Dear reader, if you are holding in your hands the book "Legends of the Phoenix" by A.V.Trehlebov, then in just a moment a magnificent journey awaits you filled with fascinating knowledge about the hidden history of our world and some of the most fascinating societal processes to ever occur. If you have already read a few dozen books on the subject but are still asking yourself the questions "Who am i?" "What is my purpose here?" or "Why do we die?" then this book will become a treasure within your library. If you are still searching for the answers to the age old questions of the origins of life on earth, the origins and evolution of our modern civilization, the origins of different races, the true history of the people on earth, our spiritual growth as humans, or the universal laws of the universe, then this book has come to you at the right time. Through years of scientific study, this non-fiction tractate is written in a simple yet fascinating manner and is suitable for all readers. The phoenix, as in the title of the book, is an ancient Russian symbol symbolizing the rebirth of Russia and the Slavic people. From folk tales it is written that these birds rise from their ashes, are then reborn in a magical flame and appear in a purer form. Since history has always been written by, and for the benefit of the current rulers, disregarding any previous facts or knowledge, we use the experience and heritage of our ancestors which have been laid out in the "Legends of the Phoenix." "Legends of the Phoenix" is devoted to the revival of the ancient, million year old culture and heritage of the Slavic people. The information in this book has deep roots from the Slavic Vedas dating back hundreds of thousands of years with knowledge not yet fully discovered by our modern civilization. Consisting of two parts, the first part "Origin of the Slavic-Aryans" discusses the root origins of the Slavic people, the ancient texts and archaeological monuments, the eon old Slavic ancestry, our beliefs, morals, commandments, and the answers to the mysterious wise tales of the Slavs. The second part called "The Path to Light" discusses the connection and meaning of the Slavic and Hindu Vedas, the stages of the ancient Slavic spiritual belief "Rodoveriye," the meaning of spiritual development, the paths and goals of our ancient societies, the wisdom behind each stage of life and how to get ready for and create virtuous offspring, the nature of divine and demonic entities and their purpose, the importance of understanding your inner self and past lives, the structure of all our energy bodies, the origins of the Vedas, what it means to have a non-dualistic view of the universe, and the secrets of the Golden Path.

Judy Chicago's monumental art installation "The Dinner Party "was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century.
More than most social movements, feminism was transmitted and understood through culture--art installations, "Ms. Magazine," "All in the Family," and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s Gerhard analyzes these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. She concludes with a chapter on the 1990s, when "The Dinner Party" emerged as a target in political struggles over public funding for the arts, even as academic feminists denounced the piece for its alleged essentialism.
The path that" The Dinner Party" traveled--from inception (1973) to completion (1979) to tour (1979-1989) to the permanent collection of the Brooklyn Museum (2007)--sheds light on the history of American feminism since 1970 and on the ways popular feminism in particular can illuminate important trends and transformations in the broader culture.

A fully illustrated examination of the relationship between money, power, resistance, and dissent. Money's ubiquity makes it a powerful vehicle for disseminating the messages of the state to the public, but the symbolic and nationalistic iconography of currency can also be subverted in powerful acts of defiance, rebellion, and propaganda. Accompanying major exhibitions at The Fitzwilliam Museum in Cambridge and the Art Gallery of Ontario in Toronto, this volume explores the political and social tensions communicated through the production or defacement of money over the past two hundred years. Beginning in Britain in the wake of the American and French Revolutions, it contrasts the use of money by the radicals of the nineteenth and early twentieth century with the money produced by European empires as they scrambled for world domination. The currency histories of the two world wars highlight the role of money as a tool of occupation, imprisonment, resistance, and remembrance. The coins countermarked during the Troubles in Northern Ireland hint at the polarized nature of political discourse and sectarian violence. The work culminates with the work of contemporary artists and activists who use money to highlight the challenges of the modern world, both locally and globally--as a canvas, a raw material, or a powerful means of communication. From a unique coin commemorating the Peterloo Massacre of 1819 to a Syrian banknote refashioned to raise awareness of the refugee crisis, each object constitutes a witness statement to its time and its conflict, and each section has its own story to tell.