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Books > Arts & Architecture > History of art / art & design styles > General
TREATISE LEONARDO DA VINCI. Originally published in 1877. PREFACE:
Vll ono was Issued by Messrs. Nichols and Son, to which was added a
Life of Leonardo by Mr. John William Brown. This gentleman had the
privilege of constant admittance not only to the private library of
his Imperial and Royal Highness the Grand Duke of Tuscany, but also
to his most rare and valuable collection of Manuscripts in the
Palazzo Pitti, where ho was permitted to copy from the original
docttments and correspondence whatever he con ceived useful to Ms
subject. He was enabled to produce what was then the most
trustworthy Life of Leonardo that had over appeared. Since that
time many new biographies of Leonardo have been written, of which
ono of the most important is that by Signor Gustavo TIzielli. The
1835 edition of the Treatise on Painting has long been scarce, It
is now reprinted, and the more recent facts which have boon
discovered concerning the life of Leonardo, and a full account of
Ms manuscripts and his acknowledged paintings have been added.
Nicholas Poussins drawings and Albertis designs are reproduced, and
great pains have boon taken to make Leonardos work as useful as
possible to students of Art. John Francis Bigaud, the translator of
the Trattato della Pittura, was born of French parents at Turin, in
1742. His father, who was a merchant, intended his son to follow Ms
profession but young Bigaud evinced so strong a talent for
painting, that he was allowed to follow his own desires. After he
had received good instruction in art from Choralier Beaumont,
principal painter to the King of Sardinia, Bigaud travelled much,
in Italy, and stayed more especially in Homo, Parma, and in
Bologna, where, in 1760, ho was elected a member of tho Olomontino
Academy. In 1772, Ragatid loft Italy and wont to Pann, where he
remained but a short time Ho then camo to England, and gained much
praise for IUH picture of Hercules. In the November of tho year of
his arrival ho was elected an Associate of tho Royal Academy, and
In 1784 he became a full mombor. With tho exception of a journey on
the Continent, I igaud spent tho rest of his life in England. Ho
died in 181,0, at Packing-ton, irt Warwickshire, the seat of tho
Karl of Aylosford, his obiof patron. In tho parish church at
Pacldngton is an alte r-pi0e painted by Itigaud for tho Karl of
Aylosford - no to worthy from, the circumstance that it m mipponod
to bo tho first work executed in fresco in thifli country. Among
other honours in art, Iltgaud was mado a Mem ber of th Royal
Academy of Stockholm, and Painter to the King of Sweden. Contents
include: THE LIFE OF LEONARDO DA VINCI ... ... xi BE A WING
Proportion, ., ... ... ... 1 Anatomy .., ... .. ... ... 10 Motion
and Equipoise of Figures ... ... ... 20 Linear Perspective ... ..
... ... 37 INVENTION, OB COMPOSITION ... ... ... ... 45 Expression
and Character, ... ... 63 LIGHT AND SHADOW ... ... ... ... ... 67
Contrast and Effect ... ... ... ... 80 Betoes ... ... ... ... ...
81 COLOUBS AND COLOUBING ... .. ... 87 Colours in regard to Light
and Shadow ... ... 100 Colours in regard to Back-grounds ... ...
106 Contrast, Harmony, and Eeflexes in regard to Colours 108
Perspective of Colours . M ... ... . . . 1 M Aerial Perspective, ..
. 125 X CONTENTS. IAOK MISCELLANEOUS OBSEBVATIONS ... ... ... 135
Landscape, etc, ... ... ... ... 135 GENBBAL INDEX ... ... ... ...
... 157 APPENDIX I. Manuscripts of Leonardoda Vinci ... ... 178 II.
Classified Catalogue of Ms principal Paintings Holy families,
Madonnas, etc. ... ... 170 Sacred Historical Subjects ... .. 197
Classical Subjects ... ... ... ... 204 Historical Subjects .. ...
... 209 Portraits ... ... ... ... ... J10 Pictures Lost or Missing
..., , S g III...
The Facet of Black Culture is a very unique book that talks about
culture of the black people, the birth of a person to his final
departure to our ancestors and how his property will be shared if
he or she has any. This book begins with the brief history of some
ethnic groups in Africa, particularly Ghana. In this chapter you
will learn how some of the ethnic groups moved from their original
geographical locations to present-day Ghana after which you will
move to the next chapter, which talks about birth and naming
ceremony in Africa. Chapter 2 basically talks about how naming
ceremonies are performed in some parts of Africa. One will also
learn about the first religion in Africa in this book; the features
and beliefs of the traditional religion are found in this book.
Marriage is the dream of every young man and woman in Africa; how
marriage rites are performed Africa can also be found this book.
The meals and preparations, the art and craft, music and dance,
celebrations and festivals, death and funeral rites among black
people are all tactically discussed in The Facet of Black Culture.
The greatest treasure of the City of London has been, until now,
the least known. The unique Crystal Sceptre of c.1420 - seen only
at the inauguration of the Lord Mayor and at coronations, and never
photographed before - is here presented with as much as is known of
its history, its materials and their origins and its first recorded
outing, to the coronation of Catherine of Valois, the wife of King
Henry V, in 1421 at Westminster Abbey. Timed to coinicide with the
first ever public exhibition of the Crystal Sceptre, which opens on
the occasion of the 600-year anniversary of the Battle of
Agincourt, this new book will present the Sceptre and over 80 of
the finest and most historic pieces in the plate collection at
Mansion House - the home, office and centre of entertainment for
the Lord Mayor of the City of London. The regalia includes several
famous items, notably the 16th-century gold and enamel Chain of
Esses, the great Mace of 1735-36 and the Pearl Sword of the 1570s,
carried by the Lord Mayor before the Sovereign on visits to the
City. The silver-gilt and silver, used constantly during the year,
includes pieces by some of the greatest names of English
silversmithing - Paul de Lamerie and Paul Storr, for example - but
also rare ones by more modern masters - Latino Movio and Omar
Ramsden - including masterpieces previously completely unknown to
silver historians. An inscription on a silver-gilt cup presented to
the Lord Mayor in 1741 records that the intention of the gift was
to increas - the Honour and Grandeur - of the City of London. It is
just one piece of a vast, eclectic and exceptional collection of
plate, which is constantly in use at the Guildhall and Mansion
House today to uphold that honour and in the grandest way possible
- a rare survival of medieval practices of display. The quality and
quantity of the 19th- and 20th-century pieces in particular is
extraordinary. This volume is the third in the series on the
treasures of Mansion House, following The Harold Samuel Collection
of Dutch and Flemish Paintings (2012) and Magnificent Marble
Statutes: A Guide to the Sculpture at the Mansion House (2013).
Intended to introduce to a broad audience the plate collection - as
well as the history of the Lord Mayors, the City guilds and Mansion
House itself, and the formation of the collection, it will also be
of interest to specialists in silver, who will discover many
masterpieces of style and technique.
1. The book is the first comprehensive review of the 95-year
development of Chinese animation. 2. All students and scholars of
film studies, especially Chinese animation would benefit from this
volume. 3. This book would be a useful reference to learn about the
developmental trajectory of Chinese animation.
An accessible look at the many regional styles of architecture in
Spain, from Roman times to the present. Covering all regions of
Spain, from Bilbao's Guggenheim Museum to Granada's Islamic palace
of La Alhambra, and all periods of Spanish architecture, from the
Roman aqueduct at Segovia to the modernistic German Pavilion in
Barcelona, this volume examines 68 of Spain's most important
architectural landmarks. Writing in a clear and engaging style,
Lapunzina describes the features, functions, and historical
importance of each structure. Besides identifying location, style,
architects, and periods of initial construction and major
renovation, the cross-referenced and illustrated entries also
highlight architectural and historical terms explained in the
glossary, and the book concludes with a useful listing of further
readings. The volume also offers lists of entries by location and
architectural time period, as well as a general bibliography, a
subject index, and a detailed introductory overview of Spanish
architecture. Part of the Reference Guides to National Architecture
series, this book looks at Spanish architecture from all regions,
and all periods of history.
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