Alongside artists such as Jackson Pollock and Mark Rothko, Richard Pousette-Dart (1916–1992) was one of the most important pioneers of Abstract Expressionism. Sixty outstanding works from all creative phases allow us to immerse ourselves in the colourful and multifaceted oeuvre of this remarkable artist.

The American avant-garde movement of Abstract Expressionism radically changed the course of modern painting. Like many of his fellow artists, Pousette-Dart was intensely preoccupied with themes such as myth, spirituality, and the archaic. His light-flooded works often evoke ideas of transcendental force through motifs reminiscent of the firmament or the charged energy of celestial bodies. This opulent volume impressively presents Pousette-Dart’s art as a poetry of light.

Charlie's introduction to his blog put it best: "A lifetime in marketing actually equips a man for very little... Now pushing 58, I realise with some horror that it is a full half century since I last took cycling remotely seriously. If this trip does not go well, I might leave it as long until my next attempt. In September 2012, seven friends of varying fitness and circumference, accompanied by an elderly camper-wagon and driver, are cycling from France to Santiago de Compostela in north-west Spain." Despite being well past their prime they cycled up the equivalent of Mount Everest plus a bit as they crossed the Pyrenees, the Montes de Oca, the Montes de Leon, and the Cantabrian Mountains, in the process expending over 20,000 calories each (according to Susie's iPhone App), most of which were put back on each evening. They cycled in the footsteps of 1,000 years of history, marveled at the art and architecture accumulated over the centuries, and at times crashed into it. They visited the sites of miracles and pondered their meaning, and crossed the 200 meter bridge at Hospital de Orbigo which in 1434 was the site of a month long jousting tournament. They experienced the highs and lows of triumph and disaster, and felt compelled to test the efficiency of the Spanish medical system. Comment on the blog from Barnaby: "God, troops...it is epic reading and I am on the edge of my seat as I follow your progress on my map." The De-Caff Camino is in turn amusing, informative, easy reading and irreverent, and yet is imbued throughout with the greatest respect for the history and traditions of the Camino and those who have written their names into its lore. Improbably arriving at their destination after two weeks and 500 miles on the road, the author offers some forthright advice to the Vatican on how to enhance the experience for pilgrims at last achieving their goal after so much exertion, self-sacrifice and denial. The De-Caff Camino is an essential and most entertaining addition to the body of knowledge of The Way of St James.

In honor of eminent archaeologist and historian of ancient Jewish art, Rachel Hachlili, friends and colleagues offer contributions in this festschrift which span the world of ancient Judaism both in Palestine and the Diaspora. Hachlili's distinctive research interests: synagogues, burial sites, and Jewish iconography receive particular attention in the volume. Archaeologists and historians present new material evidence from Galilee, Jerusalem, and Transjordan, contributing to the honoree's fields of scholarly study. Fresh analyses of ancient Jewish art, essays on architecture, historical geography, and research history complete the volume and make it an enticing kaleidoscope of the vibrant field of scholarship that owes so much to Rachel.

Written to engage and inspire students with little or no previous experience in studio art or art history, the third edition of Approaches to Art: A New Introduction to Art History employs an accessible postmodern approach to a general education course, introducing readers to seminal works of art throughout time. This edition features increased coverage of art by people of color and women, exposing students to diverse artists and restructuring the ways in which "key figures" and "important artists" are introduced to them. The text features more than 100 new images and a timely focus on issues of agency, identity, and social equity. The book includes the essential information presented in an introductory art history course-visual elements, principles of design, style, media, and historical context-in a compelling format that encourages critical thinking and multicultural visual literacy. Students learn not only the parts of art, but also develop a deeper understanding of art's power to communicate on multiple levels-universal, cultural, and personal.

Nazar, literally 'vision', is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic visual culture and aesthetic sensibility have been shaped by common conceptual tools and moral parameters. It intertwines the act of 'seeing' with the act of 'reflecting', thereby bringing the visual and cognitive functions into a complex relationship. Within the folds of this multifaceted relationship lies an entangled web of religious ideas, moral values, aesthetic preferences, scientific precepts, and socio-cultural understandings that underlie the intricacy of one's personal belief. Peering through the lens of nazar, the studies presented in this volume unravel aspects of these entanglements to provide new understandings of how vision, belief, and perception shape the rich Islamic visual culture. Contributors: Samer Akkach, James Bennett, Sushma Griffin, Stephen Hirtenstein, Virginia Hooker, Sakina Nomanbhoy, Shaha Parpia, Ellen Philpott-Teo, Wendy M.K. Shaw.