The sequel to the acclaimed Made in Niugini, which explored in unparalleled depth the material world of the Wola comprising moveable artefacts, Built in Niugini continues Paul Sillitoe's project in exemplary fashion, documenting the built environment, architecture and construction techniques in a tour de force of ethnography. But this is more than a book about building houses. Sillitoe also shows how material constructions can serve to further our understandings of intellectual constructions. Allowing his ethnography to take the lead, and paying close attention to the role of tacit understandings and know-how in both skilled work and everyday dwelling, his close experiential analyses inform a phenomenologically inflected discussion of profound philosophical questions - such as what can we know of being-in-the-world - from startlingly different cultural directions. The book also forms part of a long-term project to understand a radically different 'economy', which is set in an acephalous order that extends individual freedom and equality in a manner difficult to imagine from the perspective of a nation-state - an intriguing way of being-in-the-world that is entwined with tacit aspects of knowing via personal and emotional experience. This brings us back to the explanatory power of a focus on technology, which Sillitoe argues for in the context of 'materiality' approaches that feature prominently in current debates about the sociology of knowledge. Archaeology has long been to the fore in considering technology and buildings, along with vernacular architecture, and Sillitoe contributes to a much-needed dialogue between anthropology and these disciplines, assessing the potential and obstacles for a fruitful rapprochement. Built in Niugini represents the culmination of Sillitoe's luminous scholarship as an anthropologist who dialogues fluidly with the literature and ideas of numerous disciplines. The arguments throughout engage with key concepts and theories from anthropology, archaeology, architecture, material culture studies, cognitive science, neuroscience and philosophy. The result is a significant work that contributes to not only our regional knowledge of the New Guinea Highlands but also to studies of tacit knowledge and the anthropology of architecture and building practices. Trevor Marchand, Emeritus Professor of Social Anthropology, School of Oriental and African Studies

Gateways to the Book investigates the complex image-text relationships between frontispieces and illustrated title pages on the one hand and texts on the other, in European books published between 1500 and 1800. Although interest in this broad field of research has increased in the past decades, many varieties of title pages and a great deal of printers and books remain as yet unstudied. The fifteen essays collected in this volume tackle this field with a great variety of academic approaches, asking how the images can be interpreted, how the texts and contexts shape their interpretation, and how they in turn shape the understanding of the text.

Inspired by both Daniel Defoe's 'A Journal of the Plague Year' (1722) and 'The King', an anthology of the witty and provocative chess columns of the Dutch Grandmaster, Jan Hein Donner, Ray Keene here collects his thoughts and writings on the year 2020 - both in chess and the wider world. His reflections include the impact of Covid-19 on the popularity of chess, the remarkable influence of the Netflix series 'The Queen's Gambit', the growing army of teenage Grandmasters, the online pivot of chess competition and the emergence of chess entrepreneurs, such as World Champion Magnus Carlsen and Grandmaster Hikaru Nakamura.. Like Donner, Ray uses chess as a metaphor for observations on art, culture and civilisation.

Well Worth a Shindy tells the story of the Old Well, beloved symbol of the University of North Carolina at Chapel Hill, the United States' first public university. The Old Well is a Greco-Roman garden temple built in 1897 over an old water well on the campus. The facts concerning the Old Well's beginnings serve to introduce an historical study of the round temple from Mycenaean tholos tombs and treasuries to eighteenth-century English garden follies. The reasons that the Old Well was built, according to its commissioner, Edwin Alderman, the sixth president of the University of North Carolina, are repetitious of those that directed such as Alexander the Great, Augustus Caesar, and Ferdinand and Isabella of Spain to build round temples to be symbols of their territorial and dynastic desires. the designer of the Old Well, Eugene Lewis Harris, used to construct the temple were not new but were ancient guides filtered through Medieval and Renaissance prisms. A catalog of over 100 round structures in 14 countries is provided.

Malice Aforethought is the story of murder-one-the premeditated, cold-blooded killing and obliteration of the name and life-story of the world's greatest writing genius, William Shakespeare. This shameful tale has finally been unraveled, slowly but inexorably, piece by dramatic piece, during the last century. Whom did Shakespeare offend so grievously that he had to be eradicated forever from the rolls of life? Or was he only embroiled in high-stakes drama and malevolence by ill-fortune? Using well-known sleuthing techniques, the Great Shakespeare Hoax has been solved, the true genius identified and the diabolical perpetrators revealed. Their disgraceful deception, coerced on a gullible world, has been eminently successful for four centuries but no longer. The dastardly deed of filching and squelching Shakespeare's name, the immediate jewel of his soul, was a wanton act of assassination with malice aforethought, malum in se, malevolent by its very nature. The despicable act was motivated solely for reasons of endless appetite for power and wealth by individuals at the highest level of English government. Remarkably, a cover-up of the truth still continues today in the United States and England.