while presenting contemporary scenes and experiences for 21st-century travellers determined to seek out the legacy of a bygone era.