NOT ONLY... beer in Berlin, absinthe in Prague, baths in Budapest, Dracula in Transylvania, trenches in Gallipoli, a plethora of Greco-Roman ruins, fairy chimneys in Capadocia, lost cities, souks and castles in Syria, angry Kurds, absent Armenians, Mounts Nemrut and Ararat, depressed in Iran, harassed in the Stans, filthy Chinese food and filthier loos, the Wall and the Warriors... BUT ALSO... a lost car in Calcutta, road rage in India, charred corpses in Nepal, Everest in Tibet, the Potala Palace, chanting monks, appalling roads, disgusting food, unspeakable bogs, magical Mount Kailash, mayhem in the Stans, Stalingrad, Crimea, the Light Brigade, Auschwitz and in Bruges... "Every traveller should make it his life's work to leave Swindon... few go to such extremes..." Dom Joly. "Lies, it's all lies..." Chairman Mao. The author is an Old Etonian, Cambridge graduate, retired investment banker and completely unrepentant.

Sister Katey's letters reveal, vividly, life in a little-known part of Brazil. The reader is struck by the caring attitude and generous spirit of those who have very little to spare and share. It is a compassionate but unsentimental account in which practical and spiritual help go hand in hand with the help of trained lay leaders - perhaps a pattern for the Church in other parts of our world.

On the 18th of March 2013 David Littlejohn Beveridge set out, in fulfillment of childhood dreams, to walk the ancient pilgrim route called the Way of St.James or Camino de Santiago from Roncesvalles to Santiago de Compostela. Earth Under My Heel is his journal.

I had a lot of fun and many laughs in all the places that I visited except one - Auschwitz. It was awful. It is awful. Lady F and I visited the death camp on a grey, drizzly day in September and it left a lasting impression. As our guide on the day said, 'Everyone in the world should come here to remind themselves of how cruel the human race can be. Look at the world today, it is happening again. Do we really want a repeat?' He is quite right. Do we want a repeat?

Rugged coastline, outstanding beaches, numerous historic buildings and a good dollop of folklore are just some of the fabulous attractions of the Wales Coast Path. Add to this the warmth and friendliness of the Welsh people and a wander around Wales becomes a truly memorable experience. The 870 miles of continuous coast path offer a unique view of Wales and all that it has to offer. Every geographic section of the path has its own highlights and every day presents you with a new experience to savour and enjoy. So, charge your camera, walking boots at the ready and prepare to be amazed as you wander around the Wales Coast Path, whatever the weather!!

Op 40 voel Gerard Scholtz onfiks, vet en verveeld. Hy koop ’n tweedehandse fiets en trap saam met sy vrou Anuta die Argus tot hulle gereed is om verder te reis.

Van St Petersburg tot Moskou; die lengte en breedte van Frankryk; oor die Alpe, oor die groot riviere van Europa, Ierland en Wallis reis hulle. Later is dit twee skoeters waarmee hulle elke jaar tot 10 000 kilometer deur Europa aflê. Hulle reis ook per trein, per motor, boot en soms te voet.

In hierdie bundel spreek Gerard se vertellings van sy kennis en liefde vir geskiedenis, kuns, musiek, letterkunde … Hy word veel meer as net reisiger en verteller. Gerard neem die leser ook ’n op metafisiese avontuur …

Read the powerful account of one woman's struggle to reshape her identity when all normality has fallen away. When lifelong bird-lover Hannah Bourne-Taylor moved with her husband to Ghana seven years ago she couldn't have anticipated how her life would be forever changed by her unexpected encounters with nature and the subsequent bonds she formed. Plucked from the comfort and predictability of her life before, Hannah struggled to establish herself in her new environment, striving to belong in the rural grasslands far away from home. In this challenging situation, she was forced to turn inwards and interrogate her own sense of identity, however in the animal life around her, and in two wild birds in particular, Hannah found a source of solace and a way to reconnect with the world in which she was living. Fledgling is a portrayal of adaptability, resilience and self-discovery in the face of isolation and change, fuelled by the quiet power of nature and the unexpected bonds with animals she encounters. Hannah encourages us to reconsider the conventional boundaries of the relationships people have with animals through her inspiring and very beautiful glimpse ofwhat is possible when we allow ourselves to connect to the natural world. Full of determination and compassion, Fledgling is apowerful meditation on our instinctive connection to nature. It shows that even the tiniest of birds can teach us what is important in life and how to embrace every day.

Celebrating a "golden age" of travel, this book retraces the steps of a Grand Tour of South East Asia from the turn of the 20th century to the present day. The Romance of the Grand Tour explores the living heritage of 12 exotic port cities: from Rangoon (Yangon), through the Straits Settlements of Penang, Malacca and Singapore and the old Dutch East Indies cities of Batavia (Jakarta) and Surabaya, via Bangkok to former Indochina at Saigon (Ho Chi Minh City), Phnom Penh and Hanoi, through Manila to Hong Kong. Drawing on archival images and accounts as well as present-day photographs and illustrations, the book captures the romance and excitement of these early Grand Tourists, while presenting contemporary scenes and experiences for 21st-century travellers determined to seek out the legacy of a bygone era.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In these entertaining birding anecdotes from around the world, Bo Beolens, alias the 'Fatbirder', traverses many of the planet's wild places, along with his wife Maggie, looking at birds - some familiar, others exotic, a few beyond a person's most extravagant expectations. On the way, he meets up with a wide variety of human, animal and bird characters and experiences a plenitude of amusing and sometimes bizarre happenstances, all told with the author's wellknown flair and panache. Certainly, his travels are a credit to his courage and fortitude in coming to terms with wild birds of different plume, hue and voice. The book, with a prelude by celebrity naturalist and broadcaster Mike Dilger, comprises twenty-six alphabetical 'chapters' - starting with A for Anhinga, the Snake-bird, and ending with Z for Zebra Finch - each being accompanied by a humorous drawing by cartoonist and illustrator Des Campbell. A-Z of Birds will surely amuse and entertain all those who have a passion for birds and wish to be inspired by one who already has lots of first-hand experience of how to (usually) get the most out of travelling to far-flung lands to see them.

A fascinating journey through China from Hong Kong to Beijing. Discover the amazing Stone Forest, the Giant Buddha of Leshan and Mount Emei, one of China's four sacred mountains. Encounter the dentist, ear cleaner and barber at work in a country market, learn the health benefits of drinking snake's blood and find out why August is the most propitious month in which to marry. This book is not intended as a guide since China has changed considerably in recent years.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The islands of the Outer Hebrides are home to some of the most remote and spectacular scenery in the world. They host an astonishing range of mysterious structures - stone circles, beehive dwellings, holy wells and 'temples' from the Celtic era. Over a twelve-day pilgrimage, often in appalling conditions, Alastair McIntosh returns to the islands of his childhood and explores the meaning of these places. Traversing moors and mountains, struggling through torrential rivers, he walks from the most southerly tip of Harris to the northerly Butt of Lewis. The book is a walk through space and time, across a physical landscape and into a spiritual one. As he battled with his own ability to endure some of the toughest terrain in Britain, he met with the healing power of the land and its communities. This is a moving book, a powerful reflection not simply of this extraordinary place and its people met along the way, but of imaginative hope for humankind.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.