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Books > Arts & Architecture > History of art / art & design styles > General
The Gospel Train left the station long, long ago filled with
believers traveling on a straight, resolute track toward an
eternal, spiritual paradise. But along the way, different cars of
believers were switched off the main track and are now traveling in
a somewhat different direction. Even though they are now following
many different sets of rails, they all believe they are on the only
true path that will take them to their desired destination. This
book reveals the ways in which different religions deviated from a
common trunk into contrary, discordant branches that are now
essentially at war with one another. The book focuses on what
Christian Bibles actually say instead of what believers are told
they say. It gives an accurate account of religious history from
verifiable documents that are both ancient and up-to-date records
from many different sources. The most tantalizing revelation is the
nature of God as stated directly from Christian Bibles. Readers are
encouraged to use their own Bibles to verify all references to
scripture. Both chapter and verse are supplied for reference
purposes. After reading this book, you will never again feel
exactly the same way about your religion.
"Seeing the Insane" is a richly detailed cultural history of
madness and art in the Western world, showing how the portrayal of
stereotypes has both reflected and shaped the perception and
treatment of the mentally disturbed. Covering the Middle Ages
through the end of the nineteenth century, Sander L. Gilman
explores the depictions of mental illness as seen in manuscripts,
sculptures, lithographs, and photography. With artistic renderings
and medical illustrations side-by-side, this volume includes over
250 visual displays of the mentally ill. These images capture
society's reliance on visual motifs to assign concrete qualities to
abstract ailments in an attempt to understand the marginalized.
Gilman's collection of images demonstrates how society has
relegated the mentally ill to a state of "otherness" and portrays
how society's perceived realities concerning the insane have
morphed and evolved over centuries.
Sander L. Gilman, PhD, is a distinguished professor of the
Liberal Arts and Sciences as well as Professor of Psychiatry at
Emory University. A respected educator, he has served as Old
Dominion Visiting Professor of English at Princeton; Northrop Frye
Visiting Professor of Comparative Literature at the University of
Toronto; Mellon Visiting Professor of Humanities at Tulane
University; Goldwin Smith Professor of Humane Studies at Cornell
University; and Professor of the History of Psychiatry at Cornell
Medical College. He has written and edited several books including
"The Face of Madness" and "Sexuality: An Illustrated History."
""Seeing the Insane" is a visual history of the stereotypes that
have shaped the perception of the mentally ill from medieval
through modern times. The result is nearly as heartbreaking as a
visual history of the Holocaust. In picture after picture, the book
portrays centuries of intolerance for deviance, mindless cruelty,
unthinking prejudice, and self-righteous abuse of the weak and
ill."
-"American Journal of Psychiatry"
"As extraordinary in concept as it is in its execution. . . .
This remarkable book helps laymen as well as specialists to see the
insane, but it does far more. When we study the past, we understand
the present. When we see the conventional stereotype images of
insanity, we find they still color our concepts of madness. Through
these pictures of the insane, we see all humanity. We look, not
through a glass darkly, but through a multiplicity of media,
brightly."
-"Antiquarian Bookman"
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