Toronto Then and Now pairs vintage images of Canada's largest city – and North America's fourth most populous – with the same views as they look today. Toronto has long been a financial powerhouse in North America, and this is represented by its many grand bank buildings. Canada's capital may be Ottawa, but the financial power emanates from this thriving city, the fourth most populous in North America. Sites include: Toronto Harbour, Fort York, Queen's Quay Lighthouse, Toronto Island Ferries, Queen's Quay Terminal, Canadian National Exhibition, Sunnyside Bathing Pavilion, Princes' Gates, Royal York Hotel, Union Station, City Hall, St. Lawrence Market, St. James Cathedral, Canadian Pacific Building, Bank of Montreal, Dineen Building, Elgin Theatre, Arts and Letters Club, Old Bank of Nova Scotia, Ryrie Building, Masonic Temple, Osgoode Hall, Royal Alexandra Theatre, Gurney Iron Works, Boer War Monument, CN Tower, Old Knox College, Victory Burlesque Theatre, Maple Leaf Gardens, University of Toronto and much more.

The acclaimed Academie royale de peinture et de sculpture, the second oldest academy in France, was abolished in 1793. Whilst a number of studies have explored the drama of its dissolution, often associated with a speech by former member Jacques-Louis David, this outcome can only be fully understood in the context of the evolving governance of the institution. In this groundbreaking work, Reed Benhamou provides the first comprehensive examination of the codes and practices of the Academie, from its inception in 1648 to its abolition in 1793. As well as exploring why certain rules were adopted, how they facilitated the development of institutional power bases, and the part they played in the Academie's growing factionalism, the author uncovers changing attitudes to the guild, women, associate academicians and unaffiliated artists. This astute and comprehensive analysis is followed by nine annotated appendices of both registered and proposed statutes and of other related documents, many of which are made readily accessible for the first time. Offering new insights into the tensions between art and state throughout the ancien regime and beyond, Regulating the Academie is an invaluable reference not only for art historians, but also for those working in cultural or legal history.