Parks, maps, and mapping technologies like the GPS are objects of visual and material culture that rely on the interplay of text, context, image, and space to guide our interpretations of the world around us. LOCATING VISUAL-MATERIAL RHETORICS: THE MAP, THE MILL, AND THE GPS examines in depth, and in several contemporary settings, how visual and material discursive artifacts, when understood as rhetorical, shape our understanding of the unique cultural moments that these artifacts set out to represent. Using three cases that involve an exploration of the corporeal influence of the green spaces and commemorative sculptures at the Lowell Mills National Historical Park in Lowell, Massachusetts; the cartographic texts produced by GPS devices; and two maps involved in a federal court case about marine mammal protection, this book explores and tests the value of what Propen calls "visual-material rhetorics," or a visual rhetoric more expressly attuned to studies of space, the body, and materiality. Grounding all three cases is a theoretical approach that combines Michel Foucault's theory of heterotopias with Carole Blair's theory of material rhetoric. Such an approach brings Foucault's important work on spatiality into conversation with visual-material rhetorics to show how we benefit from conceptualizing rhetorical objects as not merely textual in the traditional sense but also as both visual and material-as spatial. Together, the cases in this book demonstrate how visual-material rhetorics illuminate the contexts that shape our various lived and embodied experiences and how visual-material rhetorics function in the service of advocacy. AMY D. PROPEN is Assistant Professor of Rhetoric and Composition at York College of Pennsylvania. She received her PhD in Rhetoric and Scientific and Technical Communication from the University of Minnesota. Her research on visual rhetoric, critical cartographies, and rhetoric as advocacy has appeared in journals and edited collections, including Technical Communication Quarterly, Written Communication, ACME: An International E-Journal of Critical Geographies, and Rethinking Maps: New Frontiers in Cartographic Theory. She is co-author, with Mary Lay Schuster, of Victim Advocacy in the Courtroom: Persuasive Practices in Domestic Violence and Child Protection Cases.

Discover the history and theory of graphic design from the past 150 years, and how that comes to bear on contemporary design. Designer, writer and lecturer Theo Inglis takes readers through the core building blocks of graphic design such as composition, colour, medium and typography, and explores how each has been utilized and revolutionized by designers through history, and up to the present day. This book will expand your knowledge of the world of design and provide you with practical take-aways to inform your own creative practice.

This third volume of the Series on the Colonial Economy of NSW (1788-1835) researches the formation, operation and use of labour in the numerous Government Business Enterprises. This volume supplements the studies on the Colonial Economy and the other most important economic driver - the commissariat. The economic history of NSW and essentially that of early Australia is set out in this series.

From their ancestral heartland by the shores of the Aral Sea, the medieval Oghuz Turks marched westwards in search of dominion. Their conquests led to control of a Muslim empire that united the territories of the Eastern Islamic world, melded Turkic and Persian influences and transported Persian culture to Anatolia. In the eleventh and twelfth centuries the new Turkic-Persian symbiosis that had earlier emerged under the Samanids, Ghaznavids and Qarakha-nids came to fruition in a period that, under the enlightened rule of the Seljuq dynasty, combined imperial grandeur with remarkable artistic achievement. This latest volume in The Idea of Iran series focuses on a system of government based on Turkic 'men of the sword' and Persian 'men of the pen' that the Seljuqs (famous foes of the Crusader Frankish knights) consolidated in a form that endured for centuries. The book further explores key topics relating to the innovative Seljuq era, including: conflicted Sunni-Shi'a relations between the Sunni Seljuq Empire and Ismaili Fatimid caliphate; architecture, art and culture; and politics and poetry.Istvan Vasary looks back in Chapter 1 to the early history of the Turks in the wider Iranian world, discussing the debates about the dating and distribution of the early Turkish presence in Central Asia, Iran and Afghanistan. NizaAZm al-Mulk is the subject of Chapter 2, in which Carole Hillenbrand subjects this 'maverick vizier' to critical scrutiny. While paying due credit to his extraordinary achievements, she does not shy away from concluding that his career illustrates the maxim that 'power corrupts and absolute power corrupts absolutely'. A fitting antagonist for NizaAZm al-Mulk is the subject of Chapter 3, in which Farhad Daftary follows the career of the remarkable revolutionary leader Hasan-i SabbaAZh and the history of the Ismaili state-within-a-state that he founded with his capture of the fortress of Alamt in 1090. In Chapter 4 David Durand-Guedy examines the Seljuq Empire from the viewpoint of its (western) capital, Isfahan. He concentrates on the distinction between the parts of Iran to the west of the great deserts (and in close connection to Iraq and Baghdad) and the parts to the east, notably Khorasan, with its ties to Transoxiana and Tokharestan.Vanessa Van Renterghem in Chapter 5 challenges the long-held view that the Seljuq takeover of Baghdad represented a liberation of the Abbasid caliphs from their burden-some subordination to the heretical Buyids. Alexey Khismatulin in Chapter 6 presents a forensic examination of two important works of literature, casting doubt on the authorship of both the Siyar al-muluAZk attributed to NizaAZm al-Mulk and the NasAZhat al-muluAZk ascribed to al-GhazaAZlAZ. In Chapter 7 Asghar Seyed-Gohrab discusses the poetry of the Ghaznavid and Seljuq periods, demonstrating the poets' mastery of metaphor and of extended description and riddling to build suspense. The final chapter by Robert Hillenbrand shifts the focus from texts and literature to architecture and to that pre-eminent Seljuq masterpiece, the Friday Mosque of Isfaha

Sinan was the greatest architect of the Ottoman Golden Age of the sixteenth century - when the Ottoman Empire reached its zenith of power and magnificence. His style marks the apogee of Turkish art. Under Suleyman the Magnificent and his succcessor Selmi II, Sinan designed hundreds of buildings: mosques, palaces, tombs, mausolea, hospitals, schools, caravanserai, bridges, aqueducts and baths, many of them presented and analysed in this book. In his greatest works, he adapted Byzantine and Islamic styles to produce something quite new: a centralized organization of absolute space unhindered by pillars or columns and covered by a soaring dome. An architect of genius in a dynamic new empire expanding into both Asia and Europe, he was a true man of the Renaissance.

AH-HA! I SEE IT NOW!

Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha! of creativity.

Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping that light bulb turned on.

Now, Betty Edwards, author of Drawing on the Right Side of the Brain, the million-copy best-seller that proved all people can draw well just as they can read well, has decoded the secrets of the creative process to help you tap your full creative potential and apply that power to everyday problems. How does Betty Edwards do this? Through the power of drawing -- power you can harness to see problems in new ways.

Through simple step-by-step exercises that require no special artistic abilities, Betty Edwards will teach you how to take a new point of view, how to look at things from a different perspective, how to see the forest and the trees, in short, how to bring your visual, perceptual brainpower to bear on creative problem-solving.

You will learn how the creative process progresses from stage to stage and how to move your own problem-solving through these key steps:

* First insight
* Saturation
* Incubation
* Illumination (the Ah-Ha!)
* Verification

Whether you are a business manager, teacher, writer, technician, or student, you'll find Drawing on the Artist Within the most effective program ever created for tapping your creative powers. Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art.

Glass has long transformed the architectural landscape. From the Crystal Palace through to the towering glass spires of today's cities, few architectural materials have held such immense symbolic resonance in the modern era. The Age of Glass explores the cultural and technological ascension of glass in modern and contemporary architecture. Showing how the use of glass is driven as much by changing cultural concerns as it is by developments in technology and style, it traces the richly interwoven material, symbolic, and ideological histories of glass to show how it has produced and dispersed meaning in architecture over the past two centuries. The book's chapters focus on key moments within the modern history of architecture, moments when glass came to the forefront of architectural thought, and which illustrate how glass has been used at different times to project different cultural ideas. A wide range of topics are explored - from the tension between expressionism and functionalism, to the persistent theme of glass and social class, to how glass has reflected political ideas from Nazism through to today's global consumer capitalism. The book also grapples with current arguments about sustainability, while, taking into account the advent of digital LED screens and 'smart glass', offering new cultural perspectives on the future and asking what glass architecture will signify in the digital age. Combining close readings of buildings with insights drawn from research, plus good storytelling and strong contemporary relevance, The Age of Glass offers a fascinating new perspective on modern architecture and culture.