Through case studies of collectors, patrons, and agents who redefined collecting and the art market, this volume illuminates how the changing status of the artist, rise of connoisseurship, role of intermediaries and new patterns of consumption established models for collecting and display that resemble those still practiced today. The book presents new research by recognized scholars who examine the motivations of collectors and agents, emphasizing how their collecting, patronage and advocacy could require support of artists whose reputations were not fully established. Together, the essays invite consideration of works that are familiar in art-historical terms but less so as markers of the socio-economic shifts of a particular cultural moment. This book evolved from a symposium "When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450-1650," organized by the Center for the History of Collecting, that was held at The Frick Collection on April 12 and 13, 2019. Both the book and the symposium were made possible through the generous support of the Robert H. Smith Family Foundation. The book is published in association with The Frick Collection.

How to Read Bridges is a practical introduction to looking at the structure and purpose of bridges. It is a guide to reading the structural clues embedded in every bridge that allows their variety and ingenuity to be better appreciated. Small enough to carry in your pocket and serious enough to provide real answers, this comprehensive guide analyses and explores all types of bridges from around the world from the first millennium to the present day. The book also explores fundamental concepts of bridge design, key materials and engineering techniques whilst providing an accessible visual guide with intelligent text, using detailed illustrations and cross-sections of technical features.

A collection of legendary British artist David Hockney’s insights into art, life, nature, creativity and much more.

‘I’ve always been a looker ... that’s what artists do’

This anthology of quotations by David Hockney follows in the successful format of ‘The World According to’ series. Ranging across topics including drawing, photography, nature, creativity, the internet and much more, The World According to David Hockney offers a delightful and engaging overview of the artist’s inimitable spirit, personality and opinions.

From everyday observations – ‘The eye is always moving; if it isn’t moving you are dead’ – to artistic insights such as ‘painted colour always will be better than printed colour, because it is the pigment itself’, as well as musings on other image makers, including Caravaggio, Cézanne and Hokusai, Hockney has a knack for capturing profound truths in pithy statements.

Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings, and since then has embraced a range of media including photocollage, video and digital technologies. In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time.

Presented as a beautifully designed and attractive package, illustrated with works of art from throughout Hockney's career, this is the perfect gift for art lovers everywhere.