A celebration of Ukraine's rich cultural heritage, drawing on over 100 of the country's most important works of art and architectural monuments from prehistory to the present. Showcasing more than one hundred objects and buildings - from Byzantine icons and wooden churches to gold-domed cathedrals, folk art, and avant-garde masterpieces - Treasures of Ukraine chronicles the rich arts and heritage of a country currently facing destruction and devastation. The significance of the pieces is explained by renowned artists, curators, and critics, revealing the nation's complex history and its impact on the present. From the development of ancient cultures like Trypillia and Scythia to early states such as Kyivan Rus and the Cossack Hetmanate, to the dawn of Modernism and the striking contemporary paintings and political artworks being produced today, Treasures of Ukraine reminds us that art and monuments represent powerful sources of collective memory and identity. All proceeds will be donated to PEN Ukraine, to help Ukrainian authors in need and support museums in Ukraine.

More than ever before, scholars recognize that nearly every form of religion or spirituality has a vital connection with art. World religions, from Hinduism to The Eastern Orthodox Church, have a long and rich relationship with an array of artistic traditions. In recent decades, the academic study of religion and the arts has burgeoned. Yet a broad and serious consideration of the topic has yet to reach readers. The first comprehensive book of its kind, The Oxford Handbook of Religion and the Arts provides expert guidance to artistry and aesthetic theory in religion. Edited by Frank Burch Brown, the Handbook brings together an international team of leading scholars to present an interdisciplinary volume of nearly forty original essays. Readers are presented the main topics, issues, methods, and resources for the study of religious and theological aesthetics. The essays give light to the dynamic interaction of world religions and art making. The volume ranges from antiquity to present day to examine idolatry, aesthetics in liturgy, and the role of art in popular religion. Ranging from music and poetry to architecture and film, the Handbook crosses the boundaries of different faiths and art forms to survey established and pioneering voices within the field. An authoritative text for scholars and students, The Oxford Handbook of Religion and the Arts will remain an invaluable resource for years to come.

The spiritual realm has been the resort of countless Blacks during their sojourn in America. Black Missionary Baptists' history blossomed in Reconstruction and matured in Jim Crow Southern society. However, research on Black Baptists at the regional and local levels has been largely neglected. In obscurity are pioneers who blazed a trail of faith in God and set in motion what Carter G. Woodson and others have called the Negro Church. What began many years ago as their religious experience lives on today, but the stories of their time have not been told. Because religion has been a significant influence on Black people it is important to reconstruct and preserve local and regional religious history. Knowledge of the past is vital to understanding the present. William Montgomery, Under Their Own Vine And Fig Tree: The African American Church in the South, 1865-1900, asserted that this time frame deserved more scholarly attention. Southwest Georgia is fertile ground for Black religious history. Not since W. E. B. Du Bois' The Black Church, has there been a focus on Blacks and religion in the region. This book resurrects from invisibility's custody Blacks embrace of Christianity in local and regional settings. Its contents explore denomination identity formation and religion as a means of uplift and advancement in the microcosm of Southwest Georgia. Through it all, Black Baptist ministers were pivotal actors in the religious drama. Although myths and stereotypes about Black ministers of the past abound, they, nevertheless, led the way down freedom road. This book tells of Black preachers of the past, their efforts to uplift and advance the race, and reveals the depth of their creativity, that was repeatedly demonstrated in the founding of local churches and associations that are vibrant today.